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Volume 11 Issue 2 - October 2005

  • Text
  • Toronto
  • Choir
  • October
  • Concerts
  • Theatre
  • Jazz
  • Musical
  • Singers
  • Orchestra
  • Arts

TMANews CONTINUED the

TMANews CONTINUED the program: With a view to enriching the musical experience of students entering high school music programs, the TMA Music Education Committee is offering specialist classes that focus on the rhythmic dimensions of musical traditions emanating from Cuba, Brazil and the Caribbean. The committee is offering three classes per week, within a three-week time frame. The project is conceived as an intensive rhythmic immersion. Three different artist/musicians will offer one area of focus. Our hope is that the initiative will inspire understanding and exploration, and spearhead the development of small ensembles where improvisation is a major component in the music. The intent is to collaborate with both music teachers and classroom teachers, offering resources and templates for ongoing development. Instrument bank: Do you have an instrument you would like to lend or donate to the TMA for use by a deserving student? Do you know of a student needing an instrument? Please contact Corkie Davis at corkie.davis @sympatico.ca if you can help direct us to the above. We are currently meeting with Kiwanis and other Toronto based groups to put together a mentor/ instrument lending program for students who need encouragement. We would like to hear from you. Memorabilia: The Toronto Musicians' Association has a lot of old memorabilia and some interested members have been going through this treasure trove to begin the long process of cataloguing and archiving. If you have any material of interest from the early days of the Toronto music scene, please contact the office so that we can begin gathering a list of resources. Contact TMA President Rosemary Galloway at 416-421-1020 ext 222 or email rgalloway@torontomusicians.org We'd like to hear from you: The Toronto Musicians' Association invites WholeNote reader feedback on this column. If you have any suggestions for news items relating to members of the Toronto Musicians' Association please forward them to ' Brian@Blain.com. Please include the word "WholeNote" in the subject line. 56 Back to Ad Index BooK Shelf by Pamela Marg/es I LOVE DIARIES AND MEMOIRS written by musicians, especially when the writers are such fascinating characters as composer Giacomo Meyerbeer and cellist Janos Starker. The immediacy of a first-person account pulls you right into the writer's creative world. Historians can easily miss this level of authentic engagement, but not Richard Taruskin. In his magisterial new history of music, he has managed to pull the individual strands together - those who make the music, the ideas behind it and the impact it has - to create a panorama vibrant with immediacy. The Diaries of Giacomo Meyerbeer Volume 4 1857 - 1864: The Late Years Trans. Robert Ignatius Letellier Fairleigh Dickinson University Press Illustrated 718 pages .50 US 'Today I have resolved to try to curtail my daydreaming', Meyerbeer wrote in his diary on July 22, 1858. He was already sixty-seven years old, and the leading operatic composer of his day. Yet he continually recorded 'new resolutions to use time more prudently and industriously'. Sometime he was prevented from working by a 'moral agitation' or 'depressed mood', caused by nasty critics and gossip, or worries about his wife's health and his own painful illnesses. Yet he was prodigiously productive. He would spend hours working on his final operas, Dinorah and l 'Africaine, then improvise at the piano, supervise rehearsals, or coach singers. Most evenings he attended operas and concerts, or dined either with colleagues like Berlioz, Offenbach, Gounod and Liszt, or with the political and social elite, a surprising number of whom write operas. Yet music always came first. He passed up a weekend with Emperor Napoleon III to work. Invited to dine with Princess Karl, he told her he had to go to Leipzig, for a performance of Handel's Messiah. He seems a loving and charming man, but restrained - in contrast to the extravagant characters in his operas. His work came even WWW. THEWHOLENOTE.COM before his family. When he announced his decision to move to a smaller house in Berlin because he was away working so much, he was actually surprised when his wife burst into tears. For her birthday he gave her 'six seamless linen sheets, works of Shakespeare and Lessing' . This is the final volume of a four volume set. Letellier's accomplishment in editing, translating, annotating and indexing this extraordinary document is heroic, especially with Meyerbeer so incomprehensibly unfashionable and overlooked today. He is an important composer of much beautiful music. This diary gives us an invaluable window into his life and milieu. The World of Music According to Starker: A Memoir By Janos Starker Indiana University Press 351 pages, photos, enclosed CD; .95 us Cellist Janos Starker's career is loaded with triumphs. Yet his greatest triumph, according to this memoir, remains the performance he gave to Russian border guards to escape from Russian-occupied Hungary at the end of the war. Given the horrors of war he survived, when both his brothers were shot, it's hardly surprising that his views can be outrageous and cynical. Yet they are coloured by his passionate belief in the power of music. The most extrordinary characters he encounters tend to be fellow Hungarians, like the conductor Fritz Reiner, who was 'the best; knowledge, total control, minimal gestures, no time-wasting, and no show-biz'. On the other hand, working with Karajan was a 'disgusting experience', with the ill-prepared conductor inexplicably trying to reverse the order of the movements of the Prokoviev cello concerto they were working on. Starker is a powerful writer. His three fanciful short stories are moving, yet artificial. But the concise treatise on string-playing included here shows why his teaching has produced so many outstanding cellists. The disarming passion, curiosity and imagination that shape his music-making - as the enclosed CD attests - and teaching are revealed throughout this compelling memoir. The Oxford History of Western Music By Richard Taruskin Oxford University Press Illustrated, six volumes, 4250 pages, 9 US Richard Taruskin's hefty new history of western music is hard to put down. Taruskin's knowledge is broad, especially in early music, Russian music and modernism and his experience is vast, as ; musician, professor and journalist. Even his notorious provocativeness is an asset; this is history delivered with passion and personality. There are five volumes of text, and a sixth volume of documentation, with indexes, a bibliography, notes, and a chronology. The text is illustrated with musical examples, facsimiles of scores written in the composers' hands, charts, prints, paintings and photos. The first three volumes go up to the end of the 19th century, and the 20th century is split between the fourth and fifth volume. Taruskin emphasizes that his aim is to explain 'why and how things happened as they did', not to offer an encyclopedic survey of composers and movements. He uses pivotal works like Monteverdi's Difeo and Stravinsky's Octet to analyze concepts like the origins of opera and the roots of modernism. With his broad scope, he considers matters like historical performance practices, as well as the influences of prevailing artistic tastes, religious factions, and political forces. He loves opportunities to offer etymological and literary references, as well as fashionable contemporary theories like poietics, though never without explaining them. His love of wordplay leads to chapter headings like The curtain goes up, Class and classicism, Class of 1685, You can't get there from here, and Cursed questions. But most of all he loves music. Confronting vital current issues like the future of art music he ends this splendid history on'a note of optimistic anticipation 'in the middle of things'. O CTOB ER 1 - N OVEM BER 7 2005

UNCLASSIFIED ADVERTISING ACCOUNTING AND INCOME TAX SERVICE for small business and individuals, to save you time and money, customized to meet your needs. Norm Pulker, B. Math. CMA. 905-251-0309 or 905-830-2985. ATTENTION SINGERS Village Voices choir is looking for new members, especially tenors. Our Christmas concert will include Vivaldi's Gloria and excerpts from Messiah. Rehearsals 7:30pm, Unionville Presbyterian Church, Village Parkway. Call 905-881-0769 or just come along, you will be most welcome. BARD- EARLY MUSIC DUO playing recorder and virginal available to provide background atmosphere for teas, receptions or other functions - greater Toronto area. For rates and info call 905-722-5618 or email us at mhpape@interhop.net CELLIST WANTED to form duet with pianist to play light classical and other appropriate music at corporate events. Write performer@vif.com CLASSICAL GUITAR LESSONS RCM trained guitarist. Beginners welcome. Walter 416-924- 2168. CLASSICAL VOCAL SOLOISTS requiring help with career development, grant applications or audition trip co-ordination. Fifteen years experience available to further your career. Fox 519-662-2777 to find out more. COUNTERPOINT COMMUNITY ORCHESTRA needs volunteer musicians. Monday evening rehearsals. Concerts (December, March & June). All sections, esp. violins. Terry 416-658-5359 - paul.t.willis@on.aibn.com DON'T QUIT MUSIC - Try one lesson free: Extremely effective method unknown in America' Piano or any other instrument/ voice, any level - wonderful results instantly1 Vladimir 416-321-5627 bethebestinm usic @yahoo.com EAR TRAINING, MUSICIANSHIP. SIGHT­ SINGING, THEORY, JAZZ THEORY. All levels, professional/serious beginners. Art Levine, MA, ARCT. Host. "Art Music", CBC. 30 years experience: RCM, UofT, York. 416-924-8613. www.artlevine.com; artlevine@sympatico.ca EUROPEAN-TRAINED CELLO TEACHER is accepting students for private lessons. Don Mills/Eglinton location tel. 416-696-1435. EVE EGOYAN seeks advanced, committed piano students (emu@ interlog.com or 416-504-4297). e:Sound advice ... on residential real estate in central Toronto Jay Blair, u.e. sales representative If you're thinking of buying or selling call for a complimentary consultation -111111 111111111111111 at your home ROYAL LEPAGE or office. -1111111111111111111111 416.921.1112 jayblair.com TSO . Tafelrriusik volunteer O CTOBER 1 - N OVEM BER 7 2005 Back to Ad Index FESTIVAL WIND ORCHESTRA is seeking new members, especially oboe, saxophones, percussion and trombones. Professional conductor. Rehearsals on Tuesdays at 7:30p.m. Yonge/Sheppard area. For details, phone 416-491-1683 or visit www.festivalwindorchestra.com FIVE FOOT KNABE GRAND PIANO in good playing condition for sale. Moving to Nova Scotia. 00 or best offer. Thompson's 905-832- 1250. HAVE YOU EVER WANTED TO SING, thought you wouldn't or couldn't, or do you just want a place to play with the possibilities of your voice. Small groups. 6-. Johanne, 416-461-8425. HUNGARIAN VIOLIN MAKER, STEVEN KOVACS. Handmade violins with powerful sound, for professional and student. Call after 6pm. 905-886-7374 (Thornhill). "LOOKING FOR A COPYIST?" Attention composers, copyist specialist in Contemporary Classical Music. Professional and good rates. Alex Jimenez (416)856-8800 alexpuit@gmail.com MARC ENKIN is now accepting daytime students in his west-end studio. Piano, guitar, voice, theory, songwriting. Specializing in jazz and pop styles. Call 416-763-2058. Runnymede subway. BFA from York University, diploma from Berklee College of Music. MUSIC FOR ALL OCCASIONS! Small ensembles, Dance Band, Big Band; Cocktail Hour, Dinner music, Concerts, Shows; Classical, Contemporary, Dixieland, Traditional and Smooth J azzl JSL Musical Productions 905- 276-3373. MUSICIANS, DESIGN YOUR OWN WEBSITE! Outstanding Online Website Builder. No html. Update anytime. Low monthly fee includes hosting. Graphics, AV. opt-in lists, ecommerce. Support available. Free trial atwww.websforthearts.com 416- 562-0669. OLD/NEW INSTRUMENTS AND/OR MUSIC EQUIPMENT needed for non-profit organization. Will be provided to at-risk youth. We will pick-up. Please mention this ad. Contact: faiza@secondlinemusic.ca The PERFORMING EDGE Performance enhancement training in tension management. concentration, goal setting, imagery. Individualized to meet your performance situation. Kate F. Hays, practising clinical and performing arts psychology. 416-961-0487, www.theperformingedge.com HOLD YOUR NEXT RECITA REHEARSAL, PRACTICE Teaching and Coaching studio available. Bloor & Sherbourne . per hour. Grand Piano and Audio Video equipment. Call 416-927-9800. SERIOUS PIANO STUDENTS. CONCERT PIANIST, active performing and teaching career at prestigious universities, ARCM London(UK), BBC artist. 8 published CD's, last performed in Japan and on tour in China with the Shanghai Broadcasting Orchestra. Has openings for committed and serious students. For more info see: www.almapetchersky.com Centrally located. almapet@tarnopolsky.com Phone 416-389- 7737. SIMONE TUCCI Piano Tuner-Technician - Complete Piano Care Service - 'Concert'Studio'Home'. Affiliated with The Royal Conservatory of Music piano service staff. Registered Craftsman Member of O.G.P.T. Inc. Associate Member of PTG. Servicing Toronto and G.T.A. areas. Call: 416-993-6332. SINGING LESSONS Experienced, qualified Bae. Music, Classical, Semi-popular, all levels. Central location. Interest in disabilities. 416- 924-3877. TRUMPETER (classical, popular) available for churches, receptions, weddings, parties. Call Randall Pilson, ARCT, BFA, 416-864-0512. VIOLIN TEACHER, European trained, 20 yrs. experience. Student average mark at RCM exams - 85%. Call Martin 416-494-3366. VIOLIN. A HIGHLY EXPERIENCED and very successful teacher from Moscow, M.Mus., M.Mus.Ed. welcomes students of all levels. Please call: 416-782-7244. Slava. VOICE AND PIANO LESSONS Exceptional teacher accepting limited number of students for new studio in The Beaches. All Levels - Great Rates. Jane: (416)231 -5617 learn2sing@rogers.com Elderly Musician volunteers wanted! l\euroscientists from The Research Division of Baycrest Centre are investigating the impacts oflife long musical experiences on aging and brain function. If you are cunently an active musician over the age of 60, please call us at 416-785-2500 Ext 2080 Financial rerncmeration ,s offered.~~~ pPPp1' f~ ~ .'-_l r( Jiii beliconian hall A beautiful restored Carpenter's Gothic board and batten church building in the heart of Yorkville can be rented at reasonable rates for musical events. Steinway Grand piano included. A high, vaulted ceiling provides excellent concert-hall acoustics. Capacity up to 120. Phone: 416-922-3618 Fax: 416-922-2431 WWW. THEWHOLENOTE . COM VOLUNTEER MUSICIANS & VOCALISTS WANTED by 3 ProAm big bands under the Sheraton Cadwell Group (www. sheratoncadwell.com): Saxophones/ Trumpets/Trombones/Guitar/Piano/Bass/ Drums. Contact Andrew today @ 416-712-2555. WANTED TENORS If you are between the ages of 20 and 40, looking for a classical voice teacher and solo performance opportunities please call Maestro Daniel @4 16-927-9800. WANTED TENORS Like to sing just for the joy of singing? Our 40+ member male choir is looking for a few more tenors - guys who like songs with substance - sacred and secular, opera to pops. We're on the web at www.menofnote.com or call Bill Sr. at 416-497- 5312. We meet Mondays in Stouffville. Join us! WANTED: PIANO INSTRUCTORS needed to teach at Daniel Hua Piano Studio. Teaching experience and professional qualifications required. Call Daniel (416)992-2896. .. ----------, TRYPTYCH I www.tryptych.org Winter Opera I Workshop Auditions I MENOTTI'S THE CONSUL I Auditioning for alt parts I Auditions witl take place: I I Saturday, October 15, 2005, llam - 3pm I Trinity Presbyterian Church I for more information and to book an I I audition please contact: I Barbara Goodbody I 416 485-8911 or barbara@tryptych.org I I Ar1istic0irectors I - E!!;:r~n::_ W!!:m ~o~ff, ~•r,!!!h!!!!g _. Release pain. Rda\. Breathe. ,\ Ion\ '--- l)r. l,;H;1ri1u Bubr f\ ",1 11.< ~\ll , JC :I \ .'\. ( :hiropractor -1-1(1-461- 190 () l,ri, :m.· pr:tc.:rkc. ( :(l\"cll &. I hnti,rrh arc l. DRIVERS WANTED to deliver WholeNote magazines in the GTA, one to two weekdays at the end of the month, between 10 am - 3 pm. Candidates must supply their own vehicle. Please call Sheila McCoy at 416-406-5055 or e-mail circulation@thewholenote.com 57

Volumes 21-24 (2015-2018)

Volume 24 Issue 8 - May 2019
Volume 24 Issue 7 - April 2019
Volume 24 Issue 6 - March 2019
Volume 24 Issue 5 - February 2019
Volume 24 Issue 4 - December 2018 / January 2019
Volume 24 Issue 3 - November 2018
Volume 24 Issue 2 - October 2018
Volume 24 Issue 1 - September 2018
Volume 23 Issue 9 - June / July / August 2018
Volume 23 Issue 8 - May 2018
Volume 23 Issue 7 - April 2018
Volume 23 Issue 6 - March 2018
Volume 23 Issue 4 - December 2017 / January 2018
Volume 23 Issue 3 - November 2017
Volume 23 Issue 2 - October 2017
Volume 23 Issue 1 - September 2017
Volume 22 Issue 9 - Summer 2017
Volume 22 Issue 8 - May 2017
Volume 22 Issue 7 - April 2017
Volume 22 Issue 6 - March 2017
Volume 22 Issue 5 - February 2017
Volume 22 Issue 4 - December 2016/January 2017
Volume 22 Issue 2 - October 2016
Volume 22 Issue 1 - September 2016
Volume 21 Issue 9 - Summer 2016
Volume 21 Issue 8 - May 2016
Volume 21 Issue 6 - March 2016
Volume 21 Issue 5 - February 2016
Volume 21 Issue 4 - December 2015/January 2016
Volume 21 Issue 3 - November 2015
Volume 21 Issue 2 - October 2015
Volume 21 Issue 1 - September 2015

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