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Volume 21 Issue 1 - September 2015

  • Text
  • September
  • Jazz
  • Toronto
  • Musical
  • Sept
  • Quartet
  • Concerto
  • Orchestra
  • Symphony
  • Violin
Paul Ennis's annual TIFF TIPS (27 festival films of potential particular musical interest); Wu Man, Yo-Yo Ma and Jeffrey Beecher on the Silk Road; David Jaeger on CBC Radio Music in the days it was committed to commissioning; the LISTENING ROOM continues to grow on line; DISCoveries is back, bigger than ever; and Mary Lou Fallis says Trinity-St. Paul's is Just the Spot (especially this coming Sept 25!).

evocative portrayal of

evocative portrayal of the old woman. We are lucky she was around so much this summer. Luminato Artistic Director Jörn Weisbrodt has one more festival under his helm before he passes on the reins. Luminato has been good for choirs in our region right from the start with such pieces as R. Murray Schafer’s The Children’s Crusade. But this summer’s Schafer work, Apocalypsis, was Luminato’s largest act of civic engagement so far; it was a truly monumental task to produce and assemble the forces needed for this. One thousand performers will forever remember this unique event in history. I myself made friends with choirs and people from Ottawa to Kitchener. Between the festivities of the Parapan Am and Pan Am games and the grandeur of Apocalypsis, city-building through choral music has been given a real shot in the arm. Here’s to much more! Building time: Followers of choral music are aware of the rehearsal hours and planning that go into a full season of music. There is often a lag between the start of the season and the first choral performances. It takes time to get a choir back into itself. Noel Edison puts it well when talking about the 130-voice Toronto Mendelssohn Choir: “There’s a lot of humanity in this room.” All choirs, regardless of size, need this time together to build good sound. As adults we may forget the mix of elation and comfort kids feel after returning to school from summer vacation. But this fun, slightly nervous feeling hits me afresh as choirs return from break and begin making sound anew. Most choristers will spend the first few rehearsals listening to funny quips from conductors about the dismal quality of the sound or cries of tone deafness, flat basses and sharp sopranos. (Tenors are always on pitch. Always.) The reality is that it takes a while for an ensemble to get back into it. Ensembles may have new members, they definitely have new repertoire. For choral music audiences, September is a quiet month as choristers get back into the habit. But for those of us in the choirs, we are busy at work. A few early birds, of course, are always the exception to the rule: Intersection: Toronto continues to offer some exemplary opportunities to experience the civic experience of choral music with Contact Contemporary Music’s Intersection: New Music Marathon on September 5. Christine Duncan and the Element Choir will be making an appearance at Yonge-Dundas Square along with a host of other performers in a display of performance and interactive installations. Check them out starting at 2pm. Wilfrid Laurier leads its school year performances October 4 with “Sing Fires of Justice 10th Anniversary Concert.” Held at St Matthew’s Lutheran Church, donations are accepted in lieu of ticket sales. For ten years now, WLU has used this concert as a commemoration of murdered and missing indigenous women across Canada creating a fusion of community-based music and social justice. Sweetwater: In the last couple of years there have been quite a few productions of Bach’s Mass in B Minor (one of which I performed in with the Toronto Mendelssohn Choir). I am excited to see it on the lineup for the Sweetwater Music Festival staged as a sing-a-long September 19 at 1pm in Owen Sound. There are quite a few moments of emotion in the piece that are a pleasure to sing as a performer. The Gloria in Excelsis Deo is one not to miss with its bold trumpets and the choir going almost at full tilt before settling into the beautifully gentle Et in Terra Pax. Conductors Kenneth Slowik and Adrian Butterfield have rightfully chosen the Gloria as a feature in the singa-long. Unless one is in the Amadeus, Oakham House Choir or Tafelmusik’s sing-a-long Messiah how often does one get to sing with an orchestra? The Bach’s Mass in B Minor can be watched in full the next day, September 20 at 3pm. Singsation: The Centre for Social Innovation and the Toronto Mendelssohn Choir are offering a free Culture Days’ Singsation. Singsation Saturdays are a mainstay for hundreds of people throughout the season and offer enjoyers of choral music a chance to sing some fabulous music with fantastic local conductors. A highlight of last year was COC chorus master Sandra Horst’s Opera Choruses Singsation. This year VOCA conductor Jenny Crober leads off with a smattering of diverse choral music. Culture Days runs from September 25 to 27 across the country. The Culture Days Singsation takes place September 26 at 10:30am. Free. Last year over 100 people sang, some of them for the first time ever with a choir, some of them for the first time since they were children. So the new season is upon us. I haven’t yet got any of my new music and rehearsals have yet to start. Like most choristers out there, I’m ready to get back into it and to tackle new works. With a chamber choir, a full symphonic choir and a concert band ahead this year – I’ll be busy. Rehearsing is often considered the painful part with performances as the reward. I very much feel that rehearsing is where the community is built, where the people come together and where choirs truly become great. Performances are merely evidence that everything else is working well. In this, choirs become fantastic acts of community, working together towards a goal. At the start of a new season, there is no time like this in the life of a chorister. A new season. New voices. New music. New challenges. It’s all very exciting. Now is the best time to find an ensemble, try it out and reignite or stoke that love for music and performance. Brian Chang is a bass clarinet- and horn-playing policy analyst who sings tenor. Follow him on Twitter @bfchang PETER MAHON Sales Representative 416-322-8000 pmahon@trebnet.com www.petermahon.com CABARET SERIES Sundays at 8:00PM THAT CHOIR 15|16 conducted by Craig Pike www.thatchoir.com | @thatchoir | #choirsarecool THAT CHOIR REMEMBERS | THAT CHOIR CAROLS | THAT CHOIR KITCHEN PARTY | THAT CHOIR HORIZONS 32 | Sept 1 - Oct 7, 2015 thewholenote.com

Elmer Iseler Singers Lydia Adams, Conductor and Music Director Join us for our 2015~2016 Concert Series Joyful Sounds Songs of Thanksgiving Sunday, October 18, 2015 at 4:00 pm Eglinton St. George’s United Church Trillium Brass Quintet 35 Lytton Blvd., Toronto with the Trillium Brass Quintet and Shawn Grenke, organ Handel’s Messiah with the Amadeus Choir, Friday, December 4, 2015 at 8:00 pm Metropolitan United Church 56 Queen Street East, Toronto (at Bond Street) Meredith Hall , Soprano ; Laura McAlpine , Mezzo Soprano; Bud Roach , Tenor ; Matthew Zadow, Baritone Robert Venables and Robert DiVito, Trumpets Patricia Wright, Organist and Orchestra Meredith Hall Laura McAlpine Bud Roach Matthew Zadow La Création du Monde Thursday, March 31, 2016 at 8:00 pm Koerner Hall, Royal Conservatory of Music with the Esprit Orchestra, Alex Pauk, Conductor Musical Friends Sunday, Ma y 8, 2016 at 4:00 pm Eglinton St. George’s United Church 35 Lytton Blvd., Toronto with VivaVoce of Montreal Lydia Adams and Peter Schubert, Conductors Alex Pauk SUBSCRIBE NOW! To order tickets, call 416-217-0537 Series Sponsor 416-217-0537 www.elmeriselersingers.com thewholenote.com Sept 1 - Oct 7, 2015 | 33

Volume 26 (2020- )

Volume 26 Issue 1 - September 2020
Volume 26 Issue 2 - October 2020
Volume 26 Issue 3 - November 2020
Volume 26 Issue 4 - December 2020 / January 2021

Volumes 21-25 (2015-2020)

Volume 25 Issue 9 - July / August 2020
Volume 25 Issue 8 - May / June 2020
Volume 25 Issue 7 - April 2020
Volume 25 Issue 6 - March 2020
Volume 25 Issue 5 - February 2020
Volume 25 Issue 4 - December 2019 / January 2020
Volume 25 Issue 3 - November 2019
Volume 25 Issue 2 - October 2019
Volume 25 Issue 1 - September 2019
Volume 24 Issue 8 - May 2019
Volume 24 Issue 7 - April 2019
Volume 24 Issue 6 - March 2019
Volume 24 Issue 5 - February 2019
Volume 24 Issue 4 - December 2018 / January 2019
Volume 24 Issue 3 - November 2018
Volume 24 Issue 2 - October 2018
Volume 24 Issue 1 - September 2018
Volume 23 Issue 9 - June / July / August 2018
Volume 23 Issue 8 - May 2018
Volume 23 Issue 7 - April 2018
Volume 23 Issue 6 - March 2018
Volume 23 Issue 4 - December 2017 / January 2018
Volume 23 Issue 3 - November 2017
Volume 23 Issue 2 - October 2017
Volume 23 Issue 1 - September 2017
Volume 22 Issue 9 - Summer 2017
Volume 22 Issue 8 - May 2017
Volume 22 Issue 7 - April 2017
Volume 22 Issue 6 - March 2017
Volume 22 Issue 5 - February 2017
Volume 22 Issue 4 - December 2016/January 2017
Volume 22 Issue 2 - October 2016
Volume 22 Issue 1 - September 2016
Volume 21 Issue 9 - Summer 2016
Volume 21 Issue 8 - May 2016
Volume 21 Issue 6 - March 2016
Volume 21 Issue 5 - February 2016
Volume 21 Issue 4 - December 2015/January 2016
Volume 21 Issue 3 - November 2015
Volume 21 Issue 2 - October 2015
Volume 21 Issue 1 - September 2015

Volumes 16-20 (2010-2015)

Volumes 11-15 (2004-2010)

Volumes 6 - 10 (2000 - 2006)

Volumes 1-5 (1994-2000)