"Come" seems to be the verb that knits this month's issue together. Sondra Radvanovsky comes to Koerner, William Norris comes to Tafel as their new GM, opera comes to Canadian Stage; and (a long time coming!) Jane Bunnett's musicianship and mentorship are honoured with the Premier's award for excellence; plus David Jaeger's ongoing series on the golden years of CBC Radio Two, Andrew Timar on hybridity, a bumper crop of record reviews and much much more. Come on in!
Beat by Beat | Mainly
Beat by Beat | Mainly Clubs, Mostly Jazz! stage, I nudged my friend and said, “This is definitely going to be my favourite.” I had said before that Sophia Perlman was my favourite jazz singer in the city and then quickly corrected myself. “One of my favourites. Top five.” The finale of the anniversary celebration invited the participation of the audience. A bunch of people with conducting experience came on stage, divided the audience into sections, and conducted each respective section in a rendition of the round Music Alone Shall Live, while Mary Lou Fallis accompanied us on the piano. “All things shall perish from under the sky. Music alone shall live, music alone shall live, music alone shall live, never to die.” The song is true. If not literally, then in some other way. Music may not survive the heat death of the universe, but it is transcendent and universal. It has existed since before recorded history and it – or at least evidence of it – will exist after our species has gone extinct. It could have been my imagination, or the nature of the music, or the elevation of the stage, or just the fact that we were in a church, but for me, it was a reverent moment. There was no dancing or even standing (excepting the conductors). Only a bunch of people simultaneously expressing a belief we all share, and which none of us takes lightly. Sophia Perlman: Vocal diamonds. Earlier that week I had gone to the Reservoir Lounge, a venue with less light, more food, and a louder audience, to hear Sophia Perlman. Accompanied by Farrugia on piano, the band also included Richard Underhill on alto sax, Jeff Halischuk on the drums and Mike Carson on bass. It was a marvellous show. The finale of the night, a cover of Paul Simon’s Diamonds on the Soles of Her Shoes, complete with vocal harmony from the band also invited audience participation. Before the night was over, everyone was on their feet. Most people danced. I’m not one for dancing, but I couldn’t sit for it. I had to sway. The music aside, the setting was different. The stage was less elevated. No one was in formal attire. Most people were drunk (I was not) and at times willing to talk over the band (also not I) – which I think made it all the more meaningful and beautiful when the audience did choose to hand over their attention to the musicians on stage. “Ta na na, Ta na na na” is not quite the statement that “music alone shall live, never to die” is. Nonetheless it lifted in a similar way to the Sophia Perlman at Trinity-St. Paul’s Centre (late September 2015) round in the church. So in retrospect, maybe it wasn’t the words. Maybe it was the joy of making music with other people. For the aforementioned jazz singer, Sophia Perlman, a large part of the joy of making music – specifically improvised music – with other people is the spontaneity of it. Jazz musicians aren’t known for their creative inflexibility or physical tension, but even in this idiom you will rarely see someone as loose, relaxed, comfortable on stage and comfortable in her skin as Perlman is. JOSHUA GOLDHAR C. In the Clubs (Mostly Jazz) bloomrestaurant.com All shows: 19+. Call for reservations. November 26 7pm Sophia Perlman (voice) Trio with Adrean Farrugia (piano), Ross Mac- Intyre (bass) (includes dinner). Castro’s Lounge 2116e Queen St. E 416-699-8272 castroslounge.com (full schedule) All shows: No cover/PWYC Every Wed 6pm The Mediterranean Stars. C’est What 67 Front St. E (416) 867-9499 cestwhat.com (full schedule) November 7, 21 3pm The Boxcar Boys. November 14, 28 3pm The Hot Five Jazzmakers. Chalkers Pub, Billiards & Bistro 247 Marlee Ave. 416-789-2531 chalkerspub.com (full schedule) De Sotos 1079 St. Clair Ave. W 416-651-2109 desotos.ca (full schedule) Every Sun 11am-2pm Sunday Live Jazz Brunch hosted by Anthony Abbatangeli No cover. Dominion on Queen 500 Queen St. E 416-368-6893 dominiononqueen.com (full schedule) Call for cover charge info. Emmet Ray, The 924 College St. 416-792-4497 theemmetray.com (full schedule) All shows: No cover/PWYC November 1 8pm Matt Marantz (sax) Quartet with Alex Goodman (guitar), Rick Rosato (bass), Jimmy MacBride (drums). November 2 7pm Jacob Damelin Trio; 9:30pm Keith Price (guitar) Trio with Mark Godfrey (bass), Curtis Nowasad. November 5 9pm John- Wayne Swingtet: Wayne Nakamura (guitar), Abbey Sholzberg (bass), John Farrell (guitar). November 8, 22 5:30pm Monk’s Music. November 8 8pm Autobahn: Jeff LaRochelle (sax), James Hill (piano), Ian Wright. November 9 7pm Christian Overton Quintet. November 12 9pm Bossa Tres: Victor Monsiváis (guitar), Abbey Sholzberg (bass). November 15 8pm Parker Abbott Trio: Teri Parker (piano), Simeon Abbott (piano, organ), Mark Segger (drums). November 16 9:30pm William Carn & Kelsey Grant (trombones). November 19 9pm Vokurka’s Vicarious Virtuoso Violin with Ed Vokurka (violin), John Fletcher (guitar), Abbey Scholzberg (bass). November 22 8pm Avi Granite & Ted Quinlan (guitars). November 23 7pm Max Senitt Trio; 9:30 Mark Godfrey Quartet. Fat City Blues 890 College St. 647-345-8282 Garage @ CSI Annex, The 720 Bathurst St. 416-619-4621 livefromtheannex.com November 3 ‘Live From the Annex’ monthly Cabaret (adv). Gate 403 403 Roncesvalles Ave. 416-588-2930 gate403.com All shows: PWYC. November 1 5pm Keith Price Blues Music from Winnipeg; 9pm Diablo’s Dust. November 2 5pm Mike Daley Jazz Trio; 9pm Bruce Chapman Blues Duo. November 3 5pm Howard Willett Blues Duo; 9pm Grant Lyle Blues Music. November 4 9pm Julian Fauth Blues Night. November 6 9pm Fraser Melvin Blues Band. November 7 5pm Bill Heffernan and His Friends. November 9 9pm Chris Staig Trio. November 11 5pm Michelle Rumball with friend; 9pm Julian Fauth Blues Night. November 12 9pm Kevin Laliberté Jazz & Flamenco Trio. November 13 9pm Denielle Bassels Jazz Band. November 14 5pm Bill Heffernan and His Friends. November 18 9pm Julian Fauth Blues Night. November 20 5pm Sam Broverman Jazz Duo. November21 5pm Bill Heffernan and His Friends. November 25 9pm Julian Fauth Blues Night. November 28 5pm Bill Heffernan and His Friends. November 30 Kalya Ramu Jazz Band. Grossman’s Tavern 379 Spadina Ave. 416-977-7000 grossmanstavern.com (full schedule) All shows: No cover (unless otherwise noted). November 1 4:30pm New Orleans Connection All Star Jazz Band; 10pm The National Blues Jam with Brian Cober. November 2 9:30pm The Band is called NO BAND REQUIRED. November 3 9:30pm Ms. Debbie & The Don Valley Stompers. Harlem Restaurant 67 Richmond St. E. 416-368-1920 harlemrestaurant.com (full schedule) All shows: 7:30-11pm (unless otherwise noted). Call for cover charge info. November 2, 9, 16, 23, 30 Neil Brathwaite. November 5, 12, 19, 26 Dirty Jazz. November 7 Liz Loughrey & Adrian X. November 13 Mellow Dee. November 14 Kristin Fung. November 20 Gyles. November21 The Jay Danley Ethiojazz Group. Hirut Cafe and Restaurant 2050 Danforth Ave. 416-551-7560 Home Smith Bar – See Old Mill, The 56 | Nov 1 - Dec 7, 2015 thewholenote.com
She has clearly worked hard at developing this craft, and she must know how good she is. But yet, offstage, she is as uncomfortable with flattery as anyone. When I told her I had transcribed one of her scat solos (All of Me at Shops at Don Mills, available on YouTube), she laughed nervously and said: “Don’t do that, I don’t know what I’m doing!” Imagine the luck that must be involved, to build a career of not knowing what you’re doing! Her voice has a rasp to it. Not the kind that comes from years of smoking, but the kind that might come from shouting excitedly about something for a few minutes. The rasp isn’t the defining feature of her voice, but to me it adds something to the performance that’s difficult to nail down. It’s shading. Musical shading. The rasp is good. But through the rasp comes a voice that is clear, powerful, and shockingly huge. I’ve only heard her perform live three times – each at a different venue, with a different ensemble. And each time the experience was radically different. In fact, if it wasn’t radically different, it wouldn’t be worth attending, never mind writing about. When she was a novice on the Toronto scene, Perlman says she found it “baffling, and at times really frustrating” how fluid lineups were. But – as evidenced by the performances I’ve seen, and the ease with which she adapts – she’s gotten used to that since then: “The beauty of belonging to this community is that every time you stand onstage, and take stock of who’s there, you realize there are two things at play: you have a relationship with everyone on the bandstand to some degree. Usually. But most of the time, they all have their own relationships with everyone else on the bandstand – a whole other collection of shared musical experiences, some of which don’t include you!” I’m excited, and I hope you’re excited, too: You can catch Sophia Perlman adapting to all manor of different factors at two listed gigs this month (and possibly more): one at Bloom in Toronto with Adrean Farrugia and Ross MacIntyre on November 26; the other at Manhattans Pizza Bistro & Music Club in Guelph with Terra Hazelton, under the name PerlHaze. Bob Ben is The WholeNote’s jazz listings editor. He can be reached at jazz@thewholenote.com. Hugh’s Room 2261 Dundas St. W. 416-531-6604 hughsroom.com All shows: 8:30pm (unless otherwise noted). November 1 Joey DeFrancesco Trio (adv)/(door). November 3 Tom Paxton .50(adv)/(door). November 4 Daniel Champagne (adv)/(door). November 5 Oliver Swain’s Big Machine – Never More Together Album Launch (adv)/.50(door). November 6 Ian Thomas (adv)/.50(door). November 10 JP Cormier – Take Your Chances Tour .50(adv)/(door). November 11, 12 Howard Jones – Solo Piano Performance .50(adv)/.50(door). November 13 8th Annual New Orleans Stomp! featuring Gregg Stafford & Detroit Brooks (adv)/(door). November 14 Carlos del Junco & The Blues Mongrels (adv)/.50(door). November 15 7:30pm Micah Barnes & Friends “Uptown: Tribute to The Apollo Theatre” .50(adv)/(door). November 16 Sherman Downey & Matthew Byrne (adv)/.50(door). November 17 Dione Taylor – CD Release – Born Free (adv)/.50(door). November 18 Eric Andersen (adv)/.50(door). November 19 The East Pointers (adv)/.50(door). November 20, 21 Stan Rogers Tribute C. In the Clubs (Mostly Jazz) (adv)/.50(door). November 23 8pm The Cherry Trees Band & Friends – A Fundraiser for the Water for Life Initiative (adv)/(door). November 24 Catholic Family Services of Toronto Foundation presents Jazz Night to End Woman Abuse (adv)/(door). November 26 Jay Aymar – CD/Book Release (adv)/.50(door). November 27 A Man called Wrycraft presents 10th Annual Heart of Saturday Night – A Live Concert Tribute to Tom Waits (adv)/(door). November 28 The Last Waltz – A Musical Celebration of The Band (adv)/(door). November 29 2pm Ken Whiteley’s Sunday Gospel Matinee (adv)/.50; 8:30pm The Last Waltz – A Musical Celebration of The Band (adv)/(door). November 30 Tara Beier & The Silverthorns (adv)/(door). Jazz Bistro, The 251 Victoria St. 416-363-5299 jazzbistro.ca November 1 7pm The Nathan Hiltz (guitar) Trio with Pat Collins (bass), Morgan Childs (drums) plays Gershwin . November 3 8pm The Eric St. Laurent (guitar) Quartet with Paul Pacanowski (sax), Jordan O’Connor (bass), Attila Fias (piano) . November 4 8pm Hump Day Blues with Michael Pickett . November 5, 6, 7 9pm The Steve Koven (piano) Trio with Rob Clutton (bass), Anthony Michelli (drums) (Thurs)/(Fri, Sat). November 10 7am Jazz FM – Piano Series. November 11 8pm Hump Day Blues with Professor Piano Scott Cushnie . November 12, 13, 14 9pm The Dave Young (bass) Sextet with David Restivo (piano), Terry Clarke (drums), Kevin Turcotte (trumpet), Landen Viera (sax), Drew Jurecka (violin) Plays Ellington (Thurs)/(Fri, Sat). November 15 8pm The Nightwatchers: Rupert Wates (guitar) and Bartosz Hadala (piano) . November 18 8pm Hump Day Blues with Shakura S’Aida . November 19 8pm George Olliver (voice) with Tony Padalino (piano), Peter Mueller (guitar), Eli Eisenburg (bass), Paul Delong (drums) . November 20, 21 9pm Broadsway: Heather Bambrick, Julie Michels & Diane Leah . November 22 7pm I hear Music: The Lorraine Foreman Songbook . November 26 8pm Swing Night with Colin Hunter (voice) and the Anthony Terpstra (drums) Seventet: Richard Whitehouse (piano), Dave Field (bass), Paul Tarussov (trombone), John Little (trumpet), Steve Mac- Donald (tenor sax), Anthony Rinaldi (bari sax) . November 27 8:30pm Colin Hunter (voice) with the Joe Sealy (piano) Quartet: Paul Novotny (bass), Daniel Barnes (drums), Alison Young (sax) . November 29 7pm Preludes and Pralines . Jazz Room, The Located in the Huether Hotel, 59 King St. N., Waterloo. 226-476-1565 kwjazzroom.com (full schedule) All shows: 8:30pm-11:30pm unless otherwise indicated. Attendees must be 19+. November 6 Paul Mitchell (trumpet) Quintet with Mike Massaro (sax), Joel Haynes (drums), Rob Fekete (piano), Clark Johnston (bass) . November 8 4pm Christian Howes Band (Ohio) . November 13 Benjamin Deschamps Quartet (Montreal) . November 14 Carol McCartney (voice) Group with Brian Dickinson (piano), Kieran Overs (bass), Reg Schwager (guitar), Chris Robinson (sax), Terry Clarke (drums) . November 20 New Vibes Quintet with Andy Macpherson (percussion and vibraphone), Dan Brennan (bass), Gary Tomlin (drums), John Zadro (piano), Jerzy Kaplanek (violin) . November21 Alex Dean’s Three Baritone Band . November 27 Jason White Trio . Joe Mama’s 317 King St. W 416-340-6469 joemamas.ca Every Tue 6pm Jeff Eager. Every Wed 6pm Thomas Reynolds & Geoff Torrn. Every Thurs 9pm Blackburn. Every Fri 10pm The Grind. Every Sat 10pm Shugga. Every Sun 6:30pm Organic: Nathan Hiltz (guitar); Bernie Senensky (organ); Ryan Oliver (sax), Morgan Childs (drums). KAMA 214 King St. W. 416-599-5262 kamaindia.com (full schedule) All shows: 5pm-8pm. La Revolucion 2848 Dundas St. W 416-766-0746 restaurantlarevolucion.com (full schedule) Local Gest, The 424 Parliament St. 416-961-9425 Lula Lounge 1585 Dundas St. W. 416-588-0307 lula.ca (full schedule) November 3 8pm La Otra Orilla .75(adv). Manhattans Pizza Bistro & Music Club 951 Gordon St., Guelph 519-767-2440 manhattans.ca (full schedule) All shows: PWYC. November 3, 18 John Zadro. November 7 Parker Abbott Trio. November 8, 22 Stan Chang. November 11, 25 Jokela, Vogan & Cooley. November 13 PerlHaze: Sophia Perlman & Terra Hazelton. November 14 Ori Dagan Trio. November 17 Brad Halls. Mezzetta Restaurant 681 St. Clair Ave. W 416-658-5687 mezzettarestaurant.com (full schedule) All shows: 9pm, (unless otherwise noted). Monarch Tavern 12 Clinton St. 416-531-5833 themonarchtavern.com (full schedule) November 9 7:30pm Martin Loomer & His Orange Devils Orchestra . Monarchs Pub At the Eaton Chelsea Hotel 33 Gerrard St. W. 416-585-4352 monarchspub.ca (full schedule) Wednesday shows: 7pm. Thursday shows: 8pm. All shows: No cover. November 4 The Ault Sisters. November 5 Mark “Bird” Stafford. November 11 Soren Nissen Trio. November 12 Crissinger Band. November 18 Cara Matthew. November 19 Michael Schatte. November 25 Brownman Electryc Trio. November 26 Jack de Keyzer. Morgans on the Danforth 1282 Danforth Ave. 416-461-3020 morgansonthedanforth.com (full schedule) All shows: 2pm-5pm. No cover. November 1 Fall Back into Jazz with Ilana Waldston (voice), Bernie Senensky (piano), Steve Wallace (bass). November 29 Lisa Particelli’s ‘Girls Night Out’ Jazz Jam. Musideum 401 Richmond St. W., Main Floor 416-599-7323 musideum.com (full schedule) November 1 8pm The Steve Koven Trio . November 6 8pm On Topic . November 8 3pm Beth Anne Cole: “LOVE A Gershwin Tune” . November 13 8pm Coleman Tinsley . November 14 8pm Peter Campbell . November 15 3pm Joel Sheridan Sings Billie & Frank . November 19 8pm Malkah Lerner & Andrew Downing . November 22 8pm Eva Green: Compared to What . November 24 8pm Steve Amirault . November 28 8pm Rose Stella . Nawlins Jazz Bar & Dining 299 King St. W. 416-595-1958 nawlins.ca All shows: No cover/PWYC. Every Tue 6:30pm Stacie McGregor. Every Wed 7pm Jim Heineman Trio. Every Thu 8pm Nothin’ But the Blues w/ guest vocalists. Every Fri 8:30pm All Star Bourbon St. Band. Every Sat 6:30pm Sam Heinman; 9pm All Star Bourbon St. Band. Every Sun 7pm Brooke Blackburn. thewholenote.com Nov 1 - Dec 7, 2015 | 57
Choral Scene: Uncharted territory: three choirs finding paths forward; Music Theatre: Loose Tea on the boil with Alaina Viau’s Dead Reckoning; In with the New: what happens to soundart when climate change meets COVID-19; Call to action: diversity, accountability, and reform in post-secondary jazz studies; 9th Annual TIFF Tips: a filmfest like no other; Remembering: Leon Fleisher; DISCoveries: a NY state of mind; 25th anniversary stroll-through; and more.
Online in flip through here, and on stands commencing Tues SEP 1.
Following the Goldberg trail from Gould to Lang Lang; Measha Brueggergosman and Edwin Huizinga on face to face collaboration in strange times; diggings into dance as FFDN keeps live alive; "Classical unicorn?" - Luke Welch reflects on life as a Black classical pianist; Debashis Sinha's adventures in sound art; choral lessons from Skagit Valley; and the 21st annual WholeNote Blue Pages (part 1 of 3) in print and online. Here now. And, yes, still in print, with distribution starting Thursday October 1.
Alanis Obomsawin's art of life; fifteen Exquisite Departures; UnCovered re(dis)covered; jazz in the kitchen; three takes on managing record releases in times of plague; baroque for babies; presenter directory (blue pages) part two; and, here at the WholeNote, work in progress on four brick walls (or is it five?). All this and more available in flipthrough HERE, and in print Tuesday Nov 3.
In this issue: Beautiful Exceptions, Sing-Alone Messiahs, Livingston’s Vocal Pleasures, Chamber Beethoven, Online Opera (Plexiglass & All), Playlist for the Winter of our Discontent, The Oud & the Fuzz, Who is Alex Trebek? All this and more available in flipthrough HERE, and in print Friday December 4.
July/August issue is now available in flipthrough HERE, bringing to a close 25 seasons of doing what we do (and plan to continue doing), and on stands early in the week of July 5. Not the usual bucolic parade of music in the summer sun, but lots, we hope, to pass the time: links to online and virtual music; a full slate of record reviews; plenty new in the Listening Room; and a full slate of stories – the future of opera, the plight of small venues, the challenge facing orchestras, the barriers to resumption of choral life, the challenges of isolation for real-time music; the steps some festivals are taking to keep the spirit and substance of what they do alive. And intersecting with all of it, responses to the urgent call for anti-racist action and systemic change.
"COVID's Metamorphoses"? "There's Always Time (Until Suddenly There Isn't)"? "The Writing on the Wall"? It's hard to know WHAT to call this latest chapter in the extraordinary story we are all of a sudden characters in. By whatever name we call it, the MAY/JUNE combined issue of The WholeNote is now available, HERE in flip through format, in print commencing Wednesday May 6, and, in fully interactive form, online at thewholenote.com. Our 18th Annual Choral Canary Pages, scheduled for publication in print and flip through in September is already well underway with the first 50 choirs home to roost and more being added every week online. Community Voices, our cover story, brings to you the thoughts of 30 musical community members, all going through what we are going through (and with many more to come as the feature gets amplified online over the course of the coming months). And our regular writers bring their personal thoughts to the mix. Finally, a full-fledged DISCoveries review section offers cues and clues to recorded music for your solitary solace!
After some doubt that we would be allowed to go to press, in respect to wide-ranging Ontario business closures relating to COVID-19, The WholeNote magazine for April 2020 is now on press, and print distribution – modified to respect community-wide closures and the need for appropriate distancing – starts Monday March 30. Meanwhile the full magazine is right here, digitally, so if you value us PLEASE SHARE THIS LINK AS WIDELY AS YOU CAN. It's the safest way for us to reach the widest possible audience at this time!
FEATURED: Music & Health writer Vivien Fellegi explores music, blindness & the plasticity of perception; David Jaeger digs into Gustavo Gimeno's plans for new music in his upcoming first season as music director at TSO; pianist James Rhodes, here for an early March recital, speaks his mind in a Q&A with Paul Ennis; and Lydia Perovic talks music and more with rising Turkish-Canadian mezzo Beste Kalender. Also, among our columns, Peggy Baker Dance Projects headlines Wende Bartley's In with the New; Steve Wallace's Jazz Notes rushes in definitionally where many fear to tread; ... and more.
Visions of 2020! Sampling from back to front for a change: in Rearview Mirror, Robert Harris on the Beethoven he loves (and loves to hate!); Errol Gay, a most musical life remembered; Luna Pearl Woolf in focus in recordings editor David Olds' "Editor's Corner" and in Jenny Parr's preview of "Jacqueline"; Speranza Scappucci explains how not to reinvent Rossini; The Indigo Project, where "each piece of cloth tells a story"; and, leading it all off, Jully Black makes a giant leap in "Caroline, or Change." And as always, much more. Now online in flip-through format here and on stands starting Thurs Jan 30.
Welcome to our December/January issue as we turn the annual calendar page, halfway through our season for the 25th time, juggling as always, secular stuff, the spirit of the season, new year resolve and winter journeys! Why is Mozart's Handel's Messiah's trumpet a trombone? Why when Laurie Anderson offers to fly you to the moon you should take her up on the invitation. Why messing with Winterreisse can (sometimes) be a very good thing! And a bumper crop of record reviews for your reading (and sometimes listening) pleasure. Available in flipthrough here right now, and on stands commencing Thursday Nov 28. See you on the other side!
On the slim chance you might not have already heard the news, Estonian Canadian composing giant Udo Kasemets was born the same year that Leo Thermin invented the theremin --1919. Which means this is the centenary year for both of them, and both are being celebrated in style, as Andrew Timar and MJ Buell respectively explain. And that's just a taste of a bustling November, with enough coverage of music of both the delectably substantial and delightfully silly on hand to satisfy one and all.
Long promised, Vivian Fellegi takes a look at Relaxed Performance practice and how it is bringing concert-going barriers down across the spectrum; Andrew Timar looks at curatorial changes afoot at the Music Gallery; David Jaeger investigates the trumpets of October; the 30th anniversary of the Velvet Revolution (and the 20th Anniversary of our October Blue Pages Presenter profiles) in our Editor's Opener; the Toronto Mendelssohn Choir at 125; Tapestry at 40 and Against the Grain at 10; ringing in the changing season across our features and columns; all this and more, now available in Flip Through format here, and on the stands commencing this coming Friday September 27, 2019. Enjoy.
Vol 1 of our 25th season is now here! And speaking of 25, that's how many films in the upcoming Toronto International Film Festival editor Paul Ennis, in our Eighth Annual TIFF TIPS, has chosen to highlight for their particular musical interest.
Also inside: Rob Harris looks through the Rear View Mirror at past and present prognostications about the imminent death of classical music; Mysterious Barricades and Systemic Barriers are Lydia Perović's preoccupations in Art of Song; Andrew Timar reflects on the evolving priorities of the Polaris Prize; and elsewhere, it's chocks away as yet another season creaks or roars (depending on the beat) into motion. Welcome back.
What a range of stuff! A profile of Liz Upchurch, the COC ensemble studio's vocal mentor extraordinaire; a backgrounder on win-win faith/arts centre partnerships and ways of exploring the possibilities; an interview with St. Petersburg-based Eifman Ballet's Boris Eifman; Ana Sokolovic's violin concert Evta finally coming to town; a Love Letter to YouTube, and much more. Plus our 17th annual Canary Pages Choral directory if all you want to do is sing! sing! sing!
Arraymusic, the Music Gallery and Native Women in the Arts join for a mini-festival celebrating the work of composer, performer and installation artist Raven Chacon; Music and Health looks at the role of Healing Arts Ontario in supporting concerts in care facilities; Kingston-based composer Marjan Mozetich's life and work are celebrated in film; "Forest Bathing" recontextualizes Schumann, Shostakovich and Hindemith; in Judy Loman's hands, the harp can sing; Mahler's Resurrection bursts the bounds of symphonic form; Ed Bickert, guitar master remembered. All this and more in our April issue, now online in flip-through here, and on stands commencing Friday March 29.
Something Old, Something New! The Ide(a)s of March are Upon Us! Rob Harris's Rear View Mirror looks forward to a tonal revival; Tafelmusik expands their chronological envelope in two directions, Esprit makes wave after wave; Pax Christi's new oratorio by Barbara Croall catches the attention of our choral and new music columnists; and summer music education is our special focus, right when warm days are once again possible to imagine. All this and more in our March 2019 edition, available in flipthrough here, and on the stands starting Thursday Feb 28.
In this issue: A prize that brings lustre to its laureates (and a laureate who brings lustre to the prize); Edwin Huizinga on the journey of Opera Atelier's "The Angel Speaks" from Versailles to the ROM; Danny Driver on playing piano in the moment; Remembering Neil Crory (a different kind of genius)' Year of the Boar, Indigeneity and Opera; all this and more in Volume 24 #5. Online in flip through, HERE and on the stands commencing Thursday Jan 31.
When is a trumpet like a motorcycle in a dressage event? How many Brunhilde's does it take to change an Elektra? Just two of the many questions you've been dying to ask, to which you will find answers in a 24th annual combined December/January issue – in which our 11 beat columnists sift through what's on offer in the upcoming holiday month, and what they're already circling in their calendars for 2019. Oh, and features too: a klezmer violinist breathing new life into a very old film; two New Music festivals in January, 200 metres apart; a Music & Health story on the restorative powers of a grassroots exercise in collective music-making; even a good reason to go to Winnipeg in the dead of winter. All this and more in Vol 24 No 4, now available in flipthrough format here.
Reluctant arranger! National Ballet Orchestra percussionist Kris Maddigan on creating the JUNO and BAFTA award-winning smash hit Cuphead video game soundtrack; Evergreen by name and by nature, quintessentially Canadian gamelan (Andrew Timar explains); violinist Angèle Dubeau on 20 years and 60 million streams; two children’s choirs where this month remembrance and living history must intersect. And much more, online in our kiosk now, and on the street commencing Thursday November 1.
Presenters, start your engines! With TIFF and "back-to-work" out of the way, the regular concert season rumbles to life, and, if our Editor's Opener can be trusted, "Seeking Synergies" seems to be the name of the game. Denise Williams' constantly evolving "Walk Together Children" touching down at the Toronto Centre for the Arts; the second annual Festival of Arabic Music and Arts expanding its range; a lesson in Jazz Survival with Steve Wallace; the 150 presenter and performer profiles in our 19th annual Blue Pages directory... this is an issue that is definitely more than the sum of its parts.
In this issue: The WholeNote's 7th Annual TIFF TIPS guide to festival films with musical clout; soprano Erin Wall in conversation with Art of Song columnist Lydia Perovic, about more than the art of song; a summer's worth of recordings reviewed; Toronto Chamber Choir at 50 (is a few close friends all it takes?); and much more, as the 2018/19 season gets under way.
PLANTING NOT PAVING! In this JUNE / JULY /AUGUST combined issue: Farewell interviews with TSO's Peter Oundjian and Stratford Summer Music's John Miller, along with "going places" chats with Luminato's Josephine Ridge, TD Jazz's Josh Grossman and Charm of Finches' Terry Lim. ) Plus a summer's worth of fruitful festival inquiry, in the city and on the road, in a feast of stories and our annual GREEN PAGES summer Directory.
In this issue: our sixteenth annual Choral Canary Pages; coverage of 21C, Estonian Music Week and the 3rd Toronto Bach Festival (three festivals that aren’t waiting for summer!); and features galore: “Final Finales” for Larry Beckwith’s Toronto Masque Theatre and for David Fallis as artistic director of Toronto Consort; four conductors on the challenges of choral conducting; operatic Hockey Noir; violinist Stephen Sitarski’s perspective on addressing depression; remembering bandleader, composer and saxophonist Paul Cram. These and other stories, in our May 2018 edition of the magazine.
In this issue: we talk with jazz pianist Thompson Egbo-Egbo about growing up in Toronto, building a musical career, and being adaptive to change; pianist Eve Egoyan prepares for her upcoming Luminato project and for the next stage in her long-term collaborative relationship with Spanish-German composer Maria de Alvear; jazz violinist Aline Homzy, halfway through preparing for a concert featuring standout women bandleaders, talks about social equity in the world of improvised music; and the local choral community celebrates the life and work of choral conductor Elmer Iseler, 20 years after his passing.
In this issue: Canadian Stage, Tapestry Opera and Vancouver Opera collaborate to take Gogol’s short story The Overcoat to the operatic stage; Montreal-based Sam Shalabi brings his ensemble Land of Kush, and his newest composition, to Toronto; Five Canadian composers, each with a different CBC connection, are nominated for JUNOs; and The WholeNote team presents its annual Summer Music Education Directory, a directory of summer music camps, programs and courses across the province and beyond.
In this issue: composer Nicole Lizée talks about her love for analogue equipment, and the music that “glitching” evokes; Richard Rose, artistic director at the Tarragon Theatre, gives us insights into their a rock-and-roll Hamlet, now entering production; Toronto prepares for a mini-revival of Schoenberg’s music, with three upcoming shows at New Music Concerts; and the local music theatre community remembers and celebrates the life and work of Mi’kmaq playwright and performer Cathy Elliott . These and other stories, in our double-issue December/January edition of the magazine.
In this issue: conversations (of one kind or another) galore! Daniela Nardi on taking the reins at "best-kept secret" venue, 918 Bathurst; composer Jeff Ryan on his "Afghanistan" Requiem for a Generation" partnership with war poet, Susan Steele; lutenist Ben Stein on seventeenth century jazz; collaborative pianist Philip Chiu on going solo; Barbara Hannigan on her upcoming Viennese "Second School" recital at Koerner; Tina Pearson on Pauline Oliveros; and as always a whole lot more!
In this issue: several local artists reflect on the memory of composer Claude Vivier, as they prepare to perform his music; Vancouver gets ready to host international festival ISCM World New Music Days, which is coming to Canada for the second time since its inception in 1923; one of the founders of Artword Artbar, one of Hamilton’s staple music venues, on the eve of the 5th annual Steel City Jazz Festival, muses on keeping urban music venues alive; and a conversation with pianist Benjamin Grosvenor, as he prepares for an ambitious recital in Toronto. These and other stories, in our October 2017 issue of the magazine.
In this issue: a look at why musicians experience stage fright, and how to combat it; an inside look at the second Kensington Market Jazz Festival, which zeros in on one of Toronto’s true ‘music villages’; an in-depth interview with Elisa Citterio, new music director of Tafelmusik Baroque Orchestra; and The WholeNote’s guide to TIFF, with suggestions for the 20 most musical films at this year’s festival. These and other stories, in our September 2017 issue of the magazine!
CBC Radio's Lost Horizon; Pinocchio as Po-Mo Operatic Poster Boy; Meet the Curators (Crow, Bernstein, Ridge); a Global Music Orchestra is born; and festivals, festivals, festivals in our 13th annual summer music Green Pages. All this and more in our three-month June-through August summer special issue, now available in flipthrough HERE and on the stands commencing Thursday June 1.
From science fact in "Integral Man: Music and the Movies," to science fiction in the editor's opener; from World Fiddle Day at the Aga Khan Museum to three Canadians at the Cliburn; from wanting to sashay across the 401 to Chamberfest in Montreal to exploring the Continuum of Jumblies Theatre's 20-year commitment to the Community Play (there's a pun in there somewhere!).
In this issue: Our podcast ramps up with interviews in March with fight director Jenny Parr, countertenor Daniel Taylor, and baritone Russell Braun; two views of composer John Beckwith at 90; how music’s connection to memory can assist with the care of patients with Alzheimer’s; musical celebrations in film and jazz, at National Canadian Film Day and Jazz Day; and a preview of Louis Riel, which opens this month at the COC. These and other stories, in our April 2017 issue of the magazine!
On our cover: Owen Pallett's musical palette on display at New Creations. Spring brings thoughts of summer music education! (It's never too late.). For Marc-Andre Hamelin the score is king. Ella at 100 has the tributes happening. All; this and more.
In this issue: an interview with composer/vocalist Jeremy Dutcher, on his upcoming debut album and unique compositional voice; a conversation with Boston Symphony hornist James Sommerville, as as the BSO gets ready to come to his hometown; Stuart Hamilton, fondly remembered; and an inside look at Hugh’s Room, as it enters a complicated chapter in the story of its life in the complex fabric of our musical city. These and other stories, as we celebrate the past and look forward to the rest of 2016/17, the first glimpses of 2017/18, and beyond!
In this issue: a conversation with pianist Stewart Goodyear, in advance of his upcoming show at Koerner Hall; a preview of the annual New Year’s phenomenon that is Bravissimo!/Salute to Vienna; an inside look at music performance in Toronto’s health-care centres; and a reflection on the incredible life and lasting influence of the late Pauline Oliveros. These and more, in a special December/January combined issue!
In this issue: David Jaeger and Alex Pauk’s most memorable R. Murray Schafer collabs, in this month’s installment of Jaeger’s CBC Radio Two: The Living Legacy; an interview with flutist Claire Chase, who brings new music and mindset to Toronto this month; an investigation into the strange coincidence of three simultaneous Mendelssohn Elijahs this Nov 5; and of course, our annual Blue Pages, a who’s who of southern Ontario’s live music scene- a community as prolific and multifaceted as ever. These and more, as we move full-force into the 2016/17 concert season- all aboard!
Music lover's TIFF (our fifth annual guide to the Toronto International Film Festival); Aix Marks the Spot (how Brexit could impact on operatic co-production); The Unstoppable Howard Cable (an affectionate memoir of a late chapter in the life of of a great Canadian arranger; Kensington Jazz Story (the newest kid on the festival block flexes its muscles). These stories and much more as we say a lingering goodbye to summer and turn to the task, for the 22nd season, of covering the live and recorded music that make Southern Ontario tick.
It's combined June/July/August summer issue time with, we hope, enough between the covers to keep you dipping into it all through the coming lazy, hazy days. From Jazz Vans racing round "The Island" delivering pop-up brass breakouts at the roadside, to Bach flute ambushes strolling "The Grove, " to dozens of reasons to stay in the city. May yours be a summer where you find undiscovered musical treasures, and, better still, when, unexpectedly, the music finds you.
INSIDE: The Canaries Are Here! 116 choirs to choose from, so take the plunge! The Nylons hit the road after one last SING! Fling. Jazz writer Steve Wallace wonders "Watts Goode" rather than "what's new?" Paul Ennis has the musical picks of the HotDocs crop. David Jaeger's CBC Radio continues golden for a little while yet. Douglas McNabney is Music's Child. Leipzig meets Damascus in Alison Mackay's fertile imagination. And "C" is for KRONOS in Wende Bartley's koverage of the third annual 21C Festival. All this and as usual much much more. Enjoy.
From 30 camp profiles to spark thoughts of being your summer musical best, to testing LUDWIG as you while away the rest of so-called winter; from Scottish Opera and the Danish Midtvest, to a first Toronto recital appearance by violin superstar Maxim Vengerov; from musings on New Creations and new creation, to the boy who made a habit of crying Beowulf; it's a month of merry meetings and rousing recordings reviewed, all here to discover in The WholeNote.
2016 is off to a flying start! We chronicle the Artful Times of Andrew Burashko, the violistic versatility of Teng Li, the ageless ebullience of jazz pianist Gene DiNovi and the ninetieth birthday of trumpeter Johnny Cowell. Jaeger remembers Boulez; Waxman recalls Bley's influence, and Olds finds Bowie haunting Editor's Corner. Oh, and did we mention there's all that music? Hello (and goodbye) to the February blues, and here's to swinging through the musical vines of the Year of the Monkey.
What's a vinyl renaissance? What happens when Handel's Messiah runs afoul of the rumba rhythm setting on a (gasp!) Hammond organ? What work does Marc-Andre Hamelin say he would be content to have on every recital program he plays? What are Steve Wallace's favourite fifty Christmas recordings? Why is violinist Daniel Hope celebrating Yehudi Menuhin's 100th birthday at Koerner Hall January 28? Answers to all these questions (and a whole lot more) in the Dec/Jan issue of The WholeNote.
"Come" seems to be the verb that knits this month's issue together. Sondra Radvanovsky comes to Koerner, William Norris comes to Tafel as their new GM, opera comes to Canadian Stage; and (a long time coming!) Jane Bunnett's musicianship and mentorship are honoured with the Premier's award for excellence; plus David Jaeger's ongoing series on the golden years of CBC Radio Two, Andrew Timar on hybridity, a bumper crop of record reviews and much much more. Come on in!
Vol 21 No 2 is now available for your viewing pleasure, and it's a bumper crop, right at the harvest moon. First ever Canadian opera on the Four Seasons Centre main stage gets double coverage with Wende Bartley interviewing Pyramus and Thisbe composer Barbara Monk Feldman and Chris Hoile connecting with director Christopher Alden; Paul Ennis digs into the musical mind of pianist Benjamin Grosvenor, and pianist Eve Egoyan is "On the Record" in conversation with publisher David Perlman ahead of the Oct release concert for her tenth recording. And at the heart of it all the 16th edition of our annual BLUE PAGES directory of presenters profile the season now well and truly under way.
Paul Ennis's annual TIFF TIPS (27 festival films of potential particular musical interest); Wu Man, Yo-Yo Ma and Jeffrey Beecher on the Silk Road; David Jaeger on CBC Radio Music in the days it was committed to commissioning; the LISTENING ROOM continues to grow on line; DISCoveries is back, bigger than ever; and Mary Lou Fallis says Trinity-St. Paul's is Just the Spot (especially this coming Sept 25!).
