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Volume 21 Issue 3 - November 2015

  • Text
  • November
  • Toronto
  • Jazz
  • Arts
  • Symphony
  • Orchestra
  • Musical
  • Theatre
  • Choir
  • Performing
  • Volume
"Come" seems to be the verb that knits this month's issue together. Sondra Radvanovsky comes to Koerner, William Norris comes to Tafel as their new GM, opera comes to Canadian Stage; and (a long time coming!) Jane Bunnett's musicianship and mentorship are honoured with the Premier's award for excellence; plus David Jaeger's ongoing series on the golden years of CBC Radio Two, Andrew Timar on hybridity, a bumper crop of record reviews and much much more. Come on in!

AUDITIONS &

AUDITIONS & OPPORTUNITIES AUDITION PREPARATION WORKSHOP SERIES FOR TEENS No Strings Theatre. Preparation for secondary and postsecondary arts school, community auditions, exams, festivals. More information www.nostringstheatre.com, directors@nostringstheatre.com, 416-551-2093. THE CELTIC FIDDLE ORCHESTRA OF SOUTHERN ONTARIO is looking for additional musicians: violin, viola, cello, bass and flute. We practice twice a month on Sunday afternoon at the QEPCCC in Oakville. Please contact Byron Grant at 905-469-1417 or email cfoso.exec@gmail.com COUNTERPOINT COMMUNITY ORCHESTRA (www.ccorchestra.org) welcomes volunteer musicians for Monday evening rehearsals, downtown Toronto. We’re especially looking for trombones and strings. Email info@ccorchestra.org. DO YOU LOVE TO SING? Are you looking for a choir that performs every type of sacred music, from Byrd to Britten, Howells to Hogan? The Anglican Church of St. John the Baptist seeks all voice types to enhance their Mass Choir. Services take place on Sundays at 10:30 AM in the Beaches, one of Toronto’s most active and artistic neighbourhoods. For more information, contact music@ stjohnsnorway.com or (647) 302-2074 SEEKING A CHORAL CONDUCTOR/ DIRECTOR. Effective immediately. Jewish women’s ensemble (SSAA), meets once/ week in North York. Conductor to be paid on a per rehearsal basis. Please send resume to debkara@gmail.com ALL I WANT FOR CHRISTMAS is 4 days in a good recording studio / 3 hours of massage therapy / 2 people to clean up my apartment while I’m away on tour / and 1 dog walker for those long rehearsal days... WholeNote CLASSIFIEDS can advertise your SERVICES or your HELP WANTED needs. Inquire now for the December & January combined issue classad@thewholenote.com Introducing BUSINESS CLASSIFIEDS! Ideal for ongoing promotion of your services and products to the WholeNote’s musically engaged readership, in print and on-line. Book by November 21 for Dec/Jan! classad@thewholenote.com Classified Advertising | classad@thewholenote.com INSTRUCTION & COURSES CHILDREN’S PIANO LESSONS: Friendly, approachable - and strict! Contact Liz Parker at 416-544-1803 or liz.parker@ rogers.com. Queen and Bathurst area, Toronto. FLUTE, PIANO, THEORY LESSONS. RCM exam preparation. RCM certified advanced specialist. Samantha Chang, FTCL, FLCM, Royal Academy of Music PGDip, LRAM, ARCT. Toronto, Scarborough 416-293-1302, samantha.studio@gmail. com www.samanthaflute.com PIANO LESSONS: personalized instruction by experienced teacher, concert pianist EVE EGOYAN (M. Mus., L.R.A.M., F.R.S.C.). All ages and levels. Downtown location. eve.egoyan@bell.net or 416- 603-4640. PRIVATE VOICE/PIANO/THEORY/ EAR-TRAINING LESSONS/GROUP MASTERCLASSES: Voices of Colour Music. Classical to contemporary styles. Preparation for RCM exams, festivals, auditions. info@voicesofcolourmusic.com, www.voicesofcolourmusic.com PRIVATE VOICE/PIANO/THEORY LESSONS: Experienced, BFA Certified Teacher located at Christ Church Deer Park (Yonge & St. Clair). Prepares you or your child for RCM exams, competitions & auditions. Contact Jessika: jwithakmusic@gmail.com (647) 214-2827. STUDY SAXOPHONE with Bruce Redstone, BAEd, MMus. 20 years with Royal Conservatory, experienced performer and teacher. Reasonable rates and location, all levels. 416-706-8161, www.torontosaxlessons.com. VOCAL JAZZ LESSONS: Study with jazz singer Faith Amour - Joyful and Easy-going! Toronto/Scarborough. All Ages! faith.amour@gmail.com | 647.882.4848. WARMHEARTED PIANO TEACHER with sterling credentials, unfailing good humor, and buckets of patience. Royal Conservatory washouts and nervous learners especially welcome. Lovely Cabbagetown studio. “Best teacher ever!” - Beaches tween. “Beats studying with those Quebec nuns!” - Rosedale senior. Peter Kristian Mose, 416.923.3060. www.MoseMusicalArts.com. My students have never won any prizes, except for love of music. (And loyalty.) RESTORE & PRESERVE YOUR MEMORIES Recital and gig tapes | 78’s & LPs | VHS and Hi8 | 35mm Slides |News clippings | Photos & more, transferred to digital files: CD’s, DVD’s, or Video slideshow ArtsMediaProjects 416.910.1091 FOR SALE / WANTED CLASSICAL RECORD AND CD COLLECTIONS WANTED. Minimum 350 units. Call, text or e-mail Aaron 416-471-8169 or A@A31.CA. WHATS IN YOUR CLOSET? Sell your unused instruments or donate them to an educational charity with a WholeNote classified ad! Band days just a hazy memory? Someone out there would love to give your nice old guitar, flute, tuba (etc) a new life. Contact classad@thewholenote.com. STOLEN FROM CAR – Lorée OBOE & ENGLISH HORN: 0 reward for information leading to return. Serial #’s: oboe TA 78, English horn HV 25. Please call Karen 416-656-4312 or 416-323-2232 x.26 MUSICIANS AVAILABLE BRING MODERN ELEGANCE TO YOUR NEXT EVENT with stunning live jazz – Arvelis Jazz Band now booking for winter and holiday parties! www.arvelisliveholidayjazz.com HITCH’em & PITCH’em! I Do you play in a party band? If you provide live music for wedding & wakes, roasts & retirements, and all kinds of occasions, you can advertise your ensemble right here for as little as plus tax!! Contact classad@thewholenote. com by November 23 to book your ad for the December & January combined edition! Master your mind. Mental Skills for Performing Artists Lisa Chisholm www.masterperforming.ca DO YOU DRIVE? Do you love The WholeNote? Share the love and earn a little money! Join The WholeNote’s circulation team: 9 times a year, GTA and well beyond. Interested? Contact: circulation@thewholenote.com SERVICES ACCOUNTING AND INCOME TAX SERVICE for small business and individuals, to save you time and money, customized to meet your needs. Norm Pulker, B. Math. CMA. 905-251-0309 or 905-830-2985 CD LINER NOTES, PROMO MATERIAL, CONCERT PROGRAMS, LIBRETTI, WEB SITE CONTENT AND MEMOIRS need proofreading and editing for correct spelling and grammar, clarity and consistency. Contact Vanessa Wells, wellsread@editors.ca, for a copy editor with a music background. Quick turnaround and reasonable rates! wellsreadediting.ca VENUES AVAILABLE / WANTED ARE YOU PLANNING A CONCERT OR RECITAL? Looking for a venue? Consider Bloor Street United Church. Phone: 416-924- 7439 x22. Email: tina@bloorstreetunited.org. PERFORMANCE / REHEARSAL / STUDIO / OFFICE SPACE AVAILABLE: great acoustics, reasonable rates, close to Green P Parking, cafés & restaurants. Historic church at College & Bellevue, near Spadina. Phone 416-921-6350. E-mail ststepheninthefields@gmail.com SPACES AVAILABLE FOR RENT - sizes range from 220 to 1600 square feet, at Hillcrest Christian Church (Disciples of Christ) 2 Vaughan Rd at Bathurst, 1 block south of St. Clair. TTC Bus & subway accessible. Rehearsal/Concert space, main floor meeting room with kitchenette. Lower level meeting rooms with kitchen. Contact 416-654-0311 or by email hillcrest@bellnet.ca Children’s Piano Lessons Friendly, approachable — and strict! Liz Parker liz.parker@rogers.com Queen and Bathurst area, Toronto. NEED HELP WITH YOUR TAXES? Specializing in personal and business tax returns including prior years and adjustments HORIZON TAX SERVICES INC. • free consultation • accurate work For CRA stress relief call: 1-866-268-1319 hts@horizontax.ca www.horizontax.ca 60 | Nov 1 - Dec 7, 2015 thewholenote.com

WE ARE ALL MUSIC’S CHILDREN November’s Child Johannes Debus MJ BUELL NEW CONTEST! Who is December’s Child? Johannes Debus lives in Toronto and Berlin with Elissa Lee, Jonah and Noah. Some of his other passions and pastimes include riding the family Brompton, baking pancakes grandma-style, taking nonsense photos, trying to understand the intricate rules of baseball. BOHUANG.CA Johannes Debus was appointed Music Director of the Canadian Opera Company in 2009 after an acclaimed 2008 COC debut – War and Peace. Recently at the COC: Falstaff, Die Walküre, Bluebeard’s Castle / Erwartung. In the current season he’s conducting the world premiere of Canadian Barbara Monk Feldman’s Pyramus and Thisbe (onstage through Nov 7), Siegfried (Jan 23 to Feb 14) and The Marriage of Figaro (Feb 4 to Feb 27). Beyond the COC: in November he’ll conduct the National Arts Centre Orchestra and the San Diego Symphony. In February he’ll conduct the Royal Conservatory Orchestra; in April The Cunning Little Vixen for the Frankfurt Opera; The Marriage of Figaro in May for the Komische Oper in Berlin; the Cleveland Orchestra at the Blossom Festival in the summer. Debus’ TSO debut was part of their 2013 Mozart@257 – “Pure joy, driven like the wind” (Robert Harris’ response in The Globe and Mail.) Called upon to step in for James Levine at Tanglewood and for Sir Colin Davis at Symphony Hall, Debus conducts, internationally, repertoire of every kind. Between opera houses and symphony halls one hopes he will find time for a little winter skating here in Ontario. Where were you born? Speyer am Rhein, in a lovely region called Palatinate, southwest of Germany, close to Alsace in France. I would like to call it the German Tuscany. I grew up in Speyer and attended high school in Speyer. And right after high school? I went to Hamburg to study conducting. When you look at that childhood photo today, what do you think about? Happy childhood memories! I remember the wobbly feeling being on ice skates for the first time in my life. It was a lot of fun, though, enjoying really cold winters in such a way. Your earliest musical memory? My mom singing whilst changing my diapers. Now you can say either I have a very good memory or I wore diapers significantly longer than others! She sang this beautiful German folksong “Der Mai, der Mai, der lustige Mai...” We all got to sing, we all got to play the recorder (hooray) and we all learned other instruments. My younger brother is a fine jazz musician - he is the really talented one. Where did listening to music fit in? All sources were important to me: the radio, even the TV at times, recordings in various Look who’s in charge of getting his own show on the road! !! Born in Penticton BC, grew up “in Kelowna, Toronto, Montreal, Ottawa …” !! His December Messiah will go against the grain for some. !! He’ll bring a Requiem to life in January. !! He’ll reconquer Carmen in April and invite us all to get a little too cozy in the spring. !! Circa 1984 at Great-Uncle Gogo and Auntie Lean’s cottage, Bala ON. (nowadays vintage) formats (MC, LP, CD). I remember subscription concerts of regional symphony orchestras, lots of very fine concerts by renowned orchestras, ensembles, and organists at the cathedral – memorable also just because of the 12 seconds reverberant sound, which gave certain pieces a slightly unusual soundscape. But at the end it was about being able to play music myself. First memories of making music? Singing was in fact the first way to make music myself. I don’t think there is a more elementary and better way to start. It is also an elementary experience to sing with others. I remember the great community and spirit we had in the choir when I was a young boy. It obviously also trains you to listen, and in particular to listen to others. And instruments? After maltreating everyone’s ears with the unavoidable recorder, I continued with playing the piano. Don’t know if it helped to reconcile those I might have offended with the recorder. The most painful years of my early life involve three years of violin lessons. I regret that I wasn’t patient enough to continue. Instead I went on with the organ and played a lot in the local churches – not the worst move – ask my piggy bank. How did conducting first enter the picture? I loved to conduct the LP player and didn’t care if I made a fool of myself. Ask my siblings! Where does music fit into your family life at home today? Isn’t family life an opera in itself?! You are invited to read an expanded interview at thewholenote.com. CONGRATULATIONS TO OUR WINNERS! Johannes Debus conducts Wagner’s Siegfried (Jan 23 to Feb 14), directed by François Girard, with Stefan Vinke (Siegfried), Christine Goerke (Brünnhilde), Alan Held (Wanderer), Phillip Ens (Fafner), Wolfgang Ablinger-Sperrhacke (Mime) and Chrisropher Purves (Alberich). TICKETS! LIDA H. Mozart’s The Marriage of Figaro (Feb 4 to Feb 27), directed by Claus Guth, with Josef Wagner (Figaro), Jane Archibald (Susanna), Erin Wall (Countess), Russell Braun (Count), Emily Fons (Cherubino), Michael Colvin (Basilio), Robert Pomakov (Bartolo), Helene Schneiderman (Marcelina), Doug MacNaughton (Antonio). TICKETS! PHOEBE CLEVERLY. The Royal Conservatory Orchestra, at Koerner Hall (Feb 12, 8pm) – Tchaikovsky’s Piano Concerto No1 with Edward Zhou and Rimsky-Korsakov’s Scheherazade. TICKETS! RHODA SION. Debus says he’d choose the Brandenburg Concertos for road music on a long drive. LINDA BRANSCOMBE wins this lovely recording by Tafelmusik. thewholenote.com Nov 1 - Dec 7, 2015 | 61

Volumes 21-25 (2015-2019)

Volume 25 Issue 2 - October 2019
Volume 25 Issue 1 - September 2019
Volume 24 Issue 8 - May 2019
Volume 24 Issue 7 - April 2019
Volume 24 Issue 6 - March 2019
Volume 24 Issue 5 - February 2019
Volume 24 Issue 4 - December 2018 / January 2019
Volume 24 Issue 3 - November 2018
Volume 24 Issue 2 - October 2018
Volume 24 Issue 1 - September 2018
Volume 23 Issue 9 - June / July / August 2018
Volume 23 Issue 8 - May 2018
Volume 23 Issue 7 - April 2018
Volume 23 Issue 6 - March 2018
Volume 23 Issue 4 - December 2017 / January 2018
Volume 23 Issue 3 - November 2017
Volume 23 Issue 2 - October 2017
Volume 23 Issue 1 - September 2017
Volume 22 Issue 9 - Summer 2017
Volume 22 Issue 8 - May 2017
Volume 22 Issue 7 - April 2017
Volume 22 Issue 6 - March 2017
Volume 22 Issue 5 - February 2017
Volume 22 Issue 4 - December 2016/January 2017
Volume 22 Issue 2 - October 2016
Volume 22 Issue 1 - September 2016
Volume 21 Issue 9 - Summer 2016
Volume 21 Issue 8 - May 2016
Volume 21 Issue 6 - March 2016
Volume 21 Issue 5 - February 2016
Volume 21 Issue 4 - December 2015/January 2016
Volume 21 Issue 3 - November 2015
Volume 21 Issue 2 - October 2015
Volume 21 Issue 1 - September 2015

Volumes 16-20 (2010-2015)

Volumes 11-15 (2004-2010)

Volumes 6 - 10 (2000 - 2006)

Volumes 1-5 (1994-2000)