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Volume 22 Issue 2 - October 2016

  • Text
  • October
  • Toronto
  • Choir
  • Jazz
  • Orchestra
  • Symphony
  • Concerts
  • Arts
  • November
  • Musical
In this issue: David Jaeger and Alex Pauk’s most memorable R. Murray Schafer collabs, in this month’s installment of Jaeger’s CBC Radio Two: The Living Legacy; an interview with flutist Claire Chase, who brings new music and mindset to Toronto this month; an investigation into the strange coincidence of three simultaneous Mendelssohn Elijahs this Nov 5; and of course, our annual Blue Pages, a who’s who of southern Ontario’s live music scene- a community as prolific and multifaceted as ever. These and more, as we move full-force into the 2016/17 concert season- all aboard!

production at Aix,

production at Aix, Ariodante is the “perfect” Handel opera in its structure, in the strength of its melodies and arias, and in the consistency of its melancholic tone. Many critics have noted that Ariodante is written on a much more intimate scale than some of Handel’s other operas. It is perhaps because of this and because of the work’s sombre tone that British director Jones has almost totally changed the opera’s setting, doing away with all the trappings of heroism and chivalric romance and relocating the action to a small Scottish fishing village in the 1970s where Ginevra’s father is not a king but merely a powerful man. The emphasis is thereby shifted to a more contemporary aspect of the plot – the intolerance of a small religious community that shuns a woman simply because she has been accused of immorality. Since Handel had available the services of dancer Marie Sallé and her company for this opera and for Alcina (1735), these are the only two operas by Handel that contain so much dance music, especially in interludes at the end of each act. A company like Opera Atelier with a resident corps de ballet would have no problem with the inclusion of dance as it showed in its 2014 production of Alcina. Yet, according to reports from Aix and Amsterdam, while Jones does include Scottish dancing, he intriguingly substitutes table-top puppet shows for the end-of-act dance interludes to foreshadow developments in the plot. British mezzo-soprano Alice Coote, last seen at the COC in 2014 as Dejanira in Hercules, will sing the role of Ariodante, originally written for a castrato. Canadian soprano Jane Archibald will sing the much abused Ginevra. Armenian mezzo Varduhi Abrahamyan sings the trouser role of the villainous Polinesso, no longer a duke but reconceived by Jones as a Protestant minister. Canadian soprano Ambur Braid is Dalinda, Ginevra’s servant who is secretly in love with Polinesso. And Canadian tenor Owen McCausland is Ariodante’s brother Lurcanio. With Ariodante, COC music director Johannes Debus conducts his first Handel opera. Christopher Hoile is a Toronto-based writer on opera and theatre. He can be contacted at opera@thewholenote.com. Beat by Beat | Art of Song Core Contemporary HANS DE GROOT Mooredale Concerts was founded in 1988 by the cellist Kristine Bogyo. After Bogyo’s death the organization was led by her husband, the well-known pianist Anton Kuerti. The present artistic director is Adrian Fung, like Bogyo a cellist. From the beginning the organization had two aims, one of which is educational. Mooredale Concerts presents us with three string orchestras. But they also give us a series of concerts, generally in pairs. The first installment is a scaled down children’s concert called Music and Truffles in the early afternoon; later in the afternoon the full-length concert is performed. Most of their concerts consist of instrumental chamber music. This season’s second Mooredale offering, at 3:15pm on November 6, foregoes Music and Truffles and offers up something different in the way of repertoire. Taking as its subject the words and music of one of the most important, and one of the most appealing, songwriters of the 20th century – Noel Coward – the program will include such favourites as I’ll See You Again, I’ll Follow My Secret Heart, Some Day I’ll Find You, If Love Were All and Why Do the Wrong People Travel? The guiding spirit behind the concert is the pianist, composer and arranger John Greer. The singers are Monica Whicher, soprano, Norine Burgess, mezzo, Benjamin Butterfield, tenor, and Alexander Dobson, baritone. (Those who like the songs may also be interested in seeing a performance of Coward’s play Cavalcade by students of George Brown College at the Young Centre for the Performing Arts; November 9 to 19.) Beckett at CanStage: In recent years there have been a number of Samuel Beckett’s late minimalist plays presented including three at the Berkeley Street Theatre last season directed by the gifted Jennifer Guillermo Silva-Marin General Director Subscriptions still available! Call 416-922-2912 for a complete brochure or visit www.torontooperetta.com WALTZ RIVALS A Tribute to Kálmán and Lehár Michael Rose, Music Director Sunday, November 6 at 3 pm THE PIRATES OF PENZANCE by Gilbert & Sullivan Derek Bate, Conductor, Guillermo Silva-Marin, Stage Director www.operainconcert.com VOICE B OX OPERA IN CONCERT Guillermo Silva-Marin, General Director TICKETS STILL AVAILABLE! Shakespeare 400 A Tribute Benefit Concert Michael Rose, Music Director The VOICEBOX Chorus Robert Cooper, Chorus Director Special Guest Michael Nyby, baritone SUNDAY, OCTOBER 30 AT 2:30 P.M. I Capuleti e i Montecchi The Capulets and the Montagues by Vincenzo Bellini Wagner and Berlioz were fans of Bellini and his Romeo and Juliet bel canto élan. Tragedy and passion are presented in melodic invention of memorable beauty. Vania Chan Elizabeth Beeler Curtis Sullivan Colin Ainsworth December 27, 30 & January 6 at 8 pm December 31 & January 7, 8 at 3 pm Caitlin Wood Anita Krause Tonatiuh Abrego The VOICEBOX Chorus, Robert Cooper, Chorus Director Raisa Nakhmanovich, Music Director SUNDAY, NOVEMBER 20 AT 2:30 P.M. 416-366-7723 | 1-800-708-6754 | www.stlc.com 416-366-7723 | 1-800-708-6754 | www.stlc.com 24 | October 1, 2016 - November 7, 2016 thewholenote.com

Tarver. Beginning October 11, Canadian Stage presents All But Gone, a new work juxtaposing Beckett’s short plays with the operatic voices of Shannon Mercer, soprano, and Krisztina Szabó, mezzo. At the Berkeley Street Theatre, it runs until November 6. Jennifer Tarver is again the director; musical direction by Dáirine Ní Mheadhra. Core Contemporary: In recent years there have perhaps been more opportunities to hear contemporary music in the classical mainstream than used to be the case, with such works being programmed more vigorously by the Krisztina Szabó’s busy month: she performs in CanStage’s All But Gone; sings Schumann’s Myrthen at U of T Oct 20; and Oct 23 in R. Murray Schafer’s Adieu Robert Schumann for Esprit. Toronto Symphony Orchestra, the U of T Faculty of Music and others. But there have also been, for decades, organizations entirely devoted to core presentation of contemporary music, including vocal works (New Music Concerts, Soundstreams and the Esprit Orchestra, to name a notable few). The first concert of the Esprit Orchestra this season at Koerner Hall, October 23, is a tribute to the eminent Canadian composer R. Murray Schafer. It includes Schafer’s Adieu Robert Schumann for mezzo, orchestra and electronic instruments, which was commissioned by John Roberts and the CBC for the contralto Maureen Forrester in 1976 (it was revised in 1980). The work uses passages from the diaries of Clara Schumann as she witnesses her husband’s descent into madness. The work also includes allusions to some of Robert Schumann’s compositions. The singer is Krisztina Szabó, who is having an especially busy month. COC Ensemble Gala: The annual Ensemble Studio Competition is always an important event for the Canadian Opera Company, both in terms of an early opportunity to glimpse potential operatic stars of the future, and as an important fundraiser for the Ensemble itself. In recent years that competition has brought forward such outstanding young singers as the bass-baritone Gordon Bintner, the soprano Karine Boucher and, most recently, the mezzo Emily D’Angelo. Hosted by Ben Heppner, the 2016 competition will be held on November 3 at the Four Seasons Centre. Mazzoleni Songmasters consists of a series of three recitals jointly curated by Rachel Andrist and Monica Whicher. Its first concert this season – “Welcome and Adieu” – will be on October 23. The sopranos Nathalie Paulin and Monica Whicher will sing English and French duets. QUICK PICKS Oct 1: The baritone Adam Harris sings six songs from Butterworth’s A Shropshire Lad with the U of T Symphony at the MacMillan Theatre. Oct 1: Marc B. Young is the singer in a concert which will combine songs by Rachmaninoff with the poems he set; at the Chapel, Trinity-St. Paul’s Centre. Oct 4 and 5: The Ensemble Rajaton presents the music of ABBA, with the Toronto Symphony Orchestra at Roy Thomson Hall. Oct 6: The tenor Benjamin Stein, former choral columnist in The WholeNote, sings and plays the lute and the theorbo in a free noonhour concert at Metropolitan United Church. Oct 6: The Women’s Musical Club of Toronto’s opening concert of the season at Walter Hall presents tenor Issachah Savage singing music by Beethoven, Schumann, Strauss and Quilter as well as spirituals. Oct 14: Allison Arends is the soprano soloist in a concert that includes English and Canadian folk songs arranged by Britten and Vaughan Williams as well as the song cycle Cuatro madrigales amatorios by Rodrigo; at the Heliconian Club. Oct 14 and 15: Mirvish Productions presents Kacee Clanton in An Evening with Janis Joplin at the Princess of Wales Theatre. Oct 16: The Amici Chamber Ensemble performs the work of Johann and Richard Strauss at Mazzoleni Concert Hall with Russell Braun. Oct 19: There will be a singalong tribute to the songs of the 1960s at Free Times Café, featuring If I Had a Hammer, Walk Right In, Turn! Turn! Turn!, Tom Dooley and others. The singers are Sue and Dwight Peters and Michelle Rumball. Oct 20: U of T Faculty of Music presents a selection from Schumann’s Myrthen performed by Nathalie Paulin, soprano, and Krisztina Szabó, mezzo at Walter Hall; free. Oct 21: York University department of Music presents a vocal masterclass with the tenor Lawrence Wiliford. Young singers from the studios of Catherine Robbin, Stephanie Bogle, Norma Burrowes, Michael Donovan and Karen Rymal will perform at Tribute Communities Recital Hall, Accolade East Building; free. Oct 23: The mezzo Maria Soulis will be the soloist in Elgar’s Sea Pictures with Orchestra Toronto at George Weston Recital Hall. The program will also include Vaughan Williams’ Fifth Symphony. Oct 25: Another free midday recital by students at York University will be given at Tribute Communities Hall. Oct 25: The Talisker Players give us readings and performances of thewholenote.com October 1, 2016 - November 7, 2016 | 25

Volumes 21-25 (2015-2019)

Volume 25 Issue 2 - October 2019
Volume 25 Issue 1 - September 2019
Volume 24 Issue 8 - May 2019
Volume 24 Issue 7 - April 2019
Volume 24 Issue 6 - March 2019
Volume 24 Issue 5 - February 2019
Volume 24 Issue 4 - December 2018 / January 2019
Volume 24 Issue 3 - November 2018
Volume 24 Issue 2 - October 2018
Volume 24 Issue 1 - September 2018
Volume 23 Issue 9 - June / July / August 2018
Volume 23 Issue 8 - May 2018
Volume 23 Issue 7 - April 2018
Volume 23 Issue 6 - March 2018
Volume 23 Issue 4 - December 2017 / January 2018
Volume 23 Issue 3 - November 2017
Volume 23 Issue 2 - October 2017
Volume 23 Issue 1 - September 2017
Volume 22 Issue 9 - Summer 2017
Volume 22 Issue 8 - May 2017
Volume 22 Issue 7 - April 2017
Volume 22 Issue 6 - March 2017
Volume 22 Issue 5 - February 2017
Volume 22 Issue 4 - December 2016/January 2017
Volume 22 Issue 2 - October 2016
Volume 22 Issue 1 - September 2016
Volume 21 Issue 9 - Summer 2016
Volume 21 Issue 8 - May 2016
Volume 21 Issue 6 - March 2016
Volume 21 Issue 5 - February 2016
Volume 21 Issue 4 - December 2015/January 2016
Volume 21 Issue 3 - November 2015
Volume 21 Issue 2 - October 2015
Volume 21 Issue 1 - September 2015

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