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Volume 24 Issue 4 - December 2018 / January 2019

  • Text
  • Toronto
  • December
  • January
  • Jazz
  • Symphony
  • Arts
  • Theatre
  • Faculty
  • Musical
  • Performing
When is a trumpet like a motorcycle in a dressage event? How many Brunhilde's does it take to change an Elektra? Just two of the many questions you've been dying to ask, to which you will find answers in a 24th annual combined December/January issue – in which our 11 beat columnists sift through what's on offer in the upcoming holiday month, and what they're already circling in their calendars for 2019. Oh, and features too: a klezmer violinist breathing new life into a very old film; two New Music festivals in January, 200 metres apart; a Music & Health story on the restorative powers of a grassroots exercise in collective music-making; even a good reason to go to Winnipeg in the dead of winter. All this and more in Vol 24 No 4, now available in flipthrough format here.

An agency of the

An agency of the Government of Ontario Un organisme du gouvernement de l’Ontario concert might seem strange, Corelli was tremendously influential to Couperin. Couperin himself acknowledged this debt to Corelli, introducing Corelli’s trio sonata form to France through his grand trio sonata Le Parnasse, ou L’Apothéose de Corelli (Parnassus, or the Apotheosis of Corelli), in which he blended the Italian and French styles of music in a set of pieces which he called Les Goûts réunis (styles reunited). With selections from Couperin’s Concerts Royaux, Pièces de Clavecin, and Nouveaux Concerts et Pièces de Violes, this concert will provide an overview of the great composer’s works, expertly interpreted by harpsichordist Olivier Fortin, violinist Kathleen Kajioka and gambist Mélisande Corriveau. England’s Golden Age Despite the challenging and potentially lethal political situations that occurred during the reigns of Henry VIII and Elizabeth I, the composers of Tudor England created some of the most sublime choral music ever written. Whether Catholic or Protestant, in English or in Latin, the music of William Byrd, Thomas Tallis, Orlando Gibbons and their contemporaries underwent a well-deserved revival in the 20th century and continues to be popular in churches and concert halls across the globe. Vivaldi caricature by Pier Leone Ghezzi Pax Christi Chorale, an ensemble known for their performances of large-scale dramatic oratorios, lend their voices to some smaller-scale, a cappella masterpieces from the English Renaissance on December 16. With Byrd’s Mass for Five Voices and anthems by Tallis, Weekes and Gibbons, this exploration of Tudor polyphony will undoubtedly be beautiful and, depending on the size and finesse of the ensemble, likely more aligned with the massed-choir sound of King’s College, Cambridge than the streamlined timbres of the Tallis Scholars. A Little Italy Tafelmusik’s exploration of multimedia concert experiences has led to some magnificent performances, including Safe Haven and J.S. Bach: The Circle of Creation. The latest in this series of innovative programming is The Harlequin Salon – created, scripted and illustrated by oboist Marco Cera – which explores music of the Italian Baroque through the character of Pier Leone Ghezzi: caricaturist, painter, and host of some of 18th-century Rome’s most popular salon parties. What makes the character of Ghezzi particularly fascinating is that he was a real person (he lived from 1674 to 1755, primarily in Rome), an Italian painter who was probably the world’s first professional caricaturist. Ghezzi was an enthusiastic music lover, holding exclusive musical salons at his 2018-2019: The Colours of Early Music PRAETORIUS CHRISTMAS VESPERS DEC 14 & 15 AT 8PM | DEC 16 AT 3:30PM Artistic Direction by David Fallis One of Toronto’s beloved Christmas traditions returns! Singers, violins, cornetti, sackbuts, theorbos and keyboards grace the balconies and stage, as we recreate the joy of Christmas Vespers as it might have been heard under the direction of Michael Praetorius in 17th-century Germany. In the spirit of the season, the audience and Consort join musical forces in singing favourite early Christmas carols. A sell-out in previous seasons, this is a yuletide celebration not to be missed! Great seats starting at $ 29! | Call 416-964-6337 or visit TorontoConsort.org 40 | December 2018 / January 2019 thewholenote.com

palazzo for the Roman intellectual and artistic elite. (His most wellknown portrait is the famous caricature of Antonio Vivaldi, with long, curly hair and a protruding, crooked nose.) Cera, who plays the role of Ghezzi in The Harlequin Salon, is an artist as well; he studied figurative art at Liceo Artistico Citta’ di Valdagno in Italy before joining Tafelmusik in 2000. The Harlequin Salon’s recreation of one of Ghezzi’s famous salon evenings will undoubtedly be entertaining, giving audiences a chance to travel back in time and imagine what happens (and what music results) when these famous characters from the past cross paths. Famous guests at this salon include composer Antonio Vivaldi, 24-year-old opera diva Faustina Bordoni, and cello virtuoso Giovanni Bononcini. These guests and their music will be performed by Tafelmusik’s music director Elisa Citterio, guest soprano Roberta Invernizzi and Tafelmusik cellist Christina Mahler, making this new concert a don’t-miss event, January 16 to 20. Two Melting Pots Now in their third full season, Cor Unum Ensemble is one of Toronto’s newest early music ensembles, an orchestra and chorus comprised of emerging professionals interested in vocal and instrumental collaboration within the early music repertoire. On December 8 and 9, Cor Unum presents “Merry & Bright,” a collection of seasonal music from across Europe, followed by “Sub Rosa” on January 26 and 27. Sub Rosa, a collaboration between Cor Unum and the Sub Rosa Ensemble, explores 16th- and 17th-century repertoire written for and by cloistered nuns who, although often highly trained, are rarely considered in the context of music history. These nuns used singing and composition to communicate their identity and their devotion beyond the convent walls, developing their social and financial independence, and their music will be used to explore the important role played by women in the early Baroque musical scene. “Centuries of Souls,” presented by Confluence on January 26, promises to be one of January’s most interesting concerts. Featuring Opus8 singing Ockeghem’s famous Requiem mass, Matthew Larkin playing Messiaen organ works, and Schola Magdalena singing Hildegard, this performance stretches across five centuries of musical history. Messiaen and Hildegard are, although separated by a great temporal distance, closely connected through their mysticism. Hildegard experienced visions and expressed them through tune and text, while Messiaen expressed the mysteries of his devoutly held Catholic beliefs through strikingly original works for the organ. With this eclectic mixture of medieval and modern, Centuries of Souls will undoubtedly be an extraordinary experience for all in attendance. Amidst all the the seasonal hustle and bustle, I encourage you to explore the vibrant musical offerings that are on display this December and January. Whether you prefer Handel’s Messiah, Tafelmusik’s The Harlequin Salon, a traditional Festival of Lessons and Carols, or any of the other listings in this double issue of The WholeNote, the richness and depth of Toronto’s classical music scene ensures that everyone has something to look forward to this holiday season. Happy Christmas, Hanukkah, Kwanzaa, Festivus and New Year – see you in 2019. Until then, keep in touch at earlymusic@thewholenote.com. EARLY MUSIC QUICK PICKS THE MESSIAH EDITION !! DEC 8, 7:30PM: Grand Philharmonic Choir. “Handel Messiah.” Centre in the Square, 101 Queen St. N., Kitchener. A large-scale, symphonic Messiah with choir and symphony orchestra for maximum impact! !! DEC 15, 7:30PM: Chorus Niagara. Handel Messiah. FirstOntario Performing Arts Centre, 250 St. Paul St., St. Catharines. For those further down the QEW, this Messiah features an excellent choir and the superb Talisker Players. !! DEC 18 to 21, 7:30PM: Tafelmusik. Handel Messiah. Koerner Hall, Telus Centre, 273 Bloor St. W. The quintessential Messiah experience for early music aficionados – sit and enjoy the show or participate in the Sing-Along Messiah at 2pm in Roy Thomson Hall on December 22! Matthew Whitfield is a Toronto-based harpsichordist and organist. CAROLS BY CANDLELIGHT SUNDAY, DECEMBER 16, 4:30PM A traditional candlelight choral presentation featuring choirs and musicians of Yorkminster Park. NINE LESSONS & CAROLS SUNDAY, DECEMBER 23, 4:30PM Following the historic tradition of King’s College in Cambridge. Admission is FREE for both events. Doors open at 3:30pm. Yorkminster Park Baptist Church 1585 Yonge Street | (416) 922-1167 YorkminsterPark.com thewholenote.com December 2018 / January 2019 | 41

Volumes 21-24 (2015-2018)

Volume 24 Issue 4 - December 2018 / January 2019
Volume 24 Issue 3 - November 2018
Volume 24 Issue 2 - October 2018
Volume 24 Issue 1 - September 2018
Volume 23 Issue 9 - June / July / August 2018
Volume 23 Issue 8 - May 2018
Volume 23 Issue 7 - April 2018
Volume 23 Issue 6 - March 2018
Volume 23 Issue 4 - December 2017 / January 2018
Volume 23 Issue 3 - November 2017
Volume 23 Issue 2 - October 2017
Volume 23 Issue 1 - September 2017
Volume 22 Issue 9 - Summer 2017
Volume 22 Issue 8 - May 2017
Volume 22 Issue 7 - April 2017
Volume 22 Issue 6 - March 2017
Volume 22 Issue 5 - February 2017
Volume 22 Issue 4 - December 2016/January 2017
Volume 22 Issue 2 - October 2016
Volume 22 Issue 1 - September 2016
Volume 21 Issue 9 - Summer 2016
Volume 21 Issue 8 - May 2016
Volume 21 Issue 6 - March 2016
Volume 21 Issue 5 - February 2016
Volume 21 Issue 4 - December 2015/January 2016
Volume 21 Issue 3 - November 2015
Volume 21 Issue 2 - October 2015
Volume 21 Issue 1 - September 2015

Volumes 16-20 (2010-2015)

Volumes 11-15 (2004-2010)

Volumes 6 - 10 (2000 - 2006)

Volumes 1-5 (1994-2000)