Arraymusic, the Music Gallery and Native Women in the Arts join for a mini-festival celebrating the work of composer, performer and installation artist Raven Chacon; Music and Health looks at the role of Healing Arts Ontario in supporting concerts in care facilities; Kingston-based composer Marjan Mozetich's life and work are celebrated in film; "Forest Bathing" recontextualizes Schumann, Shostakovich and Hindemith; in Judy Loman's hands, the harp can sing; Mahler's Resurrection bursts the bounds of symphonic form; Ed Bickert, guitar master remembered. All this and more in our April issue, now online in flip-through here, and on stands commencing Friday March 29.
with trembling strings
with trembling strings and bombastic brass and hear how the world’s greatest singers put their personal stamp on these roles. No music reading experience necessary. Education Centre, Four Seasons Centre for the Performing Arts, 145 Queen St. W. (at University Ave.). Reserve tickets at coc.ca/operainsights or by calling 416-363-8231. Free. ●●Apr 26 4:30: Canadian Opera Company. Exploring Opera. Families with children of all ages are welcome to explore an opera in the COC’s 2018/19 season through accessible music and drama activities. This one-hour workshop focuses on La bohème by Puccini. No previous experience with opera or the performing arts is required. Education Centre, Four Seasons Centre for the Performing Arts, 145 Queen St. W. (at University Ave.). For more information and to reserve tickets, visit coc.ca/EO. Free. ●●Apr 27 10:00am: Guitar Society of Toronto. So You Want to Play in a Band: A History of Women’s Contributions to Guitar Orchestras in Europe and North America. Mariette Stephenson will discuss the societal impact of large guitar ensembles and their promotion of women in music (from the Baroque era to the present day) including the involvement of female composers and music directors. St. Andrew’s Church, 73 Simcoe St. www.guitarsocietyoftoronto.com. 416-964-8298. ; (st). ●●Apr 27 2:00: Guitar Society of Toronto. Celebrating Ida Presti’s Artistry as Solo Performer and Composer. Dr. Candice Mowbray will discuss characteristics of legendary guitarist Ida Presti’s skill and style as a performer, and the ways in which those traits are manifested in her solo compositions. St. Andrew’s Church, 73 Simcoe St. guitarsocietyoftoronto.com. 416- 964-8298. ; (st). ●●May 07 7:30. The Heliconian Club. The Joy of Singing. Presented by Stephanie Bogle. In this interactive lecture, Stephanie will talk about her career in Europe, and then get people to participate in some vocal exercises and talk about vocal technique, style and health. Heliconian Hall, 35 Hazleton Ave. 416-922-3618. heliconianclub.org. Tickets , children under 12 free when accompanied by an adult. Master Class ●●Apr 28 1:00: Guitar Society of Toronto. Master Class with Berta Rojas. St. Andrew’s Church, 73 Simcoe St. guitarsocietyoftoronto. com. 416-964-8298. ; (st). Sing-alongs, Jams, Circles ●●Apr 08 7:00: Canadian Opera Company. E. The ETCeteras Opera Insights: Sing-along Opera Choruses. Warm up those vocal cords for an opera singalong! Led by Sandra Horst, the COC’s Price Family Chorus Master, learn some of opera’s most familiar choruses and perform them together from start to finish. No musical experience necessary. Richard Bradshaw Theatre, Four Seasons Centre for the Performing Arts, 145 Queen St. W. (at University Ave.). Reserve tickets at coc.ca/operainsights or by calling 416-363-8231. Free. ●●Apr 07 2:30: Southern Ontario Chapter of the Hymn Society. Debbie Lou Ludolph and the Inshallah Community Choir will share excerpts from their recently published resource “Sing the Circle Wide”. Eden United Church, 3051 Battleford Rd., Mississauga. 416-694-6436. Free admission. Tours ●●Apr 07 10:30am: Canadian Opera Company. 90-Minute Tour of the Four Seasons Centre. Led by a trained docent. Includes information and access to the Isadore and Rosalie Sharp City Room, the Richard Bradshaw Amphitheatre and R. Fraser Elliott Hall, as well as backstage areas such as the wig rooms and dressing rooms, the orchestra pit, and other spaces that only a stage door pass could unlock. Four Seasons Centre for the Performing Arts, 145 Queen St. W. 416- 363-8231. coc.ca. (adults); (sr/st). Also Apr 14, May 5. A tour is available in French on Apr 28. Workshops ●●Apr 07 1:30: Toronto Early Music Players Organization. Workshop coached by recorder player Stéphane Potvin. Armour Heights Community Centre, 2140 Avenue Rd. Bring your early instruments and a music stand. 416-779-5750. tempotoronto.net. . ●●Apr 12 7:30: Toronto Recorder Players Society. Renaissance and Baroque Workshop for Recorders and Other Early Instruments. Mount Pleasant Road Baptist Church, 527 Mount Pleasant Rd. (entrance off Belsize). 416-480-1853. Refreshments included. rpstoronto.ca. Guests: . ●●Apr 28 2:00: CAMMAC Toronto Region. Reading for singers and instrumentalists of Rossini’s Stabat Mater. Daniel Norman, conductor. Christ Church Deer Park, 1570 Yonge St. 416-605-2793. ; (members). ●●May 04 10:30am: Toronto Mendelssohn Choir. Singsation Saturday Choral Workshop. Presented by. Dr. Rachel Rensink-Hoff of Avanti Singers and Brock University who will lead participants through some great Kyrie-Gloria pairings from early masses of Palestrina and Byrd through to contemporary settings. Yorkminster Park Baptist Church, Cameron Hall, 1585 Yonge St. Information at tmchoir.org/singsation-saturdays. fee includes refreshments. ●●May 07 1:30: Toronto Early Music Players Organization. Workshop coached by recorder player Matthias Maute. Armour Heights Community Centre, 2140 Avenue Rd. Bring your early instruments and a music stand. 416-779-5750. tempotoronto.net. . Classified Advertising | classad@thewholenote.com WholeNote CLASSIFIEDS can help you recruit new members for your choir, band or orchestra; find a new music director or accompanist; sell your banjo! Starting at only $24/issue. INQUIRE BY APRIL 20 for the MAY issue. classad@thewholenote.com AUDITIONS & EMPLOYMENT OPPORTUNITIES ADVANCED AMATEUR SINGERS! Auditioning all vocal parts, especially tenors for Madrigal workshops starting in September. We will be singing 1-on-a-part 5 and 6 part English and Italian Madrigals. Call or text Sheila at 416-574-5250. Available pro bono positions with the KINDRED SPIRITS ORCHESTRA: Oboe, Bassoon, Horn, Trumpet, Violins, Violas, Violoncellos and Contrabasses. For information, visit KSOchestra.ca or email GM@KSOrchestra.ca Looking for COMMUNITY CHOIR DIRECTOR in Haldimand County. Rehearsals Tuesdays 7-9 pm September through June. Interested parties email choralairs@yahoo.com NAVAL RESERVE BAND IN DOWNTOWN TORONTO IS LOOKING FOR MUSICIANS: Clarinet, French Horn, other positions available. Take pride and join. Get paid to play. Email david.pottinger@forces.gc.ca PIANO ACCOMPANIST FOR BARRIE CHOIR. Senior SATB Choir requires an enthusiastic accompanist commencing September BEN EWING RECORDINGS Professional, on-site recording solutions for albums, concerts, demos and more. www.benewingrecordings.com benewingrecordings@gmail.com 416-999-4640 2019. Practice Thursday mornings to prepare for Christmas, spring concerts and monthly Sing-Outs. Email resumes to jakeveenstra12@gmail.com or call 705722-8179 by May 15th. TENOR AND BASS SECTION LEADERS NEEDED, for Anglican Church in Unionville Paid positons. Contact nwucotton@spoth.ca BUY & SELL CLASSICAL RECORD AND CD COLLECTIONS WANTED. Minimum 350 units. Call, text or e-mail Aaron 416-471-8169 or A@A31.CA FRENCH HORN: double horn in excellent condition. Suitable for a committed student or working musician. mjbuell@gmail.com TRUMPET Bach Stradivarius model 37 (never used); SAXOPHONE Bundy Selmer alto; BASSOON Linton; TENOR saxophone, Yamaha; TRUMPET, Olds Ambassador. Phone 416-964-3642. SPRING CLEANING? WHAT’S IN YOUR CLOSET? Does your old guitar gently weep? Give that nice old accordion / clarinet / drum kit a new life with a WholeNote classified! Ads start at just $24.00 INQUIRE BY APRIL 20 for the MAY edition. classad@thewholenote.com WONDERFUL STEINWAY MODEL O GRAND PIANO. 1907 NY fully restored 2005. Free delivery GTA. Contact Dr. G Manning musicdirector@saintgeorge.ca PRECIOUS MEMORIES & PERFORMANCES transferred to CD, DVD. records | tapes VHS | Hi-8 | mini DV slides | photos | clippings RESTORED & PRESERVED ArtsMediaProjects 416-910-1091 JOIN THE CHORUS! | Midtown North York Auditions for ages 6 to 16 in May 2019 Register now at torontochildrenschorus.com/join-us DO YOU DRIVE? Do you love The WholeNote? Share the love and earn a little money! Join The WholeNote’s circulation team: 9 times a year, GTA and well beyond. Interested? Contact: circulation@thewholenote.com BUSINESS CLASSIFIEDS Economical and visible! Promote your services & products to our musically engaged readers, in print and on-line. BOOKING DEADLINE: APRIL 18 classad@thewholenote.com 64 | April 1 – May 7, 2019 thewholenote.com
Classified Advertising | classad@thewholenote.com Beat by Beat | Bandstand INSTRUCTION ANARCHIST PIANO LESSONS: Maximize your musical autonomy – follow new rules daily – every student creates their own sound – integrated lessons in piano, improvisation, theory, (and composition). fb.me/anarchistpiano CELLO LESSONS DOWN TOWN TORONTO Individual approach to every student. Young professionals, adults and beginners. Dr. Dobrochna Zubek zubekdobrochna@hotmail.com http://dobrochnazubek.com http://celloteaching.ca DO YOU SING IN A CHOIR? Would you like to practice your sight-singing skills? Or need a little help learning your notes or rhythms? Or experience the joy of singing duets? Treat yourself! Private and group lessons available Monday-Saturday afternoons. Near Woodbine subway. Call or text Sheila at 416-574-5250, or lilackayak@gmail.com FRIENDLY, WISE PIANO TEACHER with loyal following and buckets of patience. Conservatory washouts and hesitant adult beginners most welcome. Lovely Cabbagetown studio. “Best teacher ever!” - Beaches tween. “Beats studying with those Quebec nuns!” - Rosedale senior. Peter Mose, 416.923.3060. MosePianoForAll.com. (This might change your life.) FLUTE, PIANO, THEORY LESSONS. RCM Certified Advanced Specialist. Samantha Chang, FTCL, FLCM, LRAM, PGDip, ARCT. Toronto, Scarborough 416-801-9196, samantha.studio@gmail.com www.samanthaflute.com LESSONS FOR ALL! Friendly and firm - I’m an experienced musician and mom teaching piano and singing to children (and the young at heart) in my Toronto home (East NEED HELP WITH YOUR TAXES? Specializing in personal and business tax returns including prior years and adjustments HORIZON TAX SERVICES INC. • free consultation • accurate work For CRA stress relief call: 1-866-268-1319 hts@horizontax.ca www.horizontax.ca Leslieville). To discuss your child’s need for music-making please contact kskwhite@gmail.com MUSIC LESSONS IN WEST TORONTO in a relaxed and friendly environment. Piano, bass, guitar, ukelele, banjo and voice. marcenkin@gmail.com 416-763-3516. SERVICES ACCOUNTING AND INCOME TAX SERVICE for small business and individuals, to save you time and money, customized to meet your needs. Norm Pulker, B. Math. CMA. 905-251-0309 or 905-830-2985. DOG BOARDING (near Woodbine subway). Heading away for a while and can’t bring your favourite canine companion? I take just one dog at a time and give it a very special vacation. Your dog will pull you to my door on repeat visits! Call or text Sheila at 416-574-5250 or lilackayak@gmail.com. RESTORE PRECIOUS MEMORIES lost on old records, tapes, photos etc.? Recitals, gigs, auditions, air checks, family stuff. on 78’s, cassettes, reels, 35mm slides etc?. ArtsMediaProjects will lovingly restore them to CD’s or DVD’s. Call George @ 416-910-1091. VENUES AVAILABLE / WANTED ARE YOU PLANNING A CONCERT OR RECITAL? Looking for a venue? Consider Bloor Street United Church. Phone: 416-924- 7439 x22. Email: tina@bloorstreetunited.org. PERFORMANCE / REHEARSAL / STUDIO SPACE AVAILABLE: great acoustics, reasonable rates, close to Green P Parking, cafés & restaurants. Historic church at College & Bellevue, near Spadina. Phone 416-921-6350. E-mail ststepheninthefields@gmail.com. If you play Fur Elise, no animals are harmedit’s not real fur. MosePianoForAll.com ADVERTISE music-related needs, skills and services Recruit new members for choirs, bands, orchestras. Find a new music director | Find a music teacher | Buy or sell Just $24 for the first 20 words. .20 for each additional word. Discounts for 3x, 5x and 10x insertions. INQUIRE BY APRIL 20 for the MAY edition. classad@thewholenote.com continued from page 41 notes for two full hours!” Their theme for the 27th season is: “Inspired by Bach,” and they have a new website: uxbridgeccb.webs.com. Big Band Scene Aside from my remarks earlier about Jim Galloway’s Wee Big Band, we have some other news from the big band scene. We have just been informed by Lawrence Moule, of the After Hours Big Band, about a unique concert to take place Saturday evening, April 13, at the Aurora Cultural Centre. Music students from Sir William Mulock Secondary School in Newmarket will be presenting their first-ever public concert, a jazz program in collaboration with the After Hours Big Band. As Lawrence states: “The idea here is that an established band is helping to encourage youthful players, and possibly pointing the way toward future opportunities.” Aurora’s Town Council is studying plans to redevelop a portion of the town’s core into an entertainment and cultural complex, with the working title of “Library Square.” Plans include a new professional concert venue with 250 seats. Meanwhile, existing concerts are held at the Cultural Centre (the former Church Street School, where Lester B. Pearson taught). It’s a professional venue but its concert hall, called Brevik Hall, is quite small. The organizers hope that this could be a model for future events at Library Square, once that development affords an expanded showcase for arts and culture in Aurora. Talented young local performers will be able to join forces with veterans to produce musical entertainment that will be unique to Aurora. The After Hours Big Band got its start when some members of the Newmarket Citizens Band wanted to get together to play “big band music.” Those people stayed behind after the regular concert band rehearsal. Now, years later, this group, still mostly members of the concert band, have rehearsals on a different night at a different location. I recently had unusual unplanned visit with another big band. I had been invited to visit a rehearsal of the York Region Brass Band. When I arrived at the venue, I was stunned to see a couple of saxophones. As it turned out I had been given the wrong date. I was just in time for a regular rehearsal of the Borealis Band of Aurora. Since I knew a few of the members of the band, I stayed until after intermission, and enjoyed a bit more big band music. Murray Ginsberg Shortly after last month’s column about Murray Ginsberg, I received a lovely message from Barby Ginsberg, Murray’s youngest daughter. Along with her thanks about comments in that column, she was very curious about where I had obtained some of my information. In particular, she said that someone would have had to be at his funeral to have known, as I wrote, that “someone said after his passing: ‘Look out heaven - you just got one more Saint who’s marching in.’.... That someone was me! That was how I ended my eulogy!” (Unfortunately, at this juncture, I can’t recall my exact sources.) BANDSTAND QUICK PICKS !! APR 6, 7PM: The Mississauga Big Band Jazz Ensemble will present “Best of Big Band Open Mic.” Cooksville United Church, 2500 Mimosa Row, Mississauga. !! APR 27, 7PM: Toronto Duke Ellington Society. Annual Concert. Ellington: Suites (excerpts). Sophia Perlman, vocalist; The Brian Barlow Big Band. Walter Hall, Edward Johnson Building, University of Toronto. !! APR 28, 2PM: The Mississauga Big Band Jazz Ensemble will present “Jazz at the Legion.” Port Credit Legion, 35 Front St. N., Port Credit. !! MAY 3, 7:30PM: Scarborough Concert Band. Spring Concert. Keith Bohlender, conductor. Wilmar Heights Centre, 963 Pharmacy Ave., Scarborough. !! MAY 5, 3PM: The Weston Silver Band will have their “Afternoon at the Proms” with. Canadian and British repertoire. Glenn Gould Studio, 250 Front St. W. Jack MacQuarrie plays several brass instruments and has performed in many community ensembles. He can be contacted at bandstand@thewholenote.com. thewholenote.com April 1 – May 7, 2019 | 65
Choral Scene: Uncharted territory: three choirs finding paths forward; Music Theatre: Loose Tea on the boil with Alaina Viau’s Dead Reckoning; In with the New: what happens to soundart when climate change meets COVID-19; Call to action: diversity, accountability, and reform in post-secondary jazz studies; 9th Annual TIFF Tips: a filmfest like no other; Remembering: Leon Fleisher; DISCoveries: a NY state of mind; 25th anniversary stroll-through; and more.
Online in flip through here, and on stands commencing Tues SEP 1.
Following the Goldberg trail from Gould to Lang Lang; Measha Brueggergosman and Edwin Huizinga on face to face collaboration in strange times; diggings into dance as FFDN keeps live alive; "Classical unicorn?" - Luke Welch reflects on life as a Black classical pianist; Debashis Sinha's adventures in sound art; choral lessons from Skagit Valley; and the 21st annual WholeNote Blue Pages (part 1 of 3) in print and online. Here now. And, yes, still in print, with distribution starting Thursday October 1.
Alanis Obomsawin's art of life; fifteen Exquisite Departures; UnCovered re(dis)covered; jazz in the kitchen; three takes on managing record releases in times of plague; baroque for babies; presenter directory (blue pages) part two; and, here at the WholeNote, work in progress on four brick walls (or is it five?). All this and more available in flipthrough HERE, and in print Tuesday Nov 3.
In this issue: Beautiful Exceptions, Sing-Alone Messiahs, Livingston’s Vocal Pleasures, Chamber Beethoven, Online Opera (Plexiglass & All), Playlist for the Winter of our Discontent, The Oud & the Fuzz, Who is Alex Trebek? All this and more available in flipthrough HERE, and in print Friday December 4.
July/August issue is now available in flipthrough HERE, bringing to a close 25 seasons of doing what we do (and plan to continue doing), and on stands early in the week of July 5. Not the usual bucolic parade of music in the summer sun, but lots, we hope, to pass the time: links to online and virtual music; a full slate of record reviews; plenty new in the Listening Room; and a full slate of stories – the future of opera, the plight of small venues, the challenge facing orchestras, the barriers to resumption of choral life, the challenges of isolation for real-time music; the steps some festivals are taking to keep the spirit and substance of what they do alive. And intersecting with all of it, responses to the urgent call for anti-racist action and systemic change.
"COVID's Metamorphoses"? "There's Always Time (Until Suddenly There Isn't)"? "The Writing on the Wall"? It's hard to know WHAT to call this latest chapter in the extraordinary story we are all of a sudden characters in. By whatever name we call it, the MAY/JUNE combined issue of The WholeNote is now available, HERE in flip through format, in print commencing Wednesday May 6, and, in fully interactive form, online at thewholenote.com. Our 18th Annual Choral Canary Pages, scheduled for publication in print and flip through in September is already well underway with the first 50 choirs home to roost and more being added every week online. Community Voices, our cover story, brings to you the thoughts of 30 musical community members, all going through what we are going through (and with many more to come as the feature gets amplified online over the course of the coming months). And our regular writers bring their personal thoughts to the mix. Finally, a full-fledged DISCoveries review section offers cues and clues to recorded music for your solitary solace!
After some doubt that we would be allowed to go to press, in respect to wide-ranging Ontario business closures relating to COVID-19, The WholeNote magazine for April 2020 is now on press, and print distribution – modified to respect community-wide closures and the need for appropriate distancing – starts Monday March 30. Meanwhile the full magazine is right here, digitally, so if you value us PLEASE SHARE THIS LINK AS WIDELY AS YOU CAN. It's the safest way for us to reach the widest possible audience at this time!
FEATURED: Music & Health writer Vivien Fellegi explores music, blindness & the plasticity of perception; David Jaeger digs into Gustavo Gimeno's plans for new music in his upcoming first season as music director at TSO; pianist James Rhodes, here for an early March recital, speaks his mind in a Q&A with Paul Ennis; and Lydia Perovic talks music and more with rising Turkish-Canadian mezzo Beste Kalender. Also, among our columns, Peggy Baker Dance Projects headlines Wende Bartley's In with the New; Steve Wallace's Jazz Notes rushes in definitionally where many fear to tread; ... and more.
Visions of 2020! Sampling from back to front for a change: in Rearview Mirror, Robert Harris on the Beethoven he loves (and loves to hate!); Errol Gay, a most musical life remembered; Luna Pearl Woolf in focus in recordings editor David Olds' "Editor's Corner" and in Jenny Parr's preview of "Jacqueline"; Speranza Scappucci explains how not to reinvent Rossini; The Indigo Project, where "each piece of cloth tells a story"; and, leading it all off, Jully Black makes a giant leap in "Caroline, or Change." And as always, much more. Now online in flip-through format here and on stands starting Thurs Jan 30.
Welcome to our December/January issue as we turn the annual calendar page, halfway through our season for the 25th time, juggling as always, secular stuff, the spirit of the season, new year resolve and winter journeys! Why is Mozart's Handel's Messiah's trumpet a trombone? Why when Laurie Anderson offers to fly you to the moon you should take her up on the invitation. Why messing with Winterreisse can (sometimes) be a very good thing! And a bumper crop of record reviews for your reading (and sometimes listening) pleasure. Available in flipthrough here right now, and on stands commencing Thursday Nov 28. See you on the other side!
On the slim chance you might not have already heard the news, Estonian Canadian composing giant Udo Kasemets was born the same year that Leo Thermin invented the theremin --1919. Which means this is the centenary year for both of them, and both are being celebrated in style, as Andrew Timar and MJ Buell respectively explain. And that's just a taste of a bustling November, with enough coverage of music of both the delectably substantial and delightfully silly on hand to satisfy one and all.
Long promised, Vivian Fellegi takes a look at Relaxed Performance practice and how it is bringing concert-going barriers down across the spectrum; Andrew Timar looks at curatorial changes afoot at the Music Gallery; David Jaeger investigates the trumpets of October; the 30th anniversary of the Velvet Revolution (and the 20th Anniversary of our October Blue Pages Presenter profiles) in our Editor's Opener; the Toronto Mendelssohn Choir at 125; Tapestry at 40 and Against the Grain at 10; ringing in the changing season across our features and columns; all this and more, now available in Flip Through format here, and on the stands commencing this coming Friday September 27, 2019. Enjoy.
Vol 1 of our 25th season is now here! And speaking of 25, that's how many films in the upcoming Toronto International Film Festival editor Paul Ennis, in our Eighth Annual TIFF TIPS, has chosen to highlight for their particular musical interest.
Also inside: Rob Harris looks through the Rear View Mirror at past and present prognostications about the imminent death of classical music; Mysterious Barricades and Systemic Barriers are Lydia Perović's preoccupations in Art of Song; Andrew Timar reflects on the evolving priorities of the Polaris Prize; and elsewhere, it's chocks away as yet another season creaks or roars (depending on the beat) into motion. Welcome back.
What a range of stuff! A profile of Liz Upchurch, the COC ensemble studio's vocal mentor extraordinaire; a backgrounder on win-win faith/arts centre partnerships and ways of exploring the possibilities; an interview with St. Petersburg-based Eifman Ballet's Boris Eifman; Ana Sokolovic's violin concert Evta finally coming to town; a Love Letter to YouTube, and much more. Plus our 17th annual Canary Pages Choral directory if all you want to do is sing! sing! sing!
Arraymusic, the Music Gallery and Native Women in the Arts join for a mini-festival celebrating the work of composer, performer and installation artist Raven Chacon; Music and Health looks at the role of Healing Arts Ontario in supporting concerts in care facilities; Kingston-based composer Marjan Mozetich's life and work are celebrated in film; "Forest Bathing" recontextualizes Schumann, Shostakovich and Hindemith; in Judy Loman's hands, the harp can sing; Mahler's Resurrection bursts the bounds of symphonic form; Ed Bickert, guitar master remembered. All this and more in our April issue, now online in flip-through here, and on stands commencing Friday March 29.
Something Old, Something New! The Ide(a)s of March are Upon Us! Rob Harris's Rear View Mirror looks forward to a tonal revival; Tafelmusik expands their chronological envelope in two directions, Esprit makes wave after wave; Pax Christi's new oratorio by Barbara Croall catches the attention of our choral and new music columnists; and summer music education is our special focus, right when warm days are once again possible to imagine. All this and more in our March 2019 edition, available in flipthrough here, and on the stands starting Thursday Feb 28.
In this issue: A prize that brings lustre to its laureates (and a laureate who brings lustre to the prize); Edwin Huizinga on the journey of Opera Atelier's "The Angel Speaks" from Versailles to the ROM; Danny Driver on playing piano in the moment; Remembering Neil Crory (a different kind of genius)' Year of the Boar, Indigeneity and Opera; all this and more in Volume 24 #5. Online in flip through, HERE and on the stands commencing Thursday Jan 31.
When is a trumpet like a motorcycle in a dressage event? How many Brunhilde's does it take to change an Elektra? Just two of the many questions you've been dying to ask, to which you will find answers in a 24th annual combined December/January issue – in which our 11 beat columnists sift through what's on offer in the upcoming holiday month, and what they're already circling in their calendars for 2019. Oh, and features too: a klezmer violinist breathing new life into a very old film; two New Music festivals in January, 200 metres apart; a Music & Health story on the restorative powers of a grassroots exercise in collective music-making; even a good reason to go to Winnipeg in the dead of winter. All this and more in Vol 24 No 4, now available in flipthrough format here.
Reluctant arranger! National Ballet Orchestra percussionist Kris Maddigan on creating the JUNO and BAFTA award-winning smash hit Cuphead video game soundtrack; Evergreen by name and by nature, quintessentially Canadian gamelan (Andrew Timar explains); violinist Angèle Dubeau on 20 years and 60 million streams; two children’s choirs where this month remembrance and living history must intersect. And much more, online in our kiosk now, and on the street commencing Thursday November 1.
Presenters, start your engines! With TIFF and "back-to-work" out of the way, the regular concert season rumbles to life, and, if our Editor's Opener can be trusted, "Seeking Synergies" seems to be the name of the game. Denise Williams' constantly evolving "Walk Together Children" touching down at the Toronto Centre for the Arts; the second annual Festival of Arabic Music and Arts expanding its range; a lesson in Jazz Survival with Steve Wallace; the 150 presenter and performer profiles in our 19th annual Blue Pages directory... this is an issue that is definitely more than the sum of its parts.
In this issue: The WholeNote's 7th Annual TIFF TIPS guide to festival films with musical clout; soprano Erin Wall in conversation with Art of Song columnist Lydia Perovic, about more than the art of song; a summer's worth of recordings reviewed; Toronto Chamber Choir at 50 (is a few close friends all it takes?); and much more, as the 2018/19 season gets under way.
PLANTING NOT PAVING! In this JUNE / JULY /AUGUST combined issue: Farewell interviews with TSO's Peter Oundjian and Stratford Summer Music's John Miller, along with "going places" chats with Luminato's Josephine Ridge, TD Jazz's Josh Grossman and Charm of Finches' Terry Lim. ) Plus a summer's worth of fruitful festival inquiry, in the city and on the road, in a feast of stories and our annual GREEN PAGES summer Directory.
In this issue: our sixteenth annual Choral Canary Pages; coverage of 21C, Estonian Music Week and the 3rd Toronto Bach Festival (three festivals that aren’t waiting for summer!); and features galore: “Final Finales” for Larry Beckwith’s Toronto Masque Theatre and for David Fallis as artistic director of Toronto Consort; four conductors on the challenges of choral conducting; operatic Hockey Noir; violinist Stephen Sitarski’s perspective on addressing depression; remembering bandleader, composer and saxophonist Paul Cram. These and other stories, in our May 2018 edition of the magazine.
In this issue: we talk with jazz pianist Thompson Egbo-Egbo about growing up in Toronto, building a musical career, and being adaptive to change; pianist Eve Egoyan prepares for her upcoming Luminato project and for the next stage in her long-term collaborative relationship with Spanish-German composer Maria de Alvear; jazz violinist Aline Homzy, halfway through preparing for a concert featuring standout women bandleaders, talks about social equity in the world of improvised music; and the local choral community celebrates the life and work of choral conductor Elmer Iseler, 20 years after his passing.
In this issue: Canadian Stage, Tapestry Opera and Vancouver Opera collaborate to take Gogol’s short story The Overcoat to the operatic stage; Montreal-based Sam Shalabi brings his ensemble Land of Kush, and his newest composition, to Toronto; Five Canadian composers, each with a different CBC connection, are nominated for JUNOs; and The WholeNote team presents its annual Summer Music Education Directory, a directory of summer music camps, programs and courses across the province and beyond.
In this issue: composer Nicole Lizée talks about her love for analogue equipment, and the music that “glitching” evokes; Richard Rose, artistic director at the Tarragon Theatre, gives us insights into their a rock-and-roll Hamlet, now entering production; Toronto prepares for a mini-revival of Schoenberg’s music, with three upcoming shows at New Music Concerts; and the local music theatre community remembers and celebrates the life and work of Mi’kmaq playwright and performer Cathy Elliott . These and other stories, in our double-issue December/January edition of the magazine.
In this issue: conversations (of one kind or another) galore! Daniela Nardi on taking the reins at "best-kept secret" venue, 918 Bathurst; composer Jeff Ryan on his "Afghanistan" Requiem for a Generation" partnership with war poet, Susan Steele; lutenist Ben Stein on seventeenth century jazz; collaborative pianist Philip Chiu on going solo; Barbara Hannigan on her upcoming Viennese "Second School" recital at Koerner; Tina Pearson on Pauline Oliveros; and as always a whole lot more!
In this issue: several local artists reflect on the memory of composer Claude Vivier, as they prepare to perform his music; Vancouver gets ready to host international festival ISCM World New Music Days, which is coming to Canada for the second time since its inception in 1923; one of the founders of Artword Artbar, one of Hamilton’s staple music venues, on the eve of the 5th annual Steel City Jazz Festival, muses on keeping urban music venues alive; and a conversation with pianist Benjamin Grosvenor, as he prepares for an ambitious recital in Toronto. These and other stories, in our October 2017 issue of the magazine.
In this issue: a look at why musicians experience stage fright, and how to combat it; an inside look at the second Kensington Market Jazz Festival, which zeros in on one of Toronto’s true ‘music villages’; an in-depth interview with Elisa Citterio, new music director of Tafelmusik Baroque Orchestra; and The WholeNote’s guide to TIFF, with suggestions for the 20 most musical films at this year’s festival. These and other stories, in our September 2017 issue of the magazine!
CBC Radio's Lost Horizon; Pinocchio as Po-Mo Operatic Poster Boy; Meet the Curators (Crow, Bernstein, Ridge); a Global Music Orchestra is born; and festivals, festivals, festivals in our 13th annual summer music Green Pages. All this and more in our three-month June-through August summer special issue, now available in flipthrough HERE and on the stands commencing Thursday June 1.
From science fact in "Integral Man: Music and the Movies," to science fiction in the editor's opener; from World Fiddle Day at the Aga Khan Museum to three Canadians at the Cliburn; from wanting to sashay across the 401 to Chamberfest in Montreal to exploring the Continuum of Jumblies Theatre's 20-year commitment to the Community Play (there's a pun in there somewhere!).
In this issue: Our podcast ramps up with interviews in March with fight director Jenny Parr, countertenor Daniel Taylor, and baritone Russell Braun; two views of composer John Beckwith at 90; how music’s connection to memory can assist with the care of patients with Alzheimer’s; musical celebrations in film and jazz, at National Canadian Film Day and Jazz Day; and a preview of Louis Riel, which opens this month at the COC. These and other stories, in our April 2017 issue of the magazine!
On our cover: Owen Pallett's musical palette on display at New Creations. Spring brings thoughts of summer music education! (It's never too late.). For Marc-Andre Hamelin the score is king. Ella at 100 has the tributes happening. All; this and more.
In this issue: an interview with composer/vocalist Jeremy Dutcher, on his upcoming debut album and unique compositional voice; a conversation with Boston Symphony hornist James Sommerville, as as the BSO gets ready to come to his hometown; Stuart Hamilton, fondly remembered; and an inside look at Hugh’s Room, as it enters a complicated chapter in the story of its life in the complex fabric of our musical city. These and other stories, as we celebrate the past and look forward to the rest of 2016/17, the first glimpses of 2017/18, and beyond!
In this issue: a conversation with pianist Stewart Goodyear, in advance of his upcoming show at Koerner Hall; a preview of the annual New Year’s phenomenon that is Bravissimo!/Salute to Vienna; an inside look at music performance in Toronto’s health-care centres; and a reflection on the incredible life and lasting influence of the late Pauline Oliveros. These and more, in a special December/January combined issue!
In this issue: David Jaeger and Alex Pauk’s most memorable R. Murray Schafer collabs, in this month’s installment of Jaeger’s CBC Radio Two: The Living Legacy; an interview with flutist Claire Chase, who brings new music and mindset to Toronto this month; an investigation into the strange coincidence of three simultaneous Mendelssohn Elijahs this Nov 5; and of course, our annual Blue Pages, a who’s who of southern Ontario’s live music scene- a community as prolific and multifaceted as ever. These and more, as we move full-force into the 2016/17 concert season- all aboard!
Music lover's TIFF (our fifth annual guide to the Toronto International Film Festival); Aix Marks the Spot (how Brexit could impact on operatic co-production); The Unstoppable Howard Cable (an affectionate memoir of a late chapter in the life of of a great Canadian arranger; Kensington Jazz Story (the newest kid on the festival block flexes its muscles). These stories and much more as we say a lingering goodbye to summer and turn to the task, for the 22nd season, of covering the live and recorded music that make Southern Ontario tick.
It's combined June/July/August summer issue time with, we hope, enough between the covers to keep you dipping into it all through the coming lazy, hazy days. From Jazz Vans racing round "The Island" delivering pop-up brass breakouts at the roadside, to Bach flute ambushes strolling "The Grove, " to dozens of reasons to stay in the city. May yours be a summer where you find undiscovered musical treasures, and, better still, when, unexpectedly, the music finds you.
INSIDE: The Canaries Are Here! 116 choirs to choose from, so take the plunge! The Nylons hit the road after one last SING! Fling. Jazz writer Steve Wallace wonders "Watts Goode" rather than "what's new?" Paul Ennis has the musical picks of the HotDocs crop. David Jaeger's CBC Radio continues golden for a little while yet. Douglas McNabney is Music's Child. Leipzig meets Damascus in Alison Mackay's fertile imagination. And "C" is for KRONOS in Wende Bartley's koverage of the third annual 21C Festival. All this and as usual much much more. Enjoy.
From 30 camp profiles to spark thoughts of being your summer musical best, to testing LUDWIG as you while away the rest of so-called winter; from Scottish Opera and the Danish Midtvest, to a first Toronto recital appearance by violin superstar Maxim Vengerov; from musings on New Creations and new creation, to the boy who made a habit of crying Beowulf; it's a month of merry meetings and rousing recordings reviewed, all here to discover in The WholeNote.
2016 is off to a flying start! We chronicle the Artful Times of Andrew Burashko, the violistic versatility of Teng Li, the ageless ebullience of jazz pianist Gene DiNovi and the ninetieth birthday of trumpeter Johnny Cowell. Jaeger remembers Boulez; Waxman recalls Bley's influence, and Olds finds Bowie haunting Editor's Corner. Oh, and did we mention there's all that music? Hello (and goodbye) to the February blues, and here's to swinging through the musical vines of the Year of the Monkey.
What's a vinyl renaissance? What happens when Handel's Messiah runs afoul of the rumba rhythm setting on a (gasp!) Hammond organ? What work does Marc-Andre Hamelin say he would be content to have on every recital program he plays? What are Steve Wallace's favourite fifty Christmas recordings? Why is violinist Daniel Hope celebrating Yehudi Menuhin's 100th birthday at Koerner Hall January 28? Answers to all these questions (and a whole lot more) in the Dec/Jan issue of The WholeNote.
"Come" seems to be the verb that knits this month's issue together. Sondra Radvanovsky comes to Koerner, William Norris comes to Tafel as their new GM, opera comes to Canadian Stage; and (a long time coming!) Jane Bunnett's musicianship and mentorship are honoured with the Premier's award for excellence; plus David Jaeger's ongoing series on the golden years of CBC Radio Two, Andrew Timar on hybridity, a bumper crop of record reviews and much much more. Come on in!
Vol 21 No 2 is now available for your viewing pleasure, and it's a bumper crop, right at the harvest moon. First ever Canadian opera on the Four Seasons Centre main stage gets double coverage with Wende Bartley interviewing Pyramus and Thisbe composer Barbara Monk Feldman and Chris Hoile connecting with director Christopher Alden; Paul Ennis digs into the musical mind of pianist Benjamin Grosvenor, and pianist Eve Egoyan is "On the Record" in conversation with publisher David Perlman ahead of the Oct release concert for her tenth recording. And at the heart of it all the 16th edition of our annual BLUE PAGES directory of presenters profile the season now well and truly under way.
Paul Ennis's annual TIFF TIPS (27 festival films of potential particular musical interest); Wu Man, Yo-Yo Ma and Jeffrey Beecher on the Silk Road; David Jaeger on CBC Radio Music in the days it was committed to commissioning; the LISTENING ROOM continues to grow on line; DISCoveries is back, bigger than ever; and Mary Lou Fallis says Trinity-St. Paul's is Just the Spot (especially this coming Sept 25!).
