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Volume 25 Issue 1 - September 2019

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Vol 1 of our 25th season is now here! And speaking of 25, that's how many films in the upcoming Toronto International Film Festival editor Paul Ennis, in our Eighth Annual TIFF TIPS, has chosen to highlight for their particular musical interest. Also inside: Rob Harris looks through the Rear View Mirror at past and present prognostications about the imminent death of classical music; Mysterious Barricades and Systemic Barriers are Lydia Perović's preoccupations in Art of Song; Andrew Timar reflects on the evolving priorities of the Polaris Prize; and elsewhere, it's chocks away as yet another season creaks or roars (depending on the beat) into motion. Welcome back.

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an Ontario government agency The WholeNote VOLUME 25 NO 1 | SEPTEMBER 2019 Centre for Social Innovation 720 Bathurst St., Suite 503, Toronto ON M5S 2R4 PHONE 416-323-2232 | FAX 416-603-4791 Publisher/Editor in Chief | David Perlman Chairman of the Board | Allan Pulker EDITORIAL Managing Editor | Paul Ennis Recordings Editor | David Olds Digital Media Editor | Sara Constant Social Media Editor | Danial Jazaeri Listings Editor | John Sharpe SALES, MARKETING & MEMBERSHIP Concert & Event Advertising / Membership | Karen Ages Advertising Art /Production Support / Operations Jack Buell | Classified Ads | Website/Systems Support | Kevin King Circulation/Subscriptions | Chris Malcolm SUBSCRIPTIONS per year + HST (9 issues)* *international subscriptions: additional postage applies THANKS TO THIS MONTH’S CONTRIBUTORS Beat Columnists Wendalyn Bartley, Paul Ennis, Jack MacQuarrie, Jennifer Parr, David Perlman, Lydia Perović, Colin Story, Menaka Swaminathan, Andrew Timar, Steve Wallace, Matthew Whitfield Features Stuart Broomer, Paul Ennis, Robert Harris, David Jaeger, David Perlman CD Reviewers Stuart Broomer, Max Christie, Daniel Foley, Raul da Gama, Janos Gardonyi, Richard Haskell, Tiina Kiik, Kati Kiilaspea, Roger Knox, Pamela Margles, Lesley Mitchell-Clarke, David Olds, Ted Parkinson, Ivana Popovic, Allan Pulker, Cathy Riches, Terry Robbins, Michael Schulman, Andrew Scott, Adam Sherkin, Colin Story, Bruce Surtees, Andrew Timar, Ken Waxman Proofreading Sara Constant, Paul Ennis, Danial Jazaeri, John Sharpe Listings Team Ruth Atwood, Tilly Kooyman, John Sharpe, Gary Heard, Colin Story, Katie White Design Team Kevin King, Susan Sinclair Circulation Team Lori Sandra Aginian, Wende Bartley, Beth Bartley / Mark Clifford, Jack Buell, Sharon Clark, Manuel Couto, Paul Ennis, Robert Faulkner, Terry Gaeeni, James Harris, Micah Herzog, Jeff Hogben, Bob Jerome, Chris Malcolm, Luna Walker-Malcolm, Sheila McCoy, Lorna Nevison, Garry Page, Andrew Schaefer, Tom Sepp, Julia Tait, Dave Taylor BEAT BY BEAT 20 Music Theatre | JENNIFER PARR 22 Early Music | MATTHEW WHITFIELD 24 In with the New | WENDALYN BARTLEY 26 Classical & Beyond | PAUL ENNIS 30 World View | ANDREW TIMAR 32 Choral Scene | MENAKA SWAMINATHAN 36 Bandstand | JACK MACQUARRIE 38 Jazz Notes | STEVE WALLACE 39 On Opera | DAVID PERLMAN 40 Art of Song | LYDIA PEROVIĆ 50 Mainly Clubs, Mostly Jazz | COLIN STORY LISTINGS 42 A | Concerts in the GTA 47 B | Concerts Beyond the GTA 49 C | Music Theatre 51 D | In the Clubs (Mostly Jazz) 52 E | The ETCeteras DISCOVERIES: RECORDINGS REVIEWED 57 Editor’s Corner | DAVID OLDS 58 Strings Attached | TERRY ROBBINS 61 Keyed In | ADAM SHERKIN, ROGER KNOX, ANDREW SCOTT 62 Vocal 64 Classical and Beyond 67 Modern and Contemporary 69 Jazz and Improvised Music 71 Pot Pourri 73 Something in the Air | KEN WAXMAN 74 Old Wine, New Bottles | BRUCE SURTEES MORE 6 Contact Information 7 Upcoming dates and deadlines 54 Classified Ads 50 UPCOMING IN OCTOBER The Blue Pages Directory of Music Makers 2019/2020 Deadline for submissions: SEPTEMBER 9! contact: un organisme du gouvernement de l’Ontario an Ontario government agency un organisme du gouvernement de l’Ontario 6 | September 2019

FOR OPENERS | DAVID PERLMAN “LUDWIG Has Just Reached 40,000!” The Ludwig of the title above is not a reference to Wittgenstein or van Beethoven. (Nor is it a reference to Ludwig Van Toronto, the online blog, once called Musical Toronto, that is an indispensable and entertaining part of the fabric of media and social media support for classical music in this town.) When our listings editor John Sharpe came over to my desk a few days ago to say LUDWIG had reached the 40,000 mark, he was referring to the fact that he had just approved for publication the 40,000th entry to be processed in the listings database, code name LUDWIG, that has been, for nine years, the engine room of one of the key services that the The WholeNote provides for the music community in these parts. That’s not to say 40,000 is some kind of magic number in terms of the total number of listings we’ve published, in print and online, in our 24 seasons of documenting live music in our town – something around double that would probably be closer to the mark. But it ain’t nothin’ neither. The acronym, by the way, stands for “Listings Utility Database (for) WholeNote Information Gathering” and we even, for a little while ran cute ads in the magazine (featuring grumpy pictures of Beethoven, of course) informing readers that if they wanted to access music by a specific genre or geographic zone they were interested in, or by keyword for that matter, they could go online and ASK LUDWIG. You can still do those things, of course, but on the website, if that’s what you’re trying to do, it now simply says JUST ASK. “So what is that momentous 40,000th listing for?” I hear the regular followers of this Opener both asking. Well, it just happens to be a performance at 1pm on Sunday October 6, at Mazzoleni Concert Hall in the Royal Conservatory,titled “There’s a Lady on Stage”; hosted by pianist/vocalist David Ramsden accompanying not one but three accomplished “ladies” – namely vocalists Lori Yates, Tabby Johnson and Theresa Tova, with free tickets available starting Monday September 30. (The original Quiet Please! There’s a Lady on Stage, some may remember, was a project Ramsden launched in the 80s at the Cameron House (where the title of the show definitely made sense) with some of Canada’s most talented female vocalists.) “Why are you telling us this?” my loyal readers both ask. No good reason except that it feels good to me that this milestone listing happens to be for a grassroots, free concert, in one of our more intimate halls, reflecting a commitment on behalf of that particular presenter to program creatively, and on our part, faithfully to record what’s actually happening in a live music scene where the work of people for whom music is serious fun is a more important criterion for inclusion in what we list than the “seriousness” by whatever criteria we define it, of the music itself. Robert Harris, in his Rearview Mirror column in this issue, on page 76, is perhaps talking about something similar when he muses, hopefully, on a world of classical music “augmented by new consciousnesses, expanded to include elements of styles that already have their audiences, thereby liberating classical music from its depleting dependence on repertoire that, every year, departs further and further from the concerns of the modern world…” May the next 40,000 listings in this magazine continue to evolve to reflect that change! So another season (our 25th!) is off and running, so here’s wishing us all luck, and it’s great to have you back. And speaking of running, I should mention that Brian Chang our regular choral columnist and passionate advocate for community arts is doing some running of a different kind, as a parliamentary candidate for the federal riding of Toronto Centre. (Thank you Menaka Swaminathan for stepping into the breach in his absence.) The question of support for funding for the arts is always a topic around election time at all levels of government, but too often as a kind of siloed separate thing, with support for culture and support for community concerns running the risk of becoming polarized opposites, and candidates or party score points for their support of one by pooh-poohing concerns for the other. More to the point this time round, in my opinion, might be to support individuals running for office who recognize that most arts workers in our society are no less marginalized than many other workers – dealing with the same issues, especially in our cities – housing insecurity; a healthcare system with too many rotten planks in areas of greatest vulnerability. (Read Lydia Perović’s “Mysterious Barricades and Systemic Barriers” on page 40 in this issue for more on this.) Many of us are becoming increasingly unable to afford to participate as consumers in the industries, cultural and otherwise, that by our labours we help to build and maintain, or to dwell within the towns and cities where we ply our trades. Maybe this time round, we should keep score of how many times our candidates (of all political stripes) talk about “the middle class”, and take away a point every time they do, for automatically assuming that that includes you and me. In each and every riding may the best mensch win. Upcoming Dates & Deadlines for our OCTOBER 2019 edition Free Event Listings Deadline Midnight, Sunday September 8 Display Ad Reservations Deadline 6pm Monday September 16 Advertising Materials Due 6pm Wednesday September 18 Classifieds Deadline 6pm Saturday September 21 Publication Date Tuesday September 24 (online) Friday September 27 (print edition) The Blue Pages Directory of Music Makers 2019/2020 Deadline for submissions: SEPTEMBER 9! contact: Volume 25 No 2 “OCTOBER” will list events October 1 to November 7, 2019 WholeNote Media Inc. accepts no responsibility or liability for claims made for any product or service reported on or advertised in this issue Printed in Canada Couto Printing & Publishing Services Circulation Statement JUNE 2019 24,000 printed & distributed Canadian Publication Product Sales Agreement 1263846 ISSN 14888-8785 WHOLENOTE Publications Mail Agreement #40026682 Return undeliverable Canadian addresses to: WholeNote Media Inc. Centre for Social Innovation 503–720 Bathurst Street Toronto ON M5S 2R4 COPYRIGHT © 2019 WHOLENOTE MEDIA INC September 2019| 7

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