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Volume 26 Issue 1 - September 2020

  • Text
  • Ensemble
  • Classical
  • Concerts
  • Singers
  • Choral
  • Jazz
  • Toronto
  • Musical
  • September
  • Choir
Choral Scene: Uncharted territory: three choirs finding paths forward; Music Theatre: Loose Tea on the boil with Alaina Viau’s Dead Reckoning; In with the New: what happens to soundart when climate change meets COVID-19; Call to action: diversity, accountability, and reform in post-secondary jazz studies; 9th Annual TIFF Tips: a filmfest like no other; Remembering: Leon Fleisher; DISCoveries: a NY state of mind; 25th anniversary stroll-through; and more. Online in flip through here, and on stands commencing Tues SEP 1.

Mainly Clubs, Mostly

Mainly Clubs, Mostly Jazz! Three bandleaders on then, now, and next COLIN STORY While most club performances are still off the table for musicians, relaxed physical-distancing guidelines have meant that artists have been able to return to some form of live gigs. Near the end of August, I interviewed three different bandleaders – Joanna Majoko, Jenna Marie Pinard and Allison Au – about their recent performances, their quarantine experiences, and moving forward into “the new normal.” The Artist: Joanna Majoko The Performance: Live-to-air concert for JazzFM, as part of the TD Toronto Jazz Festival Summer Concert Series, July 24 The Band: Joanna Majoko, vocals and percussion; Jeremy Ledbetter, keyboards; Andrew Stewart, bass; Larnell Lewis, drums Finding balance in quarantine: “Thankfully, quarantine has not affected my ability to create or practise. It’s been a blessing to have had this time to create a harmonious work environment here at home, and to set up a small home studio and explore and diversify my musical interests, such as getting more comfortable and experienced with recording as well as trying my hand at vocal mixing. I don’t think I would have explored these avenues had it not been for quarantine. The only major aspect quarantine has affected is my ability to perform.” On the experience of returning to the stage after quarantine: “This was not my first performance since quarantine began, but it was my first as a bandleader. It felt surreal, it felt like a gift, it was an allbody experience. I remember feeling quite emotional and that was primarily due to the musical exchange with my amazing friends – Larnell, Andrew, and Jeremy. We brought all the energy and creativity we could conjure up because who knows when the next opportunity will come – at least that was the mindset.” Looking ahead: “I’ll be part of the Kensington Market Jazz Festival, 2020 airing online this November 7 and 8. We actually just pre-taped last week at the Handlebar in Kensington Market. I’ll be joined by Andrew Marzotto on guitar, who happens to be my favourite guitarist in Toronto for many reasons, but the most important is how well we gel musically. He’s such a free spirit on the guitar, it’s exciting to improvise and explore with him in performance.” The Artist: Jenna Marie Pinard The Performance: Live concert at The Emmet Ray, August 15 The Band: Jenna Marie Pinard, vocals; Jay Yoo, guitar Joanna Majoko Embracing the unexpected while missing live music: “I had planned a trip in March to visit my parents in Montreal and I ended up staying there for four months. I hadn’t intended being there for more than a week, so I didn’t have access to my piano, my journals or gear. I will say that it was surprisingly refreshing to take time away from the hustle and bustle of the artist lifestyle and connect with family. Quarantine has affected my creativity in many ways, but the biggest trouble for me is that I am heavily inspired by live music, and having not seen a show in months, I’ve found it challenging to get the creative juices flowing. I normally watch a couple of shows on a given night, feel extremely inspired and go home to write lyrics or compose… live streams or archived performances just don’t give me that same fulfillment.” On firsts: “My first live performance since quarantine was just last Saturday at The Emmet Ray! Jazz in Toronto is a lovely organization led by Lina Welch and Ori Dagan and they’ve partnered with The Emmet Ray for a series of live performances and live streams. Andrew and the staff at The Emmet Ray did a great job of setting up the space; the performance area has sheets of plastic separating musicians from the audience. Admittedly it was quite strange to sing through a plastic screen, but it felt incredible nonetheless.” Reconnecting with collaborators and audiences: “In November I came out with a duo album with my longtime friend and collaborator Jay Yoo. I have been absolutely longing to play with him again, and the moment Ori asked me to be a part of the series, I knew that Jay and I would perform as a duo – my soul had been craving it for months! We play a mixture of modern arrangements of jazz standards and original music. I absolutely love to sing in all formations, especially with the bands that I lead, but there’s truly nothing like playing duo with Jay. Hearing the audience clap and laugh, and seeing them smile as well as actively listen, was extremely energizing for me. In fact, it’s been four days since the live performance and I’m still riding that high.” SEAN STORY 32 | September 2020 thewholenote.com

Allison Au The Artist: Allison Au The Performance: Recording session, August The Band: Allison Au, saxophone; Todd Pentney, piano,;Jon Maharaj, bass; Ethan Ardelli, drums A deadline-free quarantine experience: “I tend to work really well having deadlines in mind when tackling a new project, so the quarantine has affected the drive with which I typically tend to work. That said, having no deadlines to work towards has also decreased the stress I typically work with. It has been a fantastic challenge and reminded me to cherish the creative process; an aspect of my pre-quarantine approach to work that I believe, like many of us, I had lost sight of.” Lessons learned: “This quarantine has affected my outlook on the quality of the music I create. I had a deep period of reflection during all of the social upheaval the pandemic exposed over the past few months. More than ever, I want to create music that I love, that means something to me, that is creative and that strives to explore new ground in some way.” The new and the old, in studio: “I conducted a short studio session. The studio I rented had rigorous health protocol in place. I had to fill out and sign two separate forms confirming that I did not present any COVID-19 symptoms and confirming that I would abide by all of the studio’s rules for having my temperature taken upon arrival, wearing a mask while not playing, and frequently using hand sanitizer placed strategically throughout the studio. None of these things affected my performance. It was truly wonderful to play music with others in a studio setting. And as soon as we started the session, I was flooded with positive emotions and a strong reminder as to why I love what I do.” Colin Story is a jazz guitarist, writer and teacher based in Toronto. He can be reached at www.colinstory.com, on Instagram and on Twitter. Jenna Marie Pinard In the Clubs (Mostly Jazz) ● Alleycatz 2409 Yonge St. 416-481-6865 alleycatz.ca All shows: Call for cover charge info. ● The Blue Goose Tavern 1 Blue Goose St. 416-255-2442 thebluegoosetavern.com (full schedule) ● Bloom 2315 Bloor St. W. 416-767-1315 bloomrestaurant.com (full schedule) All shows 7pm 19+. Call for reservations. ● Burdock 1184 Bloor St. W. 416-546-4033 burdockto.com Ticket prices vary by show, but typically - ; check website for individual show prices. ● Cameron House 408 Queen St. W. 416-703-0811 thecameron.com ● Castro’s Lounge 2116 Queen St. E. 416-699-8272 castroslounge.com (full schedule) All shows: No cover/PWYC ● C’est What 67 Front St. E. (416) 867-9499 cestwhat.com (full schedule) All concerts are PWYC unless otherwise noted. ● Emmet Ray, The 924 College St. 416-792-4497 theemmetray.com (full schedule) All shows: No cover/PWYC ● Grossman’s Tavern 379 Spadina Ave. 416-977-7000 grossmanstavern.com (full schedule) All shows: No cover (unless otherwise noted). ● Hirut Cafe and Restaurant 2050 Danforth Ave. 416-551-7560 hirut.ca ● Home Smith Bar – See Old Mill, The ● Jazz Bistro, The 251 Victoria St. 416-363-5299 jazzbistro.ca (full schedule) ● Jazz Room, The Located in the Huether Hotel, 59 King St. N., Waterloo. 226-476-1565 kwjazzroom.com (full schedule) Attendees must be 19+. Cover charge varies (generally -) ● Lula Lounge 1585 Dundas St. W. 416-588-0307 lula.ca (full schedule) ● Manhattans Pizza Bistro & Music Club 951 Gordon St., Guelph 519-767-2440 manhattans.ca (full schedule) ● Mezzetta Restaurant 681 St. Clair Ave. W. 416-658-5687 mezzettarestaurant.com (full schedule) ● Monarch Tavern 12 Clinton St. 416-531-5833 themonarchtavern.com (full schedule) ● N’awlins Jazz Bar & Dining 299 King St. W. 416-595-1958 nawlins.ca All shows: No cover/PWYC. ● Nice Bistro, The 117 Brock St. N., Whitby. 905-668-8839 nicebistro.com (full schedule) Live jazz and dinner, .00 per person. Dinner from 6pm and music from 7pm to 9pm. ● Old Mill, The 21 Old Mill Rd. 416-236-2641 oldmilltoronto.com (full schedule) The Home Smith Bar: No reservations. No cover. food/drink minimum. All shows: 7:30-10:30pm unless otherwise listed. ● Only Café, The 972 Danforth Ave. 416-463-7843 theonlycafe.com (full schedule) ● Pilot Tavern, The 22 Cumberland Ave. 416-923-5716 thepilot.ca All shows: 2:30pm. No cover. ● Poetry Jazz Café 224 Augusta Ave. 416-599-5299 poetryjazzcafe.com (full schedule) ● Reposado Bar & Lounge 136 Ossington Ave. 416-532-6474 reposadobar.com (full schedule) ● Reservoir Lounge, The 52 Wellington St. E. 416-955-0887 reservoirlounge.com (full schedule). ● Revolucion, La 2848 Dundas St. W. (416) 766-0746 larevto.com (full schedule) ● Rex Hotel Jazz & Blues Bar, The 194 Queen St. W. 416-598-2475 therex.ca (full schedule) Call for cover charge info. ● Salty Dog Bar & Grill, The 1980 Queen St. E. 416-849-5064 thesaltydog.ca (full schedule) ● Sauce on Danforth 1376 Danforth Ave. 647-748-1376 sauceondanforth.com All shows: No cover. ● The Senator Winebar 249 Victoria St 416 364-7517 thesenator.com (full schedule) ● Tranzac 292 Brunswick Ave. 416-923-8137 tranzac.org (full schedule) 3-4 shows daily, various styles, in three different performance spaces. Mostly PWYC. thewholenote.com September 2020 | 33

Volume 26 (2020- )

Volume 26 Issue 1 - September 2020
Volume 26 Issue 2 - October 2020
Volume 26 Issue 3 - November 2020

Volumes 21-25 (2015-2020)

Volume 25 Issue 9 - July / August 2020
Volume 25 Issue 8 - May / June 2020
Volume 25 Issue 7 - April 2020
Volume 25 Issue 6 - March 2020
Volume 25 Issue 5 - February 2020
Volume 25 Issue 4 - December 2019 / January 2020
Volume 25 Issue 3 - November 2019
Volume 25 Issue 2 - October 2019
Volume 25 Issue 1 - September 2019
Volume 24 Issue 8 - May 2019
Volume 24 Issue 7 - April 2019
Volume 24 Issue 6 - March 2019
Volume 24 Issue 5 - February 2019
Volume 24 Issue 4 - December 2018 / January 2019
Volume 24 Issue 3 - November 2018
Volume 24 Issue 2 - October 2018
Volume 24 Issue 1 - September 2018
Volume 23 Issue 9 - June / July / August 2018
Volume 23 Issue 8 - May 2018
Volume 23 Issue 7 - April 2018
Volume 23 Issue 6 - March 2018
Volume 23 Issue 4 - December 2017 / January 2018
Volume 23 Issue 3 - November 2017
Volume 23 Issue 2 - October 2017
Volume 23 Issue 1 - September 2017
Volume 22 Issue 9 - Summer 2017
Volume 22 Issue 8 - May 2017
Volume 22 Issue 7 - April 2017
Volume 22 Issue 6 - March 2017
Volume 22 Issue 5 - February 2017
Volume 22 Issue 4 - December 2016/January 2017
Volume 22 Issue 2 - October 2016
Volume 22 Issue 1 - September 2016
Volume 21 Issue 9 - Summer 2016
Volume 21 Issue 8 - May 2016
Volume 21 Issue 6 - March 2016
Volume 21 Issue 5 - February 2016
Volume 21 Issue 4 - December 2015/January 2016
Volume 21 Issue 3 - November 2015
Volume 21 Issue 2 - October 2015
Volume 21 Issue 1 - September 2015

Volumes 16-20 (2010-2015)

Volumes 11-15 (2004-2010)

Volumes 6 - 10 (2000 - 2006)

Volumes 1-5 (1994-2000)