7 years ago

Volume 6 Issue 6 - March 2001

  • Text
  • Toronto
  • Theatre
  • April
  • Arts
  • Musical
  • Wholenote
  • Bloor
  • Symphony
  • Choir
  • Orchestra


ETCETERA Fl LE, continued UNCLASSIFIED ADVERTISING: MARCH 2001 *Mar 23 10:00am: William Komaiko, jazz improvisation *Mar 23 5:00: William Vandersloot, violin *Mar 23 5:00: Marietta Orlov, piano *Mar 30 1Q:00am & 2:00: ' John Perry, piano *Mar 30 5:00: John Perry, piano ·*Mar 30 5:00: Marie Berard, violin •Apr 2 1 O:OOam: John Perry, piano •Apr 6 1 O:OOam: Jeanne Baxtresser, flute •Apr 6 'ID:OOam: Evelyn Lear, voice •Apr 6 10:00am: Trent Horne, copyright law WORKSHOPS •March 3 9:00am·5:30: 7th Annual Unionville Wind Conductors' ·sympo· sium. Workshop open to all music educators · & university students interested in improving their knowledge of the wind band literature & their skills as effective musical leaders. Featured clinicians: Craig Kirchhoff & Bud Beyer. Unionville High School. 201 Town Centre Blvd., Unionville. 905·4 79· 2787 ext.549. (teacher),(student!. *Mar~h 41:30: Toronto Early Music Players' Organization. Workshop with Bertha Madott, recorder. Lansing United Church, 49 Bogert Ave. 416·480·0225. . *March 18 1:30: CAMMAC. flehearsal for March 25 reading of Bach's.Mass in b with conductor I vars Taurins. 1:30·3:15: singers; 3:45-5:30: instrumentalists. Please bring m~sic stand. Church of the Messiah, 240 Avenue Rd. 416·924· 1938. Free. *March 25 2:00: CAMMAC. Reading of · Bach's Mass in b with conductor I vars Taurins, for singers & orchestra. Instrumentalists, please bring music stand. Christ Church Oeer Park, 1570 Yonge St. 416·924-1938. (non·members), (members). *March 28 7:30: Toronto Early Music Centre. Vocal Circle. Recreational reading of ,early choral music. Ability to read music dedirable but not essential. 166 Cresceht Rd. 416·920-5025. $ 5(non·members). *March 29 8:00: Toronto Folk Singers' Club. Informal meeting with the purpose of exchanging songs, traditional or contemporary. Tiki Room, TRANZAC Club, 292 Brunswick Ave.' 416·532·0900. Free. ARRAYMUSIC. ·Mqsic Improvisation Workshop. Four 3·hour sessions, running each Sunday in March from 1 :00 t~ 4:00. Participation is open to musicians at all levels. Victor Bateman, workshop leader. Suite 218, 60 Atlantic Ave. 416·654· 0590. . *Marc~ 4: Sound *March 11: Rhythmic and Harmonic Proportion *March 18: Pattern and Texture *March 25: Interaction within an Ensemble ACCOUNTING AND INCOME TAX SERVICE for small business and individuals, to save you time and money, customized to meet your needs. Norm Pulker, B. Math. CMA. 905·508-4274. AUDITIONS - RCM CON­ DUCTING INSTITUTE ORCHESTRA: strings, woodwinds, horn, trumpet, timpani. Toronto, July 21 - August 2, 0/week. In-person auditions preferred, week of April 17-21; audio/videotape acceptable. Mail cv to: Anna Gartshore; Royal Conservatory of Music, 273 Bloor Street West, Toronto ON, M5S I W2, or e-mail BOARD MEMBERS WAN.TED. Well established · Toronto chamber orchestra is l9oking for motivated music lovers to join our board. Please call Diana at 416-53.8-9879 or fax 416-929~ 4332 for more information. CARS, VANS, PICKUP TRUCKS, MOTOR VEHICLES WANTED, running or not. Will pay top dollar or tow for free. Body and paint work available. John, 416- 462-9371. EAR TRAINING, MUSICIAN­ SHIP, SIGHT-SINGING, dictation, rhythmic training, keybo\lrd skills, theory (all Conservatory-type subjects, solfa, jazz). All levels, professional/serious . beginners. Detailed study available - J.S.Bach, Renaissance", Jazz. Art Levine, MA, ARCT; Host of "This is Art" on CBC; RCM Professional ' School Faculty; Instructor, University of Toronto, etc. 416-924-8613. Visit website: FESTIVAL WIND OR­ CHESTRA seeks new members, especially clarinets, lower brass arid percussion. Rehearsals Tu~sdays, Yonge & Sheppard area. For more info, call Shelley: (416)491-1683. HAVE YOU EVER WANTED TO SING, thought you wouldn't or couldt1't, or do you just want a ·place to play with the possjbilities of your voice. Small groups. 6 - . Johanne, 461-8425. JAPANESE.KOTO MUSIC. Private lessons for all levels. Classical and contemporary music. Also available for private and public functions. Linda Caplan, (416)783- 4652, MERLIN WILLIAMS is available to do digital recordings of your orchestra, band, choir or chamber group on location. Reasonable rates for archival and demo recordings. For more info, call (416)489-0275 or email: UN

MUSIC FOR ALL OCCA­ SIONS! Duets, Trios, Dance Band, Big Band. Background, Centre-stage. Classical, Contemporary, Dixieland, Jazz! JSL Enterprises 905-2,76-3373. PIANIST WILL PLAY jazz. flavoured background music free of charge at charitable and non-profit • events. Can bring own piano. Call Neville at (905)877-8471. PIANO LESSONS. Classical and contemporary styles. RCM levels. Theory. Ear training and sightreading. Call Natalie. (416)741- 9522. SINGING LESSONS Experienced, qualified Bae. Music, 1 Classical, Semi-popular. R.C.M. prep., all levels. Central location. fnterest in disabilities: 416-924- 3877. Utta Aliclafr M.Mus. Lyric Soprano A rich and warm voice combined with an impeccable presentation! *Available for operas, oratorios, recitals, orchestral 'works, etc ... *Great packages for weddings, corporate events or any special occasion! * RCM registered teacher (private lessons for all ages / levels) *Also offering coaching in French diction (416) 630-5786 STUDIO FOR RENT. Dundas/ Runnymede. 6' grand piano."rdeal for warm-ups, practice, rehearsals, coaching. Out-of-town musicians· welcome. Short/long terms. 416- 763-5230. TENOR AVAILABLE for choral; operatic or other work. Call Valeriy (416)761-1880. THE PERFORMING EDGE Performance enhancement training in tension management, conceritration, goal setting, imagery. Individualized to meet your performance situation. Kate F. Hays, Ph.D., C.Psych., practising clinical and · performing arts psychology. 416- 961-0487. DAWN LYONS GOES Behind the Scenes • Chris· W alroth productfon manager, TSO Lurking backstage at Roy Thomson Hall one night last October (I was waiting for Cecilia Banoli 's backup band to be finished with our harpsichord so we could take it away) I did some snooping in the area where the Toronto Symphony Orchestra stores some of its instruments. Behind stage right is a large area crammed with gongs, bells, cymbals, several sets of tympani, xylophones in various sizes, a marimba or two and a wide variety of objects, some familiar, others . mysterious, mounted on racks or stands so as to be more easily whacked, plus a cabinet of bells and whistles (honest!) and a toy · NOW! WHOLENOTE UN CLASSIFIEDS pistol. Through the door into the greenroom I can see a harp-shaped ARE ONLINE! shipping crate which could house a family of four. Behind centre WWW. stage --- a passage lined with wooden doors about 2 J1 feet square, THEWHc'.>LENOTE.COM each with a lock but no knob that I can see; beyorid that is BassAlley (it says so right on the sign), closet-sized lockers for the double bass r-------------. players. Beyond Bass Alley, more of the small lockers, two table-top Voice &: :liano £essons In your own home given by · a qualified teacher -Reasonable Rates -R&B, POP, Clas~ical -Conservatory Grades (416)767-8779 hockey games, and a clutch of biggish boxy shapes zipped into fitted covers. A beautifully ·chip-carved sign procl

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