8 years ago

Volume 16 Issue 2 - October 2010

  • Text
  • Choir
  • Toronto
  • Concerts
  • Artistic
  • Choral
  • Singers
  • Orchestra
  • Musical
  • Arts
  • Ensemble

Authentic Mastery: Opera

Authentic Mastery: Opera Atelier at 25Wof a baseball pitcher in the programme notes. The oqueaesthetic. The pitch- - I have something of aspecial relationship withOpera Atelier because I istto write about the com- Orfeo Il Sant’Alessio-junctionwith the VaticanSplendours I recall that for most of to the Toronto Star-- -re-creation. Charpentier’s Médée. French haute-contre tenor Cyril Auvity was-PAULA CITRONJeannette Lajeunesse Zingg and Marshall Pynkoski of Opera Atelier.about a wig? Is that what -ticularlythe volume of the-to layer in more athleticmovement for the singingbecame so much more nat----- there. The bull’s eye has become a mantra for us. Style is not thebull’s eye. Style is what we“Style is not the bull’s eye.Style is what we use to take aim.”then something’s wrong. The -divertissements. An opera-ballet is all of -Acis and Galatea-- -The Beggar’sOperacontinued on page 70PHOTO KEN KERR / CLIXPIX8 thewholenote.comOctober 1 - November 7, 2010

PHOTO DANIEL FOLEYCandidly Speaking:John BeckwithO -- - I spoke to Beckwith earlier -Victorian home in the heart of sitting in the front hallway.Beckwith has written about - PAMELA MARGLESJohn Beckwith.-about music.How did you get involved in music journalism? VarsityEven though you are always fair, you’re fearlessly candid in yourjudgments. Where does that come from? October 1 - November 7, 2010 9

Copied successfully!

Volumes 21-25 (2015-2020)

Volumes 16-20 (2010-2015)

Volumes 11-15 (2004-2010)

Volumes 6 - 10 (2000 - 2006)

Volumes 1-5 (1994-2000)