Walter Hall, Edward Johnson Building,80 Queen’s Park. 416-978-0492. Free.● ● 8:00: L’Orchestre d’Hommes-Orchestres.Cabaret Brise-Jour. Adaptations of worksby Weill. Bruno Bouchard, Gabrielle Bouthillier,Jasmin Cloutier, Simon Drouin, SimonElmaleh and Danya Ortmann. Theatre Centre,1087 Queen St W. 416-538-0988. ; (sr/st/arts worker). Also Mar 26, 27, 28, 29(matand eve).● ● 8:00: Musideum. Bob Cohen’s BirthdayJam. Jazz jam. Suite 133 (main floor),401 Richmond St. W. 416-599-7323. .● ● 8:00: Tarragon Theatre. Marry Me A Little.See Apr 1.Wednesday March 26● ● 12:30: Yorkminster Park Baptist Church.Noonday organ recitals. William Maddox,organ. 1585 Yonge St. 416-922-1167. Free.● ● 5:30: Canadian Opera Company. RichardBradshaw Amphitheatre Jazz Series: Jazz606. Original repertoire written and performedby Humber College faculty membersBrian Dickinson, piano; Ted Quinlan, guitar;Mike Downes, bass; Mark Kelso, drums; KirkMacDonald, saxophone; Denny Christiansong,trumpet. Four Seasons Centre for thePerforming Arts, 145 Queen St. W. 416-363-8231. Free.● ● 7:30: Toronto Mendelssohn Choir. Bach:Mass in B Minor. Jennifer Taverner and LesleyBouza, sopranos; Jennifer Enns Modolo,mezzo; Isaiah Bell, tenor; Michael York,baritone; Festival Orchestra; Noel Edison,conductor. Koerner Hall, 273 Bloor St.W. 416-408-0208. -, -(sr),(VoxTix 30 and under).● ● 7:30: University of Toronto Faculty ofMusic. gamUT Ensemble Concert. WalterHall, Edward Johnson Building, 80 Queen’sPark. 416-978-0492. Free.● ● 8:00: L’Orchestre d’Hommes-Orchestres.Cabaret Brise-Jour. See Mar 25. Also Mar 27,28, 29(mat and eve).● ● 8:00: Musideum. Ardene Shapiro and KikiMisumi. Ardene Shapiro: vocals/guitar; KikiMisumi: cello/vocals; Bob Cohen: guitar/bass;Donald Quan: piano/percussion. Suite 133A. Concerts in the GTA(main floor), 401 Richmond St. W. 416-599-7323. .● ● 8:00: Tarragon Theatre. Marry Me A Little.See Apr 1.● ● 8:00: Toronto Symphony Orchestra.Schumann Symphony 2. Beethoven: Overtureto Fidelio; Aho: Siedi, Concerto for Solo Percussionand Orchestra (Canadian premiere).Colin Currie, percussion; John Storgaards,conductor. Roy Thomson Hall, 60 Simcoe St.416-593-4828. and up. Also Mar 27(mat).Thursday March 27● ● 12:00_noon: Canadian Opera Company.Richard Bradshaw Amphitheatre Vocal Series:A Celebration of Canadian Art Song.Rolfe: Moths (premiere); Holman: PassionPlay; Emery: Three Songs of Mourning. MonicaWhicher, soprano; Lawrence Wiliford,tenor; Colin Ainsworth, tenor; Brett Polegato,baritone; Kathryn Tremills and StevenPhilcox, piano. Four Seasons Centre for thePerforming Arts, 145 Queen St. W. 416-363-8231. Free.● ● 12:10: Nine Sparrows/Christ ChurchDeer Park. Lunchtime Chamber Music.Lyndsay Promane, mezzo. Christ Church DeerPark, 1570 Yonge St. 416-241-1298. Free. Donationswelcome.● ● 12:10: University of Toronto Faculty ofMusic. Thursdays at Noon: Student ChamberEnsembles. Walter Hall, Edward JohnsonBuilding, 80 Queen’s Park. 416-978-0492.Free.● ● 12:15: Music at Metropolitan. Noon atMet. Alexander Jacob, piano. MetropolitanUnited Church, 56 Queen St. E. 416-363-0331x26. Free.● ● 2:00: Toronto Symphony Orchestra.Schumann Symphony 2. See Mar 26(eve).Pre-concert chat.● ● 7:30: University of Toronto Faculty ofMusic. Jazz Concerts: UTJO and 11 O’ClockJazz Orchestra. Guest: Mike Holober, piano;Mike Murley, saxophone. MacMillan Theatre,Edward Johnson Building, 80 Queen’s Park.416-978-0492. PWYC.● ● 7:30: York University Department ofMusic. Symphony Orchestra. Mozart: FluteConcerto; Copland: Fanfare for the CommonMan; Liszt: Concerto for Piano and OrchestraNo.1 in Eb; Dvořák: Symphony No.9 in e Op.95.William Bellehumeur, piano; Jonelle Sills,voice; Tetsuya Kobayashi, flute; Mark Chambers,conductor. Tribute Communities Hall,Accolade East Building, 4700 Keele St. 416-736-5888. ; (sr/st).● ● 8:00: Coleman Lemieux & Compagnie.Dichterliebe: The Poet’s Love. Sixteen choreographiesfor one dancer set to music bySchumann; Schumann: Fantasie in C; Schubert:Schwanengesang. Laurence Lemieux,dancer; Alexander Dobson, baritone; JeanieChung, piano. The Citadel, 304 Parliament St.416-364-8011. ; (st/artist); for PWYCperformances call box-office. Also Mar 28.● ● 8:00: L’Orchestre d’Hommes-Orchestres.Cabaret Brise-Jour. See Mar 25. Also Mar 28,29(mat and eve).● ● 8:00: Musideum. Paige Cora and Headlines.Suite 133 (main floor), 401 Richmond St.W. 416-599-7323. .● ● 8:00: Steppin’ Out Theatrical Productions.Into the Woods. Richmond Hill Centrefor the Performing Arts, 10268 Yonge St.,Richmond Hill. 905-787-8811. ; (sr/st).Also Mar 28, 29(eve & mat).A NIGHTIN PARIS:LE CONCERTSPIRITUELCecilia Bernardini,Guest Director and Violin SoloistMar 27-30416.964.6337tafelmusik.orgBaroque Orchestra and Chamber ChoirJeanne Lamon, Music Director | Ivars Taurins, Director, Chamber Choir● ● 8:00: Tafelmusik. A Night In Paris: Le ConcertSpirituel. Vivaldi: Violin Concerto “Tempestedi Mare”; other works by Telemann,Leclair and choral selections. Guest: CeciliaBernardini, conductor and violin; IvarsTaurins, conductor. Trinity-St. Paul’s Centre,427 Bloor St. W. 416-964-6337. -;-(over 65); -(under 35). AlsoMar 28, 29, 30(mat).● ● 8:00: Tarragon Theatre. Marry Me A Little.See Apr 1.Friday March 28● ● 12:10: Life & Music at St. Andrew’s.Noontime Recital. Younggun Kim, piano. St.Andrew’s Church, 73 Simcoe St. 416-593-5600x231. Free.● ● 1:10: Gordon Murray, piano. Piano Potpourri.See Mar 7.● ● 7:30: Royal Canadian College of Organists/Musicat Metropolitan. Ken Cowan,organ. Metropolitan United Church, 56 QueenSt. E. 316-363-0331 x26. ; (18 andunder).● ● 7:30: Whitby Brass Band. Spring CelebrationConcert. Guest: Durham RegionalPolice Pipes and Drum Band. Hebron ChristianReformed Church, 4240 Anderson St.,Whitby. 905-666-2049. ; (sr/st). Preshowby Whitby Junior Band at 6:45.● ● 7:30: York University Department ofMusic. Gospel Choir. Works by Franklin, Cageand Smallwood. Corey Butler, music director;Karen Burke, conductor. Sandra Faireand Ivan Fecan Theatre, Accolade East Building,4700 Keele St. 416-736-5888. ; (sr/st). Also Mar 29.● ● 8:00: Coleman Lemieux & Compagnie.Dichterliebe: See Mar 27.● ● 8:00: Jeunesses Musicales Ontario. LaBohème. Puccini. Milton Centre for the Arts,1010 Main St. E., Milton. 905-875-5399. ;(sr/st/child). Also Mar 29 (Prescott), Apr 6(7:30, Midland).● ● 8:00: L’Orchestre d’Hommes-Orchestres.Cabaret Brise-Jour. See Mar 25. AlsoMar 29(mat and eve).● ● 8:00: Musideum. Conrad Gayle. ChristianJazz. Suite 133 (main floor), 401 Richmond St.W. 416-599-7323. .● ● 8:00: Steppin’ Out Theatrical Productions.Into the Woods. See Mar 27. AlsoMar 29(mat & eve).● ● 8:00: Tafelmusik. A Night In Paris: LeConcert Spirituel. See Mar 27. Also Mar 29,30(mat).● ● 8:00: Tarragon Theatre. Marry Me A Little.See Apr 1.● ● 8:00: Toronto Organ Club. Don Malcolm,organ. St. James United Church,400 Burnhamthorpe Rd. 905-824-4667. ;free(under 10). Refreshments to follow.● ● 8:15: York University Department ofMusic. Baroque Ensemble. Stephanie Martin,conductor. Church of St. Mary Magdalene,477 Manning Ave. 416-531-7955. PWYC.● ● 8:30: Peggy Baker Dance Projects.he:she. Farah(improvised): Aleatoric DuetNo.2 (world premiere); Nin: Sylvan Quartet;Box, la femme au carton; Schmidt: stone leafshell skin. John Kameel Farah, piano; ShaunaRolston, cello; Max Christie, clarinet; SeanLing and Andrea Nann, dancers, and others;Peggy Baker, dancer/choreographer. BettyOliphant Theatre, 404 Jarvis St. 1-800-838-3006. /(before Mar 7 with code);(sr/st/CADA). Pre-show chat with PeggyBaker 30 minutes prior to each performance.transformationsaturdaymar 2920148 pmA special evening of music andmulti-media performances–dance, film and spoken word.first united churchport creditTickets: at the door or frominfo@mississaugafestivalchoir.com38 | March 1 – April 7, 2014 thewholenote.com
Also Mar 29(PWYC), 30(mat), Apr 2, 3, 4, 5,6(mat).Saturday March 29● ● 1:30 and 3:30: Toronto Symphony Orchestra.Family Concert: Case Closed. Schifrin:Theme from Mission Impossible; Rimsky-Korsakov:Flight of the Bumblebee; Grieg: “In theHall of the Mountain King” from Peer Gynt;Mancini: Main Theme from The Pink Panther;Nathaniel Stookey: The Composer isDead(text by Lemony Snicket). Kevin Frank,host/narrator; Shalom Bard, conductor. RoyThomson Hall, 60 Simcoe St. 416-593-4828.–. Also 3:30.● ● 2:00: L’Orchestre d’Hommes-Orchestres.Cabaret Brise-Jour. See Mar 25. Also 8:00.● ● 2:00: Steppin’ Out Theatrical Productions.Into the Woods. Also 8:00. See Mar 27.● ● 7:00: Arts and Events Programming atthe University of Toronto Scarborough.Spring Awakening. Featuring classical andcontemporary repertoire. UTSC ConcertChoir and Concert Band. Academic ResourceCentre, University of Toronto Scarborough,1265 Military Trail, Scarborough. 416-208-2931. Free.● ● 7:00: Victoria Ballet Company. Cinderella.Prokofiev. Anastasia Loskutov, dancer; andothers; Rostislav Zakharov and Victoria Mironova,choreography; Victoria Mironova, artisticdirector. Living Arts Centre, 4141 LivingArts Dr., Mississauga. 905-306-6000 or1-888-805-8888. -.● ● 7:30: Cantabile Chamber Singers. Bachand Beyond! Bach: Cantata BWV131 “Aus dertiefe ruhe ich”; Mendelssohn: Psalm 100;Gibbons: Drop, Drop Slow Tears; and otherworks. Giovanni Maria Spanu, baritone; SATBchoir; Cheryll J. Chung, conductor. GraceChurch on-the-Hill, 300 Lonsdale Rd. 416-566-8193. ; (sr/st).● ● 7:30: Opera by Request. Massenet’sWerther. Jeff Boyd, tenor (Werther); Jean-EHudson, mezzo (Charlotte); Norman Brown,baritone (Albert); Nicole Bower, soprano(Sophie); Gianmarco Segato, baritone (LeBailli); and others; Children’s Chorus, NicoleBower, conductor; William Shookhoff, musicdirector and piano. College Street UnitedChurch, 452 College St. 416-455-2365. .● ● 7:30: University of Toronto Faculty ofMusic. Choirs in Concert/Wind Ensemble:Bruckner’s Mass. Mackey: High Wire; Kulesha:The Greatness of the New-Found Night;Colgrass: Dream Dancer; Bruckner: Massin e for chorus and winds. Men’s Chorus;Women’s Chorus; MacMillan Singers; WindEnsemble; Kevin Shen, alto sax; Hilary Apfelstadt,conductor; Gillian MacKay, conductor.MacMillan Theatre, Edward Johnson Building,80 Queen’s Park. 416-408-0208. ;(sr); (st).● ● 7:30: York University Department ofMusic. Gospel Choir. Works by Franklin, Cageand Smallwood. Corey Butler, music director;Karen Burke, conductor. Sandra Faireand Ivan Fecan Theatre, Accolade East Building,4700 Keele St. 416-736-5888. ; (sr/st). Also Mar 28.● ● 8:00: L’Orchestre d’Hommes-Orchestres.Cabaret Brise-Jour. See Mar 25.● ● 8:00: Mississauga Festival Choir. Transformation.A concert of multimedia performancesincluding dance, film and spokenword. First United Church (Port Credit),151 Lakeshore Rd W., Mississauga. 905-306-6000. .● ● 8:00: Music at Islington. Earth Hour byCandlelight: An Organ Celebration. Celebratingthe 20th anniversary of the Schoensteinorgan with performance and discussion.John Derksen, organ. Islington UnitedChurch, 25 Burnhamthorpe Rd. 416-239-1131.; (st); free(under 12). Food Bank donationappreciated.● ● 8:00: Musideum. Onkar Singh. IndianSpiritual Kirtan. Suite 133 (main floor),401 Richmond St. W. 416-599-7323. .● ● 8:00: Royal Conservatory. Israel Galván.Flamenco dance. Koerner Hall, 273 Bloor St.W. 416-408-0208. and up.● ● 8:00: Scarborough Philharmonic Orchestra.Masterpieces of French Music. Ravel:Le Tombeau de Couperin; Debussy: Préludeà l’après-midi d’un faune; Chabrier: SuitePastorale; Fauré: Requiem for Choir andOrchestra. Ronald Royer and Geoffrey Butler,conductors. Guests: Toronto Choral Society.Salvation Army Scarborough Citadel,2021 Lawrence Ave. E., Scarborough. 416-429-0007. ; (sr); (st); (under10).● ● 8:00: Steppin’ Out Theatrical Productions.Into the Woods. See Mar 27.● ● 8:00: Tafelmusik. A Night In Paris: Le ConcertSpirituel. See Mar 27. Also Mar 30(mat).● ● 8:00: Tarragon Theatre. Marry Me A Little.See Apr 1.● ● 8:00: Univox Choir. Come Fill the Cup. Settingsof mystical poets including Rumi, Khayyam,Kalidasa and Gibran. Persian music andstorytelling; works by Hailstork, Daley, Walkerand composer-in-residence Patrick Murray(premiere). Tahirih Vejdani, soprano; SinaBathaie, santur; Dallas Bergen, conductor.Christ Church Deer Park, 1570 Yonge St.416-697-9561. /(adv/sr/st); free(under18). Portion of proceeds donated to localcharity that supports newcomers.● ● 8:00: Windmill Theatre. The Next Voice.Annual Pat Anderson Vocal ScholarshipFinals fundraiser and silent auction. GreatHall, Unitarian Congregation of Mississauga,84 South Service Rd., Mississauga. 905-483-5702. .● ● 8:30: Peggy Baker Dance Projects.he:she. See Mar 28. Also Mar 30(mat), Apr 2,3, 4, 5, 6(mat).Sunday March 30● ● 2:00: Off Centre Music Salon. An Invitationto the Dance. Works by Weber, Ravel andothers. Joseph Macerollo, accordion; OlivierLaquerre, baritone; Ilana Zarankin, soprano;Inna Perkis and Boris Zarankin, piano. GlennGould Studio, 250 Front St. W. 416-466-1870.; (sr/st); (youth); (child).● ● 2:30: Tarragon Theatre. Marry Me A Little.See Apr 1.● ● 3:00: Musideum. Poli’s Jazz Salon. Suite133 (main floor), 401 Richmond St. W. 416-599-7323. .● ● 3:00: Opera by Request/Oshawa Opera.Das Lied von der Erde (Song of the Earth).Mahler. Kristine Dandavino, mezzo; Dillon Parmer,tenor; William Shookhoff, piano. KingsviewUnited Church, 505 Adelaide Ave. E.,Oshawa. 416-455-2365. .● ● 3:00: York University Department ofMusic. Wind Symphony. works by Whitacre,Hanson, Tichelli, McClary, Vaughan Williamsand others. William Thomas, conductor. TributeCommunities Hall, Accolade East Building,4700 Keele St. 416-736-5888. ; (sr/st).th19 Off Centre Music Salon19...dancing into our third decadeAn Invitation to the DanceSunday March 30, 2014thewholenote.com March 1 – April 7, 2014 | 39
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Welcome to our December/January issue as we turn the annual calendar page, halfway through our season for the 25th time, juggling as always, secular stuff, the spirit of the season, new year resolve and winter journeys! Why is Mozart's Handel's Messiah's trumpet a trombone? Why when Laurie Anderson offers to fly you to the moon you should take her up on the invitation. Why messing with Winterreisse can (sometimes) be a very good thing! And a bumper crop of record reviews for your reading (and sometimes listening) pleasure. Available in flipthrough here right now, and on stands commencing Thursday Nov 28. See you on the other side!
Long promised, Vivian Fellegi takes a look at Relaxed Performance practice and how it is bringing concert-going barriers down across the spectrum; Andrew Timar looks at curatorial changes afoot at the Music Gallery; David Jaeger investigates the trumpets of October; the 30th anniversary of the Velvet Revolution (and the 20th Anniversary of our October Blue Pages Presenter profiles) in our Editor's Opener; the Toronto Mendelssohn Choir at 125; Tapestry at 40 and Against the Grain at 10; ringing in the changing season across our features and columns; all this and more, now available in Flip Through format here, and on the stands commencing this coming Friday September 27, 2019. Enjoy.
Vol 1 of our 25th season is now here! And speaking of 25, that's how many films in the upcoming Toronto International Film Festival editor Paul Ennis, in our Eighth Annual TIFF TIPS, has chosen to highlight for their particular musical interest. Also inside: Rob Harris looks through the Rear View Mirror at past and present prognostications about the imminent death of classical music; Mysterious Barricades and Systemic Barriers are Lydia Perović's preoccupations in Art of Song; Andrew Timar reflects on the evolving priorities of the Polaris Prize; and elsewhere, it's chocks away as yet another season creaks or roars (depending on the beat) into motion. Welcome back.
What a range of stuff! A profile of Liz Upchurch, the COC ensemble studio's vocal mentor extraordinaire; a backgrounder on win-win faith/arts centre partnerships and ways of exploring the possibilities; an interview with St. Petersburg-based Eifman Ballet's Boris Eifman; Ana Sokolovic's violin concert Evta finally coming to town; a Love Letter to YouTube, and much more. Plus our 17th annual Canary Pages Choral directory if all you want to do is sing! sing! sing!
Arraymusic, the Music Gallery and Native Women in the Arts join for a mini-festival celebrating the work of composer, performer and installation artist Raven Chacon; Music and Health looks at the role of Healing Arts Ontario in supporting concerts in care facilities; Kingston-based composer Marjan Mozetich's life and work are celebrated in film; "Forest Bathing" recontextualizes Schumann, Shostakovich and Hindemith; in Judy Loman's hands, the harp can sing; Mahler's Resurrection bursts the bounds of symphonic form; Ed Bickert, guitar master remembered. All this and more in our April issue, now online in flip-through here, and on stands commencing Friday March 29.
Something Old, Something New! The Ide(a)s of March are Upon Us! Rob Harris's Rear View Mirror looks forward to a tonal revival; Tafelmusik expands their chronological envelope in two directions, Esprit makes wave after wave; Pax Christi's new oratorio by Barbara Croall catches the attention of our choral and new music columnists; and summer music education is our special focus, right when warm days are once again possible to imagine. All this and more in our March 2019 edition, available in flipthrough here, and on the stands starting Thursday Feb 28.
In this issue: A prize that brings lustre to its laureates (and a laureate who brings lustre to the prize); Edwin Huizinga on the journey of Opera Atelier's "The Angel Speaks" from Versailles to the ROM; Danny Driver on playing piano in the moment; Remembering Neil Crory (a different kind of genius)' Year of the Boar, Indigeneity and Opera; all this and more in Volume 24 #5. Online in flip through, HERE and on the stands commencing Thursday Jan 31.
When is a trumpet like a motorcycle in a dressage event? How many Brunhilde's does it take to change an Elektra? Just two of the many questions you've been dying to ask, to which you will find answers in a 24th annual combined December/January issue – in which our 11 beat columnists sift through what's on offer in the upcoming holiday month, and what they're already circling in their calendars for 2019. Oh, and features too: a klezmer violinist breathing new life into a very old film; two New Music festivals in January, 200 metres apart; a Music & Health story on the restorative powers of a grassroots exercise in collective music-making; even a good reason to go to Winnipeg in the dead of winter. All this and more in Vol 24 No 4, now available in flipthrough format here.
Reluctant arranger! National Ballet Orchestra percussionist Kris Maddigan on creating the JUNO and BAFTA award-winning smash hit Cuphead video game soundtrack; Evergreen by name and by nature, quintessentially Canadian gamelan (Andrew Timar explains); violinist Angèle Dubeau on 20 years and 60 million streams; two children’s choirs where this month remembrance and living history must intersect. And much more, online in our kiosk now, and on the street commencing Thursday November 1.
Presenters, start your engines! With TIFF and "back-to-work" out of the way, the regular concert season rumbles to life, and, if our Editor's Opener can be trusted, "Seeking Synergies" seems to be the name of the game. Denise Williams' constantly evolving "Walk Together Children" touching down at the Toronto Centre for the Arts; the second annual Festival of Arabic Music and Arts expanding its range; a lesson in Jazz Survival with Steve Wallace; the 150 presenter and performer profiles in our 19th annual Blue Pages directory... this is an issue that is definitely more than the sum of its parts.
In this issue: The WholeNote's 7th Annual TIFF TIPS guide to festival films with musical clout; soprano Erin Wall in conversation with Art of Song columnist Lydia Perovic, about more than the art of song; a summer's worth of recordings reviewed; Toronto Chamber Choir at 50 (is a few close friends all it takes?); and much more, as the 2018/19 season gets under way.
PLANTING NOT PAVING! In this JUNE / JULY /AUGUST combined issue: Farewell interviews with TSO's Peter Oundjian and Stratford Summer Music's John Miller, along with "going places" chats with Luminato's Josephine Ridge, TD Jazz's Josh Grossman and Charm of Finches' Terry Lim. ) Plus a summer's worth of fruitful festival inquiry, in the city and on the road, in a feast of stories and our annual GREEN PAGES summer Directory.
In this issue: our sixteenth annual Choral Canary Pages; coverage of 21C, Estonian Music Week and the 3rd Toronto Bach Festival (three festivals that aren’t waiting for summer!); and features galore: “Final Finales” for Larry Beckwith’s Toronto Masque Theatre and for David Fallis as artistic director of Toronto Consort; four conductors on the challenges of choral conducting; operatic Hockey Noir; violinist Stephen Sitarski’s perspective on addressing depression; remembering bandleader, composer and saxophonist Paul Cram. These and other stories, in our May 2018 edition of the magazine.
In this issue: we talk with jazz pianist Thompson Egbo-Egbo about growing up in Toronto, building a musical career, and being adaptive to change; pianist Eve Egoyan prepares for her upcoming Luminato project and for the next stage in her long-term collaborative relationship with Spanish-German composer Maria de Alvear; jazz violinist Aline Homzy, halfway through preparing for a concert featuring standout women bandleaders, talks about social equity in the world of improvised music; and the local choral community celebrates the life and work of choral conductor Elmer Iseler, 20 years after his passing.
In this issue: Canadian Stage, Tapestry Opera and Vancouver Opera collaborate to take Gogol’s short story The Overcoat to the operatic stage; Montreal-based Sam Shalabi brings his ensemble Land of Kush, and his newest composition, to Toronto; Five Canadian composers, each with a different CBC connection, are nominated for JUNOs; and The WholeNote team presents its annual Summer Music Education Directory, a directory of summer music camps, programs and courses across the province and beyond.
In this issue: composer Nicole Lizée talks about her love for analogue equipment, and the music that “glitching” evokes; Richard Rose, artistic director at the Tarragon Theatre, gives us insights into their a rock-and-roll Hamlet, now entering production; Toronto prepares for a mini-revival of Schoenberg’s music, with three upcoming shows at New Music Concerts; and the local music theatre community remembers and celebrates the life and work of Mi’kmaq playwright and performer Cathy Elliott . These and other stories, in our double-issue December/January edition of the magazine.
In this issue: conversations (of one kind or another) galore! Daniela Nardi on taking the reins at "best-kept secret" venue, 918 Bathurst; composer Jeff Ryan on his "Afghanistan" Requiem for a Generation" partnership with war poet, Susan Steele; lutenist Ben Stein on seventeenth century jazz; collaborative pianist Philip Chiu on going solo; Barbara Hannigan on her upcoming Viennese "Second School" recital at Koerner; Tina Pearson on Pauline Oliveros; and as always a whole lot more!
In this issue: several local artists reflect on the memory of composer Claude Vivier, as they prepare to perform his music; Vancouver gets ready to host international festival ISCM World New Music Days, which is coming to Canada for the second time since its inception in 1923; one of the founders of Artword Artbar, one of Hamilton’s staple music venues, on the eve of the 5th annual Steel City Jazz Festival, muses on keeping urban music venues alive; and a conversation with pianist Benjamin Grosvenor, as he prepares for an ambitious recital in Toronto. These and other stories, in our October 2017 issue of the magazine.
In this issue: a look at why musicians experience stage fright, and how to combat it; an inside look at the second Kensington Market Jazz Festival, which zeros in on one of Toronto’s true ‘music villages’; an in-depth interview with Elisa Citterio, new music director of Tafelmusik Baroque Orchestra; and The WholeNote’s guide to TIFF, with suggestions for the 20 most musical films at this year’s festival. These and other stories, in our September 2017 issue of the magazine!
CBC Radio's Lost Horizon; Pinocchio as Po-Mo Operatic Poster Boy; Meet the Curators (Crow, Bernstein, Ridge); a Global Music Orchestra is born; and festivals, festivals, festivals in our 13th annual summer music Green Pages. All this and more in our three-month June-through August summer special issue, now available in flipthrough HERE and on the stands commencing Thursday June 1.
From science fact in "Integral Man: Music and the Movies," to science fiction in the editor's opener; from World Fiddle Day at the Aga Khan Museum to three Canadians at the Cliburn; from wanting to sashay across the 401 to Chamberfest in Montreal to exploring the Continuum of Jumblies Theatre's 20-year commitment to the Community Play (there's a pun in there somewhere!).
In this issue: Our podcast ramps up with interviews in March with fight director Jenny Parr, countertenor Daniel Taylor, and baritone Russell Braun; two views of composer John Beckwith at 90; how music’s connection to memory can assist with the care of patients with Alzheimer’s; musical celebrations in film and jazz, at National Canadian Film Day and Jazz Day; and a preview of Louis Riel, which opens this month at the COC. These and other stories, in our April 2017 issue of the magazine!
On our cover: Owen Pallett's musical palette on display at New Creations. Spring brings thoughts of summer music education! (It's never too late.). For Marc-Andre Hamelin the score is king. Ella at 100 has the tributes happening. All; this and more.
In this issue: an interview with composer/vocalist Jeremy Dutcher, on his upcoming debut album and unique compositional voice; a conversation with Boston Symphony hornist James Sommerville, as as the BSO gets ready to come to his hometown; Stuart Hamilton, fondly remembered; and an inside look at Hugh’s Room, as it enters a complicated chapter in the story of its life in the complex fabric of our musical city. These and other stories, as we celebrate the past and look forward to the rest of 2016/17, the first glimpses of 2017/18, and beyond!
In this issue: a conversation with pianist Stewart Goodyear, in advance of his upcoming show at Koerner Hall; a preview of the annual New Year’s phenomenon that is Bravissimo!/Salute to Vienna; an inside look at music performance in Toronto’s health-care centres; and a reflection on the incredible life and lasting influence of the late Pauline Oliveros. These and more, in a special December/January combined issue!
In this issue: David Jaeger and Alex Pauk’s most memorable R. Murray Schafer collabs, in this month’s installment of Jaeger’s CBC Radio Two: The Living Legacy; an interview with flutist Claire Chase, who brings new music and mindset to Toronto this month; an investigation into the strange coincidence of three simultaneous Mendelssohn Elijahs this Nov 5; and of course, our annual Blue Pages, a who’s who of southern Ontario’s live music scene- a community as prolific and multifaceted as ever. These and more, as we move full-force into the 2016/17 concert season- all aboard!
Music lover's TIFF (our fifth annual guide to the Toronto International Film Festival); Aix Marks the Spot (how Brexit could impact on operatic co-production); The Unstoppable Howard Cable (an affectionate memoir of a late chapter in the life of of a great Canadian arranger; Kensington Jazz Story (the newest kid on the festival block flexes its muscles). These stories and much more as we say a lingering goodbye to summer and turn to the task, for the 22nd season, of covering the live and recorded music that make Southern Ontario tick.
It's combined June/July/August summer issue time with, we hope, enough between the covers to keep you dipping into it all through the coming lazy, hazy days. From Jazz Vans racing round "The Island" delivering pop-up brass breakouts at the roadside, to Bach flute ambushes strolling "The Grove, " to dozens of reasons to stay in the city. May yours be a summer where you find undiscovered musical treasures, and, better still, when, unexpectedly, the music finds you.
INSIDE: The Canaries Are Here! 116 choirs to choose from, so take the plunge! The Nylons hit the road after one last SING! Fling. Jazz writer Steve Wallace wonders "Watts Goode" rather than "what's new?" Paul Ennis has the musical picks of the HotDocs crop. David Jaeger's CBC Radio continues golden for a little while yet. Douglas McNabney is Music's Child. Leipzig meets Damascus in Alison Mackay's fertile imagination. And "C" is for KRONOS in Wende Bartley's koverage of the third annual 21C Festival. All this and as usual much much more. Enjoy.
From 30 camp profiles to spark thoughts of being your summer musical best, to testing LUDWIG as you while away the rest of so-called winter; from Scottish Opera and the Danish Midtvest, to a first Toronto recital appearance by violin superstar Maxim Vengerov; from musings on New Creations and new creation, to the boy who made a habit of crying Beowulf; it's a month of merry meetings and rousing recordings reviewed, all here to discover in The WholeNote.
2016 is off to a flying start! We chronicle the Artful Times of Andrew Burashko, the violistic versatility of Teng Li, the ageless ebullience of jazz pianist Gene DiNovi and the ninetieth birthday of trumpeter Johnny Cowell. Jaeger remembers Boulez; Waxman recalls Bley's influence, and Olds finds Bowie haunting Editor's Corner. Oh, and did we mention there's all that music? Hello (and goodbye) to the February blues, and here's to swinging through the musical vines of the Year of the Monkey.
What's a vinyl renaissance? What happens when Handel's Messiah runs afoul of the rumba rhythm setting on a (gasp!) Hammond organ? What work does Marc-Andre Hamelin say he would be content to have on every recital program he plays? What are Steve Wallace's favourite fifty Christmas recordings? Why is violinist Daniel Hope celebrating Yehudi Menuhin's 100th birthday at Koerner Hall January 28? Answers to all these questions (and a whole lot more) in the Dec/Jan issue of The WholeNote.
"Come" seems to be the verb that knits this month's issue together. Sondra Radvanovsky comes to Koerner, William Norris comes to Tafel as their new GM, opera comes to Canadian Stage; and (a long time coming!) Jane Bunnett's musicianship and mentorship are honoured with the Premier's award for excellence; plus David Jaeger's ongoing series on the golden years of CBC Radio Two, Andrew Timar on hybridity, a bumper crop of record reviews and much much more. Come on in!
Vol 21 No 2 is now available for your viewing pleasure, and it's a bumper crop, right at the harvest moon. First ever Canadian opera on the Four Seasons Centre main stage gets double coverage with Wende Bartley interviewing Pyramus and Thisbe composer Barbara Monk Feldman and Chris Hoile connecting with director Christopher Alden; Paul Ennis digs into the musical mind of pianist Benjamin Grosvenor, and pianist Eve Egoyan is "On the Record" in conversation with publisher David Perlman ahead of the Oct release concert for her tenth recording. And at the heart of it all the 16th edition of our annual BLUE PAGES directory of presenters profile the season now well and truly under way.
Paul Ennis's annual TIFF TIPS (27 festival films of potential particular musical interest); Wu Man, Yo-Yo Ma and Jeffrey Beecher on the Silk Road; David Jaeger on CBC Radio Music in the days it was committed to commissioning; the LISTENING ROOM continues to grow on line; DISCoveries is back, bigger than ever; and Mary Lou Fallis says Trinity-St. Paul's is Just the Spot (especially this coming Sept 25!).