B. Concerts Beyond the GTA Beat by Beat | In the ClubsORI DAGANMusic Room, 57 Young St. W., Waterloo. 519-886-1673. ; (sr); $20(st).●●8:00: Kitchener-Waterloo Symphony. ToThe Ends of the Alphabet. Zelenka: Hipocondrieà 7 concertanti; Wadley: Three Movementsfor Clarinet and Strings; J.S. Bach(arr. David Wadley): Preludes and Fuguesfrom Well-Tempered Clavier Book 1; J.S.Bach: Brandenburg Concerto No.3 in G.Ross Edwards, clarinet; David Wadley, violaand curator; Lucas Waldin, conductor. FirstUnited Church, 16 William St. W., Waterloo.519-745-4711 or 888-745-4717. ; (st).Also Oct 3(Guelph), 4(Cambridge).Thursday October 2●●12:00 noon: Colours of Music. Two at theConsole. Works by Bach and Mozart. AndrewAdair and Simon Walker, organ. St. Andrew’sPresbyterian Church, 47 Owen St., Barrie.705-726-1181. Free.●●12:00 noon: Wilfrid Laurier University Facultyof Music. Music at Noon. PendereckiString Quartet. Maureen Forrester RecitalHall, Wilfrid Laurier University, 75 UniversityAve. W., Waterloo. 519-884-0710 x4439. Free.●●2:30: Colours of Music. A Strauss Party.Works by Scriabin, R. Strauss, Berners,Bitsch and Schoenfield. Guy Few, trumpet;Stephanie Mara, piano. Hi-Way PentecostalChurch, 50 Anne St. N., Barrie. 705-726-1181.; (st).●●7:30: Colours of Music. Masters of JewishMusic: Culturally Diverse and Unique. Worksby Bach, Block, Ben-Haim, N. Scheriff and A.Kopelman. Gavriel Lipkind, cello. Am ShalomCongregation, 767 Huronia Road, Barrie. 705-726-1181. ; (st).Friday October 3●●12:00 noon: Colours of Music. An EmergingTalent. Works by Liszt, Debussy, Burge.Mathew Walton, piano. Hi-Way PentecostalChurch, 50 Anne St. N., Barrie. 705-726-1181.; (st).●●12:15: Wilfrid Laurier University Facultyof Music. Music in the Library. Student performance.Wilfrid Laurier University Library,75 University Ave. W., Waterloo. 519-884-0710 x4439. Free.●●2:30: Colours of Music. Cecilia String Quartet.Works by Haydn, Tchaikovsky and Arensky.Burton Avenue United Church, 37 BurtonAve., Barrie. 705-726-1181. ; (st).●●7:30: Colours of Music. Musicians at theSummit. Works by Brahms, Beethoven, Mendelssohnand Schumann. James Campbell,clarinet; Gavriel Lipkind, cello; Michael Kim,piano. Grace United Church, 350 Grove St.E., Barrie. 705-726-1181. ; (passport);(st).●●8:00: Folk Under the Clock. Dala. AmandaWalther and Sheila Carabine. Market HallTheatre, 140 Charlotte St., Peterborough.705-749-1146 and 705-742-9425. ; (st).All tickets are reserved seating.●●8:00: Kitchener-Waterloo Symphony. ToThe Ends of the Alphabet. Harcourt MemorialUnited Church, 87 Dean St., Guelph. 519-745-4711 or 888-745-4717. ; (st). SeeOct 1(Waterloo), Also Oct 4(Cambridge).Saturday October 4●●12:00 noon: Colours of Music. Let theTrumpets Sound! Stan Elliotson and JonathanElliotson, trumpets; Marty Smyth, organ. St.Andrew’s Presbyterian Church, 47 Owen St.,Barrie. 705-726-1181. ; (st).●●2:30: Colours of Music. Oscar Peterson:The Jazz Legend and the Man I Knew. RussBoswell, bass; Lance Anderson, piano. GraceUnited Church, 350 Grove St. E., Barrie. 705-726-1181. ; (st).●●7:30: Centre for the Arts, Brock University.Voca People. Featuring over 70 a cappellaand beat box versions of popular songs,from Madonna to Mozart. Sean O’SullivanTheatre, Centre for the Arts, 500 GlenridgeAve., St. Catharines. 905-688-5550 x3257 or1-866-617-3257. .●●7:30: Colours of Music. Sublime Brahms.Brahms: Clarinet Quintet; Piano Quintet. CeciliaString Quartet; James Campbell, clarinet;Michael Kim, piano. Hi-Way PentecostalChurch, 50 Anne St. N., Barrie. 705-726-1181.; (passport); (st).●●8:00: Kitchener-Waterloo Symphony.To The Ends of the Alphabet. Central PresbyterianChurch (Cambridge), 7 QueensSq., Cambridge. 519-745-4711 or 888-745-4717. ; (st). See Oct 1(Waterloo); AlsoOct 3(Guelph).Sunday October 5●●2:30: Colours of Music. Michael Kim. Worksby Bach, Mozart, Chopin, Liszt, Brahms,Debussy and Gershwin. Hi-Way PentecostalChurch, 50 Anne St. N., Barrie. 705-726-1181.; (st).●●7:30: Colours of Music. The Serene Magnificenceof Choral Evensong. Choir of St.James Cathedral; Vicki St. Pierre, conductor;David Briggs, organ. Trinity Anglican Church(Barrie), 24 Collier St., Barrie. 705-726-1181.Goodwill offering.●●7:30: The Cuckoo’s Nest Folk Club. JohnGorka. Chaucer’s Pub, 122 Carling St., London.519-473-2099. /(adv).●●7:30: Wilfrid Laurier University Facultyof Music. Sing Fires of Justice for Hope. WilfridLaurier University Choirs with communitychoral singers. St. Matthews LutheranChurch, 54 Benton St., Kitchener. 519-884-0710 x4439. By donation.Tuesday October 7●●11:45am: Wilfrid Laurier University Facultyof Music. Music at Noon. Student Recital.Maureen Forrester Recital Hall, Wilfrid LaurierUniversity, 75 University Ave. W., Waterloo.519-884-0710 x4439. Free.Do more online!Search listingsby genreSearch listingsby geographyAll atthewholenote.comIn the ClubsORI DAGANSeptember signals summertime’s end butmusicians are out there to warm your heartthis month, as always. It’s really exciting tosee some new, weekly jam sessions happeningaround town, several of which are organized,promoted and hosted by hugely talented youngartists like saxophonist Emily Steinwall, who willbe entering her 2nd year at Humber College thismonth. The house band consists of fellow Humberheavies Youngchan Na on guitar, Hayden Farraron bass and Louis Baranyi-Irvine on drums. Thejams run every Sunday from 4 to 7pm except forthe second week of the month – so September 7, 21and 28 at Relish on the Danforth. I caught up withSteinwall to find out a bit more about the who, thewhere, the how and the why behind the sessions.What or who inspired you to start running aweekly jam session?There is another weekly jam session in the westend run by Nick Morgan that I attend as often aspossible at the Annette studios. I always have agreat time at the Annette jam, and it was a big partof the inspiration to start one up in the east end.I think this type of traditional jam session is so beneficial for musicianswho want to play jazz because it gives them a chance to playwith new people and hear other players on the scene, and apart fromthe Annette jam there aren’t many other things like this happening inToronto. I realized that there was a lack of places for people to get outand jam, though there was a huge demand for it, so I started one upat my house around the end of May … within a few weeks, too manypeople were coming out and I had to find a bigger venue, which iswhen I asked Relish.What makes Relish an ideal spot for this event?C. IN THE CLUBS (MOSTLY JAZZ)80 GLADSTONE80 Gladstone Ave. 416-516-719980gladstone.com (full schedule)September 27 8pm Peripheral Vision CDrelease: Sheer Tyranny of Will: Trevor Hogg(saxophone), Don Scott (guitar), Michael Herring(bass), Nick Fraser (drums) .ALLEYCATZ2409 Yonge St. 416-481-6865alleycatz.caEvery Mon 8pm Salsa Night w/Frank Bischun and free lessons. EveryTue 8:30pm Bachata Night w/ DJFrank Bischun and free lessons. EveryWed 8:30pm Carlo Berardinucci Band. NoCover. September 4 9pm Jee Jee & James(call for cover). September 11 9pm Wild “T”Tony Springer (call for cover). September 189pm Jazz Biscuit (call for cover). September5, 6, 13, 20 9pm Lady Kane . September12 9pm North of 7 Band . September 199pm The Community Soul Project . September26 9pm Rugged Root . September27 9pm Off the Wall .ANNETTE STUDIOS566 Annette St. 647-880-8378annettestudios.comEvery Mon 9:30pm Jazz Jam w/ Nick MorganEmilySteinwallQuartet. Suggested donation /(st).ARTWORD ARTBAR15 Colbourne St., Hamilton. 905-543-8512artword.net (full schedule)September 11 9pm Skirt Check w/ 5-piecehorn section No cover/PWYC. September12 8pm Guitarist Dan Walsh No cover/PWYC. September 13 8pm Wayne Janus &Kaizen No cover/PWYC. September 25 8pmThe Muted Note: Songs Based on Poems byP.K. Page, Susanna Hood & Scott ThomsonCall for ticket info. September 26 8pm MikeAlmas and Guilty Pleasure band: Mike Almas(voice, guitar), Steve Hilbert (bass), JoanneAugustyn (percussion, voice), Jack Pedler(drums, voice) Call for cover info.AXIS GALLERY AND GRILL3048 Dundas St. W 416-604-3333axisgalleryandgrill.com (full schedule)All shows: No cover/PWYCBLOOM2315 Bloor St. W. 416-767-1315bloomrestaurant.comAll shows: 19+.September 11, 12 7pm Heather Bambrickwith Mark Kieswetter (piano) and MichaelMcClennan (bass) w/ Dinner Prix Fixe.September 25 7pm Juliet Dunn Trio .52 | September 1, 2014 – October 7, 2014 thewholenote.com
Relish is a great fit for this type of jam session because it is minutesaway from the subway line, already has the required equipment set upand offers cheap drinks for the musicians who come to play ( pintsof Ontario craft beer are offered to all jammers). The people who workthere are very friendly and relaxed, which gives the jam a fun andeasy-going vibe.What do musicians need to know if they are planning tocome to the jam?Rhythm section instruments will be provided, as wellas microphones for the vocalists, but horn players need tobring their own instruments. Musicians who are planning tocome and play should know material coming out of the GreatAmerican Songbook and other standard material – somethingthat many people will know how to play without having toread a chart. The material played is coming straight out of thejazz/swing tradition. There are a few basic etiquette things thatpeople should understand about jam sessions: first of all, if thereare many people who want to play, don’t hog the bandstand.This means taking a tasteful amount of choruses, not havingmore than two horn players on one tune and only playing oneor two before letting the next group get up. Give everyone achance to play!Secondly, be open to all levels of players and do not be ajerk. This jam is for everyone to have fun and share their joy formusic, and there is no room for egos. Don’t call tunes that areobscure/heavily arranged and expect everyone to know them.Come in with an open mind and be ready to play anything … inthis type of situation, simpler is better! There is no cover, butthere is a tip jar for the members of the house band to get paid with. A to donation is recommended for people coming to play.Here’s wishing Emily Steinwall the best of luck with this session –you’ll be seeing yours truly there often!Another new jam session on Tuesday evenings takes place on Bloornear Ossington at Blakbird (without a letter ‘c’) which is the downstairsof Pero Lounge. The host, Kalya Ramu, is a fantastic vocalist inher senior year at Humber. She is joined by a stellar group of youngmusicians: Nick Tateishi on guitar, Ewen Farncombe on keys, Connorcontinued on page 54CASTRO’S LOUNGE2116e Queen St. E 416-699-8272castroslounge.com (full schedule)All shows: No cover/PWYCC’EST WHAT67 Front St. E (416) 867-9499cestwhat.com (full schedule)September 20 3pm The Hot Five JazzmakersNo cover/PWYC.CHALKERS PUB, BILLIARDS & BISTRO247 Marlee Ave. 416-789-2531chalkerspub.comEvery Wed 8pm Girls Night Out Jazz Jamw/ host Lisa Particelli. PWYC. September13 6pm Girls’ Night Out Dinner Jazz LaunchParty: June Garber (voice), Mark Kieswetter(piano) and friends . September 20 6pmDave Young Quartet: Dave Young (bass), KevinTurcotte (trumpet), Bernie Senensky (piano),Terry Clarke (drums) . September 27 6pmDavid Occhipinti Trio: David Occhipinti (guitar),Andrew Downing (bass), Terry Clarke(drums) . September 28 7pm SpecialEvent: Tony Mergel Band .CLASSICO PIZZA & PASTA2457 Bloor St. W 416-763-1313classicopizza.com (Full schedule)DESOTOS1079 St. Clair Ave. W 416-651-2109desotos.ca (full schedule)Every Sun 11am-2pm Sunday Live JazzBrunch hosted by Anthony Abbatangeli Nocover.DOMINION ON QUEEN500 Queen St. E 416-368-6893dominiononqueen.com (full schedule)Call for cover info.EMMET RAY, THE924 College St. 416-792-4497theemmetray.com (full schedule)All shows: No cover/PWYCSeptember 4 9pm John-Wayne SwingtetAlexander Tikhonov (clarinet), Wayne Nakamura(guitar), Abbey Sholzberg (bass), JohnFarrell (guitar).FLYING BEAVER PUBARET, THE488 Parliament St. 647-347-6567pubaret.com (full schedule)September 26, 27 7pm Broadsway: HeatherBambrick, Julie Michaels & Diane Leah/$20(adv).FREE TIMES CAFE320 College St. 416-967-1078freetimescafe.comSeptember 11 8:30pm Songwriters’ Circleof Jerks 23 . September 17 7:30pm 60’sFolk Revival: Where Have All the Folk SongsGone? .GATE 403403 Roncesvalles Ave. 416-588-2930gate403.com All shows: PWYC.September 1 5pm Mike Daley Jazz Trio; 9pmJazzforia featuring Claire Riley. September 25pm David Buchbinder Jazz Band; 8pm DannyMarks and Alec Fraser Duo. September 35pm Howard Willett Blues Duo; 9pm JulianFauth Blues Night. September 4 5pm RobertaHunt Jazz & Blues Band; 9pm MélanieBrûlée’s Band. September 5 5pm Michael Belland Rob Phillip Jazz Duo; 9pm Tevlin SwingBand. September 6 5pm Bill Heffernan andHis Friends (Folk/Country/Blues); 9pm MelissaBoyce Jazz & Blues Band. September 75pm Janel Jones Jazz Duo; 9pm Roger ChongJazz Band. September 8 5pm Asha Pieper:“Take Two”; 9pm Rob Davis Blues Duo.September 9 5pm Songstress Sarah Kennedywith Pianist Matt Pines; 8pm DannyMarks and Alec Fraser Duo. September 105pm Michelle Rumball with Friend; 9pm JulianFauth Blues Night. September 11 5pmJoanne Morra & The France St. Trio; 9pmKevin LaLiberté Jazz & Flamenco Trio. September12 5pm Doc. Barrister Jazz Band;9pm Denielle Bassels Jazz Band. September13 5pm Bill Heffernan and His Friends;9pm Sweet Derrick Blues Band. September14 5pm John Wayne Swingtet; 9pm Six PointsJazz Orchestra. September 15 5pm JonathanFeldman’s Zebrina Trio; 9pm Bruce ChapmanBlues Duo with featured guests. September16 5pm Jonathan Maxine Willan Jazz Duo;8pm Danny Marks and Alec Fraser Duo. September17 5pm Meagan de Lima Jazz Band;9pm Julian Fauth Blues Night. September18 5pm G Street Jazz Trio; 9pm Donné RobertsBand. September 19 5pm Sam BrovermanJazz Duo; 9pm Fraser Melvin BluesBand. September 20 5pm Bill Heffernan andHis Friends (Folk/Country/Blues); 9pm JerryQuintyne Jazz Band. September 21 5pm BillPeter Kauffman Jazz Trio; 9pm Brown-TalskyJazz Quintet. September 22 5pm ConnerNewton Jazz Trio; 8pm The Sleaper Group.September 23 5pm Conor Hall Jazz Trio; 8pmDanny Marks and Alec Fraser Duo. September24 5pm Leigh Graham Jazz Duo; 9pm JulianFauth Blues Night. September 25 5pmSon of Rhythm; 9pm Annie Bonsignore JazzDuo or Trio. September 26 5pm Clela ErringtonRoot Music Duo; 9pm Tiffany HanusJazz Band. September 27 5pm Bill Heffernanand His Friends (Folk/Country/Blues);9pm Jazz Forge. September 28 5pm Jeff Taylorand The SLT; 9pm The Kilts - Play CelticBlues. September 29 7pm Cheryl WhiteRhythm & Blues Band. September 30 8pmDanny Marks and Alec Fraser Duo; 9pm PeterCampbell Jazz Trio.GROSSMAN’S TAVERN379 Spadina Ave. 416-977-7000grossmanstavern.com (full schedule)HABITS GASTROPUB928 College St. 416-533-7272habitsgastropub.com (full schedule)September 5 9pm Mark Ucci Jazz Trio .September 12 9pm Chelsea McBride Group. September 19 9pm Laura Fernandez. September 26 9pm Gord Sheard JazzTrio .HARLEM RESTAURANT67 Richmond St. E. 416-368-1920harlemrestaurant.com (full schedule)All shows: 7:30-11pm (unless otherwisenoted.) Call for cover info.September 5 Samantha Clayton. September6 Zimzum. September 19 Kristin Fung.HIRUT CAFE AND RESTAURANT2050 Danforth Ave. 416-551-7560All shows: PWYCEvery Sun 3pm Open Mic with NicolaVaughan: folk/country/jazz/world/R&B September3 8pm The Best Originals: Singer/Songwriter/Spoken Word Competition September26 9pm Hirut Hoot CabaretHOME SMITH BAR – SEE OLD MILL, THEHUGH’S ROOM2261 Dundas St. W. 416-531-6604hughsroom.comAll shows: 8:30pm (unless otherwise noted).September 3 Tom Russell .50/(adv).September 4 Coldjack & Monica Chapman/.50(adv). September 5 OneOCTOBER 2, 3, 4. FROM NYC:JOHNNY O’NEALwith DAVE YOUNG andTERRY CLARKEBook Your Table Today!416-363-5299251 Victoria Streetwww.jazzbistro.cathewholenote.com September 1, 2014 – October 7, 2014 | 53
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Choral Scene: Uncharted territory: three choirs finding paths forward; Music Theatre: Loose Tea on the boil with Alaina Viau’s Dead Reckoning; In with the New: what happens to soundart when climate change meets COVID-19; Call to action: diversity, accountability, and reform in post-secondary jazz studies; 9th Annual TIFF Tips: a filmfest like no other; Remembering: Leon Fleisher; DISCoveries: a NY state of mind; 25th anniversary stroll-through; and more. Online in flip through here, and on stands commencing Tues SEP 1.
Following the Goldberg trail from Gould to Lang Lang; Measha Brueggergosman and Edwin Huizinga on face to face collaboration in strange times; diggings into dance as FFDN keeps live alive; "Classical unicorn?" - Luke Welch reflects on life as a Black classical pianist; Debashis Sinha's adventures in sound art; choral lessons from Skagit Valley; and the 21st annual WholeNote Blue Pages (part 1 of 3) in print and online. Here now. And, yes, still in print, with distribution starting Thursday October 1.
Alanis Obomsawin's art of life; fifteen Exquisite Departures; UnCovered re(dis)covered; jazz in the kitchen; three takes on managing record releases in times of plague; baroque for babies; presenter directory (blue pages) part two; and, here at the WholeNote, work in progress on four brick walls (or is it five?). All this and more available in flipthrough HERE, and in print Tuesday Nov 3.
In this issue: Beautiful Exceptions, Sing-Alone Messiahs, Livingston’s Vocal Pleasures, Chamber Beethoven, Online Opera (Plexiglass & All), Playlist for the Winter of our Discontent, The Oud & the Fuzz, Who is Alex Trebek? All this and more available in flipthrough HERE, and in print Friday December 4.
July/August issue is now available in flipthrough HERE, bringing to a close 25 seasons of doing what we do (and plan to continue doing), and on stands early in the week of July 5. Not the usual bucolic parade of music in the summer sun, but lots, we hope, to pass the time: links to online and virtual music; a full slate of record reviews; plenty new in the Listening Room; and a full slate of stories – the future of opera, the plight of small venues, the challenge facing orchestras, the barriers to resumption of choral life, the challenges of isolation for real-time music; the steps some festivals are taking to keep the spirit and substance of what they do alive. And intersecting with all of it, responses to the urgent call for anti-racist action and systemic change.
"COVID's Metamorphoses"? "There's Always Time (Until Suddenly There Isn't)"? "The Writing on the Wall"? It's hard to know WHAT to call this latest chapter in the extraordinary story we are all of a sudden characters in. By whatever name we call it, the MAY/JUNE combined issue of The WholeNote is now available, HERE in flip through format, in print commencing Wednesday May 6, and, in fully interactive form, online at thewholenote.com. Our 18th Annual Choral Canary Pages, scheduled for publication in print and flip through in September is already well underway with the first 50 choirs home to roost and more being added every week online. Community Voices, our cover story, brings to you the thoughts of 30 musical community members, all going through what we are going through (and with many more to come as the feature gets amplified online over the course of the coming months). And our regular writers bring their personal thoughts to the mix. Finally, a full-fledged DISCoveries review section offers cues and clues to recorded music for your solitary solace!
After some doubt that we would be allowed to go to press, in respect to wide-ranging Ontario business closures relating to COVID-19, The WholeNote magazine for April 2020 is now on press, and print distribution – modified to respect community-wide closures and the need for appropriate distancing – starts Monday March 30. Meanwhile the full magazine is right here, digitally, so if you value us PLEASE SHARE THIS LINK AS WIDELY AS YOU CAN. It's the safest way for us to reach the widest possible audience at this time!
FEATURED: Music & Health writer Vivien Fellegi explores music, blindness & the plasticity of perception; David Jaeger digs into Gustavo Gimeno's plans for new music in his upcoming first season as music director at TSO; pianist James Rhodes, here for an early March recital, speaks his mind in a Q&A with Paul Ennis; and Lydia Perovic talks music and more with rising Turkish-Canadian mezzo Beste Kalender. Also, among our columns, Peggy Baker Dance Projects headlines Wende Bartley's In with the New; Steve Wallace's Jazz Notes rushes in definitionally where many fear to tread; ... and more.
Visions of 2020! Sampling from back to front for a change: in Rearview Mirror, Robert Harris on the Beethoven he loves (and loves to hate!); Errol Gay, a most musical life remembered; Luna Pearl Woolf in focus in recordings editor David Olds' "Editor's Corner" and in Jenny Parr's preview of "Jacqueline"; Speranza Scappucci explains how not to reinvent Rossini; The Indigo Project, where "each piece of cloth tells a story"; and, leading it all off, Jully Black makes a giant leap in "Caroline, or Change." And as always, much more. Now online in flip-through format here and on stands starting Thurs Jan 30.
Welcome to our December/January issue as we turn the annual calendar page, halfway through our season for the 25th time, juggling as always, secular stuff, the spirit of the season, new year resolve and winter journeys! Why is Mozart's Handel's Messiah's trumpet a trombone? Why when Laurie Anderson offers to fly you to the moon you should take her up on the invitation. Why messing with Winterreisse can (sometimes) be a very good thing! And a bumper crop of record reviews for your reading (and sometimes listening) pleasure. Available in flipthrough here right now, and on stands commencing Thursday Nov 28. See you on the other side!
On the slim chance you might not have already heard the news, Estonian Canadian composing giant Udo Kasemets was born the same year that Leo Thermin invented the theremin --1919. Which means this is the centenary year for both of them, and both are being celebrated in style, as Andrew Timar and MJ Buell respectively explain. And that's just a taste of a bustling November, with enough coverage of music of both the delectably substantial and delightfully silly on hand to satisfy one and all.
Long promised, Vivian Fellegi takes a look at Relaxed Performance practice and how it is bringing concert-going barriers down across the spectrum; Andrew Timar looks at curatorial changes afoot at the Music Gallery; David Jaeger investigates the trumpets of October; the 30th anniversary of the Velvet Revolution (and the 20th Anniversary of our October Blue Pages Presenter profiles) in our Editor's Opener; the Toronto Mendelssohn Choir at 125; Tapestry at 40 and Against the Grain at 10; ringing in the changing season across our features and columns; all this and more, now available in Flip Through format here, and on the stands commencing this coming Friday September 27, 2019. Enjoy.
Vol 1 of our 25th season is now here! And speaking of 25, that's how many films in the upcoming Toronto International Film Festival editor Paul Ennis, in our Eighth Annual TIFF TIPS, has chosen to highlight for their particular musical interest. Also inside: Rob Harris looks through the Rear View Mirror at past and present prognostications about the imminent death of classical music; Mysterious Barricades and Systemic Barriers are Lydia Perović's preoccupations in Art of Song; Andrew Timar reflects on the evolving priorities of the Polaris Prize; and elsewhere, it's chocks away as yet another season creaks or roars (depending on the beat) into motion. Welcome back.
What a range of stuff! A profile of Liz Upchurch, the COC ensemble studio's vocal mentor extraordinaire; a backgrounder on win-win faith/arts centre partnerships and ways of exploring the possibilities; an interview with St. Petersburg-based Eifman Ballet's Boris Eifman; Ana Sokolovic's violin concert Evta finally coming to town; a Love Letter to YouTube, and much more. Plus our 17th annual Canary Pages Choral directory if all you want to do is sing! sing! sing!
Arraymusic, the Music Gallery and Native Women in the Arts join for a mini-festival celebrating the work of composer, performer and installation artist Raven Chacon; Music and Health looks at the role of Healing Arts Ontario in supporting concerts in care facilities; Kingston-based composer Marjan Mozetich's life and work are celebrated in film; "Forest Bathing" recontextualizes Schumann, Shostakovich and Hindemith; in Judy Loman's hands, the harp can sing; Mahler's Resurrection bursts the bounds of symphonic form; Ed Bickert, guitar master remembered. All this and more in our April issue, now online in flip-through here, and on stands commencing Friday March 29.
Something Old, Something New! The Ide(a)s of March are Upon Us! Rob Harris's Rear View Mirror looks forward to a tonal revival; Tafelmusik expands their chronological envelope in two directions, Esprit makes wave after wave; Pax Christi's new oratorio by Barbara Croall catches the attention of our choral and new music columnists; and summer music education is our special focus, right when warm days are once again possible to imagine. All this and more in our March 2019 edition, available in flipthrough here, and on the stands starting Thursday Feb 28.
In this issue: A prize that brings lustre to its laureates (and a laureate who brings lustre to the prize); Edwin Huizinga on the journey of Opera Atelier's "The Angel Speaks" from Versailles to the ROM; Danny Driver on playing piano in the moment; Remembering Neil Crory (a different kind of genius)' Year of the Boar, Indigeneity and Opera; all this and more in Volume 24 #5. Online in flip through, HERE and on the stands commencing Thursday Jan 31.
When is a trumpet like a motorcycle in a dressage event? How many Brunhilde's does it take to change an Elektra? Just two of the many questions you've been dying to ask, to which you will find answers in a 24th annual combined December/January issue – in which our 11 beat columnists sift through what's on offer in the upcoming holiday month, and what they're already circling in their calendars for 2019. Oh, and features too: a klezmer violinist breathing new life into a very old film; two New Music festivals in January, 200 metres apart; a Music & Health story on the restorative powers of a grassroots exercise in collective music-making; even a good reason to go to Winnipeg in the dead of winter. All this and more in Vol 24 No 4, now available in flipthrough format here.
Reluctant arranger! National Ballet Orchestra percussionist Kris Maddigan on creating the JUNO and BAFTA award-winning smash hit Cuphead video game soundtrack; Evergreen by name and by nature, quintessentially Canadian gamelan (Andrew Timar explains); violinist Angèle Dubeau on 20 years and 60 million streams; two children’s choirs where this month remembrance and living history must intersect. And much more, online in our kiosk now, and on the street commencing Thursday November 1.
Presenters, start your engines! With TIFF and "back-to-work" out of the way, the regular concert season rumbles to life, and, if our Editor's Opener can be trusted, "Seeking Synergies" seems to be the name of the game. Denise Williams' constantly evolving "Walk Together Children" touching down at the Toronto Centre for the Arts; the second annual Festival of Arabic Music and Arts expanding its range; a lesson in Jazz Survival with Steve Wallace; the 150 presenter and performer profiles in our 19th annual Blue Pages directory... this is an issue that is definitely more than the sum of its parts.
In this issue: The WholeNote's 7th Annual TIFF TIPS guide to festival films with musical clout; soprano Erin Wall in conversation with Art of Song columnist Lydia Perovic, about more than the art of song; a summer's worth of recordings reviewed; Toronto Chamber Choir at 50 (is a few close friends all it takes?); and much more, as the 2018/19 season gets under way.
PLANTING NOT PAVING! In this JUNE / JULY /AUGUST combined issue: Farewell interviews with TSO's Peter Oundjian and Stratford Summer Music's John Miller, along with "going places" chats with Luminato's Josephine Ridge, TD Jazz's Josh Grossman and Charm of Finches' Terry Lim. ) Plus a summer's worth of fruitful festival inquiry, in the city and on the road, in a feast of stories and our annual GREEN PAGES summer Directory.
In this issue: our sixteenth annual Choral Canary Pages; coverage of 21C, Estonian Music Week and the 3rd Toronto Bach Festival (three festivals that aren’t waiting for summer!); and features galore: “Final Finales” for Larry Beckwith’s Toronto Masque Theatre and for David Fallis as artistic director of Toronto Consort; four conductors on the challenges of choral conducting; operatic Hockey Noir; violinist Stephen Sitarski’s perspective on addressing depression; remembering bandleader, composer and saxophonist Paul Cram. These and other stories, in our May 2018 edition of the magazine.
In this issue: we talk with jazz pianist Thompson Egbo-Egbo about growing up in Toronto, building a musical career, and being adaptive to change; pianist Eve Egoyan prepares for her upcoming Luminato project and for the next stage in her long-term collaborative relationship with Spanish-German composer Maria de Alvear; jazz violinist Aline Homzy, halfway through preparing for a concert featuring standout women bandleaders, talks about social equity in the world of improvised music; and the local choral community celebrates the life and work of choral conductor Elmer Iseler, 20 years after his passing.
In this issue: Canadian Stage, Tapestry Opera and Vancouver Opera collaborate to take Gogol’s short story The Overcoat to the operatic stage; Montreal-based Sam Shalabi brings his ensemble Land of Kush, and his newest composition, to Toronto; Five Canadian composers, each with a different CBC connection, are nominated for JUNOs; and The WholeNote team presents its annual Summer Music Education Directory, a directory of summer music camps, programs and courses across the province and beyond.
In this issue: composer Nicole Lizée talks about her love for analogue equipment, and the music that “glitching” evokes; Richard Rose, artistic director at the Tarragon Theatre, gives us insights into their a rock-and-roll Hamlet, now entering production; Toronto prepares for a mini-revival of Schoenberg’s music, with three upcoming shows at New Music Concerts; and the local music theatre community remembers and celebrates the life and work of Mi’kmaq playwright and performer Cathy Elliott . These and other stories, in our double-issue December/January edition of the magazine.
In this issue: conversations (of one kind or another) galore! Daniela Nardi on taking the reins at "best-kept secret" venue, 918 Bathurst; composer Jeff Ryan on his "Afghanistan" Requiem for a Generation" partnership with war poet, Susan Steele; lutenist Ben Stein on seventeenth century jazz; collaborative pianist Philip Chiu on going solo; Barbara Hannigan on her upcoming Viennese "Second School" recital at Koerner; Tina Pearson on Pauline Oliveros; and as always a whole lot more!
In this issue: several local artists reflect on the memory of composer Claude Vivier, as they prepare to perform his music; Vancouver gets ready to host international festival ISCM World New Music Days, which is coming to Canada for the second time since its inception in 1923; one of the founders of Artword Artbar, one of Hamilton’s staple music venues, on the eve of the 5th annual Steel City Jazz Festival, muses on keeping urban music venues alive; and a conversation with pianist Benjamin Grosvenor, as he prepares for an ambitious recital in Toronto. These and other stories, in our October 2017 issue of the magazine.
In this issue: a look at why musicians experience stage fright, and how to combat it; an inside look at the second Kensington Market Jazz Festival, which zeros in on one of Toronto’s true ‘music villages’; an in-depth interview with Elisa Citterio, new music director of Tafelmusik Baroque Orchestra; and The WholeNote’s guide to TIFF, with suggestions for the 20 most musical films at this year’s festival. These and other stories, in our September 2017 issue of the magazine!
CBC Radio's Lost Horizon; Pinocchio as Po-Mo Operatic Poster Boy; Meet the Curators (Crow, Bernstein, Ridge); a Global Music Orchestra is born; and festivals, festivals, festivals in our 13th annual summer music Green Pages. All this and more in our three-month June-through August summer special issue, now available in flipthrough HERE and on the stands commencing Thursday June 1.
From science fact in "Integral Man: Music and the Movies," to science fiction in the editor's opener; from World Fiddle Day at the Aga Khan Museum to three Canadians at the Cliburn; from wanting to sashay across the 401 to Chamberfest in Montreal to exploring the Continuum of Jumblies Theatre's 20-year commitment to the Community Play (there's a pun in there somewhere!).
In this issue: Our podcast ramps up with interviews in March with fight director Jenny Parr, countertenor Daniel Taylor, and baritone Russell Braun; two views of composer John Beckwith at 90; how music’s connection to memory can assist with the care of patients with Alzheimer’s; musical celebrations in film and jazz, at National Canadian Film Day and Jazz Day; and a preview of Louis Riel, which opens this month at the COC. These and other stories, in our April 2017 issue of the magazine!
On our cover: Owen Pallett's musical palette on display at New Creations. Spring brings thoughts of summer music education! (It's never too late.). For Marc-Andre Hamelin the score is king. Ella at 100 has the tributes happening. All; this and more.
In this issue: an interview with composer/vocalist Jeremy Dutcher, on his upcoming debut album and unique compositional voice; a conversation with Boston Symphony hornist James Sommerville, as as the BSO gets ready to come to his hometown; Stuart Hamilton, fondly remembered; and an inside look at Hugh’s Room, as it enters a complicated chapter in the story of its life in the complex fabric of our musical city. These and other stories, as we celebrate the past and look forward to the rest of 2016/17, the first glimpses of 2017/18, and beyond!
In this issue: a conversation with pianist Stewart Goodyear, in advance of his upcoming show at Koerner Hall; a preview of the annual New Year’s phenomenon that is Bravissimo!/Salute to Vienna; an inside look at music performance in Toronto’s health-care centres; and a reflection on the incredible life and lasting influence of the late Pauline Oliveros. These and more, in a special December/January combined issue!
In this issue: David Jaeger and Alex Pauk’s most memorable R. Murray Schafer collabs, in this month’s installment of Jaeger’s CBC Radio Two: The Living Legacy; an interview with flutist Claire Chase, who brings new music and mindset to Toronto this month; an investigation into the strange coincidence of three simultaneous Mendelssohn Elijahs this Nov 5; and of course, our annual Blue Pages, a who’s who of southern Ontario’s live music scene- a community as prolific and multifaceted as ever. These and more, as we move full-force into the 2016/17 concert season- all aboard!
Music lover's TIFF (our fifth annual guide to the Toronto International Film Festival); Aix Marks the Spot (how Brexit could impact on operatic co-production); The Unstoppable Howard Cable (an affectionate memoir of a late chapter in the life of of a great Canadian arranger; Kensington Jazz Story (the newest kid on the festival block flexes its muscles). These stories and much more as we say a lingering goodbye to summer and turn to the task, for the 22nd season, of covering the live and recorded music that make Southern Ontario tick.
It's combined June/July/August summer issue time with, we hope, enough between the covers to keep you dipping into it all through the coming lazy, hazy days. From Jazz Vans racing round "The Island" delivering pop-up brass breakouts at the roadside, to Bach flute ambushes strolling "The Grove, " to dozens of reasons to stay in the city. May yours be a summer where you find undiscovered musical treasures, and, better still, when, unexpectedly, the music finds you.
INSIDE: The Canaries Are Here! 116 choirs to choose from, so take the plunge! The Nylons hit the road after one last SING! Fling. Jazz writer Steve Wallace wonders "Watts Goode" rather than "what's new?" Paul Ennis has the musical picks of the HotDocs crop. David Jaeger's CBC Radio continues golden for a little while yet. Douglas McNabney is Music's Child. Leipzig meets Damascus in Alison Mackay's fertile imagination. And "C" is for KRONOS in Wende Bartley's koverage of the third annual 21C Festival. All this and as usual much much more. Enjoy.
From 30 camp profiles to spark thoughts of being your summer musical best, to testing LUDWIG as you while away the rest of so-called winter; from Scottish Opera and the Danish Midtvest, to a first Toronto recital appearance by violin superstar Maxim Vengerov; from musings on New Creations and new creation, to the boy who made a habit of crying Beowulf; it's a month of merry meetings and rousing recordings reviewed, all here to discover in The WholeNote.
2016 is off to a flying start! We chronicle the Artful Times of Andrew Burashko, the violistic versatility of Teng Li, the ageless ebullience of jazz pianist Gene DiNovi and the ninetieth birthday of trumpeter Johnny Cowell. Jaeger remembers Boulez; Waxman recalls Bley's influence, and Olds finds Bowie haunting Editor's Corner. Oh, and did we mention there's all that music? Hello (and goodbye) to the February blues, and here's to swinging through the musical vines of the Year of the Monkey.
What's a vinyl renaissance? What happens when Handel's Messiah runs afoul of the rumba rhythm setting on a (gasp!) Hammond organ? What work does Marc-Andre Hamelin say he would be content to have on every recital program he plays? What are Steve Wallace's favourite fifty Christmas recordings? Why is violinist Daniel Hope celebrating Yehudi Menuhin's 100th birthday at Koerner Hall January 28? Answers to all these questions (and a whole lot more) in the Dec/Jan issue of The WholeNote.
"Come" seems to be the verb that knits this month's issue together. Sondra Radvanovsky comes to Koerner, William Norris comes to Tafel as their new GM, opera comes to Canadian Stage; and (a long time coming!) Jane Bunnett's musicianship and mentorship are honoured with the Premier's award for excellence; plus David Jaeger's ongoing series on the golden years of CBC Radio Two, Andrew Timar on hybridity, a bumper crop of record reviews and much much more. Come on in!
Vol 21 No 2 is now available for your viewing pleasure, and it's a bumper crop, right at the harvest moon. First ever Canadian opera on the Four Seasons Centre main stage gets double coverage with Wende Bartley interviewing Pyramus and Thisbe composer Barbara Monk Feldman and Chris Hoile connecting with director Christopher Alden; Paul Ennis digs into the musical mind of pianist Benjamin Grosvenor, and pianist Eve Egoyan is "On the Record" in conversation with publisher David Perlman ahead of the Oct release concert for her tenth recording. And at the heart of it all the 16th edition of our annual BLUE PAGES directory of presenters profile the season now well and truly under way.
Paul Ennis's annual TIFF TIPS (27 festival films of potential particular musical interest); Wu Man, Yo-Yo Ma and Jeffrey Beecher on the Silk Road; David Jaeger on CBC Radio Music in the days it was committed to commissioning; the LISTENING ROOM continues to grow on line; DISCoveries is back, bigger than ever; and Mary Lou Fallis says Trinity-St. Paul's is Just the Spot (especially this coming Sept 25!).