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Volume 20 Issue 5 - February 2015

  • Text
  • February
  • Toronto
  • Jazz
  • Musical
  • Symphony
  • Theatre
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  • Soprano
  • Composer
  • Orchestra
  • Hannigan
  • Ascending
Volume 20 Issue 5

y Philip Fournier on

y Philip Fournier on organ and WholeNote Alison Mackay columnist Ben Stein on lute in music by Tomas Luis de Victoria, Guerrero and Padilla. Since it’s a very rare chance to hear music from 17th-century Mexico, I highly recommend you take this opportunity to hear it. Paris 1737: From the emperor’s palace in Vienna to the cathedral of Guadalupe, the next stop on the musical tour this month is Paris, which probably takes the prize for being the most clichéd tourist destination of all time. Still, when Georg Phillip Telemann took a trip there in 1737, he got a chance to perform with some of the greatest musicians of the day, including the French flutist Michel Blavet and the viola da gamba virtuoso Jean- Baptiste Forqueray. Telemann prepared for the occasion by writing a dozen quartets which the group (along with a lesserknown violinist and cellist) performed, and nearly 300 years later, the composer’s Paris Quartets are a classic of the early music chamber repertoire. This month, Scaramella will present a program devoted entirely to Telemann’s Paris Quartets at their usual haunt at the Victoria College Chapel on the U of T campus on March 7. Scaramella, or rather gambist Joëlle Morton, will be joined by American flutist Kim Pineda, as well as Toronto-based musicians Edwin Huizinga (on violin) and Sara-Anne Churchill (on harpsichord). While it may not have the variety of a mixed program, the Paris Quartets make for a great concert for anyone who appreciates late Baroque music. This concert will feature top-drawer music from a composer who in his day was considered by many to be better than Bach. House of Dreams: Of course, if you’re into musical tourism, Tafelmusik has that beat covered with their concert and multimedia event “House of Dreams,” the brainchild of Alison Mackay, who, not coincidentally, came up with “Paris Confidential,” mentioned above. Mackay’s presentation/concerts are a great way of giving people a chance to explore the cultural and social history of the music, and are as educational as they are entertaining for audiences (besides, it gives us something to look at during the concerts). For this project, Mackay mashed up the music of Handel, Marais, Bach, Sweelinck and Vivaldi with paintings from the same time and place as the composers. As if that weren’t enough, Mackay actually collaborated with the European museums in all these composers’ hometowns, so this concert, in addition to being a giant whistle-stop tour of London, Paris, Leipzig, Delft and Venice, will actually show you what it was once like to live in those cities. As a cultural experience and musical tour, it’s hard to beat. The extravaganza will take place February 11 to 15 at Trinity St-Paul’s Centre, before launching out on an Australian tour. This program, which spans both the length of Europe and the Baroque era, is nothing if not ambitious, but don’t let that put you off. At least you won’t have to worry about jet lag. David Podgorski is a Toronto-based harpsichordist, music teacher and a founding member of Rezonance. He can be contacted at earlymusic@thewholenote.com. 24 | February 1 - March 7, 2015 thewholenote.com

Beat by Beat | Choral Scene Radiating Choral Heat BENJAMIN STEIN This column starts out with information about a few choirs from outside of the GTA, interspersed with several concerts that have a Latin or Mediterranean theme. If you think this might indicate a hidden desire to be anywhere but Toronto in February , even if it’s only halfway sunny and pleasant – you would most likely be right. Here are a few listings which even if they don’t warm you up, will at least keep you moving! On February 7 London, Ontario’s Karen Schuessler Singers perform their annual singathon. The concert is a fundraiser and will feature special guest conductors from the London area. More information can be found here: kssingers.com. On February 13 the Upper Canada Choristers hold a concert titled “Music of the Americas,” to help launch a CD of the same name. This community ensemble was founded in 1994, and since 2008 has begun to specialize in music of Latin America, in addition to other international repertoire. This concert will feature Cantemos, a chamber ensemble drawn from members of the UCC. The CD features music from Argentina, Brazil, Colombia, Uruguay, Venezuela, Costa Rica, Cuba, Jamaica, the U.S. and Canada, sung in Spanish, Portuguese, Latin and English. More information is available at uppercanadachoristers.org. On February 28, the Peterborough Singers perform “Soul,” in honour of Black History Month. The choir combines with an instrumental ensemble and vocal soloists to explore the great rhythm and blues works of Motown (Detroit), Philadelphia, Memphis and New Orleans soul writers and composers. This is some of the best popular music created in the last century, but it tends to be avoided by many Canadian choirs, perhaps because they often Break It when they try to Shake It, so to speak. It’s good to see a choral ensemble taking it on. Also on February 28, St. Catharines’ Chorus Niagara performs “Life Eternal: The Requiems of Mozart and Rutter.” Mozart’s famous D-Minor Requiem is paired with English composer John Rutter’s tune-filled modern setting of the same text. On March 1 Dundas, Ontario’s John Laing Singers perform “Poet’s Corner 2: Songs of Faith, Hope and Love.” The concert provides an opportunity to hear a rarely performed (around here, anyhow) choral work by Italian composer Mario Castelnuovo-Tedesco, Romancero Gitano. Castelnuovo-Tedesco is perhaps best known for his guitar compositions, which were championed by Spanish classical guitar legend Andrés Segovia. He was also a prolific film composer, and his works are very energetic, accessible and redolent with Spanishinflected musical gestures. Romancero Gitano sets the words of Spanish poet and political martyr Federico García Lorca, and is scored for chorus and classical guitar, a rare combination. On March 7 and 8 the Kitchener/Waterloo-based DaCapo Chamber Elmer Iseler Singers Lydia Adams, Conductor presents the Premiere Performance of a new work by award-winning composer Peter Togni WARRIOR SONGS Friday, March 6, 2015 at 7:30 pm Walter Hall, Edward Johnson Building, University of Toronto Peter Togni, Composer Special Guests Jerry Granelli, Percussion Tickets; $ 40, Seniors $ 35, Students $ 15 Reserve now: 416-217-0537 Canada Council for the Arts Conseil des Arts du Canada 416-217-0537 www.elmeriselersingers.com NOVA SCOTIA NOUVELLE-ECOSSE PETER MAHON Sales Representative 416-322-8000 pmahon@trebnet.com www.petermahon.com VOX TIX $20 FOR 30 AND UNDER thewholenote.com February 1 - March 7, 2015 | 25

Volumes 21-25 (2015-2019)

Volume 25 Issue 4 - December 2019 / January 2020
Volume 25 Issue 2 - October 2019
Volume 25 Issue 1 - September 2019
Volume 24 Issue 8 - May 2019
Volume 24 Issue 7 - April 2019
Volume 24 Issue 6 - March 2019
Volume 24 Issue 5 - February 2019
Volume 24 Issue 4 - December 2018 / January 2019
Volume 24 Issue 3 - November 2018
Volume 24 Issue 2 - October 2018
Volume 24 Issue 1 - September 2018
Volume 23 Issue 9 - June / July / August 2018
Volume 23 Issue 8 - May 2018
Volume 23 Issue 7 - April 2018
Volume 23 Issue 6 - March 2018
Volume 23 Issue 4 - December 2017 / January 2018
Volume 23 Issue 3 - November 2017
Volume 23 Issue 2 - October 2017
Volume 23 Issue 1 - September 2017
Volume 22 Issue 9 - Summer 2017
Volume 22 Issue 8 - May 2017
Volume 22 Issue 7 - April 2017
Volume 22 Issue 6 - March 2017
Volume 22 Issue 5 - February 2017
Volume 22 Issue 4 - December 2016/January 2017
Volume 22 Issue 2 - October 2016
Volume 22 Issue 1 - September 2016
Volume 21 Issue 9 - Summer 2016
Volume 21 Issue 8 - May 2016
Volume 21 Issue 6 - March 2016
Volume 21 Issue 5 - February 2016
Volume 21 Issue 4 - December 2015/January 2016
Volume 21 Issue 3 - November 2015
Volume 21 Issue 2 - October 2015
Volume 21 Issue 1 - September 2015

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