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Volume 20 Issue 5 - February 2015

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  • February
  • Toronto
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Volume 20 Issue 5

Choir performs O Earth,

Choir performs O Earth, Return. This ensemble specializes in unaccompanied music of the 20th century, with a special focus on Canadian repertoire. They sponsor a competition for new compositions every year, and a work by Matthew Emery, the 2014 winner, Night on a Starry Hill, will be premiered at the concert. Popular composer Arvo Pärt’s Magnificat setting will also be performed. The two performances are held in Kitchener and Waterloo respectively. Back in Toronto, on March 7 the Jubilate Singers perform “Rhythm Fusions,” a concert featuring British composer Bob Chilcott’s Little Jazz Mass, American Norman Luboff’s African Mass and Swede Lars Jansson’s To The Mothers In Brazil: Salve Regina. The JS’s conductor, Isabel Bernaus, is a good programmer of world music, and the work of all three composers is infused with a lively knowledge of that genre. And here are more listings, just to prove that I am not neglecting Toronto ensembles, filled with hardy choristers who brave the elements to faithfully attend rehearsals every week: On March 1 the Toronto Classical Singers perform “Music from Two Great Rivals.” The concert features Antonio Salieri’s Mass No.1 in D and the Mozart D-Minor Requiem. The purported rivalry between Mozart and his older contemporary Antonio Salieri is one of the many myths that has become part of the Mozartian legend since his death in 1791. This particular myth has its roots in the dramatic poem by Russian writer Alexander Pushkin, Mozart and Salieri published in 1830. But it was British playwright Peter Shaffer’s 1979 play Amadeus that gave us the modern image of the vulpine older composer, consumed with jealousy over the accomplishments of his younger colleague, planning his murder and plotting to steal his brilliant compositions. The reality is more prosaic – Salieri was only six years older than Mozart, one of the many Viennese composers that Mozart had to compete with for the attention, approbation and patronage of the Austrian aristocracy. Italian by birth, he was a successful opera DaCapo Chamber Choir composer who also has the distinction of teaching Schubert, Beethoven and Liszt. He was a rival to Mozart, in a professional rather than a dramatic sense, but there is also evidence that he and Mozart had a friendly and collegial relationship. Still, if their rivalry is ultimately just a story, it’s a great one, and Shaffer’s Amadeus explores the gap between talent and genius that is part of Mozart’s enduring mystery. Several of Salieri’s operas have been restaged in recent times, and his Mass in D is worth a listen on its own terms, rivalries and legends aside. The galant style that he was trained in (as were Mozart, Haydn and J.C. Bach) had been imported from Italy to the rest of Europe, and as we explore less venerated or even forgotten composers from that era, we gain new and different insights into how to play and understand this musical tradition. The University of Toronto music faculty has new music concerts and lectures taking place throughout the months of February and March. Their website is a bit difficult to access, but here’s a link to a pdf brochure: music.utoronto.ca/events/2014-15.htm. On February 8 the Faculty’s Men’s Chorus and MacMillan Singers will perform a contemporary showcase featuring U of T student composers, emerging Canadian composers Matthew Emery and Patrick Murphy and veteran choral masters Steven Chatman and Bob Chilcott. Another concert of contemporary music to watch out for is Warrior Songs on March 6. The Elmer Iseler Singers perform this new work by Canadian Peter Togni. Warrior Songs takes as its theme the idea of being a “warrior for non-aggression” and explores texts from Buddhism, Malcolm X and the Roman Catholic Liturgy. Togni has had a distinguished career creating work that is both accessible and complex. Benjamin Stein is a Toronto tenor and lutenist. He can be contacted at choralscene@thewholenote.com. Visit his website at benjaminstein.ca. Robert Cooper, CM, Artistic Director Edward Moroney, Accompanist Greg Rainville, Assistant Conductor Tickets: ; senior; student www.orpheuschoirtoronto.com 416 530 4428 BMO Financial Group Financial Group Orpheus Choir’s season sponsor BMO Financial Group an Ontario government agency un organisme du gouvernement de l’Ontario The Soul’s Journey March 7, 2015 7:30 p.m. Eglinton St. George’s United Church, 35 Lytton Blvd. Contemplate the meaning of life and death in soul-searching works by two of Britain’s foremost composers: James MacMillan’s deeply felt Seven Last Words from the Cross and John Rutter’s unmistakably optimistic Requiem. Talisker Players 26 | February 1 - March 7, 2015 thewholenote.com

Beat by Beat | Bandstand Braving Winter’s Blasts JACK MCQUARRIE Eminent solo clarinettist James Campbell to conduct masterclasses at Wychwood’s second annual clarinet day. While the wintry blasts of January have not abated much, there are signs, on several fronts, that community band activity has not been dormant and that behind-the-scenes efforts of winter rehearsals are due to spring into a variety of programs well before Mother Nature takes her own leap into spring. However, before talking about what lies ahead, it’s worth visiting a couple of recent events that I had the pleasure of attending which created a lasting impression. Strings Attached: The first of these was a concert by the new Strings Attached Orchestra which I mentioned in a recent column. Billed as a “Friends and Family Concert,” it was for the most part the sort of program one might expect with an all-string orchestra. However, it had one unusual feature. Senator Nancy Ruth had been invited to play percussion in the concert. Apparently, she had always wanted to play in an orchestra, and here was her opportunity. When invited to participate in the concert, she had thought that she might get to ring the telephone in Pennsylvania 6-5000 and maybe play tambourine in some selections. What a surprise when she became an honourary member of the percussion section of the orchestra and was coached on all of the timing and nuances of her small part. After the concert she stated “I had a blast” Unfortunately no photos were available of this performance. We’re wondering what interesting wrinkles co-founder Ric Giorgi can come up with for their final concert of the season in June! Hats off to Bethune: The second event, something I rarely attend anymore, was a school concert. With our special invitation in hand we arrived at Doctor Norman Bethune Collegiate in Scarborough. For such events I had been accustomed to a token audience of parents. Not here. We had seats reserved for us or we would have had to stand. No fewer than seven groups performed. The concert began with two selections by the 110-member Junior Band and concluded with the Senior Band. Having attended school concerts in the past, I was accustomed to hearing selections such as Harold Walters’ Instant Concert to demonstrate the musical prowess of the students. Not this time. The final selections by the Senior Band were Howard Cable’s Snake Fence Country and the Festive Overture by Shostakovitch. The future of school music is certainly in good hands here. Bethune’s music head Paul Sylvester certainly deserves special mention for having a band play at that level. Seventh Horizon: It’s that time of year for the local New Horizons group to form yet another new band. By the time this is printed the seventh Toronto New Horizons Band will have begun rehearsals shortly after their Friday evening Instrument Exploration event. A year ago at this time there was a film crew there recording the attendees trying various instruments and making their selections. The film has now been completed with the title The Beat Goes On. Originally planned for broadcast on TV Ontario, the release has been delayed while the producers investigate its eligibility in the Canadian International Documentary Festival, better known as Hot Docs. Wychwood: The Wychwood Clarinet Choir have announced that they will be having their second annual Clarinet Day on Sunday March 1 in Walter Hall of the Edward Johnson Building. There will be masterclasses with James Campbell, morning workshops with U of T faculty and a concert with both the Wychwood Clarinet Choir and the U of T Clarinet Ensemble. For information about registration go to their website: wychwoodclarinetchoir.com. They have also reminded us about their spring concert ”Swing into Spring” on May 24. It’s a safe bet that they will be performing at least one work written for them by “composer-in-residence” Howard Cable. West End News: Some months ago I mentioned that a new concert band had been established in Toronto’s west end. That was in the fall of 2014; now that new band will soon be performing their very first concert. The Toronto Concert Band, as it is called, has put down roots in the Etobicoke-Lakeshore district. Most members are from Etobicoke, but there are many members from all parts of Toronto. Weekly rehearsals at Lambton-Kingsway Junior Middle School have attracted more than 60 members from amateur to professional status. The band’s tag line is “We Love to Play!” and that has translated into an enthusiasm such that their premiere concert will feature works ranging from Percy Grainger and Vaughan Williams to Frankie Valli and the Beatles. Under the direction of founding conductors Ken Hazlett and Les Dobbin, they have opted to stage their inaugural concert in the CBC’s Glenn Gould Studio. In their words, selection of this venue “aptly reinforces the Toronto Concert Band’s mandate of serving not only Etobicoke but the entire City of Toronto.” I certainly intend to be there on Saturday, January 31 at 7:30. I would recommend readers attend, but I have heard that tickets are all sold. Congratulations. For information on this band, go to their website torontoconcertband.com. Wellington Winds: Many months ago I wrote briefly about a DVD titled Appassionato: The Wellington Winds Story released by that band. As described by producer Michael Purves-Smith, it is a collection of “performances, interviews and sectionals illustrating the life of a concert band.” In a recent email message Purves-Smith reports that they have done a lot with their project but still have a way to go. He expects to be in touch again in a couple of months. At that time we hope to publish a special detailed report of the results of their work on this project. Briefly from Silverthorn: Silverthorn Symphonic Winds have announced that their next concert will be on Saturday, February 28 and that, intriguingly, the repertoire for this concert has been selected by band members. Many times in this column I have mounted my high horse to campaign for more member participation in repertoire selection. This was welcome news, and I hope to get more details soon. Many years ago, a longtime friend of mine, Bob Plunkett, upon retiring as a high school music teacher as well as director of the naval reserve band of HMCS York in Toronto, moved to Orillia where he established the Orillia Wind Ensemble. Over 17 years ago, on Bob’s retirement from that band and subsequent passing, the directorship of the Orillia band was assumed by Roy Menagh. Now, Menagh has indicated that 2015-16 will be his “victory lap.” Band members have indicated that they would like to have a new person on board by this coming fall/winter season in order to plan a smooth transition to 2016-17 season. They will, of course, be setting up a search campaign to seek potential candidates. If any of our readers have any suggestions, they could contact the band’s president, Hugh Coleman at colemanz@sympatico.ca. Definition Department: This month’s lesser known musical term is opera buffa: A musical stage production performed by nudists. We invite submissions from readers. Let’s hear your daffynitions. Jack MacQuarrie plays several brass instruments and has performed in many community ensembles. He can be contacted at bandstand@thewholenote.com. thewholenote.com February 1 - March 7, 2015 | 27

Volumes 21-25 (2015-2019)

Volume 25 Issue 4 - December 2019 / January 2020
Volume 25 Issue 2 - October 2019
Volume 25 Issue 1 - September 2019
Volume 24 Issue 8 - May 2019
Volume 24 Issue 7 - April 2019
Volume 24 Issue 6 - March 2019
Volume 24 Issue 5 - February 2019
Volume 24 Issue 4 - December 2018 / January 2019
Volume 24 Issue 3 - November 2018
Volume 24 Issue 2 - October 2018
Volume 24 Issue 1 - September 2018
Volume 23 Issue 9 - June / July / August 2018
Volume 23 Issue 8 - May 2018
Volume 23 Issue 7 - April 2018
Volume 23 Issue 6 - March 2018
Volume 23 Issue 4 - December 2017 / January 2018
Volume 23 Issue 3 - November 2017
Volume 23 Issue 2 - October 2017
Volume 23 Issue 1 - September 2017
Volume 22 Issue 9 - Summer 2017
Volume 22 Issue 8 - May 2017
Volume 22 Issue 7 - April 2017
Volume 22 Issue 6 - March 2017
Volume 22 Issue 5 - February 2017
Volume 22 Issue 4 - December 2016/January 2017
Volume 22 Issue 2 - October 2016
Volume 22 Issue 1 - September 2016
Volume 21 Issue 9 - Summer 2016
Volume 21 Issue 8 - May 2016
Volume 21 Issue 6 - March 2016
Volume 21 Issue 5 - February 2016
Volume 21 Issue 4 - December 2015/January 2016
Volume 21 Issue 3 - November 2015
Volume 21 Issue 2 - October 2015
Volume 21 Issue 1 - September 2015

Volumes 16-20 (2010-2015)

Volumes 11-15 (2004-2010)

Volumes 6 - 10 (2000 - 2006)

Volumes 1-5 (1994-2000)