200 Albert St. S., Lindsay. 705-878-5625. ; (adv); (st). Mar 1 2:30. Also Feb 27(eve, Peterborough). ●●Living Arts Centre. A Musical Valentine: An Evening With Adi, Rosie, Judy and Peggy. RBC Theatre, Living Arts Centre, 4141 Living Arts Drive, Mississauga. 905-306-6000 or 1-888-805-8888 livingsartscentre.ca. - . Feb 14 8:00. ●●Lower Ossington Theatre. Avenue Q The Musical. 100A Ossington Ave. 416-915-6747 lowerossingtontheatre.com. . Runs until Feb 1 4:00. ●●Lower Ossington Theatre. Seussical The Musical. 100A Ossington Ave. 416-915-6747 lowerossingtontheatre.com. -. Runs Feb 14 to Mar 1, start times vary. ●●Lower Ossington Theatre. Spring Awakening. 100A Ossington Ave. 416-915-6747 lowerossingtontheatre.com. -. Runs Feb 5 to Mar 1, start times vary. ●●Lower Ossington Theatre. Don’t Stop Me Now! - The Music of Queen. 100A Ossington Ave. 416-915-6747 lowerossingtontheatre.com. -9.96. Runs Feb 19 to Mar 28 8:00. ●●Mirvish Theatre. Once. Ed Mirvish Theatre, 244 Victoria St. 416-872-1212 mirvish.com. -$200. Runs Feb 10 to 27, start times vary. ●●Mirvish Theatre. Trey Parker’s Cannibal! The Musical. Panasonic Theatre, 651 Yonge St. 416-872-1212 mirvish.com. .95- 9.95. Runs Feb 10 to Mar 1, start times vary. ●●North Toronto Players. El Mikado. Jubilee United Church, 40 Underhill Dr. 416-481- 4867 northtorontoplayers.com. ; (sr); (st); Free(under 14). Runs Feb 20 to Mar 1, start times vary. ●●Opera by Request. Cosi fan tutte. Mozart. Jami-Lynn Gubbe, soprano (Fiordiligi); Melissa Peliou, mezzo (Dorabella); Andrea Nunez, soprano (Despina); Jan Nadal, tenor (Ferrando); Janaka Welihinda, baritone (Guglielmo); Lawrence Shirkie, bass-baritone (Don Alfonso); William Shookhoff, piano and music director. College Street United Church, 452 College St. 416-455-2365 operabyrequest.ca. $20. Feb 7 7:30. ●●Opera by Request. Donizetti: L’Elisir d’Amore. Tammy Short, soprano(Adina); Asitha Tennekoon, tenor (Nemorino); Diego Catalla, baritone (Belcore); Keith O’Brien, baritone (Dulcamara); Patricia Auchterlonie, mezzo (Giannetta); William Shookhoff, piano and music director. College Street United Church, 452 College St. 416-455-2365 operabyrequest.ca. $20. Feb 14 7:30. ●●Opera by Request. Verdi: Un Ballo in Maschera. Taras Chmil, tenor (Riccardo); Carrie Gray, soprano (Amelia); Michael York, baritone (Renato); Kristine Dandavino, mezzo C. Musical Theatre (Ulrica); Larry Tozer, baritone (Samuel); Constantine Meglis, baritone (Tom); Kyle Mac- Donald, baritone (Silvano); Ryan Paul Downey, baritone (Judge/Servant); Kira Braun, soprano (Oscar); William Shookhoff, piano and music director. College Street United Church, 452 College St. 416-455-2365 operabyrequest.ca. $20. Feb 20 7:30. ●●Opera by Request. Boito: Mefistofele. George Ossipov, bass-baritone (Mefistofele); Ryan Harper, tenor (Faust); Olga Tylman, soprano (Marguerite/Helen of Troy); Anush Pasishnik, mezzo (Martha/Pantalis); Robert Rawlins, tenor (Wagner/Nereus); Music Moves Kids children’s chorus; William Shookhoff, piano and music director. College Street United Church, 452 College St. 416-455-2365 operabyrequest.ca. $20. Feb 27 7:30. ●●Opera York. The Magic Flute. Mozart. Gary Relyea, bass (Sarastro); Nicole Dubinsky, soprano (Queen of the Night); Riccardo Iannello, tenor (Tamino); Geoffrey Butler, artistic director; Renee Salewski, stage director. Richmond Hill Centre for the Performing Arts, 10268 Yonge St., Richmond Hill. 905-787-8811 operayork.com. -; (st). Mar 5 and Mar 7, 7:30. ●●Sheridan Theatre. In the Heights. Mac- Donald-Heaslip Hall, Sheridan Institute of Technology and Advanced Learning, 1430 Trafalgar Rd., Oakville. 905-815- 4049 sheridancollege.ca. ; .50(sr); $20(alumni). Runs Feb 18 to Mar 1, start times vary. ●●Sheridan Theatre. A Man Of No Importance. Studio Theatre, Sheridan Institute of Technology and Advanced Learning, 1430 Trafalgar Rd., Oakville. 905-815-4049 sheridancollege.ca. $20; (sr); (alumni). Runs Feb 19 to Mar 1, start times vary. ●●St. Anne’s Music & Drama Society. Gilbert & Sullivan’s The Mikado. Laura Schatz/ Brian Farrow, directors. St. Anne’s Parish Hall, 651 Dufferin St. 416-922-4415 saintanne. ca. ; $20(sr/st). Runs until Feb 8, start times vary. ●●Soundstreams. The Whisper Opera. Tony Arnold, soprano; International Contemporary Ensemble (ICE); David Lang, composer. The Theatre Centre, 1115 Queen St. W. 416-408- 0208. .50. Only 52 people at a time. Postperformance chat. Feb 26 (8:00), 27(7:00 and 10:00pm), 28(mat & eve), Mar 1(2:00). ●●Symphony on the Bay/KooGle Theatre. An Afternoon of Rodgers and Hammerstein. Songs from Oklahoma, South Pacific, The King and I and The Sound of Music. Leslie and Christopher Gray; company of singers aged 6-25. Guest: Denis Mastromonaco, conductor. Burlington Performing Arts Centre, 440 Locust St., Burlington. 905-681- 6000 koogletheatre.com. -31. Feb 15 3:00. Cara Ricketts, who stars as Queenie in Acting Up’s The Wild Party, can also be seen as Berthilda Mathias in the CBC’s The Book of Negroes. Reserved seating. ●●Toronto City Opera. Don Giovanni. Mozart. Bradley Hoover, baritone (Don Giovanni); Jackie McIntyre, soprano (Donna Anna); Hannah Coleman/Samantha Weaver, sopranos (Donna Elvira); Amanda Pereira/Carla-Grace Colaguori, sopranos (Zerlina), Ilya Serebrianik/Brunot Nseke, tenors; and others; Beatrice Carpino, director; Adolfo De Santis, conductor; Ivan Jovanovic, piano. Bickford Centre Theatre, 777 Bloor St. W. 416-978- 8849 torontocityopera.com. ; $20(sr); (st). Runs Feb 11 to 28, start times vary. ●●Toronto City Opera. Un Ballo in Maschera. Verdi. Carrie Parks, soprano (Amelia); Slava Serebrianik, tenor (Ricardo); Yevgeny Yablonovsky, baritone (Renato); Stephanie Kim/ Olivia Han, sopranos (Oscar); Louise Lo, soprano (Ulrica); Beatrice Carpino, director; Adolfo De Santis, conductor; Ivan Jovanovic, piano. Bickford Centre Theatre, 777 Bloor St. W. 416-978-8849 torontocityopera.com. ; $20(sr); (st). Runs Feb 13 to Mar 1, start times vary. ●●University of Toronto Faculty of Music/ Campbell House Museum. Footsteps in Campbell House: Opera Student Composer Collective. Museum tour. Libretto by Michael Patrick Albano. Campbell House Museum, 160 Queen St. W. 416-597-0227 x2 music.utoronto.ca. $20. Feb 1. ●●Victoria College Drama Society. Company. Sondheim. Isabel Bader Theatre, 93 Charles St. W. 416-585-4498 vcds.ca. ; (sr/st). Mar 5 to 7 8:00. ●●VOICEBOX: Opera in Concert. Street Scene. Weill. Monica Whicher, soprano; Jennifer Taverner, soprano; Colin Ainsworth, tenor; VOICEBOX Chorus; Robert Cooper, conductor. Jane Mallett Theatre, St. Lawrence Centre for the Arts, 27 Front St. E. 416-366-7723 or 1-800-708-6754 operainconcert.com. -. Feb 1 2:30. Reception following. ●●Wilfrid Laurier University Faculty of Music. Opera Production. Puccini: Gianni Schicchi; Ravel: L’enfant et les sortilèges. Theatre Auditorium, Wilfrid Laurier University, 75 University Ave. W., Waterloo. 519- 884-0710 x4439 goo.gl/CWlGVj. ; (sr); free(st). Runs Feb 27 to Mar 1, start times vary. ●●Winter Garden Theatre. Marilyn: Forever Blonde. By Greg Thompson. Sunny Thompson (Marilyn); Stephanie Shine, stage director. 189 Yonge St. 1-855-622-2787. .95- 7.95. Runs Feb 11,12,13 (7:30), 14 (2:00 and 7:30); 15 (2:00). ADAM RANKIN Make HalfTones a habit! WIN SHOW AND CONCERT TICKETS, DISCOVER SPECIAL OFFERS AND DISCOUNTS, DON’T MISS BREAKING NEWS. HalfTones is The WholeNote mid-month e-letter. Scan the code or go to thewholenote.com/halftones to register You can also follow us on twitter @thewholenote 44 | February 1 - March 7, 2015 thewholenote.com
D. In the Clubs (Mostly Jazz) 120 Diner 120 Church St. 416-792-7725 102diner.com (full schedule) February 27 6pm Voice, Bass, & Sax: Ori Dagan, Jordan O’Connor, & Allison Young PWYC. 80 Gladstone 80 Gladstone Ave. 416-516-7199 80gladstone.com (full schedule) Alleycatz 2409 Yonge St. 416-481-6865 alleycatz.ca All shows: 9pm unless otherwise indicated. Call for cover. Every Mon 8pm Salsa Night w/ Frank Bischun and free lessons. Every Tue 8:30pm Bachata Night w/ DJ Frank Bischun and free lessons. Every Wed 8:30pm Carlo Berardinucci Band. No Cover. February 4, 11 Carlo Berardinucci Jazz Band. February 5 Mark Brathwaite. February 6, 7, 13, 14 Lady Kane. February 12 Jazz Biscuit. February 19 Joanne Morra & The France St Ens. February 20, 27 Taxi. February 21, 28 Soular. February 26 Wild “T” Tony Springer. Annette Studios 566 Annette St. 647-880-8378 annettestudios.com Every Mon 9:30pm Jazz Jam w/ Jared Goldman Quintet. Suggested donation /(st). Artword Artbar 15 Colbourne St., Hamilton. 905-543-8512 artword.net (full schedule) February 5 8pm Doug Murphy’s Quartet: Doug Murphy (guitar), Tim Kulakowsky (guitar), Brian Ropcean (drums), Allana Gunn (bass). February 6 8pm CP3: Chris Platt (guitar), Phill Albert (bass), Mike Rajna (drums). February 7 8:30pm ATOMIC: Fredrik Ljungkvist (reeds), Magnus Broo (trumpet), Håvard Wiik (piano), Ingebrigt Håker Flaten (bass), Hans Hulbœkmo (drums). February 13 8pm Beg to Differ Trio: Tim Ninehouse (keyboards, voice), Doug Sikma (guitar), Steve Foster (drums). February 14 8pm Jazz Valentine Special with The Scott Taplay Group: Jill Mckenna (bass), Brandon Monroe (drums), Victor Agrippa (sax), Scott Taplay (guitar). February 21 8pm Carlos Rodriguez Quartet: Randy Stirtzinger (piano), Mike Filice (flute and sax), Fhanor Molina (bass), Carlos Rodriguez (drums). Axis Gallery and Grill 3048 Dundas St. W 416-604-3333 axisgalleryandgrill.com (full schedule) All shows: No cover/PWYC Blakbird, The 812b Bloor St. West 647-344-7225 theblakbird.com/ (full schedule) Bloom 2315 Bloor St. W. 416-767-1315 bloomrestaurant.com All shows: No minors. Call for reservations. February 14 9pm Amanda Martinez (with special Valentine’s Day dinner). Boat Restaurant, The 158 Augusta Ave. 416-593-9218 theboatkensington.com (full schedule) February 20 7:30pm Taste of Motown with The Barrymores. Castro’s Lounge 2116e Queen St. E 416-699-8272 castroslounge.com (full schedule) All shows: No cover/PWYC Every Wed 6pm The Mediterranean Stars. Every Saturday 4:30 Big Rude Jake. C’est What 67 Front St. E (416) 867-9499 cestwhat.com (full schedule) February 7, 21 3pm The Hot Five Jazzmakers No cover/PWYC. February 14, 28 3pm The Boxcar Boys No cover/PWYC. Chalkers Pub, Billiards & Bistro 247 Marlee Ave. 416-789-2531 chalkerspub.com (full schedule) Every Wed 8pm-+midnight Girls Night Out Jazz Jam w/ host Lisa Particelli. PWYC. February 7 6pm Lorne Lofsky (guitar) Trio with Kieran Overs (bass), Barry Romberg (drums) . February 8 7pm Simone Morris (voice) Trio Plus One with Mike Freedman (guitar), Mike Pelletier (bass), feat. Joel Haynes (drums) . February 14 6pm Lorne Fern Lindzon (voice, piano) Trio with Brendan Davis (bass), Nick Fraser (drums) . February 15 7pm The Love Hangover: Duets on the theme of Love with Zebulun Barnow, Beverly Taft, and featured guests . February 21 6pm Jon Challoner (trumpet) and Robi Botos (piano): Tribute to Roy Eldridge and Oscar Peterson . February 22 7pm Bartosz Hadala (piano) quartet with Geoff Hibka (guitar), Mike Ferfolia (bass, voice), Marito Marques (drums) . February 28 6pm Nancy Walker (piano) Trio with Kieran Overs (bass), Ethan Ardelli (drums) . Classico Pizza & Pasta 2457 Bloor St. W 416-763-1313 classicopizza.com (Full schedule) DeSotos 1079 St. Clair Ave. W 416-651-2109 desotos.ca (Full schedule) Every Sun 11am-2pm Sunday Live Jazz Brunch hosted by Anthony Abbatangeli No Cover. Dominion on Queen 500 Queen St. E 416-368-6893 dominiononqueen.com (full schedule) Call for cover charge info. Emmet Ray, The 924 College St. 416-792-4497 theemmetray.com (full schedule) All shows: No Cover/PWYC February 2 7pm Steve ‘n’ Tyler Quartet: Matt Lagan (saxophone), Scott Hunter (bass), Tyler Goertzen (drums), Steve Dale (guitar); 9pm God’s Gift to Yoda: Harley Card (guitar), Don Scott (guitar), Michael Herring (bass), Nico Dann (drums). February 5 9pm John Wayne Swingtet: Wayne Nakamura (guitar), Abbey Sholzberg (bass), John Farrell (guitar). February 9 7pm Max Sennitt Trio; 9pm Anthony Szczachor Trio. February 16 7pm David Occhipinti (guitar) & Anna Atkinson (voice). Flying Beaver Pubaret, The 488 Parliament St. 647-347-6567 pubaret.com (full schedule) Free Times Cafe 320 College St. 416-967-1078 freetimescafe.com (full schedule) Gate 403 403 Roncesvalles Ave. 416-588-2930 gate403.com All shows: PWYC. Every Wed 9pm Julian Fauth Blues Night. Every Sat 5pm Bill Heffernan and His Friends. February 2 5pm Mike Daley Jazz Trio; 9pm Michael O’Grady with His Friends. February 3 5pm Howard Willett Blues Duo; 9pm Bruce Chapman Blues Duo with featured guests. February 6 5pm Fraser Melvin Blues Band. February 9 9pm Clela Errington Root Music Duo. Grossman’s Tavern 379 Spadina Ave. 416-977-7000 grossmanstavern.com (full schedule) All shows: No cover (unless otherwise noted.) Habits Gastropub 928 College St. 416-533-7272 habitsgastropub.com (full schedule) February 6 9pm Bossa Tres. February 7 9pm Diego Hinojosa. February 14, 28 9pm Chris Platt Trio. Harlem Restaurant 67 Richmond St. E. 416-368-1920 harlemrestaurant.com (full schedule) All shows: 7:30-11pm (unless otherwise noted.) Call for cover charge info. February 2, 9, 16, 23 Neil Brathwaite. February 6, 13, 20, 27 Dave Hutchinson Jazz & Blues Band. February 21 Liz Loughrey & Adrian X. February 28 Kristin Fung. Hirut Cafe and Restaurant 2050 Danforth Ave. 416-551-7560 All shows: PWYC / / Every Sun 3pm Open Mic with Nicola Vaughan: folk/country/jazz/world/R&B. Home Smith Bar – See Old Mill, The Hugh’s Room 2261 Dundas St. W. 416-531-6604 hughsroom.com All shows: 8:30pm (unless otherwise noted). February 1 The Universe of John Lennon with Michael Occhipinti & Shine On .50(adv)/.00(door). February 3 10am Toronto Ravel . February 6 A Tribute to the Delta Blues .00(adv)/.50(door). February 7 Fathead & Friends Benefit for John Mays .00(adv)/.00(door). February 8 The 15th Annual Banjo Special $20.00(adv)/.50(door). February 10 Jane Harbury presents Discoveries .00(adv)/.00(door). February 12 8pm The 2015 JAZZ.FM91 Cabaret Series (general)/(students). February 13 Alfie Zappacosta (adv)/(door). February 14 Jackie Richardson and Micah Barnes: A Jazz Valentine (adv)/(door). February 15 Jimmy Webb .50(adv)/.00(door). February 19, 20 Albert Lee .00(adv)/.00(door). February 21 “The Way to San Jose”: The Music of Burt Bacharach .50(adv)/(door). February 22 2pm Ken Whiteley’s Gospel Matinee $20(adv)/.50(door). February 24 Ashley MacIsaac: 40th Birthday Celebration .50(adv)/.00(door). February 25 8pm The 2014/15 JAZZ.FM91 Songwriters Series – Jazz from the World of Disney: The Sherman Brothers (general)/(students). February 26 Lorraine Klaasen: A Tribute to Miriam Makeba .50(adv)/.00(door). February 27, 28 Iris Dement .50(adv)/(door). Jazz Bistro, The 251 Victoria St. 416-363-5299 jazzbistro.ca February 1 12pm Sunday Brunch with Eli Pasic ; 7pm Sunday Cabaret with Sherie Marshall . February 3 7pm JAZZ. FM91 Piano Series: Bill Charlap .50. February 4 8pm R&B Night w/ Soul Stew: Michael Dunston (lead vocals, percussion), Featuring some of Toronto’s best jazz musicians with a brief reflection by Jazz Vespers Clergy February 8 at 4:30 pm TRIBUTE TO EUBIE BLAKE Gord Sheard (solo piano), Tribute talk by Brian Barlow February 22 at 4:30 pm, STEVE McDADE QUARTET Steve McDade (trumpet), Scott Alexander (bass), Brian Barlow (drums), David Restivo( piano) Christ Church Deer Park, 1570 Yonge St. 416-920-5211 (north of St. Clair at Heath St.) www.thereslifehere.org Admission is free; donations are welcome. St. Philip’s Anglican Church Sunday, February 8, 4:00 PM | Jazz Vespers Joy Lapps-Lewis Quartet Sunday, February 15, 4:00 PM | Dixieland Vespers Bob DeAngelis Mardi Gras Band Sunday, March 8, 4:00 PM | Jazz Vespers Barry Livingston Group St. Philip’s Anglican Church | Etobicoke 25 St. Phillips Road (near Royal York + Dixon) 416-247-5181 • stphilips.net • free will offering thewholenote.com February 1 - March 7, 2015 | 45
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Choral Scene: Uncharted territory: three choirs finding paths forward; Music Theatre: Loose Tea on the boil with Alaina Viau’s Dead Reckoning; In with the New: what happens to soundart when climate change meets COVID-19; Call to action: diversity, accountability, and reform in post-secondary jazz studies; 9th Annual TIFF Tips: a filmfest like no other; Remembering: Leon Fleisher; DISCoveries: a NY state of mind; 25th anniversary stroll-through; and more. Online in flip through here, and on stands commencing Tues SEP 1.
Following the Goldberg trail from Gould to Lang Lang; Measha Brueggergosman and Edwin Huizinga on face to face collaboration in strange times; diggings into dance as FFDN keeps live alive; "Classical unicorn?" - Luke Welch reflects on life as a Black classical pianist; Debashis Sinha's adventures in sound art; choral lessons from Skagit Valley; and the 21st annual WholeNote Blue Pages (part 1 of 3) in print and online. Here now. And, yes, still in print, with distribution starting Thursday October 1.
Alanis Obomsawin's art of life; fifteen Exquisite Departures; UnCovered re(dis)covered; jazz in the kitchen; three takes on managing record releases in times of plague; baroque for babies; presenter directory (blue pages) part two; and, here at the WholeNote, work in progress on four brick walls (or is it five?). All this and more available in flipthrough HERE, and in print Tuesday Nov 3.
In this issue: Beautiful Exceptions, Sing-Alone Messiahs, Livingston’s Vocal Pleasures, Chamber Beethoven, Online Opera (Plexiglass & All), Playlist for the Winter of our Discontent, The Oud & the Fuzz, Who is Alex Trebek? All this and more available in flipthrough HERE, and in print Friday December 4.
July/August issue is now available in flipthrough HERE, bringing to a close 25 seasons of doing what we do (and plan to continue doing), and on stands early in the week of July 5. Not the usual bucolic parade of music in the summer sun, but lots, we hope, to pass the time: links to online and virtual music; a full slate of record reviews; plenty new in the Listening Room; and a full slate of stories – the future of opera, the plight of small venues, the challenge facing orchestras, the barriers to resumption of choral life, the challenges of isolation for real-time music; the steps some festivals are taking to keep the spirit and substance of what they do alive. And intersecting with all of it, responses to the urgent call for anti-racist action and systemic change.
"COVID's Metamorphoses"? "There's Always Time (Until Suddenly There Isn't)"? "The Writing on the Wall"? It's hard to know WHAT to call this latest chapter in the extraordinary story we are all of a sudden characters in. By whatever name we call it, the MAY/JUNE combined issue of The WholeNote is now available, HERE in flip through format, in print commencing Wednesday May 6, and, in fully interactive form, online at thewholenote.com. Our 18th Annual Choral Canary Pages, scheduled for publication in print and flip through in September is already well underway with the first 50 choirs home to roost and more being added every week online. Community Voices, our cover story, brings to you the thoughts of 30 musical community members, all going through what we are going through (and with many more to come as the feature gets amplified online over the course of the coming months). And our regular writers bring their personal thoughts to the mix. Finally, a full-fledged DISCoveries review section offers cues and clues to recorded music for your solitary solace!
After some doubt that we would be allowed to go to press, in respect to wide-ranging Ontario business closures relating to COVID-19, The WholeNote magazine for April 2020 is now on press, and print distribution – modified to respect community-wide closures and the need for appropriate distancing – starts Monday March 30. Meanwhile the full magazine is right here, digitally, so if you value us PLEASE SHARE THIS LINK AS WIDELY AS YOU CAN. It's the safest way for us to reach the widest possible audience at this time!
FEATURED: Music & Health writer Vivien Fellegi explores music, blindness & the plasticity of perception; David Jaeger digs into Gustavo Gimeno's plans for new music in his upcoming first season as music director at TSO; pianist James Rhodes, here for an early March recital, speaks his mind in a Q&A with Paul Ennis; and Lydia Perovic talks music and more with rising Turkish-Canadian mezzo Beste Kalender. Also, among our columns, Peggy Baker Dance Projects headlines Wende Bartley's In with the New; Steve Wallace's Jazz Notes rushes in definitionally where many fear to tread; ... and more.
Visions of 2020! Sampling from back to front for a change: in Rearview Mirror, Robert Harris on the Beethoven he loves (and loves to hate!); Errol Gay, a most musical life remembered; Luna Pearl Woolf in focus in recordings editor David Olds' "Editor's Corner" and in Jenny Parr's preview of "Jacqueline"; Speranza Scappucci explains how not to reinvent Rossini; The Indigo Project, where "each piece of cloth tells a story"; and, leading it all off, Jully Black makes a giant leap in "Caroline, or Change." And as always, much more. Now online in flip-through format here and on stands starting Thurs Jan 30.
Welcome to our December/January issue as we turn the annual calendar page, halfway through our season for the 25th time, juggling as always, secular stuff, the spirit of the season, new year resolve and winter journeys! Why is Mozart's Handel's Messiah's trumpet a trombone? Why when Laurie Anderson offers to fly you to the moon you should take her up on the invitation. Why messing with Winterreisse can (sometimes) be a very good thing! And a bumper crop of record reviews for your reading (and sometimes listening) pleasure. Available in flipthrough here right now, and on stands commencing Thursday Nov 28. See you on the other side!
On the slim chance you might not have already heard the news, Estonian Canadian composing giant Udo Kasemets was born the same year that Leo Thermin invented the theremin --1919. Which means this is the centenary year for both of them, and both are being celebrated in style, as Andrew Timar and MJ Buell respectively explain. And that's just a taste of a bustling November, with enough coverage of music of both the delectably substantial and delightfully silly on hand to satisfy one and all.
Long promised, Vivian Fellegi takes a look at Relaxed Performance practice and how it is bringing concert-going barriers down across the spectrum; Andrew Timar looks at curatorial changes afoot at the Music Gallery; David Jaeger investigates the trumpets of October; the 30th anniversary of the Velvet Revolution (and the 20th Anniversary of our October Blue Pages Presenter profiles) in our Editor's Opener; the Toronto Mendelssohn Choir at 125; Tapestry at 40 and Against the Grain at 10; ringing in the changing season across our features and columns; all this and more, now available in Flip Through format here, and on the stands commencing this coming Friday September 27, 2019. Enjoy.
Vol 1 of our 25th season is now here! And speaking of 25, that's how many films in the upcoming Toronto International Film Festival editor Paul Ennis, in our Eighth Annual TIFF TIPS, has chosen to highlight for their particular musical interest. Also inside: Rob Harris looks through the Rear View Mirror at past and present prognostications about the imminent death of classical music; Mysterious Barricades and Systemic Barriers are Lydia Perović's preoccupations in Art of Song; Andrew Timar reflects on the evolving priorities of the Polaris Prize; and elsewhere, it's chocks away as yet another season creaks or roars (depending on the beat) into motion. Welcome back.
What a range of stuff! A profile of Liz Upchurch, the COC ensemble studio's vocal mentor extraordinaire; a backgrounder on win-win faith/arts centre partnerships and ways of exploring the possibilities; an interview with St. Petersburg-based Eifman Ballet's Boris Eifman; Ana Sokolovic's violin concert Evta finally coming to town; a Love Letter to YouTube, and much more. Plus our 17th annual Canary Pages Choral directory if all you want to do is sing! sing! sing!
Arraymusic, the Music Gallery and Native Women in the Arts join for a mini-festival celebrating the work of composer, performer and installation artist Raven Chacon; Music and Health looks at the role of Healing Arts Ontario in supporting concerts in care facilities; Kingston-based composer Marjan Mozetich's life and work are celebrated in film; "Forest Bathing" recontextualizes Schumann, Shostakovich and Hindemith; in Judy Loman's hands, the harp can sing; Mahler's Resurrection bursts the bounds of symphonic form; Ed Bickert, guitar master remembered. All this and more in our April issue, now online in flip-through here, and on stands commencing Friday March 29.
Something Old, Something New! The Ide(a)s of March are Upon Us! Rob Harris's Rear View Mirror looks forward to a tonal revival; Tafelmusik expands their chronological envelope in two directions, Esprit makes wave after wave; Pax Christi's new oratorio by Barbara Croall catches the attention of our choral and new music columnists; and summer music education is our special focus, right when warm days are once again possible to imagine. All this and more in our March 2019 edition, available in flipthrough here, and on the stands starting Thursday Feb 28.
In this issue: A prize that brings lustre to its laureates (and a laureate who brings lustre to the prize); Edwin Huizinga on the journey of Opera Atelier's "The Angel Speaks" from Versailles to the ROM; Danny Driver on playing piano in the moment; Remembering Neil Crory (a different kind of genius)' Year of the Boar, Indigeneity and Opera; all this and more in Volume 24 #5. Online in flip through, HERE and on the stands commencing Thursday Jan 31.
When is a trumpet like a motorcycle in a dressage event? How many Brunhilde's does it take to change an Elektra? Just two of the many questions you've been dying to ask, to which you will find answers in a 24th annual combined December/January issue – in which our 11 beat columnists sift through what's on offer in the upcoming holiday month, and what they're already circling in their calendars for 2019. Oh, and features too: a klezmer violinist breathing new life into a very old film; two New Music festivals in January, 200 metres apart; a Music & Health story on the restorative powers of a grassroots exercise in collective music-making; even a good reason to go to Winnipeg in the dead of winter. All this and more in Vol 24 No 4, now available in flipthrough format here.
Reluctant arranger! National Ballet Orchestra percussionist Kris Maddigan on creating the JUNO and BAFTA award-winning smash hit Cuphead video game soundtrack; Evergreen by name and by nature, quintessentially Canadian gamelan (Andrew Timar explains); violinist Angèle Dubeau on 20 years and 60 million streams; two children’s choirs where this month remembrance and living history must intersect. And much more, online in our kiosk now, and on the street commencing Thursday November 1.
Presenters, start your engines! With TIFF and "back-to-work" out of the way, the regular concert season rumbles to life, and, if our Editor's Opener can be trusted, "Seeking Synergies" seems to be the name of the game. Denise Williams' constantly evolving "Walk Together Children" touching down at the Toronto Centre for the Arts; the second annual Festival of Arabic Music and Arts expanding its range; a lesson in Jazz Survival with Steve Wallace; the 150 presenter and performer profiles in our 19th annual Blue Pages directory... this is an issue that is definitely more than the sum of its parts.
In this issue: The WholeNote's 7th Annual TIFF TIPS guide to festival films with musical clout; soprano Erin Wall in conversation with Art of Song columnist Lydia Perovic, about more than the art of song; a summer's worth of recordings reviewed; Toronto Chamber Choir at 50 (is a few close friends all it takes?); and much more, as the 2018/19 season gets under way.
PLANTING NOT PAVING! In this JUNE / JULY /AUGUST combined issue: Farewell interviews with TSO's Peter Oundjian and Stratford Summer Music's John Miller, along with "going places" chats with Luminato's Josephine Ridge, TD Jazz's Josh Grossman and Charm of Finches' Terry Lim. ) Plus a summer's worth of fruitful festival inquiry, in the city and on the road, in a feast of stories and our annual GREEN PAGES summer Directory.
In this issue: our sixteenth annual Choral Canary Pages; coverage of 21C, Estonian Music Week and the 3rd Toronto Bach Festival (three festivals that aren’t waiting for summer!); and features galore: “Final Finales” for Larry Beckwith’s Toronto Masque Theatre and for David Fallis as artistic director of Toronto Consort; four conductors on the challenges of choral conducting; operatic Hockey Noir; violinist Stephen Sitarski’s perspective on addressing depression; remembering bandleader, composer and saxophonist Paul Cram. These and other stories, in our May 2018 edition of the magazine.
In this issue: we talk with jazz pianist Thompson Egbo-Egbo about growing up in Toronto, building a musical career, and being adaptive to change; pianist Eve Egoyan prepares for her upcoming Luminato project and for the next stage in her long-term collaborative relationship with Spanish-German composer Maria de Alvear; jazz violinist Aline Homzy, halfway through preparing for a concert featuring standout women bandleaders, talks about social equity in the world of improvised music; and the local choral community celebrates the life and work of choral conductor Elmer Iseler, 20 years after his passing.
In this issue: Canadian Stage, Tapestry Opera and Vancouver Opera collaborate to take Gogol’s short story The Overcoat to the operatic stage; Montreal-based Sam Shalabi brings his ensemble Land of Kush, and his newest composition, to Toronto; Five Canadian composers, each with a different CBC connection, are nominated for JUNOs; and The WholeNote team presents its annual Summer Music Education Directory, a directory of summer music camps, programs and courses across the province and beyond.
In this issue: composer Nicole Lizée talks about her love for analogue equipment, and the music that “glitching” evokes; Richard Rose, artistic director at the Tarragon Theatre, gives us insights into their a rock-and-roll Hamlet, now entering production; Toronto prepares for a mini-revival of Schoenberg’s music, with three upcoming shows at New Music Concerts; and the local music theatre community remembers and celebrates the life and work of Mi’kmaq playwright and performer Cathy Elliott . These and other stories, in our double-issue December/January edition of the magazine.
In this issue: conversations (of one kind or another) galore! Daniela Nardi on taking the reins at "best-kept secret" venue, 918 Bathurst; composer Jeff Ryan on his "Afghanistan" Requiem for a Generation" partnership with war poet, Susan Steele; lutenist Ben Stein on seventeenth century jazz; collaborative pianist Philip Chiu on going solo; Barbara Hannigan on her upcoming Viennese "Second School" recital at Koerner; Tina Pearson on Pauline Oliveros; and as always a whole lot more!
In this issue: several local artists reflect on the memory of composer Claude Vivier, as they prepare to perform his music; Vancouver gets ready to host international festival ISCM World New Music Days, which is coming to Canada for the second time since its inception in 1923; one of the founders of Artword Artbar, one of Hamilton’s staple music venues, on the eve of the 5th annual Steel City Jazz Festival, muses on keeping urban music venues alive; and a conversation with pianist Benjamin Grosvenor, as he prepares for an ambitious recital in Toronto. These and other stories, in our October 2017 issue of the magazine.
In this issue: a look at why musicians experience stage fright, and how to combat it; an inside look at the second Kensington Market Jazz Festival, which zeros in on one of Toronto’s true ‘music villages’; an in-depth interview with Elisa Citterio, new music director of Tafelmusik Baroque Orchestra; and The WholeNote’s guide to TIFF, with suggestions for the 20 most musical films at this year’s festival. These and other stories, in our September 2017 issue of the magazine!
CBC Radio's Lost Horizon; Pinocchio as Po-Mo Operatic Poster Boy; Meet the Curators (Crow, Bernstein, Ridge); a Global Music Orchestra is born; and festivals, festivals, festivals in our 13th annual summer music Green Pages. All this and more in our three-month June-through August summer special issue, now available in flipthrough HERE and on the stands commencing Thursday June 1.
From science fact in "Integral Man: Music and the Movies," to science fiction in the editor's opener; from World Fiddle Day at the Aga Khan Museum to three Canadians at the Cliburn; from wanting to sashay across the 401 to Chamberfest in Montreal to exploring the Continuum of Jumblies Theatre's 20-year commitment to the Community Play (there's a pun in there somewhere!).
In this issue: Our podcast ramps up with interviews in March with fight director Jenny Parr, countertenor Daniel Taylor, and baritone Russell Braun; two views of composer John Beckwith at 90; how music’s connection to memory can assist with the care of patients with Alzheimer’s; musical celebrations in film and jazz, at National Canadian Film Day and Jazz Day; and a preview of Louis Riel, which opens this month at the COC. These and other stories, in our April 2017 issue of the magazine!
On our cover: Owen Pallett's musical palette on display at New Creations. Spring brings thoughts of summer music education! (It's never too late.). For Marc-Andre Hamelin the score is king. Ella at 100 has the tributes happening. All; this and more.
In this issue: an interview with composer/vocalist Jeremy Dutcher, on his upcoming debut album and unique compositional voice; a conversation with Boston Symphony hornist James Sommerville, as as the BSO gets ready to come to his hometown; Stuart Hamilton, fondly remembered; and an inside look at Hugh’s Room, as it enters a complicated chapter in the story of its life in the complex fabric of our musical city. These and other stories, as we celebrate the past and look forward to the rest of 2016/17, the first glimpses of 2017/18, and beyond!
In this issue: a conversation with pianist Stewart Goodyear, in advance of his upcoming show at Koerner Hall; a preview of the annual New Year’s phenomenon that is Bravissimo!/Salute to Vienna; an inside look at music performance in Toronto’s health-care centres; and a reflection on the incredible life and lasting influence of the late Pauline Oliveros. These and more, in a special December/January combined issue!
In this issue: David Jaeger and Alex Pauk’s most memorable R. Murray Schafer collabs, in this month’s installment of Jaeger’s CBC Radio Two: The Living Legacy; an interview with flutist Claire Chase, who brings new music and mindset to Toronto this month; an investigation into the strange coincidence of three simultaneous Mendelssohn Elijahs this Nov 5; and of course, our annual Blue Pages, a who’s who of southern Ontario’s live music scene- a community as prolific and multifaceted as ever. These and more, as we move full-force into the 2016/17 concert season- all aboard!
Music lover's TIFF (our fifth annual guide to the Toronto International Film Festival); Aix Marks the Spot (how Brexit could impact on operatic co-production); The Unstoppable Howard Cable (an affectionate memoir of a late chapter in the life of of a great Canadian arranger; Kensington Jazz Story (the newest kid on the festival block flexes its muscles). These stories and much more as we say a lingering goodbye to summer and turn to the task, for the 22nd season, of covering the live and recorded music that make Southern Ontario tick.
It's combined June/July/August summer issue time with, we hope, enough between the covers to keep you dipping into it all through the coming lazy, hazy days. From Jazz Vans racing round "The Island" delivering pop-up brass breakouts at the roadside, to Bach flute ambushes strolling "The Grove, " to dozens of reasons to stay in the city. May yours be a summer where you find undiscovered musical treasures, and, better still, when, unexpectedly, the music finds you.
INSIDE: The Canaries Are Here! 116 choirs to choose from, so take the plunge! The Nylons hit the road after one last SING! Fling. Jazz writer Steve Wallace wonders "Watts Goode" rather than "what's new?" Paul Ennis has the musical picks of the HotDocs crop. David Jaeger's CBC Radio continues golden for a little while yet. Douglas McNabney is Music's Child. Leipzig meets Damascus in Alison Mackay's fertile imagination. And "C" is for KRONOS in Wende Bartley's koverage of the third annual 21C Festival. All this and as usual much much more. Enjoy.
From 30 camp profiles to spark thoughts of being your summer musical best, to testing LUDWIG as you while away the rest of so-called winter; from Scottish Opera and the Danish Midtvest, to a first Toronto recital appearance by violin superstar Maxim Vengerov; from musings on New Creations and new creation, to the boy who made a habit of crying Beowulf; it's a month of merry meetings and rousing recordings reviewed, all here to discover in The WholeNote.
2016 is off to a flying start! We chronicle the Artful Times of Andrew Burashko, the violistic versatility of Teng Li, the ageless ebullience of jazz pianist Gene DiNovi and the ninetieth birthday of trumpeter Johnny Cowell. Jaeger remembers Boulez; Waxman recalls Bley's influence, and Olds finds Bowie haunting Editor's Corner. Oh, and did we mention there's all that music? Hello (and goodbye) to the February blues, and here's to swinging through the musical vines of the Year of the Monkey.
What's a vinyl renaissance? What happens when Handel's Messiah runs afoul of the rumba rhythm setting on a (gasp!) Hammond organ? What work does Marc-Andre Hamelin say he would be content to have on every recital program he plays? What are Steve Wallace's favourite fifty Christmas recordings? Why is violinist Daniel Hope celebrating Yehudi Menuhin's 100th birthday at Koerner Hall January 28? Answers to all these questions (and a whole lot more) in the Dec/Jan issue of The WholeNote.
"Come" seems to be the verb that knits this month's issue together. Sondra Radvanovsky comes to Koerner, William Norris comes to Tafel as their new GM, opera comes to Canadian Stage; and (a long time coming!) Jane Bunnett's musicianship and mentorship are honoured with the Premier's award for excellence; plus David Jaeger's ongoing series on the golden years of CBC Radio Two, Andrew Timar on hybridity, a bumper crop of record reviews and much much more. Come on in!
Vol 21 No 2 is now available for your viewing pleasure, and it's a bumper crop, right at the harvest moon. First ever Canadian opera on the Four Seasons Centre main stage gets double coverage with Wende Bartley interviewing Pyramus and Thisbe composer Barbara Monk Feldman and Chris Hoile connecting with director Christopher Alden; Paul Ennis digs into the musical mind of pianist Benjamin Grosvenor, and pianist Eve Egoyan is "On the Record" in conversation with publisher David Perlman ahead of the Oct release concert for her tenth recording. And at the heart of it all the 16th edition of our annual BLUE PAGES directory of presenters profile the season now well and truly under way.
Paul Ennis's annual TIFF TIPS (27 festival films of potential particular musical interest); Wu Man, Yo-Yo Ma and Jeffrey Beecher on the Silk Road; David Jaeger on CBC Radio Music in the days it was committed to commissioning; the LISTENING ROOM continues to grow on line; DISCoveries is back, bigger than ever; and Mary Lou Fallis says Trinity-St. Paul's is Just the Spot (especially this coming Sept 25!).