CANARY PAGESMASTERWORKS OF OAKVILLE CHORUS & ORCHESTRAtheWholeNote 2015/16 CANARY PAGES DIRECTORY● La Jeunesse ChoirsLa Jeunesse Choirs is comprised of four performinggroups: Senior Choir (12 to 19), Children’s Choir (7to 12), Young Men’s Choir (12 to 19) and the MusicalTheatre Intensive program for those who like to danceand act with their singing! For over 25 years, La JeunesseChoirs has provided its members with the highestpossible caliber of musical experience and training.Our choirs are ably and creatively led by our artisticdirector Markus Howard and accompanist/assistantdirector Debbie Fingas. The Choirs perform at ourown fall and spring concerts plus extras like ourrecent performance with Liona Boyd, the JuniorTreble Festival in Oakville and our character educationmusical!DEBBIE FINGAS905-372-1114ljchoirs@eagle.calajeunessechoirs.com● Lawrence Park CommunityChurch ChoirLawrence Park Community Church Choir singsweekly at Sunday worship services from Septemberthrough June, with Thursday evening rehearsals.With 25 members, including a professional quartet,the choir presents special musical offerings atChristmas and during Holy Week, and is featuredannually in Lawrence Park’s Fridays @ 8 concertseries. The choir has commissioned a number ofanthems from composers including Bob Chilcott,Ruth Watson Henderson and Paul Halley. CD recordingsinclude Awake, my soul, & sing, Peace for a NewMillennium and a Christmas CD, Beauty, Peace and Joy,available through the church office. In addition thereis a youth music program on Sundays with KennyKirkwood as well as the Lawrence Park HandbellRingers who rehearse on Friday mornings.MARK TOEWS416-489-1551mark@lawrenceparkchurch.calawrenceparkchurch.ca● Leaside United ChurchChancel ChoirUnder the direction of Sharon L. Beckstead, theChancel Choir of Leaside United Church presentsan eclectic mix of music for weekly servicesof worship from September to June. The annual“Lessons and Carols” presentation is a highlight forthe Leaside Community. Other special presentationsduring the year may include hymn festivals and/orsecular presentations.SHARON L. BECKSTEAD416-425-1253sharon.beckstead@sympatico.caleasideunited.org● Lyrica Chamber Choir of BarrieFounded in 2000 by the late Natalyia Gurinand directed since 2005 by Steve Winfield, LyricaChamber Choir of Barrie strives to present eclecticand evocative programs of excellent choral chambermusic. The 34 singers of Lyrica demonstrate a strongdesire to present artistically varied choral programswith a high degree of musicianship to the communityof Barrie and surrounding area. Recent highlightsinclude performances of Marc-Antoine Charpentier’sMesse de Minuit de Noel, Benjamin Britten’s Ceremonyof Carols and Ola Gjeilo’s Dark Night of the Soul.Professional soloists and instrumental musicians regularlyjoin Lyrica for performances. Our accompanist,Brent Mayhew, enhances the choir’s performanceswith extraordinary skill and sensitivity.STEVE WINFIELD705-722-0271steve.winfield@sympatico.calyricachoir.ca● Metropolitan United Church ChoirThe auditioned 35-member Metropolitan UnitedChurch Choir has eight lead singers, rehearsesThursday evenings and sings on Sunday morningsand special occasions, September through June.Repertoire is medieval through 21st-century. Singersmust have sight-singing ability. A waiting list exists;contact our director in late spring or early fall to join.The Festival Choir adds 10 to 15 singers to the corechoir and rehearses Sunday afternoons for six weeksprior to Good Friday. Past concerts have featuredBach, Mozart, Fauré, Duruflé, Gilles and others.The Metropolitan Sparklers (ages 4 to 6), Choristers(7 to 11), Great Heart Ensemble (vocal and instrumental,ages 12 and up) and Metropolitan Handbellsare groups open to all.DR. PATRICIA WRIGHT416-363-0331 x26patriciaw@metunited.orgmetunited.org● Masterworks of OakvilleChorus & OrchestraWe are a community-based group, dedicated toperforming the great works of the Western classicaltradition, particularly sacred works for choir andorchestra. We have a strong commitment to artisticexcellence and are proud to preserve and continuea great musical tradition. Masterworks is an extraordinarycommunity group, with a chorus of over100 voices and a commitment to performing themost challenging choral works. Masterworks existswith the enthusiasm of its choristers and orchestraplayers, which is the hallmark of its performances.Please join us for a Masterworks concert! You willenjoy a concert experience of the highest qualitywith compositions seldom performed outside majormetropolitan centres.CHARLES DEMUYNCK, artistic director905-399-9732info@masterworksofoakville.camasterworksofoakville.ca● MCS ChorusMCS Chorus is a chamber choir of 30 auditionedvoices, performing a wide variety of choral music,with an emphasis on classical repertoire. Choristersare committed to musical excellence, dedicatedto bringing the choral arts into the community andengaged in improving their vocal skills under theexpert leadership of Artistic Director Mervin WilliamFick. MCS Chorus also brings an Arts Educationprogram into elementary schools and offers a ChoralScholars program for older students.MARILYN MASON905-278-7059info@mcschorus.camcschorus.ca● Menno SingersFounded in 1955, Menno Singers is a 40-voice,auditioned community choir based in Kitchener-Waterloo. While rooted in the thriving Mennonitecommunity of KW, membership is open to all interestedsingers. Four regular concerts are offered eachseason with repertoire ranging from the Renaissancethrough the present day. Menno Singers alsoC10
sponsors Mennonite Mass Choir every two years.Mass choir alternates performances of Messiah atCentre in the Square with other monuments of theoratorio repertoire. The choir is under the directionof award-winning conductor Dr. Peter Nikiforuk.PETER NIKIFORUK519-571-8113pniki@stpeterskw.camennosingers.com● Milton ChoristersThis dynamic, auditioned, four-part communitychoir has entertained audiences in Halton Region andbeyond for 47 years. The 30-member choir performstwo concerts annually, often including premier guestsoloists and musicians. We also enjoy performing atnumerous local events. Our new director, SheenaNykolaiszyn, is expanding our already varied repertoire.From classical to contemporary, sacred tosecular, we do it all! Rehearsals are Tuesdays, 7:30pmto 10pm, from September to June. A love of singing,some sight-reading, rhythm and a sense of humourare all you need to become a Milton Chorister!HELEN DIETZ905-819-8460hkdietz@rogers.commiltonchoristers.com● Mississauga Children’s ChoirLove to Sing! The Mississauga Children’s Choiris a treble choir of children and youth aged 6 to 18including five graded ensembles: Training, Junior,Main, Concert and Boys Choir. The choirs rehearseweekly and major performances take place at theMississauga Living Arts Centre. Entering our 36thseason, MCC has been providing young singers withexceptional musical experiences through excellencein performance, music education, recording, touringand service to the community. Our artistic director Dr.Caron Daley holds a D.M.A. in Choral Conductingfrom the University of Toronto and prior degreesin choral conducting, vocal pedagogy and musiceducation. Come listen to a rehearsal or call to bookan audition. We are always delighted to meet withprospective choristers.DENISE HEGGART905-624-9704mississaugachildrenschoir@bellnet.camississaugachildrenschoir.com● Mississauga Festival ChoirMississauga Festival Choir (MFC) is a 115-voice,adult, non-auditioned community choir, whichincludes a small auditioned chamber choir (MFCC)that performs separately at the end of March. TheMississauga Festival Choir was founded in 1984 tohonour the City of Mississauga’s tenth anniversary.A true community choir, it is open to any who wishto sing, with no audition required. Led by artisticdirector David Ambrose since 2006, the choir hasbeen an integral part of the city’s arts scene, providingexemplary music education and performances to thepeople of Mississauga. Performances take place inDecember and May at the Living Arts Centre, and inFebruary, MFC hosts a benefit massed choir festival.Rehearsals are Monday nights from September toMay at the Cawthra Seniors Centre.AGNES CARLONE905-403-8415acarlone@sympatico.camfchoir.com● MNjcc Adult Daytime ChoirLove to sing? Want to sing in a choir, but preferrehearsing during the day? Join the MNjcc’s Adultdaytime choir. No experience or sight reading necessary.Join us, and fill your life with the joy of singingin harmony! A fun-filled, relaxed environment. MeetsTuesday afternoons, 1pm to 2:30pm. Runs all yearlong. Join for the whole year or “drop in” and payas you go. Conductor: Gillian Stecyk. Convenientlylocated near Spadina TTC station.HARRIET WICHIN416-924-6211 x0music@mnjcc.orgmnjcc.org● MNjcc Community ChoirTackle world, jazz, classical, Jewish, folk,Canadian, gospel and pop music. Our 70-memberauditioned SATB choir meets Wednesday evenings,September to June. Rehearsals are well-structuredand singers learn skills in different musical genres,expression, blend, vocal production and reading.A wonderful community of dedicated singers. Byaudition only. Annual Spring Concerts in the AlGreen Theatre, with other informal performances.Conductor: Harriet Wichin. Conveniently locatednear Spadina TTC station.HARRIET WICHIN416-924-6211 x0music@mnjcc.orgmnjcc.org● MNjcc Open CommunityChoir (non-auditioned)Let the joy of music inspire you. No experienceor audition required. Enjoy diverse repertoire, vocaltechnique, and train your ear to harmony. Men andwomen welcome. Conductor: Gillian Stecyk. MeetsMonday evenings, 7:30pm to 9:30pm, September toJune. Conveniently located near Spadina TTC station.HARRIET WICHIN416-924-6211 x0music@mnjcc.orgmnjcc.org● Nathaniel Dett ChoraleThe Nathaniel Dett Chorale is a 21-voice SATBprofessional choir based in Toronto, dedicated toperforming Afrocentric music of all genres, includingclassical, spiritual, gospel, jazz, folk and blues.Founded by artistic director Brainerd Blyden-Taylorin 1998, the Nathaniel Dett Chorale is Canada’spremier performer of Afrocentric composers anda touchstone for the education of audiences andcommunities regarding the full spectrum of Afrocentricchoral music. The mission of the choraleis to build bridges of understanding, appreciationand acceptance between communities of peoplethrough the medium of music. The chorale has athree-concert subscription series in Toronto, toursextensively each season and has released several CDsand DVDs. Membership is by audition.SARAH HICKS, ensemble coordinator416-340-7000info@nathanieldettchorale.orgnathanieldettchorale.org● newchoirUnleash your inner rock star! newchoir, Toronto’sfirst rock choir, is an SATB adult non-professionalrock/pop choir of over 150 singers with arepertoire ranging from classic rock to alternativeMNJCC CHOIRtheWholeNote 2015/16 CANARY PAGES DIRECTORYC11
"COVID's Metamorphoses"? "There's Always Time (Until Suddenly There Isn't)"? "The Writing on the Wall"? It's hard to know WHAT to call this latest chapter in the extraordinary story we are all of a sudden characters in. By whatever name we call it, the MAY/JUNE combined issue of The WholeNote is now available, HERE in flip through format, in print commencing Wednesday May 6, and, in fully interactive form, online at thewholenote.com. Our 18th Annual Choral Canary Pages, scheduled for publication in print and flip through in September is already well underway with the first 50 choirs home to roost and more being added every week online. Community Voices, our cover story, brings to you the thoughts of 30 musical community members, all going through what we are going through (and with many more to come as the feature gets amplified online over the course of the coming months). And our regular writers bring their personal thoughts to the mix. Finally, a full-fledged DISCoveries review section offers cues and clues to recorded music for your solitary solace!
After some doubt that we would be allowed to go to press, in respect to wide-ranging Ontario business closures relating to COVID-19, The WholeNote magazine for April 2020 is now on press, and print distribution – modified to respect community-wide closures and the need for appropriate distancing – starts Monday March 30. Meanwhile the full magazine is right here, digitally, so if you value us PLEASE SHARE THIS LINK AS WIDELY AS YOU CAN. It's the safest way for us to reach the widest possible audience at this time!
FEATURED: Music & Health writer Vivien Fellegi explores music, blindness & the plasticity of perception; David Jaeger digs into Gustavo Gimeno's plans for new music in his upcoming first season as music director at TSO; pianist James Rhodes, here for an early March recital, speaks his mind in a Q&A with Paul Ennis; and Lydia Perovic talks music and more with rising Turkish-Canadian mezzo Beste Kalender. Also, among our columns, Peggy Baker Dance Projects headlines Wende Bartley's In with the New; Steve Wallace's Jazz Notes rushes in definitionally where many fear to tread; ... and more.
Visions of 2020! Sampling from back to front for a change: in Rearview Mirror, Robert Harris on the Beethoven he loves (and loves to hate!); Errol Gay, a most musical life remembered; Luna Pearl Woolf in focus in recordings editor David Olds' "Editor's Corner" and in Jenny Parr's preview of "Jacqueline"; Speranza Scappucci explains how not to reinvent Rossini; The Indigo Project, where "each piece of cloth tells a story"; and, leading it all off, Jully Black makes a giant leap in "Caroline, or Change." And as always, much more. Now online in flip-through format here and on stands starting Thurs Jan 30.
Welcome to our December/January issue as we turn the annual calendar page, halfway through our season for the 25th time, juggling as always, secular stuff, the spirit of the season, new year resolve and winter journeys! Why is Mozart's Handel's Messiah's trumpet a trombone? Why when Laurie Anderson offers to fly you to the moon you should take her up on the invitation. Why messing with Winterreisse can (sometimes) be a very good thing! And a bumper crop of record reviews for your reading (and sometimes listening) pleasure. Available in flipthrough here right now, and on stands commencing Thursday Nov 28. See you on the other side!
On the slim chance you might not have already heard the news, Estonian Canadian composing giant Udo Kasemets was born the same year that Leo Thermin invented the theremin --1919. Which means this is the centenary year for both of them, and both are being celebrated in style, as Andrew Timar and MJ Buell respectively explain. And that's just a taste of a bustling November, with enough coverage of music of both the delectably substantial and delightfully silly on hand to satisfy one and all.
Long promised, Vivian Fellegi takes a look at Relaxed Performance practice and how it is bringing concert-going barriers down across the spectrum; Andrew Timar looks at curatorial changes afoot at the Music Gallery; David Jaeger investigates the trumpets of October; the 30th anniversary of the Velvet Revolution (and the 20th Anniversary of our October Blue Pages Presenter profiles) in our Editor's Opener; the Toronto Mendelssohn Choir at 125; Tapestry at 40 and Against the Grain at 10; ringing in the changing season across our features and columns; all this and more, now available in Flip Through format here, and on the stands commencing this coming Friday September 27, 2019. Enjoy.
Vol 1 of our 25th season is now here! And speaking of 25, that's how many films in the upcoming Toronto International Film Festival editor Paul Ennis, in our Eighth Annual TIFF TIPS, has chosen to highlight for their particular musical interest.
Also inside: Rob Harris looks through the Rear View Mirror at past and present prognostications about the imminent death of classical music; Mysterious Barricades and Systemic Barriers are Lydia Perović's preoccupations in Art of Song; Andrew Timar reflects on the evolving priorities of the Polaris Prize; and elsewhere, it's chocks away as yet another season creaks or roars (depending on the beat) into motion. Welcome back.
What a range of stuff! A profile of Liz Upchurch, the COC ensemble studio's vocal mentor extraordinaire; a backgrounder on win-win faith/arts centre partnerships and ways of exploring the possibilities; an interview with St. Petersburg-based Eifman Ballet's Boris Eifman; Ana Sokolovic's violin concert Evta finally coming to town; a Love Letter to YouTube, and much more. Plus our 17th annual Canary Pages Choral directory if all you want to do is sing! sing! sing!
Arraymusic, the Music Gallery and Native Women in the Arts join for a mini-festival celebrating the work of composer, performer and installation artist Raven Chacon; Music and Health looks at the role of Healing Arts Ontario in supporting concerts in care facilities; Kingston-based composer Marjan Mozetich's life and work are celebrated in film; "Forest Bathing" recontextualizes Schumann, Shostakovich and Hindemith; in Judy Loman's hands, the harp can sing; Mahler's Resurrection bursts the bounds of symphonic form; Ed Bickert, guitar master remembered. All this and more in our April issue, now online in flip-through here, and on stands commencing Friday March 29.
Something Old, Something New! The Ide(a)s of March are Upon Us! Rob Harris's Rear View Mirror looks forward to a tonal revival; Tafelmusik expands their chronological envelope in two directions, Esprit makes wave after wave; Pax Christi's new oratorio by Barbara Croall catches the attention of our choral and new music columnists; and summer music education is our special focus, right when warm days are once again possible to imagine. All this and more in our March 2019 edition, available in flipthrough here, and on the stands starting Thursday Feb 28.
In this issue: A prize that brings lustre to its laureates (and a laureate who brings lustre to the prize); Edwin Huizinga on the journey of Opera Atelier's "The Angel Speaks" from Versailles to the ROM; Danny Driver on playing piano in the moment; Remembering Neil Crory (a different kind of genius)' Year of the Boar, Indigeneity and Opera; all this and more in Volume 24 #5. Online in flip through, HERE and on the stands commencing Thursday Jan 31.
When is a trumpet like a motorcycle in a dressage event? How many Brunhilde's does it take to change an Elektra? Just two of the many questions you've been dying to ask, to which you will find answers in a 24th annual combined December/January issue – in which our 11 beat columnists sift through what's on offer in the upcoming holiday month, and what they're already circling in their calendars for 2019. Oh, and features too: a klezmer violinist breathing new life into a very old film; two New Music festivals in January, 200 metres apart; a Music & Health story on the restorative powers of a grassroots exercise in collective music-making; even a good reason to go to Winnipeg in the dead of winter. All this and more in Vol 24 No 4, now available in flipthrough format here.
Reluctant arranger! National Ballet Orchestra percussionist Kris Maddigan on creating the JUNO and BAFTA award-winning smash hit Cuphead video game soundtrack; Evergreen by name and by nature, quintessentially Canadian gamelan (Andrew Timar explains); violinist Angèle Dubeau on 20 years and 60 million streams; two children’s choirs where this month remembrance and living history must intersect. And much more, online in our kiosk now, and on the street commencing Thursday November 1.
Presenters, start your engines! With TIFF and "back-to-work" out of the way, the regular concert season rumbles to life, and, if our Editor's Opener can be trusted, "Seeking Synergies" seems to be the name of the game. Denise Williams' constantly evolving "Walk Together Children" touching down at the Toronto Centre for the Arts; the second annual Festival of Arabic Music and Arts expanding its range; a lesson in Jazz Survival with Steve Wallace; the 150 presenter and performer profiles in our 19th annual Blue Pages directory... this is an issue that is definitely more than the sum of its parts.
In this issue: The WholeNote's 7th Annual TIFF TIPS guide to festival films with musical clout; soprano Erin Wall in conversation with Art of Song columnist Lydia Perovic, about more than the art of song; a summer's worth of recordings reviewed; Toronto Chamber Choir at 50 (is a few close friends all it takes?); and much more, as the 2018/19 season gets under way.
PLANTING NOT PAVING! In this JUNE / JULY /AUGUST combined issue: Farewell interviews with TSO's Peter Oundjian and Stratford Summer Music's John Miller, along with "going places" chats with Luminato's Josephine Ridge, TD Jazz's Josh Grossman and Charm of Finches' Terry Lim. ) Plus a summer's worth of fruitful festival inquiry, in the city and on the road, in a feast of stories and our annual GREEN PAGES summer Directory.
In this issue: our sixteenth annual Choral Canary Pages; coverage of 21C, Estonian Music Week and the 3rd Toronto Bach Festival (three festivals that aren’t waiting for summer!); and features galore: “Final Finales” for Larry Beckwith’s Toronto Masque Theatre and for David Fallis as artistic director of Toronto Consort; four conductors on the challenges of choral conducting; operatic Hockey Noir; violinist Stephen Sitarski’s perspective on addressing depression; remembering bandleader, composer and saxophonist Paul Cram. These and other stories, in our May 2018 edition of the magazine.
In this issue: we talk with jazz pianist Thompson Egbo-Egbo about growing up in Toronto, building a musical career, and being adaptive to change; pianist Eve Egoyan prepares for her upcoming Luminato project and for the next stage in her long-term collaborative relationship with Spanish-German composer Maria de Alvear; jazz violinist Aline Homzy, halfway through preparing for a concert featuring standout women bandleaders, talks about social equity in the world of improvised music; and the local choral community celebrates the life and work of choral conductor Elmer Iseler, 20 years after his passing.
In this issue: Canadian Stage, Tapestry Opera and Vancouver Opera collaborate to take Gogol’s short story The Overcoat to the operatic stage; Montreal-based Sam Shalabi brings his ensemble Land of Kush, and his newest composition, to Toronto; Five Canadian composers, each with a different CBC connection, are nominated for JUNOs; and The WholeNote team presents its annual Summer Music Education Directory, a directory of summer music camps, programs and courses across the province and beyond.
In this issue: composer Nicole Lizée talks about her love for analogue equipment, and the music that “glitching” evokes; Richard Rose, artistic director at the Tarragon Theatre, gives us insights into their a rock-and-roll Hamlet, now entering production; Toronto prepares for a mini-revival of Schoenberg’s music, with three upcoming shows at New Music Concerts; and the local music theatre community remembers and celebrates the life and work of Mi’kmaq playwright and performer Cathy Elliott . These and other stories, in our double-issue December/January edition of the magazine.
In this issue: conversations (of one kind or another) galore! Daniela Nardi on taking the reins at "best-kept secret" venue, 918 Bathurst; composer Jeff Ryan on his "Afghanistan" Requiem for a Generation" partnership with war poet, Susan Steele; lutenist Ben Stein on seventeenth century jazz; collaborative pianist Philip Chiu on going solo; Barbara Hannigan on her upcoming Viennese "Second School" recital at Koerner; Tina Pearson on Pauline Oliveros; and as always a whole lot more!
In this issue: several local artists reflect on the memory of composer Claude Vivier, as they prepare to perform his music; Vancouver gets ready to host international festival ISCM World New Music Days, which is coming to Canada for the second time since its inception in 1923; one of the founders of Artword Artbar, one of Hamilton’s staple music venues, on the eve of the 5th annual Steel City Jazz Festival, muses on keeping urban music venues alive; and a conversation with pianist Benjamin Grosvenor, as he prepares for an ambitious recital in Toronto. These and other stories, in our October 2017 issue of the magazine.
In this issue: a look at why musicians experience stage fright, and how to combat it; an inside look at the second Kensington Market Jazz Festival, which zeros in on one of Toronto’s true ‘music villages’; an in-depth interview with Elisa Citterio, new music director of Tafelmusik Baroque Orchestra; and The WholeNote’s guide to TIFF, with suggestions for the 20 most musical films at this year’s festival. These and other stories, in our September 2017 issue of the magazine!
CBC Radio's Lost Horizon; Pinocchio as Po-Mo Operatic Poster Boy; Meet the Curators (Crow, Bernstein, Ridge); a Global Music Orchestra is born; and festivals, festivals, festivals in our 13th annual summer music Green Pages. All this and more in our three-month June-through August summer special issue, now available in flipthrough HERE and on the stands commencing Thursday June 1.
From science fact in "Integral Man: Music and the Movies," to science fiction in the editor's opener; from World Fiddle Day at the Aga Khan Museum to three Canadians at the Cliburn; from wanting to sashay across the 401 to Chamberfest in Montreal to exploring the Continuum of Jumblies Theatre's 20-year commitment to the Community Play (there's a pun in there somewhere!).
In this issue: Our podcast ramps up with interviews in March with fight director Jenny Parr, countertenor Daniel Taylor, and baritone Russell Braun; two views of composer John Beckwith at 90; how music’s connection to memory can assist with the care of patients with Alzheimer’s; musical celebrations in film and jazz, at National Canadian Film Day and Jazz Day; and a preview of Louis Riel, which opens this month at the COC. These and other stories, in our April 2017 issue of the magazine!
On our cover: Owen Pallett's musical palette on display at New Creations. Spring brings thoughts of summer music education! (It's never too late.). For Marc-Andre Hamelin the score is king. Ella at 100 has the tributes happening. All; this and more.
In this issue: an interview with composer/vocalist Jeremy Dutcher, on his upcoming debut album and unique compositional voice; a conversation with Boston Symphony hornist James Sommerville, as as the BSO gets ready to come to his hometown; Stuart Hamilton, fondly remembered; and an inside look at Hugh’s Room, as it enters a complicated chapter in the story of its life in the complex fabric of our musical city. These and other stories, as we celebrate the past and look forward to the rest of 2016/17, the first glimpses of 2017/18, and beyond!
In this issue: a conversation with pianist Stewart Goodyear, in advance of his upcoming show at Koerner Hall; a preview of the annual New Year’s phenomenon that is Bravissimo!/Salute to Vienna; an inside look at music performance in Toronto’s health-care centres; and a reflection on the incredible life and lasting influence of the late Pauline Oliveros. These and more, in a special December/January combined issue!
In this issue: David Jaeger and Alex Pauk’s most memorable R. Murray Schafer collabs, in this month’s installment of Jaeger’s CBC Radio Two: The Living Legacy; an interview with flutist Claire Chase, who brings new music and mindset to Toronto this month; an investigation into the strange coincidence of three simultaneous Mendelssohn Elijahs this Nov 5; and of course, our annual Blue Pages, a who’s who of southern Ontario’s live music scene- a community as prolific and multifaceted as ever. These and more, as we move full-force into the 2016/17 concert season- all aboard!
Music lover's TIFF (our fifth annual guide to the Toronto International Film Festival); Aix Marks the Spot (how Brexit could impact on operatic co-production); The Unstoppable Howard Cable (an affectionate memoir of a late chapter in the life of of a great Canadian arranger; Kensington Jazz Story (the newest kid on the festival block flexes its muscles). These stories and much more as we say a lingering goodbye to summer and turn to the task, for the 22nd season, of covering the live and recorded music that make Southern Ontario tick.
It's combined June/July/August summer issue time with, we hope, enough between the covers to keep you dipping into it all through the coming lazy, hazy days. From Jazz Vans racing round "The Island" delivering pop-up brass breakouts at the roadside, to Bach flute ambushes strolling "The Grove, " to dozens of reasons to stay in the city. May yours be a summer where you find undiscovered musical treasures, and, better still, when, unexpectedly, the music finds you.
INSIDE: The Canaries Are Here! 116 choirs to choose from, so take the plunge! The Nylons hit the road after one last SING! Fling. Jazz writer Steve Wallace wonders "Watts Goode" rather than "what's new?" Paul Ennis has the musical picks of the HotDocs crop. David Jaeger's CBC Radio continues golden for a little while yet. Douglas McNabney is Music's Child. Leipzig meets Damascus in Alison Mackay's fertile imagination. And "C" is for KRONOS in Wende Bartley's koverage of the third annual 21C Festival. All this and as usual much much more. Enjoy.
From 30 camp profiles to spark thoughts of being your summer musical best, to testing LUDWIG as you while away the rest of so-called winter; from Scottish Opera and the Danish Midtvest, to a first Toronto recital appearance by violin superstar Maxim Vengerov; from musings on New Creations and new creation, to the boy who made a habit of crying Beowulf; it's a month of merry meetings and rousing recordings reviewed, all here to discover in The WholeNote.
2016 is off to a flying start! We chronicle the Artful Times of Andrew Burashko, the violistic versatility of Teng Li, the ageless ebullience of jazz pianist Gene DiNovi and the ninetieth birthday of trumpeter Johnny Cowell. Jaeger remembers Boulez; Waxman recalls Bley's influence, and Olds finds Bowie haunting Editor's Corner. Oh, and did we mention there's all that music? Hello (and goodbye) to the February blues, and here's to swinging through the musical vines of the Year of the Monkey.
What's a vinyl renaissance? What happens when Handel's Messiah runs afoul of the rumba rhythm setting on a (gasp!) Hammond organ? What work does Marc-Andre Hamelin say he would be content to have on every recital program he plays? What are Steve Wallace's favourite fifty Christmas recordings? Why is violinist Daniel Hope celebrating Yehudi Menuhin's 100th birthday at Koerner Hall January 28? Answers to all these questions (and a whole lot more) in the Dec/Jan issue of The WholeNote.
"Come" seems to be the verb that knits this month's issue together. Sondra Radvanovsky comes to Koerner, William Norris comes to Tafel as their new GM, opera comes to Canadian Stage; and (a long time coming!) Jane Bunnett's musicianship and mentorship are honoured with the Premier's award for excellence; plus David Jaeger's ongoing series on the golden years of CBC Radio Two, Andrew Timar on hybridity, a bumper crop of record reviews and much much more. Come on in!
Vol 21 No 2 is now available for your viewing pleasure, and it's a bumper crop, right at the harvest moon. First ever Canadian opera on the Four Seasons Centre main stage gets double coverage with Wende Bartley interviewing Pyramus and Thisbe composer Barbara Monk Feldman and Chris Hoile connecting with director Christopher Alden; Paul Ennis digs into the musical mind of pianist Benjamin Grosvenor, and pianist Eve Egoyan is "On the Record" in conversation with publisher David Perlman ahead of the Oct release concert for her tenth recording. And at the heart of it all the 16th edition of our annual BLUE PAGES directory of presenters profile the season now well and truly under way.
Paul Ennis's annual TIFF TIPS (27 festival films of potential particular musical interest); Wu Man, Yo-Yo Ma and Jeffrey Beecher on the Silk Road; David Jaeger on CBC Radio Music in the days it was committed to commissioning; the LISTENING ROOM continues to grow on line; DISCoveries is back, bigger than ever; and Mary Lou Fallis says Trinity-St. Paul's is Just the Spot (especially this coming Sept 25!).
