family), I saw wonderful and important things happening: I saw people going up on stage without – or despite – performance anxiety; I saw professors and professionals mingling with students and novices, and perhaps most importantly, I saw an audience offering unconditional support to whomever was on stage. Since GNO left Chalkers Pub after the very last Wednesday jam on Canada Day this year, GNO has been on hiatus. But at the end of July, during her monthly session at Morgans on the Danforth (on the last Sunday of every month, 2 to 5pm) Particelli finally announced that GNO would be returning weekly, this time on Tuesdays from 7 to 11pm, at 120 Diner on Church (Ori Dagan can be thanked for that booking). Unfortunately, there will be no longer be a drummer in the house band – and Louis Sr.’s services will be missed – but aside from that, everything will be the same. The same great bassist, the same great pianist. The same great vibes. And the same amazing community. Particelli is excited about it, as we all are. “We look forward to seeing everyone in September,” she said. Laura Swankey is the kind of singer who will offer up variations so tastefully you could swear they were in the published melody. I first encountered her last fall when she attended a monthly jam at Habits Gastropub hosted by drummer Harrison Vetro. When I went on stage, somebody called Stella by Starlight, somebody else counted it in, and we were off. Swankey began “The soooong the robin sings ....” And before the end of the head, I was a fan. Since then, I’ve attended a bunch of her shows, and found that in addition to playing straight ahead gigs – in which she will play a mix of standards and originals – she also performs “free music” (the quotation marks are there because all music, free music included, has parameters, and I am a little skeptical of the notion that free music is all that separate from other music). At gigs where she joins and is joined on stage by people like Emily Denison (trumpet), Christine Duncan (voice), Andrew Furlong (bass) and others, music is played that I, to be frank, don’t fully understand. But I like it. Patterns do emerge, and my brain, being conditioned and steeped in tonal music, tries to make tonal sense of it; but ultimately, that isn’t the point. At one such show, though, Swankey surprised me with a wonderful rendition of Smile; she sang it slowly, sleepily, over a drone created by the guitar, with the trumpet playing a challenging counterline. It was one of the most engaging live performances I’ve seen in this city. A description on paper would not do it justice. You’ll have to go and check her out in the clubs. And luckily, this month, you can! Swankey will be performing a few days this month. On Saturday, September 12 at the CMC (Canadian Music Centre), she will be participating in the one-year-anniversary celebration of OPUS:TESTING, a bi-monthly composition workshop that started in June 2014. Swankey describes the event: “Six break-out groups from different disciplines [will come] together for the day to create some kind of improvisation art presentation.” The presentation is happening between 6 and 7pm. The next evening, she’ll be playing more straight ahead music at Gate 403 with Connor Walsh on bass and Leonard Patterson on drums - a chordless trio, in which the horn is a voice. And finally, on September 16, Swankey will be appearing with The Wind and the Water, an a cappella quartet which will be performing music by Rachel Cardiello, as part of the Dead Dad’s Club premiere. The group also includes Aimee Butcher, Belinda Corpuz and Danielle Knibbe. “These three women are fantastic musicians and I love singing and creating with them,”, Swankey said. Details are forthcoming on The Wind and the Water’s Facebook page. These gigs will be coming on the heels of Swankey’s return from Banff, where she worked with Billy Hart, Ingrid Jensen, Vijay Iyer, Tyshawn Sorey and many more. I think we can be confident that the “amazing and life-changing” experiences she had in Banff will be reflected in her September gigs. I have always enjoyed the types of singers who use their voices with Jazz Bistro, The 251 Victoria St. 416-363-5299 jazzbistro.ca September 1 8pm Jill Peacock (voice) Quartet with Adrean Farrugia (piano), Pat Collins (bass), 4 th member TBA . September 2 8pm Hump Day Blues with Diana Braithwaite and Chris Whiteley. September 3, 4, 5 8pm(Thurs)/9pm(Fri, Sat) Howie Silverman (piano) Quartet with David Caldwell (sax), Steve Wallace (bass), Don Vickery (drums) (Thurs, Fri)/(Sat). September 6 7pm Arash Behzadi CD Release . September 9 8pm Hump Day Blues with Scott Cushnie – Professor Piano . September 11, 12 9pm Levon Ichkhanian (guitar) Quartet with David Atkinson (keys), Pat Kilbride (bass), Wilson Laurencin (drums) . September 16 8pm Hump Day Blues with Jack de Keyser . September 17, 18, 19 9pm Joe Sealy: The Nearness of You (Thurs)/(Fri, Sat). September 20 7pm The Sondheim Project: Alex Samaras (voice), Bobby Hsu (sax), Adrean Farrugia (piano), James McEleney (bass), Morgan Childs (drums) . September 22 8pm Lily Frost residency . September 23 8pm Hump Day Blues with Harrison Kennedy . September 27 7pm Whitney Ross-Barris (voice) with Mark Keiswetter (piano), Ross MacIntyre (bass), Morgan Childs (drums) . September 29 8pm Andra Henderson . September 30 8pm Sugar Brown CD release . Jazz Room, The Located in the Huether Hotel, 59 King St. N., Waterloo. 226-476-1565 kwjazzroom.com (full schedule) All shows: 8:30pm-11:30pm unless otherwise indicated. Attendees must be 19+. September 4 Larry Larson’s Jazz Guys . September 5 Kieran Overs’ Eleven . September 11 Jaron Freeman-Fox and the Opposite of Everything (Vancouver) . September 12 Andrew Downing’s “Otterville” . September 18 Dave Wiffen Quartet . September 19 A Sondheim Jazz Project . September 25 Monsoon . September 26 Peter Hum Quintet (Ottawa) CD release – “Alpha Moment” . September 27 4pm Special Sunday Matinee: Dave Young Quintet . Joe Mama’s 317 King St. W 416-340-6469 joemamas.ca Every Tue 6pm Jeff Eager. Every Wed 6pm Thomas Reynolds & Geoff Torrn. Every Thurs 9pm Blackburn. Every Fri 10pm The Grind. Every Sat 10pm Shugga. Every Sun 6:30pm Organic: Nathan Hiltz (guitar); Bernie Senensky (organ); Ryan Oliver (sax), Morgan Childs (drums). KAMA 214 King St. W. 416-599-5262 kamaindia.com (full schedule) All shows: 5pm-8pm. La Revolucion 2848 Dundas St. W 416-766-0746 restaurantlarevolucion.com (full schedule) Local Gest, The 424 Parliament St. 416-961-9425 Lula Lounge 1585 Dundas St. W. 416-588-0307 lula.ca (full schedule) September 11 7:30pm Plakaso Free. September 17 7:30pm Jordana Talsky Trio + Fern Lindzon Trio ; 9:30pm Mar Aberto: Passage on an open sea of sound . September 18 7:30pm Carlos Cardozo Trio Free. September 24 7:30pm Oh Symphronica Music & Words of Canada ; 10pm 47SOUL .September 25 Adis Rodriguez Quartet Free. September 30 Santeries + Picadillo (Spain) Manhattans Pizza Bistro & Music Club 951 Gordon St., Guelph 519-767-2440 manhattans.ca (full schedule) All shows: PWYC. September 2 John Zadro. September 5, 20 David Hollingshead (5th with Alyssa Dupuis). September 6, 17 Stan Chang. September 8, 22 Brad Halls September 9, 23 Jokela & Vogan (9th with Charlie Cooley). September 10 Karyn Kirkwood Trio. September 12 Soulphonic. September 15, 29 Thomas Hammerton. September 24 Joni Nehrita Duo. Mezzetta Restaurant 681 St. Clair Ave. W 416-658-5687 mezzettarestaurant.com (full schedule) All shows: 9pm, (unless otherwise noted). Monarch Tavern 12 Clinton St. 416-531-5833 themonarchtavern.com (full schedule) September 14 7:30pm Martin Loomer & His Orange Devils Orchestra . Monarchs Pub At the Eaton Chelsea Hotel 33 Gerrard St. W. 416-585-4352 monarchspub.ca (full schedule) All shows: 8pm-midnight. No cover. September 2 Sean Meredith-Jones. September 3 The Gary Kendall Band. September 9 The Ault Sisters. September 10 JW-Jones. September 16 Fergus Hambleton. September 17 Harpdog Brown. September 23 The Patrick Panus Quartet. September 24 Jack de Keyzer. September 30 Brownman’s tribute to Freddie Hubbard. 46 | Sept 1 - Oct 7, 2015 thewholenote.com
the same improvisational spirit as any good horn player – Anita O’Day, Sarah Vaughan, and company. Swankey is in that company. She, like many singers, (including the aforementioned Sheila Jordan, who studied with Lennie Tristano) studied with at least one instrumentalist; during her time at U of T, she studied with saxophonist, Toronto jazz scene fixture and Shuffle Demon Mike Murley. Swankey describes those lessons as “Amazing! I felt very connected to him as a person and the way he teaches and approaches his playing. Mike is a very lyrical and soulful player.” One more gig I need to mention. Sadly, I won’t be present at either of the two listed performances – at the Jazz Bistro September 28 and the KW Jazz Room September 19 – of saxophonist and arranger Bobby Hsu’s A Sondheim Jazz Project. But I feel the need to convince as many people as possible to go in my place. In addition to the fantastic musicianship of the band, and the tremendous voice of Alex Samaras, Hsu is doing something important with this group. It’s a given that a lot of jazz standards have their origins in Broadway musicals (many of which failed, despite the success of the songs that later rose from the ashes). What Hsu’s group is doing, in bringing songs into the jazz world (from a composer whose work is not nearly present enough in it), is a natural extension of the tradition we all already knew existed. A Sondheim Jazz Project does it with dedication and love, and it’s very entertaining. I cannot wait to see you all in the clubs this fall. Bob Ben is The WholeNote’s jazz listings editor. He can be reached at jazz@thewholenote.com. Morgans on the Danforth 1282 Danforth Ave. 416-461-3020 morgansonthedanforth.com (full schedule) All shows: 2pm-5pm. No cover. September 27 Lisa Particelli’s ‘Girls Night Out’ Jazz Jam. Musideum 401 Richmond St. W., Main Floor 416-599-7323 musideum.com (full schedule) September 1 8pm Russ Nerwich . September 20 8pm The Steve Koven (piano) Trio with Rob Clutton (bass), Anthony Michelli (drums) . September 23 8pm Fawn Fritzen . Nawlins Jazz Bar & Dining 299 King St. W. 416-595-1958 nawlins.ca All shows: No cover/PWYC. Every Tue 6:30pm Stacie McGregor. Every Wed 7pm Jim Heineman Trio. Every Thu 8pm Nothin’ But the Blues w/ guest vocalists. Every Fri 8:30pm All Star Bourbon St. Band. Every Sat 6:30pm Sam Heinman; 9pm All Star Bourbon St. Band. Every Sun 7pm Brooke Blackburn. Nice Bistro, The 117 Brock St. N., Whitby. 905-668-8839 nicebistro.com (full schedule) Old Mill, The 21 Old Mill Rd. 416-236-2641 oldmilltoronto.com The Home Smith Bar: No reservations. No cover. food/drink minimum. All shows: 7:30pm-10:30pm September 4 Fern Lindzon (piano, voice) Trio with George Koller (bass), Nick Fraser (drums). September 5 Adrean Farrugia (piano) Trio with Pat Collins (bass), Ernesto Cervini (drums). September 10 Bob DeAngelis (clarinet, sax), Trio with Danny McErlain (piano), Ron Johnston (bass). September 11 John MacMurchy (sax, flute) Trio with Mark Kieswetter (piano), Ross MacIntyre (bass). September 12 Lina Allemano (trumpet) Trio with Ryan Driver (voice, piano), Rob Clutton (bass). September 17 Jesse Barksdale (guitar) Trio with Jon Meyer (bass), Ethan Ardelli (drums). September 18 Broadsway: Heather Bambrick (voice), Julie Michels (voice), Diane Leah (piano, voice). September 19 Dave Caldwell (sax, flute) Quartet with Mike Allen (guitar), Pat Collins (bass), Don Vickery (drums). September 24 Sophia Perlman (voice) Trio with Adrean Farrugia (piano), Mark Cashion (bass). September 25 John Alcorn (voice) Trio with David Restivo (piano), Steve Wallace (bass). September 26 Mark Kelso (drums vocals) Trio with Brian Dickinson (piano), Kieran Overs (bass). Paintbox Bistro 555 Dundas St. E. 647-748-0555 paintboxbistro.ca (full schedule) Pilot Tavern, The 22 Cumberland Ave. 416-923-5716 thepilot.ca All shows: 3:30pm. No cover. September 5 Alexis Baro (trumpet, flugelhorn) Quintet CD RELEASE PARTY with Stan Fomin (piano), Yoser Rodriguez (bass), Jeff King (sax), Amhed Mitchel (drums). September 12 Steve Holt (piano) Quartet with Kirk MacDonald (sax), Kieran Overs (bass), Barry Romberg (drums). September 19 The Travelling Wall-Baries: Alex Dean (bari sax), Shirantha Beddage (bari sax), Chris Gale (bari sax), Jeff McLeod (organ), Andy Scott (guitar), Morgan Childs (drums). September 26 Sugar Daddies. Poetry Jazz Café 224 Augusta Ave. 416-599-5299 poetryjazzcafe.com (full schedule) All shows: 9pm Reposado Bar & Lounge 136 Ossington Ave. 416-532-6474 reposadobar.com (full schedule) September 2 9:30pm Spy vs. Sly vs. Spy: James Robertson (guitar), Sly Juhas (drums), Michael Herring (bass). September 3, 4 10pm Reposadists Quartet: Tim Hamel (trumpet), Jon Meyer (bass), Jeff Halischuck (drums), Roberto Rosenman (guitar), with Sandy Alexander (voice). Reservoir Lounge, The 52 Wellington St. E. 416-955-0887 reservoirlounge.com (full schedule). Every Tue 9:45pm Tyler Yarema and his Rhythm. Every Wed 9:45pm Bradley and the Bouncers. Every Thu 9:45pm Mary McKay. Every Fri 9:45pm Dee Dee and the Dirty Martinis. Every Sat 9:45pm Tyler Yarema and his Rhythm. Rex Hotel Jazz & Blues Bar, The 194 Queen St. W. 416-598-2475 therex.ca (full schedule) Call for cover charge info. September 1 6:30pm Harley Card Quintet; 9:30pm Chris Gale Hosts Classic Rex Jam. September 2 6:30pm Richard Whiteman Group; 9:30pm Steve Amirault’s 70s Project. September 3 6:30pm Kevin Quain; 9:45pm Manuel Valera (NYC) & Groove Square. September 4 4pm Hogtown Syncopators feat. Terra Hazleton; 6:30pm Sara Dell Group; 9:45pm Manuel Valera (NYC) & Groove Square. September 5 12pm The Sinners Choir; 3:30pm Chris Hunt Tentet; 7:30pm The Bacchus Collective; 9:45pm NYC’S Arthur Sadowsky. September 6 12pm Excelsior Dixieland Jazz Band; 3:30pm Club Django; 7pm Victor Bateman Trio; 9:30pm Ethio-Jazz Project. September 7 6:30pm U of T Jazz Ensembles; 9:30pm Brooklyn’s Progger. September 8 6:30pm Harley Card Quintet; 9:30pm Chris Gale Hosts Classic Rex Jam. September 9 6:30pm Richard Whiteman Group; 9:30pm Steve Cole. September 10 6:30pm Kevin Quain; 9:45pm New York’s Joel Frahm & Dan Loomis with Ernesto Cervini’s Turboprop. September 11 4pm Hogtown Syncopators feat. Terra Hazleton; 6:30pm Sara Dell Group; 9:45pm New York’s Joel Frahm & Dan Loomis with Ernesto Cervini’s Turboprop. September 12 12pm Laura Marks & Friends; 3:30pm Paul Reddick - Blues; 7:30pm The Bacchus Collective; 9:45pm Eric St. Laurent Group. September 13 12pm Excelsior Dixieland Jazz Band; 3:30pm Dr. Nick & The Rollercoasters; 7pm Victor Bateman Trio; 9:30pm Jacob’s Cattle. September 14 6:30pm U of T Jazz Ensembles; 9:30pm Mike Malone & The Writers Jazz Orchestra. September 15 6:30pm Harley Card Quintet; 9:30pm Chris Gale Hosts Classic Rex Jam. September 16 6:30pm Richard Whiteman Group; 9:30pm Andrew Boniwell Group. September 17 6:30pm Kevin Quain; 9:45pm Annual Birthday Tribute to John Coltrane -- Pat LaBarbera & Kirk MacDonald Quintet. September 18 4pm Hogtown Syncopators feat. Terra Hazleton; 6:30pm Sara Dell Group; 9:45pm Annual Birthday Tribute to John Coltrane -- Pat LaBarbera & Kirk MacDonald Quintet. September 19 12pm Danny Marks & Friends; 3:30pm Jerome Godboo; 7:30pm The Bacchus Collective; 9:45pm Annual Birthday Tribute to John Coltrane -- Pat LaBarbera & Kirk MacDonald Quintet. September 20 12pm Excelsior Dixieland Jazz Band; 3:30pm Red Hot Ramble; 7pm Victor Bateman Trio; 9:30pm Three Blind Mice. September 21 6:30pm U of T Jazz Ensembles; 9:30pm Dave Young / Terry Promane Octet. September 22 6:30pm Harley Card Quintet; 9:30pm Classic Rex Jazz Jam - Hosted by Humber College Faculty Ensemble. September 23 6:30pm Richard Whiteman Group; 9:30pm Nick Fraser Four. September 24 6:30pm Kevin Quain; 9:30pm Dave Neill CD Quintet. September 25 4pm Hogtown Syncopators feat. Terra Hazleton; 6:30pm Sara Dell Group; 9:45pm Mike Downes Quartet. September 26 12pm Danny Marks & Friends; 3:30pm Laura Hubert Group; 7:30pm The Bacchus Collective; 9:45pm Mike Downes Quartet. September 27 12pm Excelsior Dixieland Jazz Band; 3:30pm Freeway Dixieland Band; 7pm Victor Bateman Trio; 9:30pm Peter Hum (Ottawa). September 28 6:30pm U of T Jazz Ensembles; 8:30pm John MacLeod’s Rex Hotel Orchestra. September 29 6:30pm Harley Card Quintet; 9:30pm Danjam Orchestra (New York). September 30 6:30pm Richard Whiteman Group; 9:30pm Danjam Orchestra (New York). Salty Dog Bar & Grill, The 1980 Queen St. E. 416-849-5064 (full schedule) Sauce on the Danforth 1376 Danforth Ave. 647-748-1376 sauceondanforth.com All shows: No cover. Every Mon 9pm The Out Of Towners: Dirty Organ Jazz. Every Tue 6pm Julian Fauth. Seven44 (Formerly Chick n’ Deli/The People’s Chicken) 744 Mount Pleasant Rd. 416-489-7931 seven44.com (full schedule) September 7 7:30pm Advocats Big Band No cover. September 14 7:30pm The Big City Big Band No cover. September 21 7:30pm George Lake Big Band No cover. September 28 7:30pm Mega City Swing Band. Stori Aperitivo 95 King St. E 416-361-0404 stori.ca (full schedule) Toni Bulloni 156 Cumberland St. 416-967-7676 tonibulloni.com (full schedule) No cover. Saturday shows: 9pm. food/ drink minimum. Sunday shows: 6pm. food/drink minimum. Tranzac 292 Brunswick Ave. 416-923-8137 tranzac.org (full schedule) 3-4 shows daily, various styles. Mostly PWYC. Every Mon 10pm Open Mic Mondays. Every Thurs 7:30pm Bluegrass Thursdays: Houndstooth. Every Fri 5pm The Foolish Things (folk). This month’s shows include: September 1 10pm Peripheral Vision. September 4 7:30pm Tania Gill, with special guests Lina Allemano, Rob Clutton, Nico Dann. September 6, 20 5pm Monk’s Music. September 8 7:30pm Aurochs; 10pm Bedroom. September 13 10pm The Lina Allemano Four. September 15 10pm The Ken McDonald Quartet. September 16, 30 7:30pm Tom Richards Quartet. September 25 10pm The Ryan Driver Sextet. September 29 10pm Nick Fraser Presents. thewholenote.com Sept 1 - Oct 7, 2015 | 47
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Choral Scene: Uncharted territory: three choirs finding paths forward; Music Theatre: Loose Tea on the boil with Alaina Viau’s Dead Reckoning; In with the New: what happens to soundart when climate change meets COVID-19; Call to action: diversity, accountability, and reform in post-secondary jazz studies; 9th Annual TIFF Tips: a filmfest like no other; Remembering: Leon Fleisher; DISCoveries: a NY state of mind; 25th anniversary stroll-through; and more. Online in flip through here, and on stands commencing Tues SEP 1.
Following the Goldberg trail from Gould to Lang Lang; Measha Brueggergosman and Edwin Huizinga on face to face collaboration in strange times; diggings into dance as FFDN keeps live alive; "Classical unicorn?" - Luke Welch reflects on life as a Black classical pianist; Debashis Sinha's adventures in sound art; choral lessons from Skagit Valley; and the 21st annual WholeNote Blue Pages (part 1 of 3) in print and online. Here now. And, yes, still in print, with distribution starting Thursday October 1.
Alanis Obomsawin's art of life; fifteen Exquisite Departures; UnCovered re(dis)covered; jazz in the kitchen; three takes on managing record releases in times of plague; baroque for babies; presenter directory (blue pages) part two; and, here at the WholeNote, work in progress on four brick walls (or is it five?). All this and more available in flipthrough HERE, and in print Tuesday Nov 3.
In this issue: Beautiful Exceptions, Sing-Alone Messiahs, Livingston’s Vocal Pleasures, Chamber Beethoven, Online Opera (Plexiglass & All), Playlist for the Winter of our Discontent, The Oud & the Fuzz, Who is Alex Trebek? All this and more available in flipthrough HERE, and in print Friday December 4.
July/August issue is now available in flipthrough HERE, bringing to a close 25 seasons of doing what we do (and plan to continue doing), and on stands early in the week of July 5. Not the usual bucolic parade of music in the summer sun, but lots, we hope, to pass the time: links to online and virtual music; a full slate of record reviews; plenty new in the Listening Room; and a full slate of stories – the future of opera, the plight of small venues, the challenge facing orchestras, the barriers to resumption of choral life, the challenges of isolation for real-time music; the steps some festivals are taking to keep the spirit and substance of what they do alive. And intersecting with all of it, responses to the urgent call for anti-racist action and systemic change.
"COVID's Metamorphoses"? "There's Always Time (Until Suddenly There Isn't)"? "The Writing on the Wall"? It's hard to know WHAT to call this latest chapter in the extraordinary story we are all of a sudden characters in. By whatever name we call it, the MAY/JUNE combined issue of The WholeNote is now available, HERE in flip through format, in print commencing Wednesday May 6, and, in fully interactive form, online at thewholenote.com. Our 18th Annual Choral Canary Pages, scheduled for publication in print and flip through in September is already well underway with the first 50 choirs home to roost and more being added every week online. Community Voices, our cover story, brings to you the thoughts of 30 musical community members, all going through what we are going through (and with many more to come as the feature gets amplified online over the course of the coming months). And our regular writers bring their personal thoughts to the mix. Finally, a full-fledged DISCoveries review section offers cues and clues to recorded music for your solitary solace!
After some doubt that we would be allowed to go to press, in respect to wide-ranging Ontario business closures relating to COVID-19, The WholeNote magazine for April 2020 is now on press, and print distribution – modified to respect community-wide closures and the need for appropriate distancing – starts Monday March 30. Meanwhile the full magazine is right here, digitally, so if you value us PLEASE SHARE THIS LINK AS WIDELY AS YOU CAN. It's the safest way for us to reach the widest possible audience at this time!
FEATURED: Music & Health writer Vivien Fellegi explores music, blindness & the plasticity of perception; David Jaeger digs into Gustavo Gimeno's plans for new music in his upcoming first season as music director at TSO; pianist James Rhodes, here for an early March recital, speaks his mind in a Q&A with Paul Ennis; and Lydia Perovic talks music and more with rising Turkish-Canadian mezzo Beste Kalender. Also, among our columns, Peggy Baker Dance Projects headlines Wende Bartley's In with the New; Steve Wallace's Jazz Notes rushes in definitionally where many fear to tread; ... and more.
Visions of 2020! Sampling from back to front for a change: in Rearview Mirror, Robert Harris on the Beethoven he loves (and loves to hate!); Errol Gay, a most musical life remembered; Luna Pearl Woolf in focus in recordings editor David Olds' "Editor's Corner" and in Jenny Parr's preview of "Jacqueline"; Speranza Scappucci explains how not to reinvent Rossini; The Indigo Project, where "each piece of cloth tells a story"; and, leading it all off, Jully Black makes a giant leap in "Caroline, or Change." And as always, much more. Now online in flip-through format here and on stands starting Thurs Jan 30.
Welcome to our December/January issue as we turn the annual calendar page, halfway through our season for the 25th time, juggling as always, secular stuff, the spirit of the season, new year resolve and winter journeys! Why is Mozart's Handel's Messiah's trumpet a trombone? Why when Laurie Anderson offers to fly you to the moon you should take her up on the invitation. Why messing with Winterreisse can (sometimes) be a very good thing! And a bumper crop of record reviews for your reading (and sometimes listening) pleasure. Available in flipthrough here right now, and on stands commencing Thursday Nov 28. See you on the other side!
On the slim chance you might not have already heard the news, Estonian Canadian composing giant Udo Kasemets was born the same year that Leo Thermin invented the theremin --1919. Which means this is the centenary year for both of them, and both are being celebrated in style, as Andrew Timar and MJ Buell respectively explain. And that's just a taste of a bustling November, with enough coverage of music of both the delectably substantial and delightfully silly on hand to satisfy one and all.
Long promised, Vivian Fellegi takes a look at Relaxed Performance practice and how it is bringing concert-going barriers down across the spectrum; Andrew Timar looks at curatorial changes afoot at the Music Gallery; David Jaeger investigates the trumpets of October; the 30th anniversary of the Velvet Revolution (and the 20th Anniversary of our October Blue Pages Presenter profiles) in our Editor's Opener; the Toronto Mendelssohn Choir at 125; Tapestry at 40 and Against the Grain at 10; ringing in the changing season across our features and columns; all this and more, now available in Flip Through format here, and on the stands commencing this coming Friday September 27, 2019. Enjoy.
Vol 1 of our 25th season is now here! And speaking of 25, that's how many films in the upcoming Toronto International Film Festival editor Paul Ennis, in our Eighth Annual TIFF TIPS, has chosen to highlight for their particular musical interest. Also inside: Rob Harris looks through the Rear View Mirror at past and present prognostications about the imminent death of classical music; Mysterious Barricades and Systemic Barriers are Lydia Perović's preoccupations in Art of Song; Andrew Timar reflects on the evolving priorities of the Polaris Prize; and elsewhere, it's chocks away as yet another season creaks or roars (depending on the beat) into motion. Welcome back.
What a range of stuff! A profile of Liz Upchurch, the COC ensemble studio's vocal mentor extraordinaire; a backgrounder on win-win faith/arts centre partnerships and ways of exploring the possibilities; an interview with St. Petersburg-based Eifman Ballet's Boris Eifman; Ana Sokolovic's violin concert Evta finally coming to town; a Love Letter to YouTube, and much more. Plus our 17th annual Canary Pages Choral directory if all you want to do is sing! sing! sing!
Arraymusic, the Music Gallery and Native Women in the Arts join for a mini-festival celebrating the work of composer, performer and installation artist Raven Chacon; Music and Health looks at the role of Healing Arts Ontario in supporting concerts in care facilities; Kingston-based composer Marjan Mozetich's life and work are celebrated in film; "Forest Bathing" recontextualizes Schumann, Shostakovich and Hindemith; in Judy Loman's hands, the harp can sing; Mahler's Resurrection bursts the bounds of symphonic form; Ed Bickert, guitar master remembered. All this and more in our April issue, now online in flip-through here, and on stands commencing Friday March 29.
Something Old, Something New! The Ide(a)s of March are Upon Us! Rob Harris's Rear View Mirror looks forward to a tonal revival; Tafelmusik expands their chronological envelope in two directions, Esprit makes wave after wave; Pax Christi's new oratorio by Barbara Croall catches the attention of our choral and new music columnists; and summer music education is our special focus, right when warm days are once again possible to imagine. All this and more in our March 2019 edition, available in flipthrough here, and on the stands starting Thursday Feb 28.
In this issue: A prize that brings lustre to its laureates (and a laureate who brings lustre to the prize); Edwin Huizinga on the journey of Opera Atelier's "The Angel Speaks" from Versailles to the ROM; Danny Driver on playing piano in the moment; Remembering Neil Crory (a different kind of genius)' Year of the Boar, Indigeneity and Opera; all this and more in Volume 24 #5. Online in flip through, HERE and on the stands commencing Thursday Jan 31.
When is a trumpet like a motorcycle in a dressage event? How many Brunhilde's does it take to change an Elektra? Just two of the many questions you've been dying to ask, to which you will find answers in a 24th annual combined December/January issue – in which our 11 beat columnists sift through what's on offer in the upcoming holiday month, and what they're already circling in their calendars for 2019. Oh, and features too: a klezmer violinist breathing new life into a very old film; two New Music festivals in January, 200 metres apart; a Music & Health story on the restorative powers of a grassroots exercise in collective music-making; even a good reason to go to Winnipeg in the dead of winter. All this and more in Vol 24 No 4, now available in flipthrough format here.
Reluctant arranger! National Ballet Orchestra percussionist Kris Maddigan on creating the JUNO and BAFTA award-winning smash hit Cuphead video game soundtrack; Evergreen by name and by nature, quintessentially Canadian gamelan (Andrew Timar explains); violinist Angèle Dubeau on 20 years and 60 million streams; two children’s choirs where this month remembrance and living history must intersect. And much more, online in our kiosk now, and on the street commencing Thursday November 1.
Presenters, start your engines! With TIFF and "back-to-work" out of the way, the regular concert season rumbles to life, and, if our Editor's Opener can be trusted, "Seeking Synergies" seems to be the name of the game. Denise Williams' constantly evolving "Walk Together Children" touching down at the Toronto Centre for the Arts; the second annual Festival of Arabic Music and Arts expanding its range; a lesson in Jazz Survival with Steve Wallace; the 150 presenter and performer profiles in our 19th annual Blue Pages directory... this is an issue that is definitely more than the sum of its parts.
In this issue: The WholeNote's 7th Annual TIFF TIPS guide to festival films with musical clout; soprano Erin Wall in conversation with Art of Song columnist Lydia Perovic, about more than the art of song; a summer's worth of recordings reviewed; Toronto Chamber Choir at 50 (is a few close friends all it takes?); and much more, as the 2018/19 season gets under way.
PLANTING NOT PAVING! In this JUNE / JULY /AUGUST combined issue: Farewell interviews with TSO's Peter Oundjian and Stratford Summer Music's John Miller, along with "going places" chats with Luminato's Josephine Ridge, TD Jazz's Josh Grossman and Charm of Finches' Terry Lim. ) Plus a summer's worth of fruitful festival inquiry, in the city and on the road, in a feast of stories and our annual GREEN PAGES summer Directory.
In this issue: our sixteenth annual Choral Canary Pages; coverage of 21C, Estonian Music Week and the 3rd Toronto Bach Festival (three festivals that aren’t waiting for summer!); and features galore: “Final Finales” for Larry Beckwith’s Toronto Masque Theatre and for David Fallis as artistic director of Toronto Consort; four conductors on the challenges of choral conducting; operatic Hockey Noir; violinist Stephen Sitarski’s perspective on addressing depression; remembering bandleader, composer and saxophonist Paul Cram. These and other stories, in our May 2018 edition of the magazine.
In this issue: we talk with jazz pianist Thompson Egbo-Egbo about growing up in Toronto, building a musical career, and being adaptive to change; pianist Eve Egoyan prepares for her upcoming Luminato project and for the next stage in her long-term collaborative relationship with Spanish-German composer Maria de Alvear; jazz violinist Aline Homzy, halfway through preparing for a concert featuring standout women bandleaders, talks about social equity in the world of improvised music; and the local choral community celebrates the life and work of choral conductor Elmer Iseler, 20 years after his passing.
In this issue: Canadian Stage, Tapestry Opera and Vancouver Opera collaborate to take Gogol’s short story The Overcoat to the operatic stage; Montreal-based Sam Shalabi brings his ensemble Land of Kush, and his newest composition, to Toronto; Five Canadian composers, each with a different CBC connection, are nominated for JUNOs; and The WholeNote team presents its annual Summer Music Education Directory, a directory of summer music camps, programs and courses across the province and beyond.
In this issue: composer Nicole Lizée talks about her love for analogue equipment, and the music that “glitching” evokes; Richard Rose, artistic director at the Tarragon Theatre, gives us insights into their a rock-and-roll Hamlet, now entering production; Toronto prepares for a mini-revival of Schoenberg’s music, with three upcoming shows at New Music Concerts; and the local music theatre community remembers and celebrates the life and work of Mi’kmaq playwright and performer Cathy Elliott . These and other stories, in our double-issue December/January edition of the magazine.
In this issue: conversations (of one kind or another) galore! Daniela Nardi on taking the reins at "best-kept secret" venue, 918 Bathurst; composer Jeff Ryan on his "Afghanistan" Requiem for a Generation" partnership with war poet, Susan Steele; lutenist Ben Stein on seventeenth century jazz; collaborative pianist Philip Chiu on going solo; Barbara Hannigan on her upcoming Viennese "Second School" recital at Koerner; Tina Pearson on Pauline Oliveros; and as always a whole lot more!
In this issue: several local artists reflect on the memory of composer Claude Vivier, as they prepare to perform his music; Vancouver gets ready to host international festival ISCM World New Music Days, which is coming to Canada for the second time since its inception in 1923; one of the founders of Artword Artbar, one of Hamilton’s staple music venues, on the eve of the 5th annual Steel City Jazz Festival, muses on keeping urban music venues alive; and a conversation with pianist Benjamin Grosvenor, as he prepares for an ambitious recital in Toronto. These and other stories, in our October 2017 issue of the magazine.
In this issue: a look at why musicians experience stage fright, and how to combat it; an inside look at the second Kensington Market Jazz Festival, which zeros in on one of Toronto’s true ‘music villages’; an in-depth interview with Elisa Citterio, new music director of Tafelmusik Baroque Orchestra; and The WholeNote’s guide to TIFF, with suggestions for the 20 most musical films at this year’s festival. These and other stories, in our September 2017 issue of the magazine!
CBC Radio's Lost Horizon; Pinocchio as Po-Mo Operatic Poster Boy; Meet the Curators (Crow, Bernstein, Ridge); a Global Music Orchestra is born; and festivals, festivals, festivals in our 13th annual summer music Green Pages. All this and more in our three-month June-through August summer special issue, now available in flipthrough HERE and on the stands commencing Thursday June 1.
From science fact in "Integral Man: Music and the Movies," to science fiction in the editor's opener; from World Fiddle Day at the Aga Khan Museum to three Canadians at the Cliburn; from wanting to sashay across the 401 to Chamberfest in Montreal to exploring the Continuum of Jumblies Theatre's 20-year commitment to the Community Play (there's a pun in there somewhere!).
In this issue: Our podcast ramps up with interviews in March with fight director Jenny Parr, countertenor Daniel Taylor, and baritone Russell Braun; two views of composer John Beckwith at 90; how music’s connection to memory can assist with the care of patients with Alzheimer’s; musical celebrations in film and jazz, at National Canadian Film Day and Jazz Day; and a preview of Louis Riel, which opens this month at the COC. These and other stories, in our April 2017 issue of the magazine!
On our cover: Owen Pallett's musical palette on display at New Creations. Spring brings thoughts of summer music education! (It's never too late.). For Marc-Andre Hamelin the score is king. Ella at 100 has the tributes happening. All; this and more.
In this issue: an interview with composer/vocalist Jeremy Dutcher, on his upcoming debut album and unique compositional voice; a conversation with Boston Symphony hornist James Sommerville, as as the BSO gets ready to come to his hometown; Stuart Hamilton, fondly remembered; and an inside look at Hugh’s Room, as it enters a complicated chapter in the story of its life in the complex fabric of our musical city. These and other stories, as we celebrate the past and look forward to the rest of 2016/17, the first glimpses of 2017/18, and beyond!
In this issue: a conversation with pianist Stewart Goodyear, in advance of his upcoming show at Koerner Hall; a preview of the annual New Year’s phenomenon that is Bravissimo!/Salute to Vienna; an inside look at music performance in Toronto’s health-care centres; and a reflection on the incredible life and lasting influence of the late Pauline Oliveros. These and more, in a special December/January combined issue!
In this issue: David Jaeger and Alex Pauk’s most memorable R. Murray Schafer collabs, in this month’s installment of Jaeger’s CBC Radio Two: The Living Legacy; an interview with flutist Claire Chase, who brings new music and mindset to Toronto this month; an investigation into the strange coincidence of three simultaneous Mendelssohn Elijahs this Nov 5; and of course, our annual Blue Pages, a who’s who of southern Ontario’s live music scene- a community as prolific and multifaceted as ever. These and more, as we move full-force into the 2016/17 concert season- all aboard!
Music lover's TIFF (our fifth annual guide to the Toronto International Film Festival); Aix Marks the Spot (how Brexit could impact on operatic co-production); The Unstoppable Howard Cable (an affectionate memoir of a late chapter in the life of of a great Canadian arranger; Kensington Jazz Story (the newest kid on the festival block flexes its muscles). These stories and much more as we say a lingering goodbye to summer and turn to the task, for the 22nd season, of covering the live and recorded music that make Southern Ontario tick.
It's combined June/July/August summer issue time with, we hope, enough between the covers to keep you dipping into it all through the coming lazy, hazy days. From Jazz Vans racing round "The Island" delivering pop-up brass breakouts at the roadside, to Bach flute ambushes strolling "The Grove, " to dozens of reasons to stay in the city. May yours be a summer where you find undiscovered musical treasures, and, better still, when, unexpectedly, the music finds you.
INSIDE: The Canaries Are Here! 116 choirs to choose from, so take the plunge! The Nylons hit the road after one last SING! Fling. Jazz writer Steve Wallace wonders "Watts Goode" rather than "what's new?" Paul Ennis has the musical picks of the HotDocs crop. David Jaeger's CBC Radio continues golden for a little while yet. Douglas McNabney is Music's Child. Leipzig meets Damascus in Alison Mackay's fertile imagination. And "C" is for KRONOS in Wende Bartley's koverage of the third annual 21C Festival. All this and as usual much much more. Enjoy.
From 30 camp profiles to spark thoughts of being your summer musical best, to testing LUDWIG as you while away the rest of so-called winter; from Scottish Opera and the Danish Midtvest, to a first Toronto recital appearance by violin superstar Maxim Vengerov; from musings on New Creations and new creation, to the boy who made a habit of crying Beowulf; it's a month of merry meetings and rousing recordings reviewed, all here to discover in The WholeNote.
2016 is off to a flying start! We chronicle the Artful Times of Andrew Burashko, the violistic versatility of Teng Li, the ageless ebullience of jazz pianist Gene DiNovi and the ninetieth birthday of trumpeter Johnny Cowell. Jaeger remembers Boulez; Waxman recalls Bley's influence, and Olds finds Bowie haunting Editor's Corner. Oh, and did we mention there's all that music? Hello (and goodbye) to the February blues, and here's to swinging through the musical vines of the Year of the Monkey.
What's a vinyl renaissance? What happens when Handel's Messiah runs afoul of the rumba rhythm setting on a (gasp!) Hammond organ? What work does Marc-Andre Hamelin say he would be content to have on every recital program he plays? What are Steve Wallace's favourite fifty Christmas recordings? Why is violinist Daniel Hope celebrating Yehudi Menuhin's 100th birthday at Koerner Hall January 28? Answers to all these questions (and a whole lot more) in the Dec/Jan issue of The WholeNote.
"Come" seems to be the verb that knits this month's issue together. Sondra Radvanovsky comes to Koerner, William Norris comes to Tafel as their new GM, opera comes to Canadian Stage; and (a long time coming!) Jane Bunnett's musicianship and mentorship are honoured with the Premier's award for excellence; plus David Jaeger's ongoing series on the golden years of CBC Radio Two, Andrew Timar on hybridity, a bumper crop of record reviews and much much more. Come on in!
Vol 21 No 2 is now available for your viewing pleasure, and it's a bumper crop, right at the harvest moon. First ever Canadian opera on the Four Seasons Centre main stage gets double coverage with Wende Bartley interviewing Pyramus and Thisbe composer Barbara Monk Feldman and Chris Hoile connecting with director Christopher Alden; Paul Ennis digs into the musical mind of pianist Benjamin Grosvenor, and pianist Eve Egoyan is "On the Record" in conversation with publisher David Perlman ahead of the Oct release concert for her tenth recording. And at the heart of it all the 16th edition of our annual BLUE PAGES directory of presenters profile the season now well and truly under way.
Paul Ennis's annual TIFF TIPS (27 festival films of potential particular musical interest); Wu Man, Yo-Yo Ma and Jeffrey Beecher on the Silk Road; David Jaeger on CBC Radio Music in the days it was committed to commissioning; the LISTENING ROOM continues to grow on line; DISCoveries is back, bigger than ever; and Mary Lou Fallis says Trinity-St. Paul's is Just the Spot (especially this coming Sept 25!).