Thursday March 3 ●●7:00: Kaleid Choral Festival. A Kaleidoscope of Voices with Rajaton. See Mar 2. MARCH 3 MARIE-JOSÉE LORD & QUARTANGO: TANGOPÉRA FirstOntarioPAC.ca | St. Catharines ●●7:30: FirstOntario Performing Arts Centre. Marie-Josée Lord and Quartango: Tangopéra. 250 St. Paul St., St. Catharines. 905-688-0722. . Friday March 4 ●●12:30: Don Wright Faculty of Music. Fridays @ 12:30 Concert Series. Works by Brahms, Martinů and others. Sharon Wei, viola, and Stephan Sylvestre, piano. Von Kuster Hall, Music Building, Western University, 1151 Richmond St. N., London. 519-661- 3767. Free. ●●1:30: Don Wright Faculty of Music. Voice Fridays: Canadian Composers of Song. Patricia Green. Talbot College, University of Western Ontario, Room 100, 1151 Richmond St. N., London. 519-661-3767. Free. ●●7:30: Isabel Bader Centre for the Performing Arts. Ensemble Series: Soundstreams Canada. MacMillan: Seven Last Words of Christ; Schafer: The Fall into Light; Nystedt: Immortal Bach. Soundstreams Canada’s Choir 21. Guest: James MacMillan, conductor and composer. 390 King St. W., Kingston. 613-533-2424. and up; .50 and up(st); and up(faculty/staff). Saturday March 5 ●●1:00: Don Wright Faculty of Music. London Music Scholarship Foundation Competition, Second and Final Round. Von Kuster Hall, Music Building, Western University, 1151 Richmond St. N., London. 519-661-3767. Free. Also 8:00. ●●2:00: Kawartha Concerts. Little Big Frog. Masks, puppetry, poetry, music and dance. Faustwork Mask Theatre. Market Hall B. Concerts Beyond the GTA C. Music Theatre Performing Arts Centre, 140 Charlotte St., Peterborough. 705-878-5625. ; (youth/ child). Also Apr 3(Lindsay). ●●7:30: Cellar Singers. Light Perpetual 2. Duruflé: Requiem and Motets. Jennifer Enns Modolo, mezzo; Matthew Cassils, baritone; Children’s Community Choir of Midland; Mitchell Pady, conductor. St. James Church, 58 Peter St. N., Orillia. 705-481-1853. ; (st). ●●7:30: Chorus Niagara. Eternity: Bach Mass in B Minor. Featuring 27 dialogue free short films created to mirror the 27-part musical structure of Bach’s work. Clevé: Sound of Eternity (film; Canadian premiere). Jennifer Krabbe, soprano; Anita Krause, mezzo; Charles Sy, tenor; Geoffrey Sirett, baritone; Chorus Niagara; Orpheus Choir; Talisker Players. FirstOntario Performing Arts Centre, 250 St. Paul St., St. Catharines. 1-855- 515-0722 or 905-688-0722. ; (sr); (under 30); (st); (child). 6:30: Preconcert chat. Also Mar 6 (See Section A. GTA, Orpheus Choir of Toronto). ●●8:00: Don Wright Faculty of Music. London Music Scholarship Foundation Competition, Second and Final Round. Von Kuster Hall, Music Building, Western University, 1151 Richmond St. N., London. 519-661-3767. Free. Also 1:00. Sunday March 6 ●●2:00: Don Wright Faculty of Music. Traditions. Western University Jazz Ensemble. Mocha Shrine Centre, 468 Colborne St., London. 519-661-3767. Free. ●●2:00: McMaster School of the Arts. Ensemble Concerts Series. Flute Ensemble. Convocation Hall, UH213, McMaster University, 1280 Main St. W., Hamilton. 905-525- 9140 x27671. Free. ●●3:00: John Laing Singers. Resplendent and Romantic. Featuring music for choir and virtuoso piano. Works by Beethoven, Buhr, Brahams Bergs, Rossini, Schubert and Whitacre. Guest: Paul Thorlaksen, piano. St. Paul’s United Church (Dundas), 29 Park St. W., Dundas. 905-628-5238. ; (sr); (st); free(child). ●●3:00: University of Waterloo Department of Music. Sawatsky Visiting Scholar: Music of Sir James MacMillan. Choir 21; UW Chamber Choir; Grand Philharmonic Choir. St. Peter’s Lutheran Church, 49 Queen St. N., Kitchener. 519-885-0220 x24226. ; (st/under30); (youth/child). Monday March 7 ●●8:00: Kitchener-Waterloo Chamber Music Society. Heidi Wall, piano. Bach: Prelude and Fugue from Bk.1 No.21 in b-flat; Liszt: Transcendental Etudes Nos.11 & 12; Haydn: Sonata No.52 in E-flat H.XVI:52. KWCMS Music Room, 57 Young St. W., Waterloo. 519-886-1673. By donation. Fundraising concert (tax receipts over ). Due to space constraints, this month’s Music Theatre listings appear online only. Please visit thewholenote.com/MT for music theatre events not carried in our daily concert listings, as well as Quick Picks for daily listings of particular interest to followers of music theatre. Priceless Gene continued from page 12 120 Diner 120 Church St. 416-792-7725 120diner.com (full schedule) Every Wed 6pm Genevieve Marentette; 8pm Lisa Particelli’s Girls Night Out Jazz Jam. February 2 6pm Emily Coulston; 8pm Mermaid & the Bear. February 4 6pm iSpy feat. Rebecca Everett; 8:30pm Nerissa Kay & Reuven Grajner. February 5 6pm Denielle Bassels. February 6 6pm Natasha Buckeridge & Kevin Wong; 9:30pm Lily Frost & the Kelvinators. February 7 6pm Ben Walker Project; 8pm Beat by Beat | Jazz Stories be from New York. I came down to visit and to take some lessons and later received a grant from the Canada Council for the Arts to relocate here temporarily and study. I fell in love with the place and the people and decided to stay. I feel a real kinship with the large but still tight-knit group of musicians I play with and listen to here and find Jamie Reynolds and Melissa Stylianou myself inspired to explore different musical directions as a result.” Stylianou performs regularly in New York City, especially at the 55 Bar in Greenwich Village, where she has held down a monthly residency for the past six years. Of all the venues in New York City, this casual, cozy and unpretentious spot is perhaps the most Rex-like. “Toronto will always be my home, but New York is the source of much of my creative inspiration. Living in New York is an intense proposition. I’ve found I need to be really present all day long here: to navigate this crazy city and get where I need to go ... to be aware of my surroundings in the interest of my personal safety, and to grab opportunities for connection with the people in my life. And being the parent of a toddler in the city adds some interesting elements - what little time I have to work on my craft and the business of music is often squeezed into tiny cracks in my life.” The silken-voiced Stylianou will be performing a concert titled “Everything I Love” at the Toronto Centre for the Arts on Saturday February 13, launching an exciting new series presented by JPEC (Jazz Performance and Education Centre). “I’m really excited to be coming up to play this concert. Jamie Reynolds (my husband and musical collaborator) and I have been exploring the voice/piano setting since our first musical meeting in 2003, and we both love the intimacy and space this format provides. We’ll be playing repertoire which stretches from Fats Waller and Irving Berlin to Bjork and Annie Lennox, along with some of our original songs. We’ll be joined by my friend (and former member of the Melissa Stylianou Sextet back in the day!), John MacLeod on cornet and flugelhorn.” The TCA JPEC series continues February 27 at the Toronto Centre for the Arts with “Justin Gray’s Synthesis” fusing Indian music and jazz, featuring Justin Gray on bass, Derek Gray on percussion, Ravi Naimpally on tabla and special guest Ted Quinlan on guitar. On March 5: “Jazz n’ Pizazz” with Jane Fair on saxophone, Rosemary Galloway on bass, Nancy Walker on piano, Lina Allemano on trumpet and Nick Fraser on drums. Tickets are and for students. Visit jazzcentre.ca for details. Ori Dagan is a Toronto-based jazz musician, writer and educator who can be reached at oridagan.com. D. In the Clubs (Mostly Jazz) Darlene Stimson. February 9 6pm Chris Birkett; 8pm Jessica Stuart Few. February 11 6pm Janet Whiteway. February 12 6pm Hello Darlings. February 13 6pm Joanne Morra; 9pm Chris Tsujiuchi. February 14 6pm Beth Anne Cole; 8pm Fergus Hambleton. February 16 6pm Heather Luckhart; 8pm Mirian Kay. February 18 6pm Ori Dagan & Dave Young. February 19 6pm Kathleen Gorman. February 20 6pm Stu MacDonald. February 21 6pm Julia Pal; 8pm Kristina Nojd. February 23 6pm Amir Brandon; 8pm Weatherstone. February 25 6pm Beverly Taft. February 26 JOANNE GREEN 42 | February 1, 2016 - March 7, 2016 thewholenote.com
Beat by Beat | Mainly Clubs, Mostly Jazz! Loud Outfits BOB BEN Cutting through the huge sound of the horns behind him, Martin Loomer plays the appropriate chords in the appropriate order on his electric guitar, laying down the time as authoritatively as any drummer. He wears a contagious grin and what looks to me like a bright orange jumpsuit. Which is super cool. If there’s anything I admire, it’s a loud outfit, and there are few outfits louder than a bright orange jumpsuit. Martin Loomer’s Orange Devils have a monthly gig, on the second Monday of every month, at The Monarch Tavern. They play music by big bands of the 1930s and 40s, like those led by Count Basie, Duke Ellington, Fletcher Henderson and more, with skill and authenticity. And who better to bring these charts to life than someone who makes his living as a music copyist? I first became aware of Loomer through the Orange Devils’ vocalist Rita di Ghent about three years ago – almost to the day – at the end of January 2013. Since then, I’ve chased down the Orange Devils, and Loomer himself, attended several of their gigs and bombarded him with questions, as you do with those more experienced in your field. I guess I must have asked the maximum number of questions he could answer at a gig or on Facebook, because he eventually invited me and a friend to come to his house to talk about composing and arranging. We convened in his living room, me, my friend, Loomer, his wife Karen, their cats, and a tray of muffins and tea, and we talked about a lot: family, education, cartoons and video games and, even at points, music. Once we migrated from the living room, Loomer showed us his score collection, which might be the largest number of scores I’ve ever seen in one room, music libraries included. This was a long while ago, but one thing I remember clearly is marvelling at how messy Duke Ellington’s handwriting was. The Orange Devils combine Martin Loomer Loomer's encyclopedic knowledge of the repertoire with the expertise of those sharing the bandstand with him: people like John McLeod, William Carn, and Richard Whiteman (including, up until recently, the late Dr. Kira Payne who passed away on January 2: Payne doubled flawlessly both on alto and tenor saxophones, and as a musician and an accomplished M.D.; she is missed by the community). Go hear this band with no skepticism. Just go. I have no doubt you will like it. Turbo Street: Another fairly large band – as distinct from a big band – I’d like to draw everyone’s attention to is Turbo Street Funk. If you don’t know them by name, you might recognize them from their busking days on major street corners around the downtown core, including Queen and Spadina, Bay and Bloor and so on. The band plays a combination of original tunes and pop standards, modern and otherwise, tightly arranged and performed by recent graduates of the big three music schools in the city. Turbo Street Funk will be bringing their outdoor dance party indoors on February 9 at Fat City Blues. This, friends, is the month when the city begins to thaw. Or, it will be if there is any justice in the world. Come out and celebrate. With any luck, I’ll see you in the clubs. Bob Ben is The WholeNote’s jazz listings editor. He can be reached at jazz@thewholenote.com. D. In the Clubs (Mostly Jazz) 6pm Kevin Barrett & Julie Michels. February 27 6pm Jordana Talsky. February 28 6pm Janel Jones & Bob Ben; 8pm Whitney Ross- Barris sings Tom Waits. Alleycatz 2409 Yonge St. 416-481-6865 alleycatz.ca All shows: 9pm unless otherwise indicated. Call for cover charge info. February 4 Pick up the Pieces. February 5 Royal Pains. February 6, 27 Soular. February 11, 25 The Flow with Carlos Morgan. February 12 Nine Times Band. February 13, 20 Lady Kane. February 18 Solo & Duets Concert Series. February 19 Universal Boogie Band. February 26 Switchbeat. Arbor Room 7 Hart House Cir. 416-978-2452 harthouse.ca February 26 9pm Jim Lewis. Artword Artbar 15 Colbourne St., Hamilton. 905-543-8512 artword.net (full schedule) February 11 8pm Jazz vocal jam with Sue Ramsay Trio . February 13 8pm Valentine sweet harmonies by The Ault Sisters . February 18 8pm Jazz with Jesse Martel and band. February 19 8pm Jazz with the Scott Taplay Group . February 25 8pm Nicole Chambers & Lauren Cumberbatch . February 26 8pm Blues, Funk, Groove w/ Wayne Janus Trio. Black Swan Tavern, The 154 Danforth Ave. 416-469-0537 February 12 7pm(Fri)/1pm(Sat, Sun) Winterfolk XIV: Top Talent from Nova Scotia to Nashville . Blakbird, The 812b Bloor St. W. 647-344-7225 theblakbird.com (full schedule) Bloom 2315 Bloor St. W. 416-767-1315 bloomrestaurant.com All shows: 19+. Call for reservations. February 14 7pm Amy McConnell (voice) Trio with Ross MacIntyre (bass), Mark Keiswetter (piano) (with dinner). Blue Goose Tavern, The 1 Blue Goose St. 416-255-2442 thebluegoosetavern.com Every Sun 4pm Blues At the Goose with the Big Groove Rhythm Section and special guests. Burdock 1184 Bloor St. W. 416-546-4033 burdockto.com February 15 7:30pm Love Hangover 2016 with Abigail Lapell, Heather Luckhart, Isabel Fryszberg, Shelby Lamb (voices) Tony Quarrington (guitar) (adv)/(door). Castro’s Lounge 2116e Queen St. E. 416-699-8272 castroslounge.com (full schedule) All shows: No cover/PWYC C’est What 67 Front St. E. 416-867-9499 cestwhat.com (full schedule) February 6, 20 3pm The Boxcar Boys. February 13, 27 3pm The Hot Five Jazzmakers. Chalkers Pub, Billiards & Bistro 247 Marlee Ave. 416-789-2531 chalkerspub.com (full schedule) or visit www.averyraquel.com De Sotos 1079 St. Clair Ave. W. 416-651-2109 desotos.ca (full schedule) Every Sun 11am Sunday Live Jazz Brunch No cover. Emmet Ray, The 924 College St. 416-792-4497 theemmetray.com (full schedule) All shows: No cover/PWYC AVERYRAQUEL Featuring: Joel Haynes - Drums Mike Pelletier - Bass Rob Fekete - Piano FEBRUARY 23, 2016 7:00PM at the door The Jazz Bistro 251 Victoria St. Toronto, ON jazzbistro.ca • 416.363.5299 Call for reservations thewholenote.com February 1, 2016 - March 7, 2016 | 43
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Choral Scene: Uncharted territory: three choirs finding paths forward; Music Theatre: Loose Tea on the boil with Alaina Viau’s Dead Reckoning; In with the New: what happens to soundart when climate change meets COVID-19; Call to action: diversity, accountability, and reform in post-secondary jazz studies; 9th Annual TIFF Tips: a filmfest like no other; Remembering: Leon Fleisher; DISCoveries: a NY state of mind; 25th anniversary stroll-through; and more. Online in flip through here, and on stands commencing Tues SEP 1.
Following the Goldberg trail from Gould to Lang Lang; Measha Brueggergosman and Edwin Huizinga on face to face collaboration in strange times; diggings into dance as FFDN keeps live alive; "Classical unicorn?" - Luke Welch reflects on life as a Black classical pianist; Debashis Sinha's adventures in sound art; choral lessons from Skagit Valley; and the 21st annual WholeNote Blue Pages (part 1 of 3) in print and online. Here now. And, yes, still in print, with distribution starting Thursday October 1.
Alanis Obomsawin's art of life; fifteen Exquisite Departures; UnCovered re(dis)covered; jazz in the kitchen; three takes on managing record releases in times of plague; baroque for babies; presenter directory (blue pages) part two; and, here at the WholeNote, work in progress on four brick walls (or is it five?). All this and more available in flipthrough HERE, and in print Tuesday Nov 3.
In this issue: Beautiful Exceptions, Sing-Alone Messiahs, Livingston’s Vocal Pleasures, Chamber Beethoven, Online Opera (Plexiglass & All), Playlist for the Winter of our Discontent, The Oud & the Fuzz, Who is Alex Trebek? All this and more available in flipthrough HERE, and in print Friday December 4.
July/August issue is now available in flipthrough HERE, bringing to a close 25 seasons of doing what we do (and plan to continue doing), and on stands early in the week of July 5. Not the usual bucolic parade of music in the summer sun, but lots, we hope, to pass the time: links to online and virtual music; a full slate of record reviews; plenty new in the Listening Room; and a full slate of stories – the future of opera, the plight of small venues, the challenge facing orchestras, the barriers to resumption of choral life, the challenges of isolation for real-time music; the steps some festivals are taking to keep the spirit and substance of what they do alive. And intersecting with all of it, responses to the urgent call for anti-racist action and systemic change.
"COVID's Metamorphoses"? "There's Always Time (Until Suddenly There Isn't)"? "The Writing on the Wall"? It's hard to know WHAT to call this latest chapter in the extraordinary story we are all of a sudden characters in. By whatever name we call it, the MAY/JUNE combined issue of The WholeNote is now available, HERE in flip through format, in print commencing Wednesday May 6, and, in fully interactive form, online at thewholenote.com. Our 18th Annual Choral Canary Pages, scheduled for publication in print and flip through in September is already well underway with the first 50 choirs home to roost and more being added every week online. Community Voices, our cover story, brings to you the thoughts of 30 musical community members, all going through what we are going through (and with many more to come as the feature gets amplified online over the course of the coming months). And our regular writers bring their personal thoughts to the mix. Finally, a full-fledged DISCoveries review section offers cues and clues to recorded music for your solitary solace!
After some doubt that we would be allowed to go to press, in respect to wide-ranging Ontario business closures relating to COVID-19, The WholeNote magazine for April 2020 is now on press, and print distribution – modified to respect community-wide closures and the need for appropriate distancing – starts Monday March 30. Meanwhile the full magazine is right here, digitally, so if you value us PLEASE SHARE THIS LINK AS WIDELY AS YOU CAN. It's the safest way for us to reach the widest possible audience at this time!
FEATURED: Music & Health writer Vivien Fellegi explores music, blindness & the plasticity of perception; David Jaeger digs into Gustavo Gimeno's plans for new music in his upcoming first season as music director at TSO; pianist James Rhodes, here for an early March recital, speaks his mind in a Q&A with Paul Ennis; and Lydia Perovic talks music and more with rising Turkish-Canadian mezzo Beste Kalender. Also, among our columns, Peggy Baker Dance Projects headlines Wende Bartley's In with the New; Steve Wallace's Jazz Notes rushes in definitionally where many fear to tread; ... and more.
Visions of 2020! Sampling from back to front for a change: in Rearview Mirror, Robert Harris on the Beethoven he loves (and loves to hate!); Errol Gay, a most musical life remembered; Luna Pearl Woolf in focus in recordings editor David Olds' "Editor's Corner" and in Jenny Parr's preview of "Jacqueline"; Speranza Scappucci explains how not to reinvent Rossini; The Indigo Project, where "each piece of cloth tells a story"; and, leading it all off, Jully Black makes a giant leap in "Caroline, or Change." And as always, much more. Now online in flip-through format here and on stands starting Thurs Jan 30.
Welcome to our December/January issue as we turn the annual calendar page, halfway through our season for the 25th time, juggling as always, secular stuff, the spirit of the season, new year resolve and winter journeys! Why is Mozart's Handel's Messiah's trumpet a trombone? Why when Laurie Anderson offers to fly you to the moon you should take her up on the invitation. Why messing with Winterreisse can (sometimes) be a very good thing! And a bumper crop of record reviews for your reading (and sometimes listening) pleasure. Available in flipthrough here right now, and on stands commencing Thursday Nov 28. See you on the other side!
On the slim chance you might not have already heard the news, Estonian Canadian composing giant Udo Kasemets was born the same year that Leo Thermin invented the theremin --1919. Which means this is the centenary year for both of them, and both are being celebrated in style, as Andrew Timar and MJ Buell respectively explain. And that's just a taste of a bustling November, with enough coverage of music of both the delectably substantial and delightfully silly on hand to satisfy one and all.
Long promised, Vivian Fellegi takes a look at Relaxed Performance practice and how it is bringing concert-going barriers down across the spectrum; Andrew Timar looks at curatorial changes afoot at the Music Gallery; David Jaeger investigates the trumpets of October; the 30th anniversary of the Velvet Revolution (and the 20th Anniversary of our October Blue Pages Presenter profiles) in our Editor's Opener; the Toronto Mendelssohn Choir at 125; Tapestry at 40 and Against the Grain at 10; ringing in the changing season across our features and columns; all this and more, now available in Flip Through format here, and on the stands commencing this coming Friday September 27, 2019. Enjoy.
Vol 1 of our 25th season is now here! And speaking of 25, that's how many films in the upcoming Toronto International Film Festival editor Paul Ennis, in our Eighth Annual TIFF TIPS, has chosen to highlight for their particular musical interest. Also inside: Rob Harris looks through the Rear View Mirror at past and present prognostications about the imminent death of classical music; Mysterious Barricades and Systemic Barriers are Lydia Perović's preoccupations in Art of Song; Andrew Timar reflects on the evolving priorities of the Polaris Prize; and elsewhere, it's chocks away as yet another season creaks or roars (depending on the beat) into motion. Welcome back.
What a range of stuff! A profile of Liz Upchurch, the COC ensemble studio's vocal mentor extraordinaire; a backgrounder on win-win faith/arts centre partnerships and ways of exploring the possibilities; an interview with St. Petersburg-based Eifman Ballet's Boris Eifman; Ana Sokolovic's violin concert Evta finally coming to town; a Love Letter to YouTube, and much more. Plus our 17th annual Canary Pages Choral directory if all you want to do is sing! sing! sing!
Arraymusic, the Music Gallery and Native Women in the Arts join for a mini-festival celebrating the work of composer, performer and installation artist Raven Chacon; Music and Health looks at the role of Healing Arts Ontario in supporting concerts in care facilities; Kingston-based composer Marjan Mozetich's life and work are celebrated in film; "Forest Bathing" recontextualizes Schumann, Shostakovich and Hindemith; in Judy Loman's hands, the harp can sing; Mahler's Resurrection bursts the bounds of symphonic form; Ed Bickert, guitar master remembered. All this and more in our April issue, now online in flip-through here, and on stands commencing Friday March 29.
Something Old, Something New! The Ide(a)s of March are Upon Us! Rob Harris's Rear View Mirror looks forward to a tonal revival; Tafelmusik expands their chronological envelope in two directions, Esprit makes wave after wave; Pax Christi's new oratorio by Barbara Croall catches the attention of our choral and new music columnists; and summer music education is our special focus, right when warm days are once again possible to imagine. All this and more in our March 2019 edition, available in flipthrough here, and on the stands starting Thursday Feb 28.
In this issue: A prize that brings lustre to its laureates (and a laureate who brings lustre to the prize); Edwin Huizinga on the journey of Opera Atelier's "The Angel Speaks" from Versailles to the ROM; Danny Driver on playing piano in the moment; Remembering Neil Crory (a different kind of genius)' Year of the Boar, Indigeneity and Opera; all this and more in Volume 24 #5. Online in flip through, HERE and on the stands commencing Thursday Jan 31.
When is a trumpet like a motorcycle in a dressage event? How many Brunhilde's does it take to change an Elektra? Just two of the many questions you've been dying to ask, to which you will find answers in a 24th annual combined December/January issue – in which our 11 beat columnists sift through what's on offer in the upcoming holiday month, and what they're already circling in their calendars for 2019. Oh, and features too: a klezmer violinist breathing new life into a very old film; two New Music festivals in January, 200 metres apart; a Music & Health story on the restorative powers of a grassroots exercise in collective music-making; even a good reason to go to Winnipeg in the dead of winter. All this and more in Vol 24 No 4, now available in flipthrough format here.
Reluctant arranger! National Ballet Orchestra percussionist Kris Maddigan on creating the JUNO and BAFTA award-winning smash hit Cuphead video game soundtrack; Evergreen by name and by nature, quintessentially Canadian gamelan (Andrew Timar explains); violinist Angèle Dubeau on 20 years and 60 million streams; two children’s choirs where this month remembrance and living history must intersect. And much more, online in our kiosk now, and on the street commencing Thursday November 1.
Presenters, start your engines! With TIFF and "back-to-work" out of the way, the regular concert season rumbles to life, and, if our Editor's Opener can be trusted, "Seeking Synergies" seems to be the name of the game. Denise Williams' constantly evolving "Walk Together Children" touching down at the Toronto Centre for the Arts; the second annual Festival of Arabic Music and Arts expanding its range; a lesson in Jazz Survival with Steve Wallace; the 150 presenter and performer profiles in our 19th annual Blue Pages directory... this is an issue that is definitely more than the sum of its parts.
In this issue: The WholeNote's 7th Annual TIFF TIPS guide to festival films with musical clout; soprano Erin Wall in conversation with Art of Song columnist Lydia Perovic, about more than the art of song; a summer's worth of recordings reviewed; Toronto Chamber Choir at 50 (is a few close friends all it takes?); and much more, as the 2018/19 season gets under way.
PLANTING NOT PAVING! In this JUNE / JULY /AUGUST combined issue: Farewell interviews with TSO's Peter Oundjian and Stratford Summer Music's John Miller, along with "going places" chats with Luminato's Josephine Ridge, TD Jazz's Josh Grossman and Charm of Finches' Terry Lim. ) Plus a summer's worth of fruitful festival inquiry, in the city and on the road, in a feast of stories and our annual GREEN PAGES summer Directory.
In this issue: our sixteenth annual Choral Canary Pages; coverage of 21C, Estonian Music Week and the 3rd Toronto Bach Festival (three festivals that aren’t waiting for summer!); and features galore: “Final Finales” for Larry Beckwith’s Toronto Masque Theatre and for David Fallis as artistic director of Toronto Consort; four conductors on the challenges of choral conducting; operatic Hockey Noir; violinist Stephen Sitarski’s perspective on addressing depression; remembering bandleader, composer and saxophonist Paul Cram. These and other stories, in our May 2018 edition of the magazine.
In this issue: we talk with jazz pianist Thompson Egbo-Egbo about growing up in Toronto, building a musical career, and being adaptive to change; pianist Eve Egoyan prepares for her upcoming Luminato project and for the next stage in her long-term collaborative relationship with Spanish-German composer Maria de Alvear; jazz violinist Aline Homzy, halfway through preparing for a concert featuring standout women bandleaders, talks about social equity in the world of improvised music; and the local choral community celebrates the life and work of choral conductor Elmer Iseler, 20 years after his passing.
In this issue: Canadian Stage, Tapestry Opera and Vancouver Opera collaborate to take Gogol’s short story The Overcoat to the operatic stage; Montreal-based Sam Shalabi brings his ensemble Land of Kush, and his newest composition, to Toronto; Five Canadian composers, each with a different CBC connection, are nominated for JUNOs; and The WholeNote team presents its annual Summer Music Education Directory, a directory of summer music camps, programs and courses across the province and beyond.
In this issue: composer Nicole Lizée talks about her love for analogue equipment, and the music that “glitching” evokes; Richard Rose, artistic director at the Tarragon Theatre, gives us insights into their a rock-and-roll Hamlet, now entering production; Toronto prepares for a mini-revival of Schoenberg’s music, with three upcoming shows at New Music Concerts; and the local music theatre community remembers and celebrates the life and work of Mi’kmaq playwright and performer Cathy Elliott . These and other stories, in our double-issue December/January edition of the magazine.
In this issue: conversations (of one kind or another) galore! Daniela Nardi on taking the reins at "best-kept secret" venue, 918 Bathurst; composer Jeff Ryan on his "Afghanistan" Requiem for a Generation" partnership with war poet, Susan Steele; lutenist Ben Stein on seventeenth century jazz; collaborative pianist Philip Chiu on going solo; Barbara Hannigan on her upcoming Viennese "Second School" recital at Koerner; Tina Pearson on Pauline Oliveros; and as always a whole lot more!
In this issue: several local artists reflect on the memory of composer Claude Vivier, as they prepare to perform his music; Vancouver gets ready to host international festival ISCM World New Music Days, which is coming to Canada for the second time since its inception in 1923; one of the founders of Artword Artbar, one of Hamilton’s staple music venues, on the eve of the 5th annual Steel City Jazz Festival, muses on keeping urban music venues alive; and a conversation with pianist Benjamin Grosvenor, as he prepares for an ambitious recital in Toronto. These and other stories, in our October 2017 issue of the magazine.
In this issue: a look at why musicians experience stage fright, and how to combat it; an inside look at the second Kensington Market Jazz Festival, which zeros in on one of Toronto’s true ‘music villages’; an in-depth interview with Elisa Citterio, new music director of Tafelmusik Baroque Orchestra; and The WholeNote’s guide to TIFF, with suggestions for the 20 most musical films at this year’s festival. These and other stories, in our September 2017 issue of the magazine!
CBC Radio's Lost Horizon; Pinocchio as Po-Mo Operatic Poster Boy; Meet the Curators (Crow, Bernstein, Ridge); a Global Music Orchestra is born; and festivals, festivals, festivals in our 13th annual summer music Green Pages. All this and more in our three-month June-through August summer special issue, now available in flipthrough HERE and on the stands commencing Thursday June 1.
From science fact in "Integral Man: Music and the Movies," to science fiction in the editor's opener; from World Fiddle Day at the Aga Khan Museum to three Canadians at the Cliburn; from wanting to sashay across the 401 to Chamberfest in Montreal to exploring the Continuum of Jumblies Theatre's 20-year commitment to the Community Play (there's a pun in there somewhere!).
In this issue: Our podcast ramps up with interviews in March with fight director Jenny Parr, countertenor Daniel Taylor, and baritone Russell Braun; two views of composer John Beckwith at 90; how music’s connection to memory can assist with the care of patients with Alzheimer’s; musical celebrations in film and jazz, at National Canadian Film Day and Jazz Day; and a preview of Louis Riel, which opens this month at the COC. These and other stories, in our April 2017 issue of the magazine!
On our cover: Owen Pallett's musical palette on display at New Creations. Spring brings thoughts of summer music education! (It's never too late.). For Marc-Andre Hamelin the score is king. Ella at 100 has the tributes happening. All; this and more.
In this issue: an interview with composer/vocalist Jeremy Dutcher, on his upcoming debut album and unique compositional voice; a conversation with Boston Symphony hornist James Sommerville, as as the BSO gets ready to come to his hometown; Stuart Hamilton, fondly remembered; and an inside look at Hugh’s Room, as it enters a complicated chapter in the story of its life in the complex fabric of our musical city. These and other stories, as we celebrate the past and look forward to the rest of 2016/17, the first glimpses of 2017/18, and beyond!
In this issue: a conversation with pianist Stewart Goodyear, in advance of his upcoming show at Koerner Hall; a preview of the annual New Year’s phenomenon that is Bravissimo!/Salute to Vienna; an inside look at music performance in Toronto’s health-care centres; and a reflection on the incredible life and lasting influence of the late Pauline Oliveros. These and more, in a special December/January combined issue!
In this issue: David Jaeger and Alex Pauk’s most memorable R. Murray Schafer collabs, in this month’s installment of Jaeger’s CBC Radio Two: The Living Legacy; an interview with flutist Claire Chase, who brings new music and mindset to Toronto this month; an investigation into the strange coincidence of three simultaneous Mendelssohn Elijahs this Nov 5; and of course, our annual Blue Pages, a who’s who of southern Ontario’s live music scene- a community as prolific and multifaceted as ever. These and more, as we move full-force into the 2016/17 concert season- all aboard!
Music lover's TIFF (our fifth annual guide to the Toronto International Film Festival); Aix Marks the Spot (how Brexit could impact on operatic co-production); The Unstoppable Howard Cable (an affectionate memoir of a late chapter in the life of of a great Canadian arranger; Kensington Jazz Story (the newest kid on the festival block flexes its muscles). These stories and much more as we say a lingering goodbye to summer and turn to the task, for the 22nd season, of covering the live and recorded music that make Southern Ontario tick.
It's combined June/July/August summer issue time with, we hope, enough between the covers to keep you dipping into it all through the coming lazy, hazy days. From Jazz Vans racing round "The Island" delivering pop-up brass breakouts at the roadside, to Bach flute ambushes strolling "The Grove, " to dozens of reasons to stay in the city. May yours be a summer where you find undiscovered musical treasures, and, better still, when, unexpectedly, the music finds you.
INSIDE: The Canaries Are Here! 116 choirs to choose from, so take the plunge! The Nylons hit the road after one last SING! Fling. Jazz writer Steve Wallace wonders "Watts Goode" rather than "what's new?" Paul Ennis has the musical picks of the HotDocs crop. David Jaeger's CBC Radio continues golden for a little while yet. Douglas McNabney is Music's Child. Leipzig meets Damascus in Alison Mackay's fertile imagination. And "C" is for KRONOS in Wende Bartley's koverage of the third annual 21C Festival. All this and as usual much much more. Enjoy.
From 30 camp profiles to spark thoughts of being your summer musical best, to testing LUDWIG as you while away the rest of so-called winter; from Scottish Opera and the Danish Midtvest, to a first Toronto recital appearance by violin superstar Maxim Vengerov; from musings on New Creations and new creation, to the boy who made a habit of crying Beowulf; it's a month of merry meetings and rousing recordings reviewed, all here to discover in The WholeNote.
2016 is off to a flying start! We chronicle the Artful Times of Andrew Burashko, the violistic versatility of Teng Li, the ageless ebullience of jazz pianist Gene DiNovi and the ninetieth birthday of trumpeter Johnny Cowell. Jaeger remembers Boulez; Waxman recalls Bley's influence, and Olds finds Bowie haunting Editor's Corner. Oh, and did we mention there's all that music? Hello (and goodbye) to the February blues, and here's to swinging through the musical vines of the Year of the Monkey.
What's a vinyl renaissance? What happens when Handel's Messiah runs afoul of the rumba rhythm setting on a (gasp!) Hammond organ? What work does Marc-Andre Hamelin say he would be content to have on every recital program he plays? What are Steve Wallace's favourite fifty Christmas recordings? Why is violinist Daniel Hope celebrating Yehudi Menuhin's 100th birthday at Koerner Hall January 28? Answers to all these questions (and a whole lot more) in the Dec/Jan issue of The WholeNote.
"Come" seems to be the verb that knits this month's issue together. Sondra Radvanovsky comes to Koerner, William Norris comes to Tafel as their new GM, opera comes to Canadian Stage; and (a long time coming!) Jane Bunnett's musicianship and mentorship are honoured with the Premier's award for excellence; plus David Jaeger's ongoing series on the golden years of CBC Radio Two, Andrew Timar on hybridity, a bumper crop of record reviews and much much more. Come on in!
Vol 21 No 2 is now available for your viewing pleasure, and it's a bumper crop, right at the harvest moon. First ever Canadian opera on the Four Seasons Centre main stage gets double coverage with Wende Bartley interviewing Pyramus and Thisbe composer Barbara Monk Feldman and Chris Hoile connecting with director Christopher Alden; Paul Ennis digs into the musical mind of pianist Benjamin Grosvenor, and pianist Eve Egoyan is "On the Record" in conversation with publisher David Perlman ahead of the Oct release concert for her tenth recording. And at the heart of it all the 16th edition of our annual BLUE PAGES directory of presenters profile the season now well and truly under way.
Paul Ennis's annual TIFF TIPS (27 festival films of potential particular musical interest); Wu Man, Yo-Yo Ma and Jeffrey Beecher on the Silk Road; David Jaeger on CBC Radio Music in the days it was committed to commissioning; the LISTENING ROOM continues to grow on line; DISCoveries is back, bigger than ever; and Mary Lou Fallis says Trinity-St. Paul's is Just the Spot (especially this coming Sept 25!).