(The Gallant Weaver) and Schafer (In Memoriam Alberto Guerrero), along with a performance of James Rolfe’s When Lilacs Last in the Dooryard Bloom’d, a Soundstreams commission from 2006 based on Walt Whitmans’s elegy written after the assassination of U.S. President Abraham Lincoln. Then in mid-month, Soundstreams will kick off a series of events being planned to celebrate the 80th birthday of minimalist pioneer Steve Reich culminating in a gala concert on April 14. Getting the ball rolling will be their second Ear Candy event on March 19 featuring Reich’s first major work It’s Gonna Rain, created from a surprise discovery made while fiddling about with out-of-sync tape loops. The phasing technique he developed from these experiments paved the way for the birth of his minimalist aesthetic. It’s also an opportunity to hear his Electric Counterpoint which has been recorded by such artists as Radiohead’s Jonny Greenwood, whose Water will have its Canadian premiere in the New Creations Festival on March 12. The Ear Candy evening also features a diverse array of local artists, each of whom has been influenced by the minimalist aesthetic. Four of these performers, including DJ SlowPitchSound and Brandon Valdivia, will also be performing the previous evening on March 18 at the Soundstreams’ Salon 21, which offers a historical look at the development of minimalism. Music Gallery: The performance of Reich’s music continues over at the Music Gallery in a concert on March 17 featuring composer and performer Michael Century. In his earlier days, Century founded The Banff Centre for the Arts Media Arts program in 1988, a program that helped initiate new media practice in Canada. In this concert, Century will perform Reich’s Piano Counterpoint, an arrangement for solo piano and tape of Reich’s classic Six Pianos, as well as premieres of his own works for piano, accordion and live electronics. These works use open software and an eight-channel immersive speaker array. Additional pieces by American composers Julia Wolfe, John Cage and Morton Feldman will be heard in the second half of the evening. The Music Gallery continues to mark their 40-year history with an installation and listening salon opening on March 11 celebrating their partnership with Musicworks Magazine. The magazine has a long tradition of including recordings with their print issues, first released as cassettes and now as CDs. Past and present editors and contributors to the cassette legacy will be speaking of their memories and experiences at the opening event. New Music Concerts: New Music Concerts is also busy with two upcoming concerts. On March 11 (in Kitchener) and March 13 (in Toronto) in a co-presentation with the Music Gallery, the Quasar Saxophone Quartet performs music by five Quebecois composers writing for saxophone quartet and electronics, including video in one of the works. The quartet is dedicated to the creation of contemporary works with their interests ranging from instrumental music to improvisation and electronics. On April 3, the electronic theme continues with their concert entitled Viva Electronica. It will be an evening of three world premieres, all of them NMC commissions from composers Anthony Tan, Keith Hamel and Paul Steenhuisen. Each of these artists has done significant research in the world of electronics, live electroacoustics and music software programming, as well as taught the ins and outs of working with music technology at various universities. Additional New Music Events: Mar 6: John Laing Singers perform works by Glen Buhr and Eric Whitacre. Mar 6: Junction Trio hosts Schola Magdalena performing works by Stephanie Martin. Mar 10: Canadian Music Centre; “Truth North Stories” with piano works by Anhalt and Morawetz. Mar 18 Canadian Music Centre; “Canadian Art Song Showcase” with works by Alice Ho, John Beckwith, Sylvia Rickard and Hiroki Tsurumoto. Apr 2: Nagata Shachu with TorQ, performing works for Japanese, Western and world percussion. Wendalyn Bartley is a Toronto-based composer and electro-vocal sound artist. sounddreaming@gmail.com. we’re not voting for our bank balance. Thursday March 31, 2016 Darius Milhaud – La création du monde Hussein Janmohamed – Nur: Reflections on Light for choir Douglas Schmidt – Sirens* Alex Pauk – Devotions** for choir and orchestra Alex Pauk – conductor The Elmer Iseler Singers / Lydia Adams – conductor *World Premiere – commissioned by Esprit with generous support from The Koerner Foundation **World Premiere - commissioned by The Koerner Foundation through The Elmer Iseler Singers ESPRIT ORCHESTRA Alex Pauk, Founding Music Director & Conductor Season Sponsor Concert Sponsors Timothy & Frances Price 8:00pm, Koerner Hall | Tickets 416 408 0208 | espritorchestra.com | #EspritO The Koerner Foundation The Mary-Margaret Webb Foundation The Max Clarkson Family Foundation 16 | March 1, 2016 - April 7, 2016 thewholenote.com
Beat by Beat | Choral Scene Gamers and Easter? Choral Strands BRIAN CHANG “…It’s important that we also treat games as art, and when the opportunity comes along to engage with games as works of art that we take advantage of that opportunity” – Matt Sainsbury, Editor-in- Chief, Digitally Downloaded Easter marks the second busiest time of the year for the choral community, second only to Christmas. But even though much of this month’s column will be devoted to these wonderful musical opportunities, I thought I’d start out by focusing on something not often written about in Toronto – video game music. The Legend of Zelda Symphony of the Goddesses – Master Quest arrives for one night, March 19, 8pm at the Sony Centre on its international tour. This updated show returns with some of the most iconic video game music ever written, including music from the newest game, “Tri Force Heroes.” It is a massive entertainment event that always sells out, so it doesn’t need our help. But I am highlighting it here for a number of reasons: it is a chance to see a talented female conduct a major work in Toronto; there is a lot of choral music in it and not all of it is English; I have friends who have sung it and really enjoy the energy of the music; normally, travelling shows like this won’t even bother to hire a choir; they’ll just record sung chords to a synthesizer and use that; so this is a nice treat; oh, and it’s really, Amy Andersson really fun. Japan has long embraced both gaming and music, having done live performances of video game music as early as 1991. In 2005, the very first video game concert by the LA Philharmonic in the Hollywood Bowl saw 11,000 attendees. In 2011 and 2012, the London Philharmonic recorded The Greatest Video Game Music, volumes one and two. These were huge hits and topped classical charts. The widely popular German Symphonic Game Music Concerts take place annually in the Cologne Philharmonic Hall. This is a major art form and an incredible source of new performance opportunities for both choirs and orchestras. In Zelda, composer Koji Kondo’s music has been arranged into a full four-movement symphony for choir and orchestra with a host of smaller pieces representing 18 games over 30 years. Conductor Amy Andersson touring along with executive producer Jason Michael Paul, leads the Tallis Choir and the Kitchener-Waterloo Symphony Silent Movie iMproviSation ConCert “King of Kings” Palm Sunday, march 20, 7:00 Pm Yorkminster Park BaPtist ChurCh A special screening of Cecil B. DeMille’s 1928 black and white classic. Featuring the improvisations of internationally renowned david BriggS at the Yorkminster Park organ. Free Will Offering for Choir Fund Yorkminster Park BaPtist ChurCh 1585 Yonge Street (two blocks north of St. Clair Ave.) 416-922-1167 For more information on our lent and Easter Services visit www.yorkminsterpark.com thewholenote.com March 1, 2016 - April 7, 2016 | 17
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