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Volume 22 Issue 1 - September 2016

  • Text
  • September
  • Toronto
  • Jazz
  • October
  • Festival
  • Symphony
  • Musical
  • Orchestra
  • Theatre
  • Quartet
  • Volume
Music lover's TIFF (our fifth annual guide to the Toronto International Film Festival); Aix Marks the Spot (how Brexit could impact on operatic co-production); The Unstoppable Howard Cable (an affectionate memoir of a late chapter in the life of of a great Canadian arranger; Kensington Jazz Story (the newest kid on the festival block flexes its muscles). These stories and much more as we say a lingering goodbye to summer and turn to the task, for the 22nd season, of covering the live and recorded music that make Southern Ontario tick.

FOR OPENERS | DAVID

FOR OPENERS | DAVID PERLMAN Ten Years Straight “I’ve lasted. I guess I’m sort of successful now, but I worked for nothing for years, and I cried for ten years straight! (laughs). Nobody helped me. They’d say, too bad, so sorry! I used to want to quit every day, then it was every week, then monthly and now it’s maybe once a year.” To know who’s being quoted in the lines above, you’re going to have to turn to Ori Dagan’s “Free Times Thirty Five” (on page 46 in the September print edition). Safe to say, though, if we had ten bucks for every musician, idealistic publisher or arts dreamer in town who can relate to the quote, we’d have had way less trouble raising the dollars to pay this month’s print bill! The title “Ten Years Straight,” coincidentally, would also work just fine as a reference to now-nonagenarian columnist Jack MacQuarrie’s remarkable ten year tenure as our Bandstand columnist (page 36). In this month’s column, MacQuarrie points out the fact that composer/ arranger Howard Cable was featured in the very first column he wrote for us, and is featured again in this one, albeit for poignantly different reasons. Composer/arranger Howard Cable, a towering figure on the Canadian musical landscape, is also affectionately and entertainingly remembered in this issue by guest writer Michele Jacot (“The Unstoppable Howard Cable,” page 52). Although their professional association was relatively brief, it was also, as you will read, unforgettable. Interestingly, another Cable collaborator, Martin Loomer (who worked with Cable as his copyist for decades, literally until the day before Cable died) also features, if somewhat indirectly, in this issue. Loomer, you see, is now music director of the Jim Galloway Wee Big Band. For Toronto jazz lovers, Galloway’s name is synonymous with the Toronto Downtown Jazz Festival, of which he was the longtime artistic director. WholeNote readers in particular will also remember Galloway as our 14-year “Jazz Notes” columnist, and a tireless advocate for live musical performance. All this to say, on September 15, the Wee Big Band, under Loomer’s direction, will reconvene, for the second time in the Garage - the performance space at 720 Bathurst Street, home-base of The WholeNote. Presented by the Ken Page Memorial Trust in support of the Trust’s educational scholarship fund, it promises to be a rousing musical evening in celebration of Galloway’s life. (Details can be found in a little ad on page 37 of this magazine.) I’ll hope to see you there! In fact, if you tell me you found out about the event by reading this column, I’ll even let you buy me a drink! Fools rush in: For those in the know, September 15 (date of the aforementioned Galloway gig) is a pretty brave time to be scheduling a live musical event in Toronto. In fact any day between September 8 and 18 this year runs the risk of falling into the media shadow of TIFF (Toronto International Film Festival), one of the largest festivals of any description on the Canadian landscape. As WholeNote managing editor Paul Ennis can attest, TIFF precipitates an annual loyalty crisis for any WholeNote reader with a passion for film. Fortunately, Ennis comes to the rescue with “Music Lovers’ TIFF” (page 12), his fifth annual guide to films of musical significance at the festival. The WholeNote VOLUME 22 NO 1| SEPTEMBER 1 - OCTOBER 7, 2016 Centre for Social Innovation 720 Bathurst St., Suite 503, Toronto ON M5S 2R4 PHONE 416-323-2232 | FAX 416-603-4791 Publisher/Editor In Chief | David Perlman publisher@thewholenote.com Chairman of the Board | Allan Pulker directors@thewholenote.com EDITORIAL Managing Editor | Paul Ennis editorial@thewholenote.com Recordings Editor | David Olds discoveries@thewholenote.com Social Media Editor | Sara Constant editorial@thewholenote.com Listings Editor | John Sharpe listings@thewholenote.com Club Listings Editor | Bob Ben jazz@thewholenote.com SALES, MARKETING & MEMBERSHIP Concerts & Events/Membership | Karen Ages members@thewholenote.com Record Industry Sales/Marketing | Thom McKercher thom@thewholenote.com Advertising/Production Support/Operations Jack Buell | adart@thewholenote.com Classified Ads | classad@thewholenote.com Website/Systems | Bryson Winchester systems@thewholenote.com Website/Systems Support | Kevin King kevin@thewholenote.com Circulation/Subscriptions | Chris Malcolm circulation@thewholenote.com SUBSCRIPTIONS per year + HST (9 issues) THANKS TO THIS MONTH’S CONTRIBUTORS Beat Columnists Paul Ennis, Wendalyn Bartley, Brian Chang, Christopher Hoile, David Podgorski, Hans de Groot, Andrew Timar, Jack MacQuarrie, Ori Dagan, mJ buell Features Peter Goddard, Bob Ben, David Jaeger, Paul Ennis, Michele Jacot CD Reviewers Alex Baran, Stuart Broomer, Raul Da Gama, Hans De Groot, Daniel Foley, Janos Gardonyi, Richard Haskell, Tiina Kiik, Roger Knox, Jack MacQuarrie, Lesley Mitchell-Clarke, Ivana Popovic, Ted Quinlan, Cathy Riches, Terry Robbins, Michael Schulman, Sharna Searle, Bruce Surtees, Andrew Timar, Ken Waxman, Dianne Wells, Vanessa Wells, Elliot Wright Proofreading Vanessa Wells, Jennifer Liu, John Sharpe, Paul Ennis, Sara Constant Listings John Sharpe, Bob Ben,Tilly Kooyman, Ruth Atwood, Simone Desilets, Jennifer Liu, Katie White Circulation Team Abram Bergen, Beth Bartley / Mark Clifford, Bob Jerome, Dagmar Sullivan, Dave Taylor, Garry Page, Gero Hajek, Jack Buell, James Harris, John Dodington, Jeff Hogben, Jonathan Spencer, Lorna Nevison, Manuel Couto, Micah Herzog, Patrick Slimmon, Paul Ennis, Robert Faulkner, Sharon Clark, Tiffany Johnson, Tom Sepp, Vanita Butrsingkorn, Wende Bartley Layout & Design Bryson Winchester an Ontario government agency un organisme du gouvernement de l’Ontario Upcoming Dates & Deadlines Free Event Listings Deadline 6pm Thursday September 8 Display Ad Reservations Deadline 6pm Thursday September 15 Classifieds Deadline 6pm Sunday September 25 Advertising Materials Due 6pm Sunday September 18 Publication Date Tuesday September 27 (Online) Thursday September 29 (Print) Volume 22 No 2 covers October 1 - November 7, 2016 WholeNote Media Inc. accepts no responsibility or liability for claims made for any product or service reported on or advertised in this issue. Printed in Canada Couto Printing & Publishing Services Circulation Statement September 2016: 30,000 printed & distributed Canadian Publication Product Sales Agreement 1263846 ISSN 14888-8785 WHOLENOTE Publications Mail Agreement #40026682 Return undeliverable Canadian addresses to: WholeNote Media Inc. Centre for Social Innovation 503–720 Bathurst Street Toronto ON M5S 2R4 COPYRIGHT © 2016 WHOLENOTE MEDIA INC thewholenote.com 6 | September 1, 2016 - October 7, 2016 thewholenote.com

Kensington Jazz: Also daring to tiptoe into the TIFF lion’s den this year is a brash 2016 festival upstart, the first annual Kensington Market Jazz Festival (KMJF), scheduled to run September 16 to 18, TIFF’s final weekend. Far from being daunted, Molly Johnson, the KMJF’s artistic director actually relishes the challenge. She has somehow roped in nearly 100 musicians who read like a Who’s Who of Canadian jazz. (See Bob Ben’s “A Kensington Jazz Story” on page 15.) The WholeNote traces our earliest roots, in the early 1990s, to a column called “Pulse” in a little independent community newspaper called The Kensington Market DRUM. This new arrival on the festival scene brings our own history full circle, in a rather fine and dandy way. So, I’ll hope to see you there too. In fact, if you tell me you found out about the event in this column, I’ll even let you buy me a drink! Not ready for fall: Blame it on climate change, if you will, but this September issue it’s been even harder than usual to let go of writing about what we all did with our summer vacations, and to settle into the serious business of the musical seasons ahead. A case in point is guest writer Peter Goddard’s “Aix Marks the Spot” on page 8, which deals with an important summer opera festival in the south of France. It’s not all hindsight, though; as Goddard explains, there’s an interesting explanation for how and why what shows up at Aix in the summer may well show up at the Canadian Opera Company in the fall (and a serious object lesson, based on Brexit as a case study, as to what can happen to the cultural community as a whole, when individual entities within that community decide to go it alone.) And if all this isn’t enough on the festival front, Wende Bartley (“In with the New,” page 26) and Andrew Timar (“World View,” page 35) both zero in (albeit for refreshingly different reasons), on yet another festival that is a new kid on the block – “in/future” at Ontario Place from September 15 to 25. Reading between the lines, “in/future” looks to me like a profoundly important attempt to establish artistic squatters’ rights to a profoundly important social and cultural public space otherwise ripe for the wrecker’s ball. So check it out! (If I see you there, I’ll buy you a drink.) The inside view: One of the things that make this magazine a bit different from many is that a number of of our regular writers are players (literally) in the music scene they write about here. Bartley, for example, is an active participant in in/future, the festival her column revolves around this issue. And harpsichordist David Podgorski, whose ““Early Music” column (page 34) is, in the main, an entertaining discourse on the renaissance of the fortepiano, wraps up by referencing a concert by his own period ensemble, Rezonance, that like the aforementioned Wee Big Band gig takes place here in the Garage at 720 Bathurst Street, on September 25. (Mention to him that you found out about the concert in this column, and I’m sure he will let you buy him a drink.) Speaking of the inside view, this issue also includes the 12th installment of former CBC Radio Producer David Jaeger’s ongoing series on the Golden Years of CBC Radio (page 78), over the course of which he has taken us from the early years of Glenn Gould’s association with CBC Radio through to the apparent end, in 2008, of the CBC’s commitment to the nurturing of the music that fills these pages. Now that the overall terrain of the story has been surveyed, it will be interesting to discover, in this next go round, where he chooses to drill down! Welcome (and welcome back): With the upcoming October issue, “the season” gets off and running in earnest. Both on stage and behind the scenes, we’ll hope to be your companion through its twists and turns, highs and lows. Start your engines. publisher@thewholenote.com INDEX OF ADVERTISERS Adam Sherkin 43 All Saints Kingsway Anglican Church 35, 39 ArtsMediaProjects 51 ATMA 5 Attila Glatz Concert Productions 21 Bassoon Out Loud 41 Canadian Opera Company 43, 45, 77 Cathedral Bluffs Symphony Orchestra 23 Christ Church Deer Park Jazz Vespers 47 Elmer Iseler Singers 33 Elora Festival Singers 32 Esprit Orchestra 4 Greater Toronto Philharmonic Orchestra 25 Hannaford Street Silver Band 17 Horizon Tax 51 in/future 13 Ken Page Memorial Trust 37 Li Delun Music Foundation 41, 50 Long & McQuade 49 MasterPerforming 51 Mooredale Concerts 41 Music at Metropolitan 24 Music at Metropolitan / Noon at Met 39 Music Toronto 9 Musicians in Ordinary 42 Naxos 57 New Horizon Bands 53 New Music Concerts 27, 42 Off Centre Music Salon 28, 40 Opera Atelier 76 ORIANA Women’s Choir 31 Orpheus Choir 31, 50 Pasquale Bros. Downtown 49 Paul O’Connell 51 Quattor Bozzini 57 Remenyi House of Music 29 Rhodes Electric Piano 51 Roy Thomson Hall 23 Royal Canadian College of Organists 50 Royal Conservatory 11, 41, 42 Show One Productions 3 Sony Centre for the Arts 20 Soundstreams 79 St. Jude’s Celebration of the Arts 44 St. Olave’s Church 41 Steinway Piano Gallery 21 Tafelmusik 2, 40, 43 Talisker Players 19 That Choir 30 Toronto Masque Theatre 40 Toronto Mendelssohn Choir 33 Toronto Operetta Theatre 18 Toronto Symphony 40, 42, 80 Trio Arkel 42 U of T Faculty of Music 15, 43 Universal Music 57 Victoria College - UofT 50 Voicebox - Opera in Concert 19 Windermere String Quartet 23, 43 Women’s Musical Club of Toronto 43 Yorkminster Park Baptist Church 23, 40 thewholenote.com September 1, 2016 - October 7, 2016 | 7

Volumes 21-25 (2015-2019)

Volume 24 Issue 8 - May 2019
Volume 24 Issue 7 - April 2019
Volume 24 Issue 6 - March 2019
Volume 24 Issue 5 - February 2019
Volume 24 Issue 4 - December 2018 / January 2019
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