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Volume 22 Issue 4 - December 2016/January 2017

  • Text
  • December
  • Toronto
  • Arts
  • January
  • Symphony
  • February
  • Jazz
  • Performing
  • Choir
  • Orchestra
  • Volume
  • Thewholenote.com
In this issue: a conversation with pianist Stewart Goodyear, in advance of his upcoming show at Koerner Hall; a preview of the annual New Year’s phenomenon that is Bravissimo!/Salute to Vienna; an inside look at music performance in Toronto’s health-care centres; and a reflection on the incredible life and lasting influence of the late Pauline Oliveros. These and more, in a special December/January combined issue!

One wonders what the

One wonders what the undoubtedly erudite and pious 12th-century nun would make of the new age marketing of her records, but no matter. The music remains extraordinary. Less well-known than Hildegard is a later mystic and nun, Anna of Cologne, who, as a 16th-century compiler of hymns and songs from a non-cloistered community, collected songs in both Latin and Middle German by other composers, who, with some very rare exceptions, remain completely unknown to us. The result is a uniquely spiritual take on the Christmas holidays, and where other musical groups emphasize the festive side of the holidays, Hildegard’s and Anna’s music shows us a more somber side of the darkest days of the year. Check out the Consort at Trinity-St. Paul’s Centre, December 9 through 11. Cantemus: Still, there’s nothing wrong with wanting to celebrate, and if you’d rather listen to a choral ensemble for a dose of holiday cheer, consider going to a concert by the Cantemus Singers in December. Their concert, “In Dulci Jubilo,” will be a lively and joyful celebration of the music of Praetorius, Hassler, Schütz and Bach. Cantemus is an a cappella group devoted to Renaissance madrigals and chansons, and they will do a fine job with repertoire that’s upbeat and festive. Catch them in two performances, at the Church of the Holy Trinity on December 3 at 7:30pm, and at St. Aidan’s Anglican Church on December 4 at 3pm. Haydn Operatic Gem in Concert: Among the Classical composers, it’s generally agreed that Mozart is the father of modern opera and Haydn the founder of the instrumental music we enjoy today. But besides composing on an exhausting schedule that included symphonies, chamber music and solo performances specifically tailored to the tastes of one Prince Nikolaus Esterházy, one of the most powerful aristocrats in the Austro-Hungarian Empire, Haydn was also responsible for managing an opera troupe for the amusement of his employer. In addition to two concerts a week of instrumental music, Haydn was contractually obliged to put on a different opera every week at the Esterházy palace. And although there was no way Haydn could have composed 52 operas a year, he did manage to write about 15 (that we know of) while employed by the prince, although unfortunately, none of them are performed more than occasionally. But on February 5 at the St. Lawrence Centre for the Arts at 2:30pm, Opera in Concert and the Aradia Ensemble will be presenting one of these forgotten gems by the founding father of the Classical canon. L’Isola disabitata was an opera written by Haydn in 1779 based on a libretto by Metastasio and is an excellent example of the mature style of a prolific composer whose works were just starting to circulate around Europe. Although we don’t associate Haydn with opera today, he was more than capable of writing great vocal music, and Aradia and Opera in Concert will give this work the level of excitement and interpretive insight it needs. Get to this concert if you possibly can. Beauséjour in Belleville: Outside the city, Belleville audiences can look forward to hearing a gifted solo musician in the new year. The talented Quebecois harpsichordist Luc Beauséjour has an encyclopedic catalogue of albums behind him and will be coming to play in St. Thomas’s Church in Belleville for a pay-what-you-can concert. No word yet on the program, but Beauséjour is a veteran of solo Baroque keyboard music and a technically flawless musician. If you’re in the Belleville area, you should definitely try to make it to his show on January 15 at 4:30pm. Taylor’s TEM: Closer to the city, countertenor Daniel Taylor has made a name for himself as a soloist and opera singer, but lately his choir and chamber music performances have been gaining both notice and acclaim. Led by Taylor, the Choir of the Theatre of Early Music is made up mainly of younger Montreal-based singers. January 21 at 8pm, St. Jude’s Celebration of the Arts presents the group in a concert of contemporary and Renaissance a cappella vocal works by some great English choral composers, including Thomas Tallis, William Byrd and John Tavener. Taylor is a gifted singer with a glorious voice who has a fine ear for young talent, and the TEM choir is an exceptional group of voices. David Podgorski is a Toronto-based harpsichordist, music teacher and a founding member of Rezonance. He can be contacted at earlymusic@thewholenote.com. Beat by Beat | Bandstand Newmarket Citizens’ Band Sesquicentennial JACK MACQUARRIE With Canada’s sesquicentennial year only one month away, municipalities and organizations all over the country are searching their archives for records of significant events over the past 150 years which could stimulate community interest in this year of reflection and celebration. Unfortunately, in the band world, there are few bands whose history goes back even half that 150-year time span. One band which does have some good material in their archives is the Newmarket Citizens’ Band. In a recent exploration of the band’s archives, they found a photograph of the band taken in the year 1883. With the sesquicentennial year approaching, what better time to show off this picture, to show the citizens of the community that their band has been there to provide music for town events for all but five years of Confederation. The Newmarket Citizens Band in front of Old Town Hall, Newmarket. At an evening meeting of council, several members of the band, wearing their red blazers, arrived for the presentation. In the announcement of their deputation to council, the band pointed out that “Since 1872, the Newmarket Citizens’ Band has been an integral part of the cultural and social landscape of the town of Newmarket.” To commemorate the opening of the newly restored Old Town Hall they presented a large framed photograph of the town band taken in August 1883 just a few weeks after the original opening of the Old Town Hall on July 1, 1883. The photo of the band was taken during the Firemen’s Excursion to Niagara Falls on the Civic Holiday, August 8, 1883. An article about the event, including this photo, was published in the Newmarket Era of the day. Approximately 250 residents travelled by train and then steamship to Niagara Falls and the band went along to provide entertainment. It is a prime example of the band’s long involvement in the social and cultural life of the town. The write-up of the trip mentioned that the band, reinforced by two gentlemen from Sharon and Bolton, “enlivened the trip by music on the fore deck; good music is never so pleasing as on the water.” A formal public unveiling of the photo was scheduled to take place at the band’s “Simple Gifts” Concert at the Old Town Hall on Botsford Street, Friday, December 2, 2016. (On a personal note, some 35 years ago, I played there for a few years in monthly concerts of The 34 | December 1, 2016 - February 7, 2017 thewholenote.com

JACK MACQUARRIE “…under the big elm in 1883.” Newmarket Jazz Appreciation Society, and our small Dixieland group was known as “The Botsford Street Ramblers.”) Since it is rare to find this much information about a band’s activities almost 150 years ago, it is worth including here some of the historical information about the band recently presented to the Newmarket mayor and council. “The band formed in 1872 with roots going back to as early as 1843. Walter W. Roe, son of the town’s postmaster and fur trader, William Roe, circulated a petition among the local business community to raise funds. The 12 band members contributed each and along with 69 other contributors raised the sum 9 to purchase instruments.” To quote the petition: “Whereas we, the undersigned, think it a disgrace to the inhabitants of Newmarket that they should have, on all festive occasions, to send to the small villages of Aurora and Sharon for a band, we have determined, with the consent and assistance of our fellow-townsmen, to form one of our own.” The timing of the recent presentation could not have been better from a number of perspectives. For one, the band delegation met with the mayor and council within a few days of the reopening of the beautifully restored Old Town Hall, which is now destined to be a prime performance venue. For another, it has only been a few weeks since the band was informed that they would now have an excellent permanent rehearsal home complete with storage in a large town recreation centre. Wandering from place to place for rehearsals has been the norm since their former rehearsal space was destroyed by arsonists many years ago. Last but not least, it just also happened a few days after the band paraded, as it has for years, in the town’s annual Santa Claus parade. Just outside of the council chambers, in the lobby of the town hall, there is a large imposing mural depicting “The Newmarket Citizens’ Band gathered under the big elm in 1883.” New Horizons. By now it should not be a surprise, but I just received a note about yet another New Horizons group that we had not previously heard from. Lynda Shewchuk, music director of Lakeshore New Horizons Bands in Bowmanville, tells us that the band is now in its sixth year. She says that the thriving group is “not very large” with only 60 members! They have a senior band, intermediate band and a beginners class. They also have a small jazz band. She states that “our members are very active and enthusiastic, with many playing in two or even three bands. Quite a few of our members play two different instruments, one in each concert band.” Recent Events: In early November the Milton Concert Band lost one of its long time members, Rev. Christopher Snow. On November 6 “A Memorial Concert for Chris Snow” was presented to proclaim “A life celebrated through music.” On November 20 the Wychwood Clarinet Choir concert continued to amaze with their unique arrangements of works for orchestra and concert band. This time it was the Holst Second Suite in F for concert band. In the early 1920s the leaders of Britain’s Royal Military School of Music at Kneller Hall lamented the lack of larger serious works for concert band. Until then, if bands wanted to play longer multi-movement works they had to rely on transcriptions of orchestral works. They commissioned Gustav Holst to write two suites for concert band. Since then these suites have been part of the concert band repertoire. This transcription maintained all of the highlights and nuances contained in the original. Local composer Fen Watkin also contributed a fine version of Villanesca, Spanish Dance No.4 by Granados. In a conversation after the concert, Watkin mentioned that, for sesquicentennial year 2017, he might like to write some arrangements of Canadian works. I did not mention it then, but I would like to suggest Calixa Lavallée’s La rose nuptiale. Initiatives. Every once in a while, we hear of initiatives taken by bands to either help with their finances or otherwise enhance their relationship with their communities. In November, the Aurora Band held its annual holiday market where shoppers could find one-of-akind gifts from 38 unique local vendors. For their Canada 150 festivities, the band has commissioned a composition from professor Bill Thomas of York University. The band will give the premiere performance of this number at its concert on Canada Day, 2017. On the fundraising front, the Strings Attached Orchestra has become a registered charity to provide some financial incentive for donors so that they may continue to bring music into the community. Coming Events Dec 5: Resa’s Pieces will present “A Tribute to the Beatles and Beach Boys,” 7:30pm at York Mills Collegiate. Dec 6: Silverthorn Symphonic Winds present the next concert in their series, 59 Minute Soiree. These mini-concerts feature a variety of lighter music, perfect for unwinding after a day at work. At 7:30, Wilmar Heights Event Centre – Concert Hall. Dec 9: The Aurora Community Band will present holiday entertainment like no other – its “Heroes and Monsters: A Holiday Concert” – at 7:30, Trinity Anglican Church, 79 Victoria St., Aurora. Dec 10: For their annual holiday concert, “The Bells of Christmas,” the Milton Concert Band will not only include the traditional musical favourites but will feature, as guests, Eden Bells A-Peel, a long-established handbell choir from Eden United Church in Mississauga. In Victorian times, it was very fashionable to go carol singing with small handbells to play the tune of the carol. Sometimes there would be no singing, just the music of the handbells. Handbell ringing is still popular today and if you have never heard a handbell choir, then this is a concert well worth a visit: 8pm Milton Centre for the Arts, 1010 Main St. East, Milton. Dec 11: The Clarington Concert Band presents their “Most Wonderful Time Of The Year” featuring singers Father Paul, Kelly Robertson and Lisa Heitzner, 2pm at St. Joseph’s Catholic Church, 127 Liberty St. South, Bowmanville. Dec 11: The Strings Attached Orchestra presents their third annual “Friends and Family Holiday Concert,” 2pm at Congregation Ban’s Torah, 465 Patrician Ave., Toronto. Jack MacQuarrie plays several brass instruments and has performed in many community ensembles. He can be contacted at bandstand@thewholenote.com. thewholenote.com December 1, 2016 - February 7, 2017 | 35

Volumes 21-25 (2015-2020)

Volume 25 Issue 7 - April 2020
Volume 25 Issue 6 - March 2020
Volume 25 Issue 5 - February 2020
Volume 25 Issue 4 - December 2019 / January 2020
Volume 25 Issue 3 - November 2019
Volume 25 Issue 2 - October 2019
Volume 25 Issue 1 - September 2019
Volume 24 Issue 8 - May 2019
Volume 24 Issue 7 - April 2019
Volume 24 Issue 6 - March 2019
Volume 24 Issue 5 - February 2019
Volume 24 Issue 4 - December 2018 / January 2019
Volume 24 Issue 3 - November 2018
Volume 24 Issue 2 - October 2018
Volume 24 Issue 1 - September 2018
Volume 23 Issue 9 - June / July / August 2018
Volume 23 Issue 8 - May 2018
Volume 23 Issue 7 - April 2018
Volume 23 Issue 6 - March 2018
Volume 23 Issue 4 - December 2017 / January 2018
Volume 23 Issue 3 - November 2017
Volume 23 Issue 2 - October 2017
Volume 23 Issue 1 - September 2017
Volume 22 Issue 9 - Summer 2017
Volume 22 Issue 8 - May 2017
Volume 22 Issue 7 - April 2017
Volume 22 Issue 6 - March 2017
Volume 22 Issue 5 - February 2017
Volume 22 Issue 4 - December 2016/January 2017
Volume 22 Issue 2 - October 2016
Volume 22 Issue 1 - September 2016
Volume 21 Issue 9 - Summer 2016
Volume 21 Issue 8 - May 2016
Volume 21 Issue 6 - March 2016
Volume 21 Issue 5 - February 2016
Volume 21 Issue 4 - December 2015/January 2016
Volume 21 Issue 3 - November 2015
Volume 21 Issue 2 - October 2015
Volume 21 Issue 1 - September 2015

Volumes 16-20 (2010-2015)

Volumes 11-15 (2004-2010)

Volumes 6 - 10 (2000 - 2006)

Volumes 1-5 (1994-2000)