In this issue: an interview with composer/vocalist Jeremy Dutcher, on his upcoming debut album and unique compositional voice; a conversation with Boston Symphony hornist James Sommerville, as as the BSO gets ready to come to his hometown; Stuart Hamilton, fondly remembered; and an inside look at Hugh’s Room, as it enters a complicated chapter in the story of its life in the complex fabric of our musical city. These and other stories, as we celebrate the past and look forward to the rest of 2016/17, the first glimpses of 2017/18, and beyond!
JUSTIN RUIZ Thinking
JUSTIN RUIZ Thinking SMALLS continued from page 37 Beat by Beat | Jazz Stories more sophisticated recording system and we started recording every show, kept a log of who was on each gig. That started to grow very quickly, as weeks and months rolled by. So it became necessary to organize this library that was growing. I was thinking along the lines of back in the old days, in the 1930s, they used to put a radio wire in a club, and do live radio broadcasts in the clubs – that’s how Count Basie was discovered by John Hammond, who was driving his car in Chicago and turned on his AM radio and caught Basie’s band somewhere in Kansas City. The idea is that even if you have a small club you can shoot out the music electronically somewhere and it made sense to try the Internet. It got some traction right away, and this led to what has now become ‘Smalls Live’ which is a digital media company that has two components: live streaming, and our audio video archive that we have been working on since 2007. We wanted to make it all public and try to see if there was a way to make it all fair and beneficial for everybody. So we started to explore the ideas of what would be a fair model for sharing with artists and sharing with the public.” Wilner organized a couple of town hall-style meetings at Small’s where they invited musicians to come and speak and ask questions. “And we also did a couple of meetings with Union guys at the local 802 and musical reps – the idea was to ask what would be the fairest system in terms of payout, and we eventually came to the system we now have, which we call the Smalls Live Revenue Share project. Live streams are free, but if you want to access the archive you become a subscribing member – we call them “supporting members” and it’s a month. That allows you unlimited access to our library, which right now is about 12,000 recordings in there, and almost 2,000 musicians. We made partner with a tech guy and we designed a system whereby subscribers go to the archive and listen to shows or watch video.” The system records the number of seconds that subscribers are watching. Every artist at the end of a certain period is tagged with a total number of seconds that he or she was watched, either as a leader or a sideman on a gig. “So if someone watched the show and you’re associated with it, you’re going to get time credit, and so the money you get comes from how much you have been listened to. The other component that we offer is the fact that the recording itself is owned 100% by the artist. So if you come to Small’s and you play, that is your property, you have the right to not make it public, sell it any way you like, you keep 100% of the publishing and you keep the royalties from any original music. So we really endeavoured to make the fairest royalty paying system for musicians. That got launched in October 2015, and we are trying to build subscribers now. We are closing in on about 800 people that are paying a month at this time which doesn’t sound like a huge amount but it is enough to run this system. The artists have had two payouts where we gave away about ,000 to artists.” The amounts sound small, but the top 15-20 musicians in our system are getting substantially better payouts than what they would see from Spotify or any of these other services where they would be getting fractions of a penny. “They’d be getting a few hundred bucks, which can be a game-changer in an artist’s life. And of course as our subscriber base grows, so will their payouts. It’s been an interesting project – very successful, a lot of work. I don’t think our website is utilized the way it should be yet – I don’t think people are aware yet of what a resource it is. The number of recordings we have there is outstanding, including artists who are no longer with us. My goal is to hit 5000 subscribers worldwide.” How does it feel to be seen as a visionary, an innovator, an inspiration to jazz clubs around the world? “My hat is off to anyone that wants to run a jazz club anywhere – I have sympathy and love for anyone willing to take this path, it is a very thankless and generally speaking profitless job, but a very important one. Anytime I meet someone who is presenting this music, I support it heartily. The trick with a small business is that the guy who owns it has to work, you can’t really afford somebody to do your job. I’m glad to have all this responsibility. I relish it – I love my club and I love working there and performing there, I love the community of artists that hang out there. I think it’s a miracle that it exists and I want to keep going as long as we possibly can. All I can say is you have to work your ass off and not really expect much in terms of dough. People need jazz – they want it and need it – it’s a real service to humanity.” Following the success of Smalls, Wilner expanded the business to open Mezzrow, a magical haunt adorned by a Steinway, just a few doors down. One admission buys entry to both clubs on the same night. As our industry struggles to thrive and grow in an ever-changing world, we must keep an open mind; in clinging to the old, we must embrace the new. So subscribe to Smalls Live, support an artist on Patreon, and most importantly, go out to enjoy live music. Now’s the time! Spike Wilner Ori Dagan is a Toronto-based jazz musician, writer and educator who can be reached at oridagan.com 120 Diner 120 Church St. 416-792-7725 120diner.com (full schedule) All shows: PWYC (- suggested) Every Tue 6pm Leslie Huyler; 8pm Annie Bonsignore; 10pm Chris Brikett. Every Wed 6pm Laura Hubert; 8pm Lisa Particelli’s GNO Jazz Jam. February 2 6pm Julie Michels; 9pm Genevieve Marentette & Robert Scott. February 3 6pm John Amato & Joe Amato. February 4 6pm John Alcorn Sings George Gershwin . February 5 6pm The Jeni Show: Real People, Real Talk, Real Music ; Kim Boulter: Just Sayin’ . February 9 6pm Cynthia Fay; 9pm Nashville-Style Songwriters in the Round. February 10 6pm Caroline Martin-Rowe. February 11 6pm John Alcorn Sings Chet Baker . February 12 6pm Susan Cuthbert & JP Gedeon ; 8:30pm The Ault Sisters . February 16 6pm Ryley Murray Trio; 9pm Mandy Goodhandy’s Music & Madness Show feat. Whitney Ross-Barris, Sam Broverman, Arlene Cohen, Darryl Palmer. February 17 6pm LJ Folk. February 18 6pm John Alcorn Sings Jerome Kern . February 19 6pm A.J. Stewart; 8:30pm Merle Garbe Presents. February 23 6pm Stu Harrison & Stu MacDonald. February 24 6pm Sue & Dwight. February 25 6pm John Alcorn Sings Billie Holiday . February 26 5:30pm Quinn Dooley & Shania Silver-Baird ; 7pm OSCAR PARTY! Hosted by Jeni Walls & Jenna Warriner. D. In the Clubs (Mostly Jazz) Alleycatz 2409 Yonge St. 416-481-6865 alleycatz.ca All shows: 9pm unless otherwise indicated. Call for cover charge info. February 3 Urban Jive. February 4 Soular. February 10 Parkside Drive. February 11, 25 James King. February 17, 18 Lady Kane. February 24 Universal Boogie Band. Artword Artbar 15 Colbourne St., Hamilton. 905-543-8512 artword.net (full schedule) February 2 8pm The Distillery. February 8 8pm Mohawk Music Showcase hosted by Adrean Farrugia (piano) with Clark Johnston (bass) and feat. students Michael Morabito (sax), Alyssa Giammaria (voice). February 11 8pm Beg to Differ Trio: Tim Ninehouse (keys, voice), Doug Sikma (guitar), Steve Foster (drums) PWYC. February 17 8pm The Kirkendalls: Mark Caruana (voice, guitar), Tom Shea (bass), Jamie Shea (guitar), Mario Laquintana (drums). February 18 8pm The Ault Sisters (general)/(students). February 25 8pm Santerias. Bloom 2315 Bloor St. W. 416-767-1315 bloomrestaurant.com All shows: 19+. Call for reservations. February 14 7pm Elizabeth Shepherd Trio (includes dinner). 56 | February 1, 2017 - March 7, 2017 thewholenote.com
Beat by Beat | Mainly Clubs, Mostly Jazz! A Trio of Jazz Albums BOB BEN One of my very favourite Canadian jazz albums is one called Valentina, featuring a quartet led by Italian-Canadian pianist, composer and successful entrepreneur Mario Romano. Romano’s bandmates, including Pat LaBarbera on the sax, Roberto Occhipinti on the bass and Mark Kelso on the drums, support him on his imaginative journey through yet unexplored possibilities of old standards like Green Dolphin Street, A Night in Tunisia and Nardis. Romano revamps these tunes with stretched-out interpretations of the melodies, low-end ostinatos and fun new rhythmic underpinnings that frame the heads in interesting ways (without compromising their integrity). Valentina (released in 2010) is sometimes cerebral and complex, and sometimes primitive and aggressive, but it is, through and through, riveting and beautiful. Romano’s playing on the album is astoundingly unrestrained. I can’t speak for anyone’s ears but my own, and this is just speculation, but it sounds to me like after the three-plus decades he spent away from the music scene, he returned with a lot of pent-up creative and physical energy. The result was Valentina; I cannot recommend this album enough. With the exception of Romano, who has been conspicuously absent from the live scene for a number of years, every member of the quartet that played on Valentina can be found leading their own fine ensembles, and acting as sidemen about town; and each can be heard this month at least once. Kelso will be behind the kit with Rich Brown’s Abeng at The Rex on the February 23 and 24; on February 10 and 11 Roberto Occhipinti’s Stabilimento is reviewed on page 79. LaBarbera will be on the same stage with an ensemble featuring Kirk MacDonald as well as drummer Adam Nussbaum (about whom I am especially excited); and Occhipinti will be playing with his own quintet (Luis Deniz, Tim Ries, Dafnis Prieto and Manuel Valera) at Jazz Bistro on February 17 and 18. Coming full circle, in Occhipinti’s case the concert is to celebrate the release of a new CD, Stabilimento, featuring the quintet. Night School Twilight: Since she was a kid, Chelsea McBride has been writing original music. From when it started with, as she puts it, “messing around with little pop songs,” to the present in which she Blue Goose Tavern, The 1 Blue Goose St. 416-255-2442 thebluegoosetavern.com Every Sun 5pm Blues at the Goose with the Big Groove Rhythm Section. Burdock 1184 Bloor St. W. 416-546-4033 burdockto.com (full schedule) All shows: 9pm Cameron House, The 408 Queen St. W. 416-703-0811 thecameron.com (full schedule) Castro’s Lounge 2116e Queen St. E. 416-699-8272 castroslounge.com (full schedule) All shows: No cover/PWYC February 12 4pm Fraser & Daley. Cavern Bar, The 76 Church St. 416-971-4440 thecavernbar.ca (full schedule) C’est What 67 Front St. E. (416) 867-9499 cestwhat.com (full schedule) February 4, 18 3pm The Hot Five Jazzmakers. De Sotos 1079 St. Clair Ave. W. 416-651-2109 desotos.ca (full schedule) Every Sun 11am Sunday Live Jazz Brunch No cover. Emmet Ray, The 924 College St. 416-792-4497 theemmetray.com (full schedule) All shows: No cover/PWYC February 2 9pm John-Wayne Swingtet: John Farrell (guitar), Abbey Sholzberg (bass), Wayne Nakamura (guitar), Alexander Tikhonov (clarinet). February 9 9pm Bossa Tres PWYC. February 16 9pm Vokurka’s Vicarious Virtuoso Violin PWYC. Garage, The @ CSI Annex 720 Bathurst St. 416-515-0200 February 16 7:30pm Jim Galloway’s Wee Big Band, feat. Warren Vache (cornet) . Gate 403 403 Roncesvalles Ave. 416-588-2930 gate403.com All shows: PWYC. Gift Shop Gallery 21 Rebecca St., Hamilton, ON Grossman’s Tavern 379 Spadina Ave. 416-977-7000 grossmanstavern.com (full schedule) All shows: No cover (unless otherwise noted). Every Sat The Happy Pals Dixieland jazz jam. Every Sun 10pm The National Blues Jam with Brian Cober. Every Wed 10pm Bruce Domoney. Harlem Restaurant 67 Richmond St. E. 416-368-1920 harlemrestaurant.com (full schedule) All shows: 7:30-11pm (unless otherwise noted). Call for cover charge info. February 3 Madette. February 4 JWT. February 10 Gyles. February 17 Fibralou. February 18 Jan-Jan. February 25 Kristin Fung. Hirut Cafe and Restaurant 2050 Danforth Ave. 416-551-7560 Every Sun 3pm Open Mic with Nicola Vaughan PWYC. February 3 8:30pm In the Round Concert Series: Mark Ripp, Pete Merilovich and Boris Buhot PWYC. February 4 8pm Ernest Lee & Cotton Traffic . February 7, 21 8pm Finger Style Guitar Association- PWYC. February 10 8pm E=MC2 with Don Naduriak & friends PWYC. February 11 8pm Smooth Jazz PWYC. February 17 8pm Sharron Katz Valentine Show PWYC. February 188pm Earnest Lee & Cotton Traffic . February 24 9pm Hirut Hoot Cabaret . Home Smith Bar – See Old Mill, The Jazz Bistro, The 251 Victoria St. 416-363-5299 jazzbistro.ca February 2, 3, 4 9pm Russ Little (trombone) Quintet with Michael Stuart (sax), Tom Szczesniak (piano), Scott Alexander (bass), Brian Barlow (drums) (Thurs)/(Fri, Sat). February 5 7pm Elvira Hopper: Body & Soul (& Bass) . February 7 7pm JAZZ FM’s Sounds of Italy Piano Series feat. Giovanni Guidi Tickets available through Jazz FM. February 10, 11 9pm Micah Barnes with featured guests Shakura S’aida (Saturday) and Alex Pangman (Sunday) accompanied by Michael Shand (piano), Russ Boswell (bass), Al Cross (drums) . February 12 12pm Steven Taetz and Melissa Lauren sing the music of Lorenz Hart ; 7pm Kevin Morris . February 14 9pm Jackie Richardson & Micah Barnes accompanied by Michael Shand (piano), Russ Boswell (bass), Al Cross (drums). February 16 9pm Galen Westen (guitar) Quintet with Michael Medrano Brindis (drums), Lukas Kytnar (bass), Danny Lerman (sax), Matt Horner (piano) . February 17, 18 9pm The Roberto Occhipinti Quintet (Fri)/(Sat). February 23 9pm Irene Jacob . Jazz Room, The Located in the Huether Hotel, 59 King St. N., Waterloo. 226-476-1565 kwjazzroom.com (full schedule) All shows: 8:30pm-11:30pm unless otherwise indicated. Attendees must be 19+. February 3 Brenda Lewis (voice) feat. Margaret Stowe (guitar) . February 4 Alexis Baro & Pueblo Nuevo Jazz Project . February 9 8pm Winter Jazz Festival: The Bernie Carroll Project. February 10 Winter Jazz Festival: Tim Moher Quintet . February 11 Winter Jazz Festival: Steve Holt Quartet . February 12 4pm Winter Jazz Festival: Ian Shaw (UK) ; 8pm Winter Jazz Festival: Dave Young Trio with the Penderecki String thewholenote.com February 1, 2017 - March 7, 2017 | 57
July/August issue is now available in flipthrough HERE, bringing to a close 25 seasons of doing what we do (and plan to continue doing), and on stands early in the week of July 5. Not the usual bucolic parade of music in the summer sun, but lots, we hope, to pass the time: links to online and virtual music; a full slate of record reviews; plenty new in the Listening Room; and a full slate of stories – the future of opera, the plight of small venues, the challenge facing orchestras, the barriers to resumption of choral life, the challenges of isolation for real-time music; the steps some festivals are taking to keep the spirit and substance of what they do alive. And intersecting with all of it, responses to the urgent call for anti-racist action and systemic change.
"COVID's Metamorphoses"? "There's Always Time (Until Suddenly There Isn't)"? "The Writing on the Wall"? It's hard to know WHAT to call this latest chapter in the extraordinary story we are all of a sudden characters in. By whatever name we call it, the MAY/JUNE combined issue of The WholeNote is now available, HERE in flip through format, in print commencing Wednesday May 6, and, in fully interactive form, online at thewholenote.com. Our 18th Annual Choral Canary Pages, scheduled for publication in print and flip through in September is already well underway with the first 50 choirs home to roost and more being added every week online. Community Voices, our cover story, brings to you the thoughts of 30 musical community members, all going through what we are going through (and with many more to come as the feature gets amplified online over the course of the coming months). And our regular writers bring their personal thoughts to the mix. Finally, a full-fledged DISCoveries review section offers cues and clues to recorded music for your solitary solace!
After some doubt that we would be allowed to go to press, in respect to wide-ranging Ontario business closures relating to COVID-19, The WholeNote magazine for April 2020 is now on press, and print distribution – modified to respect community-wide closures and the need for appropriate distancing – starts Monday March 30. Meanwhile the full magazine is right here, digitally, so if you value us PLEASE SHARE THIS LINK AS WIDELY AS YOU CAN. It's the safest way for us to reach the widest possible audience at this time!
FEATURED: Music & Health writer Vivien Fellegi explores music, blindness & the plasticity of perception; David Jaeger digs into Gustavo Gimeno's plans for new music in his upcoming first season as music director at TSO; pianist James Rhodes, here for an early March recital, speaks his mind in a Q&A with Paul Ennis; and Lydia Perovic talks music and more with rising Turkish-Canadian mezzo Beste Kalender. Also, among our columns, Peggy Baker Dance Projects headlines Wende Bartley's In with the New; Steve Wallace's Jazz Notes rushes in definitionally where many fear to tread; ... and more.
Visions of 2020! Sampling from back to front for a change: in Rearview Mirror, Robert Harris on the Beethoven he loves (and loves to hate!); Errol Gay, a most musical life remembered; Luna Pearl Woolf in focus in recordings editor David Olds' "Editor's Corner" and in Jenny Parr's preview of "Jacqueline"; Speranza Scappucci explains how not to reinvent Rossini; The Indigo Project, where "each piece of cloth tells a story"; and, leading it all off, Jully Black makes a giant leap in "Caroline, or Change." And as always, much more. Now online in flip-through format here and on stands starting Thurs Jan 30.
Welcome to our December/January issue as we turn the annual calendar page, halfway through our season for the 25th time, juggling as always, secular stuff, the spirit of the season, new year resolve and winter journeys! Why is Mozart's Handel's Messiah's trumpet a trombone? Why when Laurie Anderson offers to fly you to the moon you should take her up on the invitation. Why messing with Winterreisse can (sometimes) be a very good thing! And a bumper crop of record reviews for your reading (and sometimes listening) pleasure. Available in flipthrough here right now, and on stands commencing Thursday Nov 28. See you on the other side!
On the slim chance you might not have already heard the news, Estonian Canadian composing giant Udo Kasemets was born the same year that Leo Thermin invented the theremin --1919. Which means this is the centenary year for both of them, and both are being celebrated in style, as Andrew Timar and MJ Buell respectively explain. And that's just a taste of a bustling November, with enough coverage of music of both the delectably substantial and delightfully silly on hand to satisfy one and all.
Long promised, Vivian Fellegi takes a look at Relaxed Performance practice and how it is bringing concert-going barriers down across the spectrum; Andrew Timar looks at curatorial changes afoot at the Music Gallery; David Jaeger investigates the trumpets of October; the 30th anniversary of the Velvet Revolution (and the 20th Anniversary of our October Blue Pages Presenter profiles) in our Editor's Opener; the Toronto Mendelssohn Choir at 125; Tapestry at 40 and Against the Grain at 10; ringing in the changing season across our features and columns; all this and more, now available in Flip Through format here, and on the stands commencing this coming Friday September 27, 2019. Enjoy.
Vol 1 of our 25th season is now here! And speaking of 25, that's how many films in the upcoming Toronto International Film Festival editor Paul Ennis, in our Eighth Annual TIFF TIPS, has chosen to highlight for their particular musical interest.
Also inside: Rob Harris looks through the Rear View Mirror at past and present prognostications about the imminent death of classical music; Mysterious Barricades and Systemic Barriers are Lydia Perović's preoccupations in Art of Song; Andrew Timar reflects on the evolving priorities of the Polaris Prize; and elsewhere, it's chocks away as yet another season creaks or roars (depending on the beat) into motion. Welcome back.
What a range of stuff! A profile of Liz Upchurch, the COC ensemble studio's vocal mentor extraordinaire; a backgrounder on win-win faith/arts centre partnerships and ways of exploring the possibilities; an interview with St. Petersburg-based Eifman Ballet's Boris Eifman; Ana Sokolovic's violin concert Evta finally coming to town; a Love Letter to YouTube, and much more. Plus our 17th annual Canary Pages Choral directory if all you want to do is sing! sing! sing!
Arraymusic, the Music Gallery and Native Women in the Arts join for a mini-festival celebrating the work of composer, performer and installation artist Raven Chacon; Music and Health looks at the role of Healing Arts Ontario in supporting concerts in care facilities; Kingston-based composer Marjan Mozetich's life and work are celebrated in film; "Forest Bathing" recontextualizes Schumann, Shostakovich and Hindemith; in Judy Loman's hands, the harp can sing; Mahler's Resurrection bursts the bounds of symphonic form; Ed Bickert, guitar master remembered. All this and more in our April issue, now online in flip-through here, and on stands commencing Friday March 29.
Something Old, Something New! The Ide(a)s of March are Upon Us! Rob Harris's Rear View Mirror looks forward to a tonal revival; Tafelmusik expands their chronological envelope in two directions, Esprit makes wave after wave; Pax Christi's new oratorio by Barbara Croall catches the attention of our choral and new music columnists; and summer music education is our special focus, right when warm days are once again possible to imagine. All this and more in our March 2019 edition, available in flipthrough here, and on the stands starting Thursday Feb 28.
In this issue: A prize that brings lustre to its laureates (and a laureate who brings lustre to the prize); Edwin Huizinga on the journey of Opera Atelier's "The Angel Speaks" from Versailles to the ROM; Danny Driver on playing piano in the moment; Remembering Neil Crory (a different kind of genius)' Year of the Boar, Indigeneity and Opera; all this and more in Volume 24 #5. Online in flip through, HERE and on the stands commencing Thursday Jan 31.
When is a trumpet like a motorcycle in a dressage event? How many Brunhilde's does it take to change an Elektra? Just two of the many questions you've been dying to ask, to which you will find answers in a 24th annual combined December/January issue – in which our 11 beat columnists sift through what's on offer in the upcoming holiday month, and what they're already circling in their calendars for 2019. Oh, and features too: a klezmer violinist breathing new life into a very old film; two New Music festivals in January, 200 metres apart; a Music & Health story on the restorative powers of a grassroots exercise in collective music-making; even a good reason to go to Winnipeg in the dead of winter. All this and more in Vol 24 No 4, now available in flipthrough format here.
Reluctant arranger! National Ballet Orchestra percussionist Kris Maddigan on creating the JUNO and BAFTA award-winning smash hit Cuphead video game soundtrack; Evergreen by name and by nature, quintessentially Canadian gamelan (Andrew Timar explains); violinist Angèle Dubeau on 20 years and 60 million streams; two children’s choirs where this month remembrance and living history must intersect. And much more, online in our kiosk now, and on the street commencing Thursday November 1.
Presenters, start your engines! With TIFF and "back-to-work" out of the way, the regular concert season rumbles to life, and, if our Editor's Opener can be trusted, "Seeking Synergies" seems to be the name of the game. Denise Williams' constantly evolving "Walk Together Children" touching down at the Toronto Centre for the Arts; the second annual Festival of Arabic Music and Arts expanding its range; a lesson in Jazz Survival with Steve Wallace; the 150 presenter and performer profiles in our 19th annual Blue Pages directory... this is an issue that is definitely more than the sum of its parts.
In this issue: The WholeNote's 7th Annual TIFF TIPS guide to festival films with musical clout; soprano Erin Wall in conversation with Art of Song columnist Lydia Perovic, about more than the art of song; a summer's worth of recordings reviewed; Toronto Chamber Choir at 50 (is a few close friends all it takes?); and much more, as the 2018/19 season gets under way.
PLANTING NOT PAVING! In this JUNE / JULY /AUGUST combined issue: Farewell interviews with TSO's Peter Oundjian and Stratford Summer Music's John Miller, along with "going places" chats with Luminato's Josephine Ridge, TD Jazz's Josh Grossman and Charm of Finches' Terry Lim. ) Plus a summer's worth of fruitful festival inquiry, in the city and on the road, in a feast of stories and our annual GREEN PAGES summer Directory.
In this issue: our sixteenth annual Choral Canary Pages; coverage of 21C, Estonian Music Week and the 3rd Toronto Bach Festival (three festivals that aren’t waiting for summer!); and features galore: “Final Finales” for Larry Beckwith’s Toronto Masque Theatre and for David Fallis as artistic director of Toronto Consort; four conductors on the challenges of choral conducting; operatic Hockey Noir; violinist Stephen Sitarski’s perspective on addressing depression; remembering bandleader, composer and saxophonist Paul Cram. These and other stories, in our May 2018 edition of the magazine.
In this issue: we talk with jazz pianist Thompson Egbo-Egbo about growing up in Toronto, building a musical career, and being adaptive to change; pianist Eve Egoyan prepares for her upcoming Luminato project and for the next stage in her long-term collaborative relationship with Spanish-German composer Maria de Alvear; jazz violinist Aline Homzy, halfway through preparing for a concert featuring standout women bandleaders, talks about social equity in the world of improvised music; and the local choral community celebrates the life and work of choral conductor Elmer Iseler, 20 years after his passing.
In this issue: Canadian Stage, Tapestry Opera and Vancouver Opera collaborate to take Gogol’s short story The Overcoat to the operatic stage; Montreal-based Sam Shalabi brings his ensemble Land of Kush, and his newest composition, to Toronto; Five Canadian composers, each with a different CBC connection, are nominated for JUNOs; and The WholeNote team presents its annual Summer Music Education Directory, a directory of summer music camps, programs and courses across the province and beyond.
In this issue: composer Nicole Lizée talks about her love for analogue equipment, and the music that “glitching” evokes; Richard Rose, artistic director at the Tarragon Theatre, gives us insights into their a rock-and-roll Hamlet, now entering production; Toronto prepares for a mini-revival of Schoenberg’s music, with three upcoming shows at New Music Concerts; and the local music theatre community remembers and celebrates the life and work of Mi’kmaq playwright and performer Cathy Elliott . These and other stories, in our double-issue December/January edition of the magazine.
In this issue: conversations (of one kind or another) galore! Daniela Nardi on taking the reins at "best-kept secret" venue, 918 Bathurst; composer Jeff Ryan on his "Afghanistan" Requiem for a Generation" partnership with war poet, Susan Steele; lutenist Ben Stein on seventeenth century jazz; collaborative pianist Philip Chiu on going solo; Barbara Hannigan on her upcoming Viennese "Second School" recital at Koerner; Tina Pearson on Pauline Oliveros; and as always a whole lot more!
In this issue: several local artists reflect on the memory of composer Claude Vivier, as they prepare to perform his music; Vancouver gets ready to host international festival ISCM World New Music Days, which is coming to Canada for the second time since its inception in 1923; one of the founders of Artword Artbar, one of Hamilton’s staple music venues, on the eve of the 5th annual Steel City Jazz Festival, muses on keeping urban music venues alive; and a conversation with pianist Benjamin Grosvenor, as he prepares for an ambitious recital in Toronto. These and other stories, in our October 2017 issue of the magazine.
In this issue: a look at why musicians experience stage fright, and how to combat it; an inside look at the second Kensington Market Jazz Festival, which zeros in on one of Toronto’s true ‘music villages’; an in-depth interview with Elisa Citterio, new music director of Tafelmusik Baroque Orchestra; and The WholeNote’s guide to TIFF, with suggestions for the 20 most musical films at this year’s festival. These and other stories, in our September 2017 issue of the magazine!
CBC Radio's Lost Horizon; Pinocchio as Po-Mo Operatic Poster Boy; Meet the Curators (Crow, Bernstein, Ridge); a Global Music Orchestra is born; and festivals, festivals, festivals in our 13th annual summer music Green Pages. All this and more in our three-month June-through August summer special issue, now available in flipthrough HERE and on the stands commencing Thursday June 1.
From science fact in "Integral Man: Music and the Movies," to science fiction in the editor's opener; from World Fiddle Day at the Aga Khan Museum to three Canadians at the Cliburn; from wanting to sashay across the 401 to Chamberfest in Montreal to exploring the Continuum of Jumblies Theatre's 20-year commitment to the Community Play (there's a pun in there somewhere!).
In this issue: Our podcast ramps up with interviews in March with fight director Jenny Parr, countertenor Daniel Taylor, and baritone Russell Braun; two views of composer John Beckwith at 90; how music’s connection to memory can assist with the care of patients with Alzheimer’s; musical celebrations in film and jazz, at National Canadian Film Day and Jazz Day; and a preview of Louis Riel, which opens this month at the COC. These and other stories, in our April 2017 issue of the magazine!
On our cover: Owen Pallett's musical palette on display at New Creations. Spring brings thoughts of summer music education! (It's never too late.). For Marc-Andre Hamelin the score is king. Ella at 100 has the tributes happening. All; this and more.
In this issue: an interview with composer/vocalist Jeremy Dutcher, on his upcoming debut album and unique compositional voice; a conversation with Boston Symphony hornist James Sommerville, as as the BSO gets ready to come to his hometown; Stuart Hamilton, fondly remembered; and an inside look at Hugh’s Room, as it enters a complicated chapter in the story of its life in the complex fabric of our musical city. These and other stories, as we celebrate the past and look forward to the rest of 2016/17, the first glimpses of 2017/18, and beyond!
In this issue: a conversation with pianist Stewart Goodyear, in advance of his upcoming show at Koerner Hall; a preview of the annual New Year’s phenomenon that is Bravissimo!/Salute to Vienna; an inside look at music performance in Toronto’s health-care centres; and a reflection on the incredible life and lasting influence of the late Pauline Oliveros. These and more, in a special December/January combined issue!
In this issue: David Jaeger and Alex Pauk’s most memorable R. Murray Schafer collabs, in this month’s installment of Jaeger’s CBC Radio Two: The Living Legacy; an interview with flutist Claire Chase, who brings new music and mindset to Toronto this month; an investigation into the strange coincidence of three simultaneous Mendelssohn Elijahs this Nov 5; and of course, our annual Blue Pages, a who’s who of southern Ontario’s live music scene- a community as prolific and multifaceted as ever. These and more, as we move full-force into the 2016/17 concert season- all aboard!
Music lover's TIFF (our fifth annual guide to the Toronto International Film Festival); Aix Marks the Spot (how Brexit could impact on operatic co-production); The Unstoppable Howard Cable (an affectionate memoir of a late chapter in the life of of a great Canadian arranger; Kensington Jazz Story (the newest kid on the festival block flexes its muscles). These stories and much more as we say a lingering goodbye to summer and turn to the task, for the 22nd season, of covering the live and recorded music that make Southern Ontario tick.
It's combined June/July/August summer issue time with, we hope, enough between the covers to keep you dipping into it all through the coming lazy, hazy days. From Jazz Vans racing round "The Island" delivering pop-up brass breakouts at the roadside, to Bach flute ambushes strolling "The Grove, " to dozens of reasons to stay in the city. May yours be a summer where you find undiscovered musical treasures, and, better still, when, unexpectedly, the music finds you.
INSIDE: The Canaries Are Here! 116 choirs to choose from, so take the plunge! The Nylons hit the road after one last SING! Fling. Jazz writer Steve Wallace wonders "Watts Goode" rather than "what's new?" Paul Ennis has the musical picks of the HotDocs crop. David Jaeger's CBC Radio continues golden for a little while yet. Douglas McNabney is Music's Child. Leipzig meets Damascus in Alison Mackay's fertile imagination. And "C" is for KRONOS in Wende Bartley's koverage of the third annual 21C Festival. All this and as usual much much more. Enjoy.
From 30 camp profiles to spark thoughts of being your summer musical best, to testing LUDWIG as you while away the rest of so-called winter; from Scottish Opera and the Danish Midtvest, to a first Toronto recital appearance by violin superstar Maxim Vengerov; from musings on New Creations and new creation, to the boy who made a habit of crying Beowulf; it's a month of merry meetings and rousing recordings reviewed, all here to discover in The WholeNote.
2016 is off to a flying start! We chronicle the Artful Times of Andrew Burashko, the violistic versatility of Teng Li, the ageless ebullience of jazz pianist Gene DiNovi and the ninetieth birthday of trumpeter Johnny Cowell. Jaeger remembers Boulez; Waxman recalls Bley's influence, and Olds finds Bowie haunting Editor's Corner. Oh, and did we mention there's all that music? Hello (and goodbye) to the February blues, and here's to swinging through the musical vines of the Year of the Monkey.
What's a vinyl renaissance? What happens when Handel's Messiah runs afoul of the rumba rhythm setting on a (gasp!) Hammond organ? What work does Marc-Andre Hamelin say he would be content to have on every recital program he plays? What are Steve Wallace's favourite fifty Christmas recordings? Why is violinist Daniel Hope celebrating Yehudi Menuhin's 100th birthday at Koerner Hall January 28? Answers to all these questions (and a whole lot more) in the Dec/Jan issue of The WholeNote.
"Come" seems to be the verb that knits this month's issue together. Sondra Radvanovsky comes to Koerner, William Norris comes to Tafel as their new GM, opera comes to Canadian Stage; and (a long time coming!) Jane Bunnett's musicianship and mentorship are honoured with the Premier's award for excellence; plus David Jaeger's ongoing series on the golden years of CBC Radio Two, Andrew Timar on hybridity, a bumper crop of record reviews and much much more. Come on in!
Vol 21 No 2 is now available for your viewing pleasure, and it's a bumper crop, right at the harvest moon. First ever Canadian opera on the Four Seasons Centre main stage gets double coverage with Wende Bartley interviewing Pyramus and Thisbe composer Barbara Monk Feldman and Chris Hoile connecting with director Christopher Alden; Paul Ennis digs into the musical mind of pianist Benjamin Grosvenor, and pianist Eve Egoyan is "On the Record" in conversation with publisher David Perlman ahead of the Oct release concert for her tenth recording. And at the heart of it all the 16th edition of our annual BLUE PAGES directory of presenters profile the season now well and truly under way.
Paul Ennis's annual TIFF TIPS (27 festival films of potential particular musical interest); Wu Man, Yo-Yo Ma and Jeffrey Beecher on the Silk Road; David Jaeger on CBC Radio Music in the days it was committed to commissioning; the LISTENING ROOM continues to grow on line; DISCoveries is back, bigger than ever; and Mary Lou Fallis says Trinity-St. Paul's is Just the Spot (especially this coming Sept 25!).
