Views
2 years ago

Volume 22 Issue 7 - April 2017

  • Text
  • April
  • Toronto
  • Jazz
  • Symphony
  • Arts
  • Theatre
  • Quartet
  • Orchestra
  • Choir
  • Musical
In this issue: Our podcast ramps up with interviews in March with fight director Jenny Parr, countertenor Daniel Taylor, and baritone Russell Braun; two views of composer John Beckwith at 90; how music’s connection to memory can assist with the care of patients with Alzheimer’s; musical celebrations in film and jazz, at National Canadian Film Day and Jazz Day; and a preview of Louis Riel, which opens this month at the COC. These and other stories, in our April 2017 issue of the magazine!

WholeNote CLASSIFIEDS

WholeNote CLASSIFIEDS can help you recruit new members for your choir or band / orchestra or find a new music director! Advertise your help wanted needs or promote your services starting at only / issue. INQUIRE BY April 22 for the MAY issue. classad@thewholenote.com AUDITIONS & OPPORTUNITIES BAND TEACHER POSITION WITH NEW HORIZONS BAND OF TORONTO FOR 2017-18 SEASON. Experience teaching high school or adult concert band program a must. Openings for day or evening band classes are available. This is a growing organization focussed on delivering a top quality music experience to mature adults in a positive and supportive environment. Toronto west area. See www.NewHorizonsBandToronto.ca for more details and a link to TVO documentary. Send CV and cover letter to nhbdirector@gmail.com. COUNTERPOINT COMMUNITY ORCHESTRA – now in our 33rd season. We invite volunteer 1st & 2nd violinists and other musicians in all sections including percussionists to play with us. Monday evening rehearsals. Next concert upcoming: June 10th. Contact info@ccorchestra.org. www.ccorchestra.org NEW MUSIC DIRECTOR NEEDED: THE CELTIC FIDDLE ORCHESTRA OF SOUTHERN ONTARIO performs Celtic music - airs, marches, strathspeys, reels and jigs - arranged for strings and flute. Rehearsals 2x/mo, Sept–May (Oakville). Performances 2-4x/yr. If you have conducting skills and interest in music of this style please contact Duncan Fraser at cfoso.exec@gmail.com or 226-929-5759 PLAYERS NEEDED for children’s concert band program children at St. Albans Boys and Girls Club. Please contact Michelle Clarke 416-534-8461. stalbansclub.ca/st-albans-band BUSINESS CLASSIFIEDS Economical and visible! Promote your services & products to our musically engaged readers, in print and on-line. MAY EDITION DEADLINE : April 17 classad@thewholenote.com NEED HELP WITH YOUR TAXES? Specializing in personal and business tax returns including prior years and adjustments HORIZON TAX SERVICES INC. • free consultation • accurate work For CRA stress relief call: 1-866-268-1319 hts@horizontax.ca www.horizontax.ca Classified Advertising | classad@thewholenote.com PLAYERS NEEDED FOR THE SCARBOROUGH CONCERT BAND! Special need for clarinet, bari sax, trumpet, and percussion. Rehearsals Wednesdays at Winston Churchill Collegiate (Lawrence and Kennedy) 7:15-9:30. Email christopherzamrykutscb@gmail.com THE CELTIC FIDDLE ORCHESTRA OF SOUTHERN ONTARIO is looking for additional musicians: violin, viola, cello, bass and flute. We practice twice a month on Sunday afternoons from 1:30 to 4:00 at the QEPCCC in Oakville. Please contact Jill Yokoyama at 905-635-8079 or email cfoso.exec@gmail. com WELL ESTABLISHED MISSISSAUGA BASED CONCERT BAND looking for volunteer musicians. Varied repertoire, friendly people, great practice facility. If interested, call 905-615-0096 for more information. INSTRUCTION & COURSES CLARINET, SAXOPHONE, FLUTE, RECORDER, TRUMPET, TROMBONE, PIANO LESSONS. PhD in music from UofT, 28 years of experience. Leo 416-879-9679; yanalo1@yahoo.com DOUBLE BASS INSTRUCTION, beginner and intermediate. I will help you establish a good technical foundation and take your playing to a higher level. Also ear training, theory and harmony. FLUTE, PIANO, THEORY LESSONS. RCM exam preparation. RCM certified advanced specialist. Samantha Chang, FTCL, FLCM, Royal Academy of Music PGDip, LRAM, ARCT. Toronto, Scarborough 416-293- 1302, samantha.studio@gmail.com. www.samanthaflute.com. I TEACH TO PLAY BY EAR anything you like! Children play piano after very first lesson! 416-831-8131. www.music4youand4me.ca doremilounge@gmail.com DO YOU DRIVE? Do you love The WholeNote? Share the love and earn a little money! Join The WholeNote’s circulation team: 9 times a year, GTA and well beyond. Interested? Contact: circulation@thewholenote.com The Best Music Teachers Are Here! Ontario Registered Music Teachers Association, Est. 1936 ormta.org 416-694-0296 LESSONS FOR ALL! Friendly and firm - I’m an experienced musician and mom teaching piano and singing to children (and young at heart) in my Toronto home (East Leslieville). To discuss your child’s need for music-making please contact kskwhite@ gmail.com. PIANO LESSONS IN YOUR HOME from award-winning European pianist. Beginners to Advanced students welcome. City of Toronto. Anna www.annashalaykevych.com, 647-870-5297. PIANO, VOCAL and THEORY LESSONS, MUSIC THERAPY SERVICES and ADAPTED LESSONS at Larissa’s Music & Music Therapy Studio in Mississauga. www.lmmtstudio.com 416-574-0018 www.MosePianoForAll.com - Friendly Cabbagetown teaching studio welcomes nervous adult hobby pianists, teen washouts, and normal kids. Uncommonly patient and encouraging piano teacher with loyal following. Peter Kristian Mose, 416-923- 3060. “Now there’s a teacher!” R.D., age 13 FOR SALE / WANTED 17TH CENTURY DOUBLE MANUAL FRENCH HARPSICHORD KIT (HUBBARD) for sale. Case done. Any reasonable offer. Must sell. Contact joclsmiii@gmail.com. BEAUTIFUL ANTIQUE VIOLIN MADE AND SIGNED BY SEBASTIAN KLOTZ in MITTENWALD GERMANY, 1740. Very good playing condition. LEO: 416-879-9679; yanalo1@yahoo.com CLASSICAL RECORD AND CD COLLECTIONS WANTED. Minimum 350 units. Call, text or e-mail Aaron 416-471-8169 or A@A31.CA. TRUMPET Bach Stradivarius model 37 (never used); SAXOPHONE Bundy Selmer alto; BASSOON Linton; TUBA Besson ¾ size, in hard case with wheels. Phone 416-964-3642. UPRIGHT / CONTRA / DOUBLE BASS SALES • REPAIRS • ACCESSORIES We buy basses and take trade-ins Stand Up Guy standupguy@rogers.com www.standupguybasses.com PIANO AND VOCAL SHEET MUSIC AND MUSIC BOOKS: RCM teaching materials (piano), also classical, jazz, Broadway, Christmas etc. Best offer. 905-477-1135 sfowler6@icloud.com MUSICIANS AVAILABLE / WANTED KARAOKE FUN ON-SITE FOR YOUR EVENT! We offer on-site karaoke services for your team-building event, fund-raiser or private party. All equipment provided plus a skilled and friendly karaoke host to run things smoothly and make your guests feel like stars. Musical Theatre, Frank Sinatra and Billie Holiday to Beatles and Arctic Monkeys, and everything in between. For info contact jason@jasonrolland.com or call 416-809-4311. SERVICES ACCOUNTING AND INCOME TAX SERVICE for small business and individuals, to save you time and money, customized to meet your needs. Norm Pulker, B. Math. CMA. 905-251-0309 or 905-830-2985 CD LINER NOTES, PROMO MATERIAL, CONCERT PROGRAMS, LIBRETTI, WEB SITE CONTENT AND MEMOIRS need proofreading and editing for correct spelling and grammar, clarity and consistency. Contact Vanessa Wells, wellsread@editors.ca, for a copy editor with a music background. Quick turnaround and reasonable rates! wellsreadediting.ca VENUES AVAILABLE / WANTED ARE YOU PLANNING A CONCERT OR RECITAL? Looking for a venue? Consider Bloor Street United Church. Phone: 416-924- 7439 x22. Email: tina@bloorstreetunited.org. PERFORMANCE / REHEARSAL / STUDIO SPACE AVAILABLE: great acoustics, reasonable rates, close to Green P Parking, cafés & restaurants. Historic church at College & Bellevue, near Spadina. Phone 416-921-6350. E-mail ststepheninthefields@gmail.com. ADVERTISE music-related needs, skills and services Recruit new members for choirs, bands, orchestras. Find a new music director | Find a music teacher | Buy or sell Just for the first 20 words. .20 for each additional word. Discounts for 3x, 5x and 10x insertions. INQUIRE BY APRIL 22 for the May issue. classad@thewholenote.com RESTORE & PRESERVE YOUR MEMORIES Recital and gig tapes | 78’s & LPs | VHS and Hi8 | 35mm Slides |News clippings | Photos & more, transferred to digital files: CD’s, DVD’s, or Video slideshow ArtsMediaProjects 416.910.1091 58 | April 1, 2017 - May 7, 2017 thewholenote.com

MUSIC AND HEALTH How Music Matters VIVIEN FELLEGI It’s Glee Club choir day at Toronto’s Baycrest Hospital. The grey-haired seniors, all diagnosed with dementia, are seated in a semi-circle in a room with colourful paintings and a big welcome sign. Most of them sit sedately. Some stare into space. Dr. Amy Clements-Cortes, music therapist and assistant professor, University of Toronto, strides into the room and begins singing to the accompaniment of the keyboard. Several clients join in and the group begins to awaken. Some tap their toes. Others clap their hands. A few bob their heads. Their eyes brighten as they focus on their conductor. Some don’t sing, but smile quietly. One man sits open-mouthed and lethargic for a while, but eventually grabs the hand of the staff person sitting next to him and pumps it up and down to the beat. Clements-Cortes beams at the group. “You’re sounding nice,” she says. Though she’s impressed with the quality of the singing, she’s also pleased by the ability of the music to temporarily revive her clients, many of whom suffer from Alzheimer’s. Baycrest clients share the condition with about 376,000 Canadians, according to the Alzheimer Society of Canada. The disorder is projected to afflict 625,000 lives by 2032. The disease is caused by abnormal protein clusters that build up in the brain and clog the connections between individual nerve cells, says Lee Bartel, professor of music at the University of Toronto. Over time the presence of these gummy blobs disrupt the circuits in the brain, barring structures from communicating. Loss of memory is the hallmark of Alzheimer’s disease. Autobiographical memory, the recall of life events, is one type of recollection degraded by the disorder, says Ashley Vanstone, PhD candidate in clinical psychology at Queen’s. When patients forget pivotal moments in their lives, they lose pieces of themselves and their very sense of identity is shattered. “You see people slipping away from who they are.” In a Toronto nursing home, the Villa Colombo, resident Maria Mirabelli sits motionless in her wheelchair. Her eyes are glassy, and she’s chewing on air. The sentimental Italian song, Mama, comes over the speakers, and Mirabelli focuses, smiling softly and clapping. She starts mouthing the words to the song. Her son John Mirabelli has seen this transformation before, but never fails to be astonished. “It’s incredible – she doesn’t even know my name,” he says. The music is also inspiring flashbacks from her past, says activity aide Teresa Cribari. It returns her to the days when she cooked in her kitchen on Sundays while listening to the radio. “I think the music soothes her,” says her son. “It’s great to see her like that.” Music has the uncanny ability to momentarily reanimate clients by activating their fraying memories, says Vanstone. One famous case involved EN, an Alzheimer patient who spoke in garbled sentences but still recognized familiar songs. Researchers concluded that memory for speech and for music resided in different locations in the brain, and the latter was relatively spared even in advanced dementia. Scientists have since pointed out several mechanisms accounting for the doggedness of musical memory. To pull a tune out of storage you first need to make sense of it, says Vanstone. Compared to speech, music lends itself well to this task, as the grammar of music is internalized early in life. And, unlike in speech, the components of music are replicated – the melody is reinforced by accompanying chords, which are connected to regular rhythms. That means we’re not dependent on any one conveyor of musical meaning. “If your ability to perceive one mode is shaky, you’ve got lots of others.” Not only can Alzheimer’s patients often recall melodies, they can also remember their lyrics long after they’ve forgotten where they live. The close association between the brain pathways for melody and lyrics accounts for this surprising feat, says Vanstone. “Melody and lyrics are like two parallel tracks joined by rungs – like a ladder. So the memory for melody can support the memory for lyrics.” But music’s best stunt is its capacity to rekindle the milestones of our lives. These autobiographical memories include landmarks such as graduations and weddings, and are rich in sentiment. Music relies on these emotions to resurrect the recollections, says Vanstone. “Music is very good at conveying feelings – it builds up and lets go, giving a sense of tension and release,” he says. This ability to tap into our deepest passions helps us to draw out the experience that was laid down with the same fervent backdrop. Music can also aid in recovering memories through its impact on our body’s physiology, says Ryerson PhD candidate Katlyn Peck. Music can stimulate areas of the brain responsible for releasing the chemical dopamine, which helps reconstruct memories. Retrieving a remembrance requires the brain to function at an optimal level of arousal – neither over-stimulated nor under-activated. Music can soothe anxious patients or activate depressed ones, creating the ideal environment for reminiscence. While memory loss is hard enough for sufferers of Alzheimer’s, this problem can be compounded by depression. In the initial stages of the disease, clients are aware of their declining function. “They become frustrated with themselves when they recognize their problems,” says Clements-Cortes. Fortunately, attending live concerts can partially reverse this complication, says Michael Thaut, professor of music at the University of Toronto. He led a study in which patients with Alzheimer’s attended nine monthly concerts along with their significant others. He noted striking changes in their moods over the course of the study. “They went from being frozen and inaccessible to smiling and singing along with the music.” Back at Baycrest, one man with piercing emerald eyes and matching green pants becomes increasingly animated as the hour progresses. He acts out the songs with dramatic facial expressions and theatrical gestures. His baritone voice belts out Love Me Tender, as he gazes wistfully at Clements-Cortes and points his index finger right at her. “I enjoy expressing myself,” he says. “Today I was expressing love – I can feel what the songs were saying.” Music bolsters the mood many different ways, says Clements- Cortes. For starters, it provides an alternative method of communication when words have become compromised. As well, music stirs JUSTINE DUDZIAK thewholenote.com April 1, 2017 - May 7, 2017 | 59

Volumes 21-25 (2015-2019)

Volume 25 Issue 4 - December 2019 / January 2020
Volume 25 Issue 2 - October 2019
Volume 25 Issue 1 - September 2019
Volume 24 Issue 8 - May 2019
Volume 24 Issue 7 - April 2019
Volume 24 Issue 6 - March 2019
Volume 24 Issue 5 - February 2019
Volume 24 Issue 4 - December 2018 / January 2019
Volume 24 Issue 3 - November 2018
Volume 24 Issue 2 - October 2018
Volume 24 Issue 1 - September 2018
Volume 23 Issue 9 - June / July / August 2018
Volume 23 Issue 8 - May 2018
Volume 23 Issue 7 - April 2018
Volume 23 Issue 6 - March 2018
Volume 23 Issue 4 - December 2017 / January 2018
Volume 23 Issue 3 - November 2017
Volume 23 Issue 2 - October 2017
Volume 23 Issue 1 - September 2017
Volume 22 Issue 9 - Summer 2017
Volume 22 Issue 8 - May 2017
Volume 22 Issue 7 - April 2017
Volume 22 Issue 6 - March 2017
Volume 22 Issue 5 - February 2017
Volume 22 Issue 4 - December 2016/January 2017
Volume 22 Issue 2 - October 2016
Volume 22 Issue 1 - September 2016
Volume 21 Issue 9 - Summer 2016
Volume 21 Issue 8 - May 2016
Volume 21 Issue 6 - March 2016
Volume 21 Issue 5 - February 2016
Volume 21 Issue 4 - December 2015/January 2016
Volume 21 Issue 3 - November 2015
Volume 21 Issue 2 - October 2015
Volume 21 Issue 1 - September 2015

Volumes 16-20 (2010-2015)

Volumes 11-15 (2004-2010)

Volumes 6 - 10 (2000 - 2006)

Volumes 1-5 (1994-2000)