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Volume 23 Issue 1 - September 2017

  • Text
  • September
  • Toronto
  • Jazz
  • Orchestra
  • Musical
  • October
  • Recording
  • Composer
  • Symphony
  • Theatre
In this issue: a look at why musicians experience stage fright, and how to combat it; an inside look at the second Kensington Market Jazz Festival, which zeros in on one of Toronto’s true ‘music villages’; an in-depth interview with Elisa Citterio, new music director of Tafelmusik Baroque Orchestra; and The WholeNote’s guide to TIFF, with suggestions for the 20 most musical films at this year’s festival. These and other stories, in our September 2017 issue of the magazine!

THE MUSIC CITY

THE MUSIC CITY Kensington Market Jazz Festival Turns Two! HERE GOES THE NEIGHBOURHOOD! ORI DAGAN A rare treat for Mr. Joe Sealy O.C. & Robi Botos to chat as part of the Tom’s Place Yamaha Piano series. DON DIXON The “jazz festival” model has long been under threat from the pressure of commercial imperatives that require it to be ever bigger and ever broader in scope. I’ve always thought that if the “jazz festival” model no longer works the way it once did, then change the model — not the music. The above words are jazz writer/photographer Mark Miller’s, in a recent Facebook post. In the post he’s talking about the TD Toronto Jazz Festival on the conclusion of its first year in and around Yorkville Village. But in many ways, he could just as easily have been talking about the motivation for the Kensington Market Jazz Festival, which mounts its second version September 15, 16 and 17. Before I start explaining why, I must make it crystal clear that, as one of the founding produ-cers of KMJF, I am completely biased in my judgment, and am quite willing to admit that fact face-to-face, September 15, 16, 17 when I see you in the Market, enjoying the multitude of local musicians booked by Molly Johnson, Genevieve Marentette and yours truly. The festival is the brainchild of Order of Canada Officer Molly Johnson, awarded for her work as singer, songwriter, broadcaster and philanthropist. KMJF, which turns two this month, simultaneously celebrates a diverse musical field of Toronto artists, and, through its concentrated presentation of over 250 musicians in 20 Kensington Market locations, a treasured Toronto neighbourhood. A particularly important note to point to anyone planning to attend is that the festival accepts CASH ONLY at the door. There are no online tickets or advance reservations – you need to arrive early to ensure seating! “If you want to show your support you have to show up! We like to keep things simple,” jokes Johnson, herself a child of the Market, but also a Torontonian known worldwide for her husky, instantly recognizable tone which cuts right through the listener’s ear with raw grit and soulful truth. As talented as she is, Johnson has never been seduced by the frivolities of fame and has used her success to benefit those in need throughout her career. As a philanthropist she is best known for creating Kumbaya, an annual concert series and live telethon on Muchmusic benefitting HIV and AIDS research, for which she raised over million. Kumbaya featured scores of Canadian bands such as The Tragically Hip, Barenaked Ladies, Leslie Spit Treeo and Rush, donating their time for this worthy and important cause. The telethons ran annually from 1993 to 1996, at a time when AIDS was far more taboo than today. “Compared to Kumbaya, Kensington Market Jazz Festival is a piece of cake. I mean, that was live TV with rock stars, it was a wild ride. This is jazz being played indoors and everything shutting down at 11pm. Way more civilized,” she quips. Authentic might be a better word than civilized. Here’s what some of the participating musicians have had to say about the inaugural Kensington Market Jazz Festival: Long live the Kensington Market Jazz Festival. It’s an honour to be part of this initiative. Toronto needs more live music! — Jane Bunnett, O.C., Recording Artist KMJF is Toronto’s new jazz festival...it has it all and the location just feels right...it feels authentic...the level of music is superb and it was evident that it was more than the sum of its parts in that what I felt walking around after my gig was something like the early Yorkville days.... — Marc Jordan, Singer-Songwriter On Saturday night especially it was balmy and walking up and down Augusta between GREAT music venues I thought how it felt a little like Frenchman street in New Orleans. — Alex Pangman, Vocalist This was the festival Toronto has been waiting for. The fact that it was contained and neighbourhood-based and everything was happening within a few-blocks radius gave it a unified feeling. It also felt like our community was truly represented and honoured. — David Restivo, Pianist Thanks so much for bringing exactly what we needed to this scene!!! — Chris Butcher, Trombonist, Heavyweights Brass Band The best day of my year was at the Kensington Market Jazz Festival...as I was given the opportunity by the organizers to 14 | September 2017 thewholenote.com

curate a three-concert series. The idea: seasoned jazz veterans and young poets/rappers/free-stylists together. The result... a bridge between generations and artistic hearts and minds... a dream come true for both musicians and audience...and a living demonstration of the creative fire that unites us. — George Koller, Bassist/Curator So that is how KMJF was born: three working musicians in an office, with help from priceless friends such as social media guru Céline Peterson of Social Legacy, Jim Welter of Yamaha Music Canada who generously supplies backline to all ten venues on Augusta, and patron saint of the festival (and bona fide jazz lover) Tom Mihalik of Tom’s Place, who again this year will be taking out a dozen racks of suits to house a Yamaha grand piano for the duration of the festival. One thing we’ve already learned over the course of this first year, is that, paradoxically, if you want to become a fixture, you have to keep moving! This year KMJF is adding a new series to the festivities: Curated Busking, bringing music to the neighbourhood, putting it in people’s faces – their ears – in hopes of promoting the great talent in this city. For example at 4 Life Natural Foods you will hear acoustic performances by a cappella trios The Ault Sisters and The Willows, for a Pay-What-You-Can donation. KMJF supplies the bucket and promotes the buskers on print materials and through social media streams. Select venues such as Poetry Jazz Café, an intimate space of 40, will be live-streaming performances by artists such as Laila Biali and Elizabeth Shepherd. Other notable series will include a “jazz under 20” venue at the St. Stephen’s Youth Arcade Studio and a fundraiser for the Boys and Girls Clubs of Canada featuring nearly 20 vocal artists, from promising up-and-comers Alex Samaras and Joanna Majoko to soulful veterans Sharon Lee Williams and Shawne Jackson. This year KMJF has chosen Eric St-Laurent as a guest curator, at Lola on Kensington Avenue. Says St-Laurent of the musicians he has chosen for closing night of the festival, Sunday September 17: “The Sunday lineup at Lola’s is about improvisation in world traditions outside of North America. In a way, jazz is as old as the world itself. Come to Lola’s and let us show you what we mean by that. Donné Roberts’ guitar playing is pure unadulterated joy - liquid happiness. Flutist Anh Phung is simply one of the strongest new voices in Canadian music. Catch her now in an intimate setting before fame hits. Selçuk Suna masterfully brings traditional Turkish music and jazz together, demonstrating once more the profound unity of all improvisational dialects.” The evening will conclude with a performance by power group Eric St-Laurent Trio featuring original compositions and eclectic covers by the guitarist with bassist Jordan O’Connor and percussionist Michel DeQuevedo. On a personal but related note, this issue marks ten years since I wrote my first piece for The WholeNote. What a difference a decade makes: just 86,648 little hours … Re-reading my first published piece, I found myself reflecting on the fact that I’ve been shining the spotlight on members of a jazz community, many of whom I have met in the wee small hours of a jam session, or in small venues, or been able to bump into on the street. Writing for The WholeNote has always been a great experience, regardless of how stressful it has been to get my piece in on time. Those in my inner circle have been supportive of my “WholeNote time of the month,” during the crunch when deadlines loom (none ever crunchier than as of this writing!) Writing for The WholeNote has always been about spreading the good news of a city where it is possible for music to be part of daily life, year round. Working for KMJF is starting to feel a lot like that. This year’s festival takes place on the last weekend of summer: September 15, 16, 17. Full schedule at kensingtonjazz.com. Ori Dagan is a Toronto-based jazz musician, writer and educator who can be reached at oridagan.com The TELUS Centre for Performance and Learning Koerner Hall • November 8, 2017 Laila Biali Rik Emmett Rich Brown’s rinsethealgorithm featuring Larnell Lewis, Robi Botos & Luis Deniz TICKETS ON SALE NOW! 416.408.0208 rcmusic.com/concerts Premium 5 • General Admission • Student Premium ticket includes pre-concert cocktail dinner and other benefits For more information, please visit humber.ca/humberat50concert or contact Raina Faza at 416-675-6622 ext. 4348 50event@humber.ca Presented by Kurt Elling Humber Faculty Big Band directed by Denny Christianson, featuring Pat LaBarbera & Al Kay Update, September 11, 2017, 3pm: this article has been updated to remove opinions incorrectly attributed to the author thewholenote.com September 2017 | 15

Volumes 21-24 (2015-2018)

Volume 24 Issue 8 - May 2019
Volume 24 Issue 7 - April 2019
Volume 24 Issue 6 - March 2019
Volume 24 Issue 5 - February 2019
Volume 24 Issue 4 - December 2018 / January 2019
Volume 24 Issue 3 - November 2018
Volume 24 Issue 2 - October 2018
Volume 24 Issue 1 - September 2018
Volume 23 Issue 9 - June / July / August 2018
Volume 23 Issue 8 - May 2018
Volume 23 Issue 7 - April 2018
Volume 23 Issue 6 - March 2018
Volume 23 Issue 4 - December 2017 / January 2018
Volume 23 Issue 3 - November 2017
Volume 23 Issue 2 - October 2017
Volume 23 Issue 1 - September 2017
Volume 22 Issue 9 - Summer 2017
Volume 22 Issue 8 - May 2017
Volume 22 Issue 7 - April 2017
Volume 22 Issue 6 - March 2017
Volume 22 Issue 5 - February 2017
Volume 22 Issue 4 - December 2016/January 2017
Volume 22 Issue 2 - October 2016
Volume 22 Issue 1 - September 2016
Volume 21 Issue 9 - Summer 2016
Volume 21 Issue 8 - May 2016
Volume 21 Issue 6 - March 2016
Volume 21 Issue 5 - February 2016
Volume 21 Issue 4 - December 2015/January 2016
Volume 21 Issue 3 - November 2015
Volume 21 Issue 2 - October 2015
Volume 21 Issue 1 - September 2015

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