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Volume 23 Issue 7 - April 2018

  • Text
  • April
  • Toronto
  • Jazz
  • Musical
  • Symphony
  • Arts
  • Performing
  • Choir
  • Theatre
  • Orchestra
In this issue: we talk with jazz pianist Thompson Egbo-Egbo about growing up in Toronto, building a musical career, and being adaptive to change; pianist Eve Egoyan prepares for her upcoming Luminato project and for the next stage in her long-term collaborative relationship with Spanish-German composer Maria de Alvear; jazz violinist Aline Homzy, halfway through preparing for a concert featuring standout women bandleaders, talks about social equity in the world of improvised music; and the local choral community celebrates the life and work of choral conductor Elmer Iseler, 20 years after his passing.

Old Wine, New Bottles

Old Wine, New Bottles Fine Old Recordings Re-Released BRUCE SURTEES In 2009, to celebrate their 111th year of making recordings, DG issued 111 years of Deutsche Grammophon in two collector’s boxes of 55 and 56 CDs containing landmark recordings from the earliest days to the (then) present. Issued as limited editions, they are still to be had… at a price! Since then they have produced more “111” collections: sets featuring the violin and the piano, as well as 11 Great Videos (a 13DVD set) – all a boon to the enquiring minds of countless collectors. The latest, 111 - The Conductors (DG 4797477, 40 CDs) offers outstanding performances from 40 maestros recorded by DG who were part of the classical music scene since the 1930s. There is absolutely no padding in this collection; each performance was critically praised in the initial release, very often becoming the recommended performance in its repertoire. Here are some: Daphnis and Chloe, etc. (Abbado); Saint-Saëns Third Symphony, etc. (Barenboim); Mahler First and Second Symphonies (Bernstein); Bruckner Eighth Symphony (Böhm); Stravinsky Symphony of Psalms, Schoenberg (Boulez); Mendelssohn Fourth, etc. (Fritz Busch, 1950); Prokofiev Third Symphony, etc. (Chailly); Messiaen Turangalîla-Symphony (Y. and J. Loriod; Chung); Brahms Fourth Symphony, Kodály (de Sabata); music of Revueltas, Ginastera, etc. (Gustavo Dudamel); Johann Strauss works (Fricsay); Brahms First, Schubert Eighth (Furtwängler,1952); Beethoven Fourth and Sixth (Gardiner), Bruckner Ninth (Giulini); Mozart Violin Concertos Three, Four and Five (Gidon Kremer, Harnoncourt), Sibelius tone poems (Neeme Järvi); Mozart “Jupiter,” Schubert “Unfinished” (Jochum); Beethoven Ninth, etc. (Karajan 1962); Beethoven Symphonies Five and Seven (Carlos Kleiber); Dvořák Symphonies Eight and Nine (Kubelik). Know that this is not a list of the best of the best, selected from the 40 CDs, but the exact contents of the first 21 discs, conductors A to K! These honoured performances with the finest orchestras, Berlin, Vienna, Boston, Leningrad, London and others, all in the best sound, are beyond any serious criticism. The other 19 include Lehmann, Leitner, Levine, Maazel, Markevitch, Mravinsky, Andris Nelsons, Ozawa, Nézet-Séguin, Rattle, Steinberg, Previn, Sinopoli, Thielemann, Minkowski, Schuricht … and the list goes on. An irresistible collection all around. See the complete track listing at deutschegrammophon.com/en/cat/4797477. Deutsche Grammophon also offers special editions of selected conductors’ recordings, including Karl Böhm’s acclaimed interpretations in Karl Böhm: Great Recordings 1953- 1972 (4797021, 17 CDs). Böhm was of the old school of conductors, in the best sense of that appellation. He conducted with a firm beat and, as far as I’ve seen or heard, was not inclined to romanticize. Included is a cross section of powerful performances, mostly with the Berlin Philharmonic with whom he had a close working relationship over the years: Beethoven, Symphonies 3, 5, 7 and the Missa Solemnis; Brahms Symphonies 1 and 2; Haydn The Seasons; lots of Mozart; Mahler Kindertotenlieder and four Rückert Lieder (Fischer-Dieskau); and lots of Richard Strauss. Just as one would expect. Also of interest is a 40-minute rehearsal followed by the complete performance of Schubert’s Ninth Symphony (Berlin, 1963). As an aside, consider Böhm’s business-like tempi in Wagner’s Ring as heard in the 1966/67 live recordings from Bayreuth issued a few years ago, re-mastered on Decca (4782367, 14 CDs). It has been argued that Böhm’s faster-than-usual, objective tempi are a downside, but listening with a different attitude can lead to a different appreciation. Incidentally, Birgit Nilsson fans may know that of all her recordings including the Solti, she considered this to be her finest Brunnhilde. It is a fact of life that in the performing arts, fame can be and often is shortlived for instrumentalists, vocalists and conductors alike. Appian Recordings has gone to a lot of search and research to issue a 2CD set of pianist Leff Pouishnoff – The Complete 78-rpm and selected Saga LP recordings (APR2022 aprrecordings.co.uk). I’m sure that some aficionados recognize the name but I did not. Leff Pouishnoff (1891- 1959) was born in Odessa, the birthplace of so many famous names in the classical hierarchy. The parents of George Gershwin and Bob Dylan also migrated from Odessa. Pouishnoff studied composition at the St. Petersburg Conservatory with Rimsky-Korsakov, Liadov and Glazunov, graduating in 1910 with a Gold Medal. In 1911 he toured with violinist Leopold Auer. The Russian Revolution forced him into exile and he went to Persia, where he became the first pianist ever to tour that country. He went to Paris but soon moved to London where he did rather well, giving five recitals in Wigmore Hall during February and March 1921 playing Bach, Rachmaninov and Scriabin to great acclaim. From 1921 on, one can almost track the course of his life via his recordings. He played at the Proms in 1922 and recorded four sides for Columbia that are to be heard on the first disc of this release. Six more sides in 1923. He made his North American debut in 1923, then back at the 1923 Proms, returning to tour the United States in 1924. It was in the 1920s he earned a reputation as a Chopin player and in 1926 gave a week of Chopin recitals in Wigmore Hall. So successful were they that he repeated the series in 1927. In May 1926, the dawn of electric recordings, Pouishnoff set down the Rosamunde Ballet music of Schubert and Glazunov’s Polka. In March 1928 for the Schubert centenary, he recorded the Sonata in G Major “Fantasie” op.78 “that displays all of Pouishnoff’s best qualities, the luminous tone, elegance and suave control.” Heard here on CD1, it does. He made his last recordings for Columbia in February and March 1929. During the Second World War he continued playing and gave concerts for the troops but in truth, his halcyon days were back in the 1920s. After the war, it seemed that his repertoire was out of favour, to be replaced by such heavies as Artur Schnabel and Wilhelm Backhaus playing more substantial works from the Austro-German school. He returned to the studio in mid-1948, this time for HMV where he recorded five Chopin sides. In 1958 Saga Records brought him back for some Chopin and the longer Theme and Variations by Glazunov and much more. Leff Pouishnoff died in June 1959, followed less than three weeks later by his wife, who chose to die. All his 78s are here and some Saga items although there is a mystery, detailed in the booklet, concerning the whereabouts of the missing Saga tapes. Along with the Schubert Sonata, which runs 31 minutes, and the Glazunov Theme and Variations at 18 minutes, there are 33 charming short pieces by the masters, masterfully delivered. Very pleasant listening. The two-disc set is priced as one. Decca and DG are reissuing some outstanding analog recordings in new remastered editions on Blu-ray audio discs. I should say audio disc, singular, as there is the complete Karajan Ring Cycle on one disc, and a complete Salome with Nilsson sounding shockingly real on one disc. Now we have the five Beethoven Piano Concertos from Vladimir Ashkenazy with Georg Solti and the Chicago Symphony Orchestra on a single Blu-ray disc packaged with three newly remastered regular CDs. These acknowledged performances and recordings enjoy a new reality, particularly on the +Blu-ray edition (Decca 4832579, 3 CDs & 1 Blu-ray disc). 82 | April 2018 thewholenote.com

KOERNER HALL IS: “ A beautiful space for music “ THE GLOBE AND MAIL Rolston String Quartet with Robert McDonald SUN., APR. 8, 2PM MAZZOLENI CONCERT HALL Free tickets can be reserved starting Mon., April. 2. Canada’s Rolston String Quartet, comprised of alumni of The Glenn Gould School, captured the musical world’s attention by winning the 2016 Banff International String Quartet Competition. They will perform Debussy’s String Quartet and will be joined by pianist Robert McDonald for Schumann’s Piano Quintet in E flat Major, op. 44. Generously supported by Dorothy Cohen Shoichet Johannes Debus conducts the Royal Conservatory Orchestra FRIDAY, APRIL 20, 8PM / PRELUDE RECITAL 6:45PM PRE-CONCERT TALK 7:15PM / KOERNER HALL Tickets start at only Canadian Opera Company Music Director, Johannes Debus, will conduct the Glenn Gould School’s Royal Conservatory Orchestra, in a special concert of works by Hector Berlioz, Francis Poulenc, and Leonard Bernstein’s “Symphonic Dances” from West Side Story. Part of the Temerty Orchestral Program Taylor Academy Orchestra WEDNESDAY, APRIL 11, 7:30PM MAZZOLENI CONCERT HALL Free tickets can be reserved starting Mon., Apr. 4. String students from The Phil and Eli Taylor Performance Academy for Young Artists come together as the Academy Chamber Orchestra to perform this special concert. Beatrice Rana SUNDAY, APRIL 8, 3PM / PRE-CONCERT TALK 2PM / KOERNER HALL Tickets start at only Italian pianist Beatrice Rana won three major awards in 2017: Edison Klassiek Award as “Discovery of the Year,” the BBC Music Magazine’s “Newcomer of the Year” Award, and the Gramophone “Young Artist of the Year” Award. Hear her perform works by Schumann, Ravel, and Stravinsky. Presented in association with the Istituto Italiano di Cultura Gerald Finley with Julius Drake SUNDAY, APRIL 22, 3PM PRE-CONCERT TALK 2PM KOERNER HALL Tickets start at only Having received multiple Gramophone Awards together, Canadian baritone Gerald Finley and British pianist Julius Drake return to Koerner Hall to perform works by Schubert, Rachmaninov, Beethoven, as well as American and English folk songs. Generously supported by Sue Mortimer Dianne Werner SUNDAY, APRIL 15, 2018 2PM MAZZOLENI CONCERT HALL Tickets: Dianne Werner is an exceptional soloist, accompanist, and chamber musician acclaimed for her lyrical and poetic style. One of Canada’s pre-eminent cultural ambassadors, she will be joined by Andres Diaz to perform Rachmaninoff’s Corelli Variations and sonata for piano and cello. TICKETS & SUBSCRIPTIONS ON SALE NOW! 416.408.0208 WWW.RCMUSIC.COM/PERFORMANCE 273 BLOOR STREET WEST (BLOOR 237 BLOOR ST. & AVENUE STREET RD.) WEST TORONTO (BLOOR ST. & AVENUE RD.) TORONTO

Volume 26 (2020- )

Volume 26 Issue 1 - September 2020
Volume 26 Issue 2 - October 2020
Volume 26 Issue 3 - November 2020

Volumes 21-25 (2015-2020)

Volume 25 Issue 9 - July / August 2020
Volume 25 Issue 8 - May / June 2020
Volume 25 Issue 7 - April 2020
Volume 25 Issue 6 - March 2020
Volume 25 Issue 5 - February 2020
Volume 25 Issue 4 - December 2019 / January 2020
Volume 25 Issue 3 - November 2019
Volume 25 Issue 2 - October 2019
Volume 25 Issue 1 - September 2019
Volume 24 Issue 8 - May 2019
Volume 24 Issue 7 - April 2019
Volume 24 Issue 6 - March 2019
Volume 24 Issue 5 - February 2019
Volume 24 Issue 4 - December 2018 / January 2019
Volume 24 Issue 3 - November 2018
Volume 24 Issue 2 - October 2018
Volume 24 Issue 1 - September 2018
Volume 23 Issue 9 - June / July / August 2018
Volume 23 Issue 8 - May 2018
Volume 23 Issue 7 - April 2018
Volume 23 Issue 6 - March 2018
Volume 23 Issue 4 - December 2017 / January 2018
Volume 23 Issue 3 - November 2017
Volume 23 Issue 2 - October 2017
Volume 23 Issue 1 - September 2017
Volume 22 Issue 9 - Summer 2017
Volume 22 Issue 8 - May 2017
Volume 22 Issue 7 - April 2017
Volume 22 Issue 6 - March 2017
Volume 22 Issue 5 - February 2017
Volume 22 Issue 4 - December 2016/January 2017
Volume 22 Issue 2 - October 2016
Volume 22 Issue 1 - September 2016
Volume 21 Issue 9 - Summer 2016
Volume 21 Issue 8 - May 2016
Volume 21 Issue 6 - March 2016
Volume 21 Issue 5 - February 2016
Volume 21 Issue 4 - December 2015/January 2016
Volume 21 Issue 3 - November 2015
Volume 21 Issue 2 - October 2015
Volume 21 Issue 1 - September 2015

Volumes 16-20 (2010-2015)

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Volumes 6 - 10 (2000 - 2006)

Volumes 1-5 (1994-2000)