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Volume 24 Issue 5 - February 2019

  • Text
  • February
  • Toronto
  • Jazz
  • Arts
  • Theatre
  • Musical
  • Performing
  • Orchestra
  • Symphony
  • Composer
In this issue: A prize that brings lustre to its laureates (and a laureate who brings lustre to the prize); Edwin Huizinga on the journey of Opera Atelier's "The Angel Speaks" from Versailles to the ROM; Danny Driver on playing piano in the moment; Remembering Neil Crory (a different kind of genius)' Year of the Boar, Indigeneity and Opera; all this and more in Volume 24 #5. Online in flip through, HERE and on the stands commencing Thursday Jan 31.

FEATURE CELEBRATING

FEATURE CELEBRATING JESSYE NORMAN 12TH GLENN GOULD PRIZE LAUREATE TORONTO, FEBRUARY 11 TO 20, 2019 DAVID PERLMAN CAROL FRIEDMAN Jessye Norman (singing), New York City. Hunt down the photograph of Jessye Norman that graces our cover in the Prints & Photographs Online Catalog of the US Library of Congress in Washington D.C. and you will discover that it was taken in 1988 by acclaimed photographer Annie Leibovitz and titled “Jessye Norman (singing), New York City.” (The cutline for the image in the version we received from Universal Music to make our cover from is titled “Jessye Norman is Carmen,” but we’ll get back to that factoid once we’ve browsed the Library’s holdings a little further.) The photo on our cover seems to be the only Leibovitz photo in the library’s print and photo online catalogue. But it’s far from the only Jessye Norman image listed there: there are photos of her singing during Bill Clinton’s 1997 inauguration and, the previous year, at the 1996 Democratic National Convention; there are sketches of her, alone and with conductor Seiji Ozawa, by illustrator Tracy Sugarman; and there is a photograph listed of her singing, in the Capitol Rotunda in June 1999, during a ceremony to award the Congressional Medal of Honour to Rosa Parks, the Alabama seamstress whose 1955 refusal to give up her seat on a Montgomery bus to a white man could be said to have sparked the campaign of disobedience that launched the American civil rights movement. ‘’This will be encouragement for all of us to continue until all people have equal rights,’’ the then-86-yearold Parks said in accepting the medal, just moments after Norman’s voice filled the Rotunda with the strains of John Rosamond Johnson and James Weldon Johnson’s anthemic Lift Every Voice and Sing. Sing a song full of the hope that the present has brought us; facing the rising sun of our new day begun, let us march on till victory is won. “Jessye Norman is Carmen” If one searches a list of all the Library’s holdings beyond prints and photographs, a sense of the full scope and scale of Norman’s artistic contribution over the decades starts to emerge: films, interviews, her own 2014 memoir, Stand Up Straight and Sing!, and almost 100 audio recordings, from spirituals to song cycles, from sacred works to the grandest of grand opera, reflective of an astounding technical range (she has sung soprano, mezzo-soprano and alto roles throughout her career), broad and adventurous musical tastes, and a lifetime of collaboration with artistic colleagues who, like her, are among the greatest of the great. Tucked away among these recordings is one from 1988, the year in which our cover photo was taken, which sheds light on the “Jessie Norman Is Carmen” cutline under the file of the photograph sent to us by Universal Music for our cover use. It is a Philips recording of Bizet’s Carmen, with Norman in the title role, and Mirella Freni, Neil Shicoff, and Simon Estes, among others, in the cast. It was made between July 13 and 22 1988, in the Grand Auditorium de Radio France, with Seiji Ozawa conducting the Orchestre national de France. Sure enough, if you hunt out images of the cover of that record, you will find yourself face to face with this same photograph, only in colour. You would never think, though, looking at the photograph in that context, that it was ever intended for any other purpose. It seems to be a picture of Norman inhabiting a role as fully and easily as the blanket drawn around her. 8 | February 2019 thewholenote.com

GREAT CHAMBER MUSIC DOWNTOWN Juho Pohjonen JUHO POHJONEN Tuesday February 5 Engaging musicality from an outstanding Finnish pianist Juilliard Quartet Marc-André Hamelin JUILLIARD QUARTET with MARC-ANDRÉ HAMELIN Thursday February 14 The legendary Juilliard Quartet and the great Marc-André Hamelin come together to play the Dvorak piano quintet Our 2019—2020 season will be announced at this concert! DANNY DRIVER Tuesday March 5 One of Britain’s most respected and versatile pianists Danny Driver ALL CONCERTS AT 8 PM TICKETS: 416.366.7723 | www.stlc.com 27 Front Street East, Toronto

Volumes 21-24 (2015-2018)

Volume 24 Issue 5 - February 2019
Volume 24 Issue 4 - December 2018 / January 2019
Volume 24 Issue 3 - November 2018
Volume 24 Issue 2 - October 2018
Volume 24 Issue 1 - September 2018
Volume 23 Issue 9 - June / July / August 2018
Volume 23 Issue 8 - May 2018
Volume 23 Issue 7 - April 2018
Volume 23 Issue 6 - March 2018
Volume 23 Issue 4 - December 2017 / January 2018
Volume 23 Issue 3 - November 2017
Volume 23 Issue 2 - October 2017
Volume 23 Issue 1 - September 2017
Volume 22 Issue 9 - Summer 2017
Volume 22 Issue 8 - May 2017
Volume 22 Issue 7 - April 2017
Volume 22 Issue 6 - March 2017
Volume 22 Issue 5 - February 2017
Volume 22 Issue 4 - December 2016/January 2017
Volume 22 Issue 2 - October 2016
Volume 22 Issue 1 - September 2016
Volume 21 Issue 9 - Summer 2016
Volume 21 Issue 8 - May 2016
Volume 21 Issue 6 - March 2016
Volume 21 Issue 5 - February 2016
Volume 21 Issue 4 - December 2015/January 2016
Volume 21 Issue 3 - November 2015
Volume 21 Issue 2 - October 2015
Volume 21 Issue 1 - September 2015

Volumes 16-20 (2010-2015)

Volumes 11-15 (2004-2010)

Volumes 6 - 10 (2000 - 2006)

Volumes 1-5 (1994-2000)