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Volume 24 Issue 9 - June / July / August 2019

  • Text
  • Orchestra
  • Listings
  • Concerts
  • Quartet
  • Musical
  • Theatre
  • Jazz
  • August
  • Toronto
  • Festival
In this issue: The Toronto Brazilian bateria beat goes on; TD Jazz in Yorkville is three years young; Murray Schafer's earliest Wilderness forays revisited; cellist/composer Cris Derksen's Maada'ookkii Songlines to close Luminato (and it's free!); our 15th annual Green Pages summer music guide; all this and more in our combined June/July/August issue now available in flipthrough format here and on stands starting Thursday May 30.

the Vakhtangov State

the Vakhtangov State Academic Theatre of Russia, based on the verse drama of Russian poet and playwright Mikhail Lermontov. This production promises to be a tremendously theatrical event employing a clown-influenced physical theatre style of staging supported by and interwoven with a musical score by Faustas Latenas that incorporates the famous Waltz by Aram Khachaturian which was itself commissioned for a production of this play by the Vahtankgov Theatre in 1941. It also promises us “heaps of snow.” Judging by last year’s production of Uncle Vanya, this should be another theatrical feast. Luminato runs from June 7 to 23 at various venues around Toronto; luminatofestival.com. Stratford and Shaw Once again we are entering the season of big musicals at the Stratford and Shaw Festivals. There is already great word of mouth about Stratford’s production of Billy Elliot, the 2005 Tony Awardwinning musical inspired by the 2000 film set during the British miners’ strikes of 1984/85. Here again is a political setting, and a score that even includes a song, “Merry Christmas, Maggie,” mercilessly mocking then-British prime minister, Margaret Thatcher. At the same time as depicting the destruction of a community, however, Billy Elliot is also a wonderful story of hope, of a young boy in a mining town who discovers an inborn talent for dance and finds a way to follow his dreams in spite of all the obstacles in front of him. Director and choreographer Donna Feore has reimagined the staging to work on the Stratford Festival thrust stage and talks in the show program about the inspiration of Elton John’s brilliantly contemporary score. Billy Elliot plays at the Festival Theatre through November 3. The Shaw Festival reaches further back into the traditional musical theatre canon to bring us a much more escapist romance than the musicals discussed above: Lerner and Loewe’s 1947 classic Brigadoon, perhaps best known from the 1954 MGM movie starring Gene Kelly and Cyd Charisse. A brash young New Yorker, Tommy Albright, on holiday in the Scottish Highlands, falls in love with a girl from a magical village, Brigadoon, that only exists for one day every 100 years. After leaving Scotland Tommy finds himself torn between his increasingly empty life in the modern city and the love he left behind. Naturally there is a happy ending, though one could imagine a dystopian millennial sequel set 10 or 15 years later with Tommy now feeling trapped in the magical but tiny village. One of the great draws of the Shaw Festival’s production will be seeing former Stratford musical star Alexis Gordon as Fiona. Brigadoon plays at the Shaw Festival until October 13. MUSIC THEATRE QUICK PICKS Around Ontario over the summer, there are many more musicals to be seen, with something for almost every taste. Consult our music theatre listings for details. !! JUN 5 TO 22: Drayton Entertainment. Thoroughly Modern Millie. Huron Country Playhouse. The fun 1920s-set musical probably best known from the slightly goofy movie version starring Julie Andrews, Mary Tyler Moore and Carol Channing. And also from Drayton, Peter Colley’s You’ll Get Used to It!: The War Show, a nostalgic and fun Canadian look back at WWII with period songs, starting at St. Jacobs Country Playhouse, June 5 to 22, then continuing June 27 to July 13. !! JUN 27, 8PM: Silly Stages. Chasing Rainbows. Songs of Judy Garland. Regent Theatre, Oshawa. The brilliant Canadian musical theatre star Louise Pitre sings Judy Garland. !! JUL 24 TO AUG 16: Gravenhurst Opera House. Dean & Jerry: What Might Have Been. Created by Jesse Collins this two man show about Dean Martin and Jerry Lewis and their long partnership, has been gaining a growing loyal audience at summer stock theatres around Ontario. Jennifer Parr is a Toronto-based director, dramaturge, fight director, and acting coach, brought up from a young age on a rich mix of musicals, Shakespeare, and new Canadian plays. Beat by Beat | In with the New New Sounds for the Summer WENDALYN BARTLEY The summer season is always full of a remarkable array of opportunities to hear cutting-edge music in a variety of settings, and the Luminato Festival that takes place in June in Toronto is no exception. For this year’s edition, I decided to take a look at The Cave, a new work created by composer John Millard, lyricist Tomson Highway and dramaturge Martha Ross, which runs from June 18 to 23 at Soulpepper’s Tank House Theatre. An additional exciting feature of this performance will be the opportunity to experience it across the country through webcasting. Through partnerships with about 25 different institutions in places like Inuvik, Rumble Theatre in Vancouver, the Banff Centre, Algoma University in Sault Ste. Marie, and the Gander Institute for the Arts in Newfoundland, people will be able to gather together in theatres to watch a simultaneous live webcast. Home live streaming will also be possible. John Millard I spoke with the composer of the project, John Millard, to get an inside look at what to expect from this project. He began by emphasizing that the piece is not based on any particular story, but is rather created from a premise. A group of animals find themselves trapped together in an unnatural environment – a bear’s cave – with a forest fire raging outside. What are their individual stories and what brought them to this place? What do they think about the human beings responsible for this fire? In the end Millard says, “we are trying to figure out something about ourselves by using the voices of animals,” with a particular focus on addressing the growing environmental crisis we are facing. Millard also emphasized that traditional Indigenous stories and legends are not used, but the lyrics come from Highway’s imaginative crafting of the dilemmas and issues that arose during the collaborative creative phase. One interesting example is the use of the Garden of Eden story, what Millard calls “an expulsion myth,” a type of myth that doesn’t exist in Indigenous mythologies. In one of the songs of The Cave, the snake character speaks about the tragic outcome that this myth has had culturally, a myth that has demonized women and led to a separation and banishment of the concept of paradise. The piece is structured in the form of a cabaret with approximately 20 songs sung by both soloists and a quintet ensemble. The singers are from diverse backgrounds and include Neema Bickersteth (classical), Derek Kwan (opera), Andrea Koziol (cabaret/folk) and Alex Samaras (popular/jazz), as well as Millard whose musical influences include bluegrass, cabaret and classical. Each singer performs about 32 | June | July | August 2019 thewholenote.com

two or three solos and they also come together to form a quintet at times. Instrumentation includes bass, percussion, reeds, accordion, keyboard and banjo, and Millard has composed various instrumental sections for this unusual ensemble. Since much of Millard’s work has been composing for theatre and its requirements, he told me that this piece is the first time he has written a through-composed piece that is primarily music-focused. Although there is some text in the role of the narrator who introduces the animals, this piece “is all about the songs”, Millard said. Working with musical director Gregory Oh and dramaturge Martha Ross, an emotional arc becomes the structure for the piece, rather than a plot arc, with the goal of discovering who these animals are, what’s important to them, and what the critical issues are for these creatures. The set design will be constructed as both a cave and a cabaret environment with the audience experiencing what it’s like to be inside this environment with fires raging outside. Sound designer Christopher Ross-Ewart will play an important role in creating this sonic world, and various elements of haute fashion will be incorporated into the costume design. The Something Else Festival is Hamilton’s four-day festival of jazz and experimental music that runs from June 20 to 23 presented by Zula Music & Arts Collective Hamilton. It features an eclectic lineup of performers and improvisers including Czech virtuoso violinist/vocalist Iva Bittová who will be performing solo in a free/ by donation concert on June 21 in the afternoon, before teaming up in the evening with drummer Hamid Drake. On Saturday June 22, the afternoon begins with a performance by bassoonist Sara Schoenbeck from Brooklyn, followed in the Iva Bittová evening with another solo performance by Bittová, followed by a set featuring clarinet master Don Byron collaborating with Indigenous Mind (Joshua Abrams, Hamid Drake and Jason Adasiewicz). Many more cutting edge performances will occur, so do check out the schedule both in our listings and at zulapresents.org. Summer Music Residencies The Toronto Creative Music Lab once again takes up residence for a week in June at the Music Gallery. The TCML is an artistic and professional development workshop for early-career musicians, ensembles and composers committed to risk taking. This year they will engage with members of Montreal’s Quatuor Bozzini to present the Toronto premiere of legendary French electronic composer Eliane Radigue’s Occam Delta XV on June 14. Other pieces on the program include new works from Cléo Palacio- Quintin and Andrea Young, along with Jason Doell’s …amid the cannon’s roar. The Westben Performer-Composer Residency occurs in southeastern Ontario’s Northumberland County near Campbellford and is an important milestone in Westben’s ongoing evolution from a summer festival to a multifaceted year-round centre. Their mandate for the residency is to encourage 11 young composers and performers from diverse countries and backgrounds to take creative risks by participating in a process of intergenerational exchange. Participants are expected to offer workshops to their peers featuring their own specialized approaches, with some of these workshops open to the public. This year’s residency features participants from Canada, the US, Chile, Argentina and Cuba, and the workshops will include explorations in four-handed piano, experimental luthiery, strings, dance, voice and Dover Quartet reGENERATION CONCERTS Join us on Saturday’s in Walter Hall as TSM Academy Fellows, some of the most talented musicians of their generation, perform compelling chamber music and art song with their mentors. July 13 - 1:00pm, 4:00pm, 7:30pm New Orford String Quartet July 20 - 1:00pm, 4:00pm, 7:30pm Dover Quartet and Charles Richard-Hamelin July 27 - 1:00pm Source and Inspiration – featuring the Rolston String Quartet, Sarah Slean, John Southworth, and the Art of Time Ensemble July 27 - 4:00pm, 7:30pm Jennifer Koh, Beth Guterman Chu, Julie Albers, Yegor Dyachkov, Philip Chiu August 3 - 7:30pm Barry Shiffman, Desmond Hoebig, Jennifer Frautschi, Hsin-Yun Huang, and more! TORONTOSUMMERMUSIC.COM thewholenote.com June | July | August 2019 | 33

Volumes 21-24 (2015-2018)

Volume 24 Issue 8 - May 2019
Volume 24 Issue 7 - April 2019
Volume 24 Issue 6 - March 2019
Volume 24 Issue 5 - February 2019
Volume 24 Issue 4 - December 2018 / January 2019
Volume 24 Issue 3 - November 2018
Volume 24 Issue 2 - October 2018
Volume 24 Issue 1 - September 2018
Volume 23 Issue 9 - June / July / August 2018
Volume 23 Issue 8 - May 2018
Volume 23 Issue 7 - April 2018
Volume 23 Issue 6 - March 2018
Volume 23 Issue 4 - December 2017 / January 2018
Volume 23 Issue 3 - November 2017
Volume 23 Issue 2 - October 2017
Volume 23 Issue 1 - September 2017
Volume 22 Issue 9 - Summer 2017
Volume 22 Issue 8 - May 2017
Volume 22 Issue 7 - April 2017
Volume 22 Issue 6 - March 2017
Volume 22 Issue 5 - February 2017
Volume 22 Issue 4 - December 2016/January 2017
Volume 22 Issue 2 - October 2016
Volume 22 Issue 1 - September 2016
Volume 21 Issue 9 - Summer 2016
Volume 21 Issue 8 - May 2016
Volume 21 Issue 6 - March 2016
Volume 21 Issue 5 - February 2016
Volume 21 Issue 4 - December 2015/January 2016
Volume 21 Issue 3 - November 2015
Volume 21 Issue 2 - October 2015
Volume 21 Issue 1 - September 2015

Volumes 16-20 (2010-2015)

Volumes 11-15 (2004-2010)

Volumes 6 - 10 (2000 - 2006)

Volumes 1-5 (1994-2000)