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Volume 25 Issue 7 - April 2020

  • Text
  • Violin
  • Musical
  • Performing
  • Concerto
  • Jazz
  • Theatre
  • Symphony
  • Arts
  • Toronto
  • April
After some doubt that we would be allowed to go to press, in respect to wide-ranging Ontario business closures relating to COVID-19, The WholeNote magazine for April 2020 is now on press, and print distribution – modified to respect community-wide closures and the need for appropriate distancing – starts Monday March 30. Meanwhile the full magazine is right here, digitally, so if you value us PLEASE SHARE THIS LINK AS WIDELY AS YOU CAN. It's the safest way for us to reach the widest possible audience at this time!

the foundations of a

the foundations of a functioning society. For us, that’s a huge problem. For the would-be authoritarians of the world, on the other hand, it’s a game plan. As Steve Bannon, former Donald Trump adviser put it, rather bluntly, in 2018: “The real opposition is the media; and the way to deal with them is to flood the zone with shit.” That is, with disinformation. In this nightmarish world, a properly functioning news service works like society’s filtration plant Mansbridge for truth, providing us a clean information supply so we all don’t get very sick. And who better to provide that service than a public broadcaster, with a responsibility of service to the nation built into its very raison d’être? It’s really, in essence, a public health issue. Burman and his colleagues aren’t wrong on this score. Their only failing, and it’s a significant one, is their cultural blind spot, their failure to understand that truthful information about the world doesn’t just come from newscasts or current affairs interviews. The real news of the world comes from music, novels, movies, dramas, visual art – culture, in a word, the whole panoply of human imaginative response to life that fuels the deeper, more powerful ties of solidarity and understanding that fully create a society. Let’s take Indigenous Canada as an example, a topic that’s been very much in the “news” recently. If we are serious about coming to terms with the reality of Indigenous Canada, we need to be exposed to more than stories about the differences between hereditary and band leadership, articles examining the complexities of ceded and unceded land, examinations of Supreme Court rulings about meaningful consultation. We do need these. But we also need – desperately – a fuller understanding of the entire spiritual outlook of Indigenous peoples – their understanding of their relationship to the land, to each other, to their creator, to the country. Once we have that, or begin to have that, the political situation becomes clearer, more understandable – and our chances of approaching each other increase. That fuller understanding does not come from news. It comes from culture – from story and music and visual art, and spiritual philosophy – precisely those things that would be abandoned if the CBC became a news-focused organization. An abandonment that would diminish the CBC – and the people of Canada as well – it would be a powerful and fatal loss. And it’s not just in regard to Indigenous Canada that this is true. Look at the immense outpouring of attention and gratitude the CBC received when it broadcast the last concert of the Tragically Hip from Kingston in 2016. The impact on the Canadian psyche, I think it’s fair to say, was powerful and significant. How many newscasts was that concert worth? More than a few, I think most would say. We all live in many worlds at the same time. A public institution devoted to the intellectual and moral health of a country needs to pay attention to them all, or at least the most significant ones. And I won’t bother to recount to you for the 100th time the CBC’s astonishing record in cultural programming over the years (the place didn’t even have a news department until 1941, when the exigencies of war forced one Munro on it). If we had to choose one Canadian created by the CBC who has most helped further our identity, sense of nation, and understanding of the world, would it be Peter Mansbridge or Glenn Gould, Rosie Barton or Alice Munro (whose first literary work was broadcast on the CBC long before the publishing world had ever heard of her). If I had to choose, I know where my focus would be. But we don’t have to choose – that’s the most important thing to Cultural history: Don Messer and His Islanders, 1939 CAPTAIN GREG GALLANT COLLECTION consider in all of this. It doesn’t have to be a contest between forms of content at the CBC. It’s a mistake to assume that the CBC will never have enough money to do everything it needs to do and therefore must choose one thing or the other. My experience within the CBC itself is illuminating in this regard, I think. While I was there, I was constantly being told that there wasn’t any money for some initiative or other I had proposed, only to see vast sums of money spent on some other initiative soon thereafter. I realized that when people told me there was no money for something, they really meant they didn’t believe it had enough value. They could, and would, find the money if they believed it did. That, in a nutshell, is the dilemma the CBC faces these days – it must convince the Government of Canada, having first convinced the people of Canada, that what it proposes to offer Canadians is of clear and obvious worth. Make that case, and the money, or some of it (it’s never enough) will follow, in one form or another. The problem is that the CBC has not made that case effectively to Canadians for a long, long time, which is why it is caught in the tumult of so many problems, inconsistencies, and controversies. If the CBC can regain the trust and confidence it enjoyed for many, many years – that saw the Canadian public support its formation (in the middle of the Great Depression, no less, and originally by a Conservative government, let’s not forget), it may be able to thrive once more. But restricting its focus solely to news and current affairs, abandoning its cultural history, and ignoring its cultural present, is not the way to make that case for value. Life is not all news; the CBC shouldn’t be either. And one last thought in these plague-saturated times. The CBC’s news department has done an excellent job of keeping us up to date on the swirling, ever-changing reality of our lives these days. That’s what they’re supposed to do, and they’re good at it. But when the all clear is eventually sounded and we emerge to survey the social and economic damage that’s been done by the coronavirus blitz, it won’t be just news we’ll need. It will be the things that culture provides – entertainment, thoughtfulness, spiritual depth, common experience. Those are the things that build structure and community in our lives. A public broadcaster can’t be without them. Robert Harris is a writer and broadcaster on music in all its forms. He is the former classical music critic of the Globe and Mail and the author of the Stratford Lectures and Song of a Nation: The Untold Story of O Canada. April 2020 thewholenote.com

THE MAP THAT WOULD HAVE BEEN Each pin on this map is one of hundreds of public places where you, our readers, usually find The WholeNote, free of charge. They’re as integral a part of how The WholeNote functions as the presenters who send us their listings. If you visit thewholenote.com/findus you can browse these pins to find paper copies of The WholeNote near you – USUALLY. But right now this is “the map that would have been” because there is no “business as usual”. Many of these places are shuttered and the people there are facing unprecedented hardships and uncertain futures. Take time to browse this map online. These people and places have been there for us. Like our musicians and concert presenters they will need us to be there for them when “normal” resumes. If you’re currently reading The WholeNote online because you can’t get a paper copy of this edition the usual way, please contact circulation@thewholenote.com or call 416-323-2232 x28. We’re here to help, any way we can. Chris Malcolm, Circulation Manager | David Perlman, Publisher

Volume 26 (2020- )

Volume 26 Issue 1 - September 2020
Volume 26 Issue 2 - October 2020

Volumes 21-25 (2015-2020)

Volume 25 Issue 9 - July / August 2020
Volume 25 Issue 8 - May / June 2020
Volume 25 Issue 7 - April 2020
Volume 25 Issue 6 - March 2020
Volume 25 Issue 5 - February 2020
Volume 25 Issue 4 - December 2019 / January 2020
Volume 25 Issue 3 - November 2019
Volume 25 Issue 2 - October 2019
Volume 25 Issue 1 - September 2019
Volume 24 Issue 8 - May 2019
Volume 24 Issue 7 - April 2019
Volume 24 Issue 6 - March 2019
Volume 24 Issue 5 - February 2019
Volume 24 Issue 4 - December 2018 / January 2019
Volume 24 Issue 3 - November 2018
Volume 24 Issue 2 - October 2018
Volume 24 Issue 1 - September 2018
Volume 23 Issue 9 - June / July / August 2018
Volume 23 Issue 8 - May 2018
Volume 23 Issue 7 - April 2018
Volume 23 Issue 6 - March 2018
Volume 23 Issue 4 - December 2017 / January 2018
Volume 23 Issue 3 - November 2017
Volume 23 Issue 2 - October 2017
Volume 23 Issue 1 - September 2017
Volume 22 Issue 9 - Summer 2017
Volume 22 Issue 8 - May 2017
Volume 22 Issue 7 - April 2017
Volume 22 Issue 6 - March 2017
Volume 22 Issue 5 - February 2017
Volume 22 Issue 4 - December 2016/January 2017
Volume 22 Issue 2 - October 2016
Volume 22 Issue 1 - September 2016
Volume 21 Issue 9 - Summer 2016
Volume 21 Issue 8 - May 2016
Volume 21 Issue 6 - March 2016
Volume 21 Issue 5 - February 2016
Volume 21 Issue 4 - December 2015/January 2016
Volume 21 Issue 3 - November 2015
Volume 21 Issue 2 - October 2015
Volume 21 Issue 1 - September 2015

Volumes 16-20 (2010-2015)

Volumes 11-15 (2004-2010)

Volumes 6 - 10 (2000 - 2006)

Volumes 1-5 (1994-2000)