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Volume 25 Issue 9 - July / August 2020

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  • Orchestra
  • Concerts
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  • Musicians
  • Artists
  • Musical
  • Toronto
  • August
  • Jazz
July/August issue is now available in flipthrough HERE, bringing to a close 25 seasons of doing what we do (and plan to continue doing), and on stands early in the week of July 5. Not the usual bucolic parade of music in the summer sun, but lots, we hope, to pass the time: links to online and virtual music; a full slate of record reviews; plenty new in the Listening Room; and a full slate of stories – the future of opera, the plight of small venues, the challenge facing orchestras, the barriers to resumption of choral life, the challenges of isolation for real-time music; the steps some festivals are taking to keep the spirit and substance of what they do alive. And intersecting with all of it, responses to the urgent call for anti-racist action and systemic change.

Old Wine, New Bottles |

Old Wine, New Bottles | Fine Old Recordings Re-Released Ignaz Friedman Complete Recordings (1923-1941) Ignaz Friedman Danacord DACOCD861-864 (naxosdirect.com) ! Ignaz Friedman was born in Podgórze, near Kraków in 1882. His prodigious abilities were apparent and he studied with Hugo Riemann in Leipzig. He entered the class of the renowned pedagogue, Theodore Leschetizky in Vienna. “Under Leschetizky he developed a technique surpassing all others and in 1904 made his concert debut that became the stuff of legends.” In 1914 he settled in Berlin where there is a plaque in Pariser Strasse that commemorates his stay in the city. He toured in Europe and America until 1914 when the outbreak of war found him touring in Australia where he remained, enjoying a successful career, there and in New Zealand, as a teacher and performer. He was married to a Russian Countess, Manya Schidlowsky, a relative of Tolstoy. Friedman was deservedly acknowledged by critics including Harold C. Schonberg and colleagues, Sergei Rachmaninoff and others, as pianistamong-pianists. He died on Australia Day, January 28, 1948. Friedman was an editor and a composer with several of his compositions heard here meticulously restored, as are all entries in the set Ignaz Friedman Complete Recordings from the LP years, 1923-1941 (six cds for the price of three). When I was quite young, the usual, most-expressed evaluation of a neighbours’ child playing our piano was he or she “has a nice touch.” Those two words seemed to cover the situation quite nicely and pleased the proud parent. Back to the present. In these recordings, in gentle passages, there is often the illusion that Friedman is able play the notes without striking the keys. Now, that is a “nice touch.” This is not to say that this quality is omnipresent but it is there often enough across the 87 tracks on the six discs. Included are works by Scarlatti, Mozart, Widor, Beethoven (Moonlight Sonata) Schubert, and lots of Chopin (Mazurkas. Waltzes, Polonaises, etc.), for which he was renowned. Also Mendelssohn (Songs without Words), Gluck, Brahms, Hummel, Paganini, Liszt, Dvořák, Grieg, Rubinstein, Moszkowski, Paderewski, Suk, Mittler, and, of course, Ignaz Friedman. Bronislaw Huberman is heard in the Kreutzer Sonata. I put disc one in the player with but a cursory look at the contents and was so enamored that I soon had no inclination to do anything else but sit back and enjoy disc two… Bruce Surtees Mozart – Serenade in B-Flat K361 Toronto Chamber Winds; Winston Webber Crystal Records CD646 (crystalrecords.com) ! In his novel Steppenwolf, Herman Hesse depicted Wolfgang Mozart as a smiling Buddha-like immortal. Peter Shaffer, in his play Amadeus, depicts him as human, a vulgar young goofball with uncanny abilities, who had a sense of his music’s importance beyond that assigned by his patrons. In the play, upon hearing the slow movement of the Serenade No.10 in B-flat Major K361”Gran Partita,” the character Antonio Salieri describes with awe the beautiful simplicity of its construction; he believes he is hearing the voice of God. His disillusion with the human form supplying that voice provides the drama for the entire play. The theme of immortality rises before me as I listen to this release: these are all voices from the past, a recording made in Massey Hall in 1982, featuring some of the finest Toronto wind players from the time. Many of them were my heroes as I grew into the profession, and some remain active today. It is also an artifact of the time when the elite musical world was a men’s club. The performance is very fine, and if it tends more toward a representation of Hesse’s Mozart than Shaffer’s, it does so with warmth and style, and with a commitment to proper performance practice. This feature makes the CD well worth owning: the research into proper articulation and ornamentation was carried out by Daniel Leeson, one of the performers and a Mozart scholar. The results are quite pleasant, and instructive as well. It’s good to hear the freedom from the page that James Campbell’s ornaments demonstrate. The virtuosic Finale: Rondo Allegro molto is packed with flurries of 16th notes articulated at blinding speed. Among the voices singing out from the recent past, I am most affected by that of Harry Sargous, at one time the principal oboe of the Toronto Symphony. If the account of the piece here has a flaw it would be that it is careful, rather than joyous. Sargous, however, seems to call out to his colleagues with his tone, and beseech them to revel in both the sacred and profane aspects of the music of this immortal fool. Max Christie Sweet summer sounds from ATMA Classique LATEST RELEASES ACD2 2785 ACD2 2789 ACD2 2816 60 | July and August 2020 thewholenote.com

The WholeNote Listening Room Feeling socially distanced? Come for a visit! Click to listen... Click to share... and click to buy! Visit us at thewholenote.com/listening where you can do more than just read the review. Many artists whose recordings have appeared in DISCoveries have supplied audio tracks, videos and other links to enhance the review. There’s so much great music to sample and enjoy, and it’s easy for you to order your own copy of a recording you’d like to own. Browse titles from recent issues, or search through all the Enhanced Reviews right back to when we first offered this popular feature. There are literally hundreds of recordings for you to choose from, including nine new ones in this issue. You can find The Listening Room on our website under the "Recordings" tab on our home page. Or just type thewholenote.com/listening into your browser! Happy summer listening!

Volume 26 (2020- )

Volume 26 Issue 1 - September 2020

Volumes 21-25 (2015-2020)

Volume 25 Issue 9 - July / August 2020
Volume 25 Issue 8 - May / June 2020
Volume 25 Issue 7 - April 2020
Volume 25 Issue 6 - March 2020
Volume 25 Issue 5 - February 2020
Volume 25 Issue 4 - December 2019 / January 2020
Volume 25 Issue 3 - November 2019
Volume 25 Issue 2 - October 2019
Volume 25 Issue 1 - September 2019
Volume 24 Issue 8 - May 2019
Volume 24 Issue 7 - April 2019
Volume 24 Issue 6 - March 2019
Volume 24 Issue 5 - February 2019
Volume 24 Issue 4 - December 2018 / January 2019
Volume 24 Issue 3 - November 2018
Volume 24 Issue 2 - October 2018
Volume 24 Issue 1 - September 2018
Volume 23 Issue 9 - June / July / August 2018
Volume 23 Issue 8 - May 2018
Volume 23 Issue 7 - April 2018
Volume 23 Issue 6 - March 2018
Volume 23 Issue 4 - December 2017 / January 2018
Volume 23 Issue 3 - November 2017
Volume 23 Issue 2 - October 2017
Volume 23 Issue 1 - September 2017
Volume 22 Issue 9 - Summer 2017
Volume 22 Issue 8 - May 2017
Volume 22 Issue 7 - April 2017
Volume 22 Issue 6 - March 2017
Volume 22 Issue 5 - February 2017
Volume 22 Issue 4 - December 2016/January 2017
Volume 22 Issue 2 - October 2016
Volume 22 Issue 1 - September 2016
Volume 21 Issue 9 - Summer 2016
Volume 21 Issue 8 - May 2016
Volume 21 Issue 6 - March 2016
Volume 21 Issue 5 - February 2016
Volume 21 Issue 4 - December 2015/January 2016
Volume 21 Issue 3 - November 2015
Volume 21 Issue 2 - October 2015
Volume 21 Issue 1 - September 2015

Volumes 16-20 (2010-2015)

Volumes 11-15 (2004-2010)

Volumes 6 - 10 (2000 - 2006)

Volumes 1-5 (1994-2000)