BLUE PAGES 2020/21 SECTION I: PRESENTERS & PERFORMERS educational and collaborative sessions of mentorship with the EIS as vocal coaches in a study of Handel’s Messiah choruses in a virtual situation. We are excited about this new Get Music Initiative. The program of six sessions will take place in late October and throughout November 2020. Jessie Iseler 416-217-0537 info@elmeriselersingers.com www.elmeriselersingers.com www.facebook.com/elmeriseler www.twitter.com/ElmerIseler ●●Elora Singers and Festival, The The Elora Singers and Festival, Elora, ON ●● Barrie Concert Association The Barrie Concert Association, a charitable non-profit organization, presents 12 live performances of mainly Classical music from September/October to May. One-hour piano/organ recitals are also held the first three Wednesdays of every month - presenting classical, baroque, blues and light jazz. During the COVID-19 situation, we daily get phone calls from subscribers hoping concerts can resume. They miss the music - and in these times probably need the music more than ever. However we can only start the performances again when it is safe to do so - we must care for the health challenges of the audience. We will keep you posted with developments as they happen. Bruce Owen 705-726-1181 info@barrieconcerts.org www.barrieconcerts.org ●●Confluence Concerts Confluence - “an act or process of merging” - presents engaging concerts ranging from jazz to traditional South Asian music, opera to pop, across centuries and cultures. Artistic producer Larry Beckwith and artistic associates Andrew Downing, Marion Newman, Patricia O’Callaghan, and Suba Sankaran collaborate with a wide cross-section of Toronto’s rich and diverse arts community to create intimate, thought-provoking programs, including cabarets, anniversary programs celebrating important figures in music, salons and lectures on a wide variety of musical topics, and commissions of new works by Canadian artists. Our 2020/21 online season features: “Something to Live For - A Billy Strayhorn Celebration”; “A Purcell Remembrance - The Exaltation of Poetry”; “Creativity and Aging - The Late Works of Olivier Messiaen and Leonard Cohen”; “The Mandala - The Beauty of Impermanence”; “The Butterfly Project - The Ballade of Chō-Chō San”; “The John Beckwith Songbook - Over 70 Years of Originality”; and “Gracias a la Vida - Spanish Serenades”. In September we launched The Fuse, a monthly podcast that supports the vibrant Canadian music scene with interviews and articles about musicians, artists, and administrators across the country. “...this series has established itself as one of the most important and consistently interesting in the city.” - John Gilks, Opera Ramblings. Jennifer Collins 647-678-4923 manager@confluenceconcerts.ca www.confluenceconcerts.ca www.facebook.com/confluenceconcerts www.twitter.com/confluconcerts ●●Elmer Iseler Singers Elmer Iseler Singers (EIS) is a 20-voice professional chamber choir based in Toronto and founded by the late Dr. Elmer Iseler in 1979. Directed by the acclaimed Lydia Adams, the Singers are known for tonal beauty and interpretive range, and valued for their contributions to masterclasses and workshops with schools and community choirs. The Elmer Iseler Singers have 15 recorded CDs featuring Canadian music. EIS with Toronto Symphony Orchestra were 2019 Grammy-nominated and 2019 JUNO-awarded for the brilliant Ralph Vaughan Williams’ Chandos CD recording, with Peter Oundjian conducting. EIS are 2014 National Choral Award recipients and JUNO nominees for “Classical Album of the Year: Vocal or Choral Performance” for Dark Star Requiem with Tapestry Opera and Gryphon Trio in 2017, and for David Braid’s Corona Divinae Misericordiae with Patricia O’Callaghan in 2019. We are pleased to announce that the Elmer Iseler Singers will join the Viva Youth Singers in Over its 40-year history, the Elora Festival, under the direction of Mark Vuorinen, has been recognized as one of North America’s signature choral festivals, though it also presents all forms of classical, jazz, folk and popular music. The Elora Singers is the Elora Festival’s Ensemble-in-Residence. The choir performs during the three weeks of the Festival, both with solo concerts and in collaboration with guest artists and ensembles. Through a regular concert series, recordings, and touring, The Elora Singers has established a reputation as one of the finest professional chamber choirs in Canada. With twelve releases on the NAXOS label, The Elora Singers is known for its rich, warm sound and clarity of texture. The choir is renowned for its diverse styles, for its commitment to Canadian repertoire, and for its diverse collaborations with other Canadian and international artists. Recent and upcoming collaborations include the State Choir LATVIJA, Gesualdo Six, Voces 8, Festival of the Sound, Swiss Piano Trio, Natalie MacMaster and Steven Page. A new recording featuring new works by Barbara Croall (Giishkaapkag) and Reena Esmail (This Love between Us) was released in June 2020. Laura Adlers, executive director (519) 846-0331 info@elorasingers.ca www.elorasingers.ca www.facebook.com/elorafestival ●●Etobicoke Philharmonic Orchestra Celebrating 60 years of great orchestral music making in and around Etobicoke, the Etobicoke Philharmonic Orchestra features programming that has something to inspire all our musicians and audience members. We pride ourselves on being a welcoming community orchestra that offers amateur and professional musicians alike a challenging and friendly musical experience. Granted, this is not the 60th anniversary season the EPO had planned, but until it is safe to return to live performances at our usual Etobicoke venues, you can still celebrate music in your community with us! Join us on our online portal (eporchestra.ca) where you will find all things EPO presented with the same energy and enthusiasm you have come to expect from our live performances. You will enjoy mini performances, 20 | theWholeNote 2020/21 PRESENTER PROFILES
interviews, and conversations from soloists and orchestra members talking about their role in the orchestra, how important music is in their lives, and how much they appreciate the opportunity to perform for the community of Etobicoke. Join the talented team of musicians at the Etobicoke Philharmonic Orchestra. Toby Fletcher 416-239-5665 info@eporchestra.ca www.eporchestra.ca ●●King Edward Choir Founded in 1952 by Jean Dobson, Barrie’s King Edward Choir today is a group of 50 dedicated musicians encompassing all voices, striving to present a repertoire that is broad and engaging to both chorister and audience: recent years have seen performances of works by Britten, Mozart, Bernstein, Vivaldi, Mark Sirett, Stephanie Martin, Imant Raminsh and Ruth Watson Henderson, along with offerings of Renaissance motets, Spirituals, folk songs and show tunes. The choir frequently collaborates with other artists and groups, and enjoys community sing-outs. Rehearsals for our three annual performances normally take place Monday nights, and new members are welcome at any time! We are under the direction of interim conductor, Leanne Edwards, with Dan McCoy as accompanist. While our rehearsal and performance activities are now on hold until at least the New Year, KEC continues to plan for a new season and we hope to see you in 2021! Peter Sullivan 705-739-7281 pesullivan71@gmail.com www.kingedwardchoir.ca/ www.facebook.com/KingEdwardChoir ●●Music At St. Andrew’s Music at St. Andrew’s is a community outreach program of historic St. Andrew’s Church in downtown Toronto. It was inspired by the church’s 2011 purchase of a Bösendorfer Imperial grand piano, which we share with the greater community. The piano is featured extensively in our free “Friday Noontime Recitals.” Our seventh season launches October 4 with performances by University of Toronto postgraduate music students and professionals. On Saturday, Nov 30 our candle-lit church will provide an atmospheric setting for dramatic readings from A Christmas Carol. Dickens’ beloved tale will be brought to life by opera star mezzo-soprano Marion Newman, classical music expert Rick Phillips and other talented readers, and complemented by musical interludes and a gingerbread reception. Our annual “Mardi Gras” concert returns Friday, February 21 with an exuberant evening of parades and authentic New Orleans jazz, performed by Patrick Tevlin’s Happy Pals, featuring pianist Jordan Klapman. COVID-19 has changed live music performances, but we’ll find other ways to bring Peterborough Singers, Peterborough, ON music to our audiences. Stay tuned! Music at St. Andrew’s presents great music at affordable prices! Concerts take place at St. Andrew’s Church, 73 Simcoe St., Toronto. Diana Veenstra 416-593-560-0223 dveenstra@standrewstoronto.org www.standrewstoronto.org ●●Music in the Afternoon Through its annual “Music in the Afternoon” series, the WMCT presents chamber music concerts, featuring musicians on the threshold of international recognition, as well as established artists and ensembles. The WMCT has a special interest in exceptional young Canadian talent and the commissioning of new work by Canadian composers. Concerts are held Thursday afternoons at 1:30pm at Walter Hall, Edward Johnson Building, 80 Queen’s Park, Toronto. The WMCT is committed to presenting a full season of five concerts for its 123rd (2020/21) season. Planned concerts include “Michael Bridge and Friends Livestream” for a limited audience (November 12, 2020); soprano Joyce El-Khoury with Serouj Kradjian, piano (March 4, 2021); Eric Lu, piano (April 1, 2021); Marmen Quartet and Viano Quartet - first prize co-winners Banff International String Quartet Competition (May 6, 2021); and Ramon Ortega Quero, oboe, with Annika Treutler, piano (June 24, 2021). Artists, programs and dates are subject to change. Please visit our website for updates. Shannon Perreault 416-923-7052 wmct@wmct.on.ca www.wmct.on.ca www.facebook.com/ WomensMusicalClubofToronto www.twitter.com/WMCT120 ●● Peterborough Singers Originally formed as the Peterborough Symphony Singers in 1990, the Peterborough Singers (PS) became a stand-alone entity in 1993. This highly-regarded, auditioned, amateur choir boasts upwards of 110 members under the direction of Sydney Birrell. The PS encourages young singers to join the choir to enhance their musical skills as well as to be part of a local community. Each season, the choir presents four concerts, incorporating a blend of repertoire from gospel to sacred, pop to oratorio. Highlights have included Bach’s B Minor Mass and St. Matthew Passion, Elijah, Belshazzar’s Feast, Canadian Legends and the annual Messiah. The Singers hold weekly rehearsals and music classes enabling our musicians to gain the skills required for Choral music performance. World-class, professional Canadian soloists enjoy performing with the choir time and again. The PS also make a point of incorporating young emerging artists into their season, giving them a chance to perform alongside some of the more seasoned performers. Specially commissioned music from Canadian composers is part of the repertoire. For information please visit our website. Peg McCracken 705-745-1820 singers@peterboroughsingers.com www.peterboroughsingers.com www.facebook.com/ PeterboroughSingers www.twitter.com/ptbosingers ●●Royal Canadian College of Organists, Toronto Centre The Royal Canadian College of Organists is the oldest organization of musicians in Canada, dedicated to supporting our country’s organists and promoting the organ and its music to a broad audience. The College publishes the quarterly journal Organ Canada, offers examinations for organists from theWholeNote 2020/21 PRESENTER PROFILES | 21
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Choral Scene: Uncharted territory: three choirs finding paths forward; Music Theatre: Loose Tea on the boil with Alaina Viau’s Dead Reckoning; In with the New: what happens to soundart when climate change meets COVID-19; Call to action: diversity, accountability, and reform in post-secondary jazz studies; 9th Annual TIFF Tips: a filmfest like no other; Remembering: Leon Fleisher; DISCoveries: a NY state of mind; 25th anniversary stroll-through; and more. Online in flip through here, and on stands commencing Tues SEP 1.
Following the Goldberg trail from Gould to Lang Lang; Measha Brueggergosman and Edwin Huizinga on face to face collaboration in strange times; diggings into dance as FFDN keeps live alive; "Classical unicorn?" - Luke Welch reflects on life as a Black classical pianist; Debashis Sinha's adventures in sound art; choral lessons from Skagit Valley; and the 21st annual WholeNote Blue Pages (part 1 of 3) in print and online. Here now. And, yes, still in print, with distribution starting Thursday October 1.
Alanis Obomsawin's art of life; fifteen Exquisite Departures; UnCovered re(dis)covered; jazz in the kitchen; three takes on managing record releases in times of plague; baroque for babies; presenter directory (blue pages) part two; and, here at the WholeNote, work in progress on four brick walls (or is it five?). All this and more available in flipthrough HERE, and in print Tuesday Nov 3.
In this issue: Beautiful Exceptions, Sing-Alone Messiahs, Livingston’s Vocal Pleasures, Chamber Beethoven, Online Opera (Plexiglass & All), Playlist for the Winter of our Discontent, The Oud & the Fuzz, Who is Alex Trebek? All this and more available in flipthrough HERE, and in print Friday December 4.
July/August issue is now available in flipthrough HERE, bringing to a close 25 seasons of doing what we do (and plan to continue doing), and on stands early in the week of July 5. Not the usual bucolic parade of music in the summer sun, but lots, we hope, to pass the time: links to online and virtual music; a full slate of record reviews; plenty new in the Listening Room; and a full slate of stories – the future of opera, the plight of small venues, the challenge facing orchestras, the barriers to resumption of choral life, the challenges of isolation for real-time music; the steps some festivals are taking to keep the spirit and substance of what they do alive. And intersecting with all of it, responses to the urgent call for anti-racist action and systemic change.
"COVID's Metamorphoses"? "There's Always Time (Until Suddenly There Isn't)"? "The Writing on the Wall"? It's hard to know WHAT to call this latest chapter in the extraordinary story we are all of a sudden characters in. By whatever name we call it, the MAY/JUNE combined issue of The WholeNote is now available, HERE in flip through format, in print commencing Wednesday May 6, and, in fully interactive form, online at thewholenote.com. Our 18th Annual Choral Canary Pages, scheduled for publication in print and flip through in September is already well underway with the first 50 choirs home to roost and more being added every week online. Community Voices, our cover story, brings to you the thoughts of 30 musical community members, all going through what we are going through (and with many more to come as the feature gets amplified online over the course of the coming months). And our regular writers bring their personal thoughts to the mix. Finally, a full-fledged DISCoveries review section offers cues and clues to recorded music for your solitary solace!
After some doubt that we would be allowed to go to press, in respect to wide-ranging Ontario business closures relating to COVID-19, The WholeNote magazine for April 2020 is now on press, and print distribution – modified to respect community-wide closures and the need for appropriate distancing – starts Monday March 30. Meanwhile the full magazine is right here, digitally, so if you value us PLEASE SHARE THIS LINK AS WIDELY AS YOU CAN. It's the safest way for us to reach the widest possible audience at this time!
FEATURED: Music & Health writer Vivien Fellegi explores music, blindness & the plasticity of perception; David Jaeger digs into Gustavo Gimeno's plans for new music in his upcoming first season as music director at TSO; pianist James Rhodes, here for an early March recital, speaks his mind in a Q&A with Paul Ennis; and Lydia Perovic talks music and more with rising Turkish-Canadian mezzo Beste Kalender. Also, among our columns, Peggy Baker Dance Projects headlines Wende Bartley's In with the New; Steve Wallace's Jazz Notes rushes in definitionally where many fear to tread; ... and more.
Visions of 2020! Sampling from back to front for a change: in Rearview Mirror, Robert Harris on the Beethoven he loves (and loves to hate!); Errol Gay, a most musical life remembered; Luna Pearl Woolf in focus in recordings editor David Olds' "Editor's Corner" and in Jenny Parr's preview of "Jacqueline"; Speranza Scappucci explains how not to reinvent Rossini; The Indigo Project, where "each piece of cloth tells a story"; and, leading it all off, Jully Black makes a giant leap in "Caroline, or Change." And as always, much more. Now online in flip-through format here and on stands starting Thurs Jan 30.
Welcome to our December/January issue as we turn the annual calendar page, halfway through our season for the 25th time, juggling as always, secular stuff, the spirit of the season, new year resolve and winter journeys! Why is Mozart's Handel's Messiah's trumpet a trombone? Why when Laurie Anderson offers to fly you to the moon you should take her up on the invitation. Why messing with Winterreisse can (sometimes) be a very good thing! And a bumper crop of record reviews for your reading (and sometimes listening) pleasure. Available in flipthrough here right now, and on stands commencing Thursday Nov 28. See you on the other side!
On the slim chance you might not have already heard the news, Estonian Canadian composing giant Udo Kasemets was born the same year that Leo Thermin invented the theremin --1919. Which means this is the centenary year for both of them, and both are being celebrated in style, as Andrew Timar and MJ Buell respectively explain. And that's just a taste of a bustling November, with enough coverage of music of both the delectably substantial and delightfully silly on hand to satisfy one and all.
Long promised, Vivian Fellegi takes a look at Relaxed Performance practice and how it is bringing concert-going barriers down across the spectrum; Andrew Timar looks at curatorial changes afoot at the Music Gallery; David Jaeger investigates the trumpets of October; the 30th anniversary of the Velvet Revolution (and the 20th Anniversary of our October Blue Pages Presenter profiles) in our Editor's Opener; the Toronto Mendelssohn Choir at 125; Tapestry at 40 and Against the Grain at 10; ringing in the changing season across our features and columns; all this and more, now available in Flip Through format here, and on the stands commencing this coming Friday September 27, 2019. Enjoy.
Vol 1 of our 25th season is now here! And speaking of 25, that's how many films in the upcoming Toronto International Film Festival editor Paul Ennis, in our Eighth Annual TIFF TIPS, has chosen to highlight for their particular musical interest. Also inside: Rob Harris looks through the Rear View Mirror at past and present prognostications about the imminent death of classical music; Mysterious Barricades and Systemic Barriers are Lydia Perović's preoccupations in Art of Song; Andrew Timar reflects on the evolving priorities of the Polaris Prize; and elsewhere, it's chocks away as yet another season creaks or roars (depending on the beat) into motion. Welcome back.
What a range of stuff! A profile of Liz Upchurch, the COC ensemble studio's vocal mentor extraordinaire; a backgrounder on win-win faith/arts centre partnerships and ways of exploring the possibilities; an interview with St. Petersburg-based Eifman Ballet's Boris Eifman; Ana Sokolovic's violin concert Evta finally coming to town; a Love Letter to YouTube, and much more. Plus our 17th annual Canary Pages Choral directory if all you want to do is sing! sing! sing!
Arraymusic, the Music Gallery and Native Women in the Arts join for a mini-festival celebrating the work of composer, performer and installation artist Raven Chacon; Music and Health looks at the role of Healing Arts Ontario in supporting concerts in care facilities; Kingston-based composer Marjan Mozetich's life and work are celebrated in film; "Forest Bathing" recontextualizes Schumann, Shostakovich and Hindemith; in Judy Loman's hands, the harp can sing; Mahler's Resurrection bursts the bounds of symphonic form; Ed Bickert, guitar master remembered. All this and more in our April issue, now online in flip-through here, and on stands commencing Friday March 29.
Something Old, Something New! The Ide(a)s of March are Upon Us! Rob Harris's Rear View Mirror looks forward to a tonal revival; Tafelmusik expands their chronological envelope in two directions, Esprit makes wave after wave; Pax Christi's new oratorio by Barbara Croall catches the attention of our choral and new music columnists; and summer music education is our special focus, right when warm days are once again possible to imagine. All this and more in our March 2019 edition, available in flipthrough here, and on the stands starting Thursday Feb 28.
In this issue: A prize that brings lustre to its laureates (and a laureate who brings lustre to the prize); Edwin Huizinga on the journey of Opera Atelier's "The Angel Speaks" from Versailles to the ROM; Danny Driver on playing piano in the moment; Remembering Neil Crory (a different kind of genius)' Year of the Boar, Indigeneity and Opera; all this and more in Volume 24 #5. Online in flip through, HERE and on the stands commencing Thursday Jan 31.
When is a trumpet like a motorcycle in a dressage event? How many Brunhilde's does it take to change an Elektra? Just two of the many questions you've been dying to ask, to which you will find answers in a 24th annual combined December/January issue – in which our 11 beat columnists sift through what's on offer in the upcoming holiday month, and what they're already circling in their calendars for 2019. Oh, and features too: a klezmer violinist breathing new life into a very old film; two New Music festivals in January, 200 metres apart; a Music & Health story on the restorative powers of a grassroots exercise in collective music-making; even a good reason to go to Winnipeg in the dead of winter. All this and more in Vol 24 No 4, now available in flipthrough format here.
Reluctant arranger! National Ballet Orchestra percussionist Kris Maddigan on creating the JUNO and BAFTA award-winning smash hit Cuphead video game soundtrack; Evergreen by name and by nature, quintessentially Canadian gamelan (Andrew Timar explains); violinist Angèle Dubeau on 20 years and 60 million streams; two children’s choirs where this month remembrance and living history must intersect. And much more, online in our kiosk now, and on the street commencing Thursday November 1.
Presenters, start your engines! With TIFF and "back-to-work" out of the way, the regular concert season rumbles to life, and, if our Editor's Opener can be trusted, "Seeking Synergies" seems to be the name of the game. Denise Williams' constantly evolving "Walk Together Children" touching down at the Toronto Centre for the Arts; the second annual Festival of Arabic Music and Arts expanding its range; a lesson in Jazz Survival with Steve Wallace; the 150 presenter and performer profiles in our 19th annual Blue Pages directory... this is an issue that is definitely more than the sum of its parts.
In this issue: The WholeNote's 7th Annual TIFF TIPS guide to festival films with musical clout; soprano Erin Wall in conversation with Art of Song columnist Lydia Perovic, about more than the art of song; a summer's worth of recordings reviewed; Toronto Chamber Choir at 50 (is a few close friends all it takes?); and much more, as the 2018/19 season gets under way.
PLANTING NOT PAVING! In this JUNE / JULY /AUGUST combined issue: Farewell interviews with TSO's Peter Oundjian and Stratford Summer Music's John Miller, along with "going places" chats with Luminato's Josephine Ridge, TD Jazz's Josh Grossman and Charm of Finches' Terry Lim. ) Plus a summer's worth of fruitful festival inquiry, in the city and on the road, in a feast of stories and our annual GREEN PAGES summer Directory.
In this issue: our sixteenth annual Choral Canary Pages; coverage of 21C, Estonian Music Week and the 3rd Toronto Bach Festival (three festivals that aren’t waiting for summer!); and features galore: “Final Finales” for Larry Beckwith’s Toronto Masque Theatre and for David Fallis as artistic director of Toronto Consort; four conductors on the challenges of choral conducting; operatic Hockey Noir; violinist Stephen Sitarski’s perspective on addressing depression; remembering bandleader, composer and saxophonist Paul Cram. These and other stories, in our May 2018 edition of the magazine.
In this issue: we talk with jazz pianist Thompson Egbo-Egbo about growing up in Toronto, building a musical career, and being adaptive to change; pianist Eve Egoyan prepares for her upcoming Luminato project and for the next stage in her long-term collaborative relationship with Spanish-German composer Maria de Alvear; jazz violinist Aline Homzy, halfway through preparing for a concert featuring standout women bandleaders, talks about social equity in the world of improvised music; and the local choral community celebrates the life and work of choral conductor Elmer Iseler, 20 years after his passing.
In this issue: Canadian Stage, Tapestry Opera and Vancouver Opera collaborate to take Gogol’s short story The Overcoat to the operatic stage; Montreal-based Sam Shalabi brings his ensemble Land of Kush, and his newest composition, to Toronto; Five Canadian composers, each with a different CBC connection, are nominated for JUNOs; and The WholeNote team presents its annual Summer Music Education Directory, a directory of summer music camps, programs and courses across the province and beyond.
In this issue: composer Nicole Lizée talks about her love for analogue equipment, and the music that “glitching” evokes; Richard Rose, artistic director at the Tarragon Theatre, gives us insights into their a rock-and-roll Hamlet, now entering production; Toronto prepares for a mini-revival of Schoenberg’s music, with three upcoming shows at New Music Concerts; and the local music theatre community remembers and celebrates the life and work of Mi’kmaq playwright and performer Cathy Elliott . These and other stories, in our double-issue December/January edition of the magazine.
In this issue: conversations (of one kind or another) galore! Daniela Nardi on taking the reins at "best-kept secret" venue, 918 Bathurst; composer Jeff Ryan on his "Afghanistan" Requiem for a Generation" partnership with war poet, Susan Steele; lutenist Ben Stein on seventeenth century jazz; collaborative pianist Philip Chiu on going solo; Barbara Hannigan on her upcoming Viennese "Second School" recital at Koerner; Tina Pearson on Pauline Oliveros; and as always a whole lot more!
In this issue: several local artists reflect on the memory of composer Claude Vivier, as they prepare to perform his music; Vancouver gets ready to host international festival ISCM World New Music Days, which is coming to Canada for the second time since its inception in 1923; one of the founders of Artword Artbar, one of Hamilton’s staple music venues, on the eve of the 5th annual Steel City Jazz Festival, muses on keeping urban music venues alive; and a conversation with pianist Benjamin Grosvenor, as he prepares for an ambitious recital in Toronto. These and other stories, in our October 2017 issue of the magazine.
In this issue: a look at why musicians experience stage fright, and how to combat it; an inside look at the second Kensington Market Jazz Festival, which zeros in on one of Toronto’s true ‘music villages’; an in-depth interview with Elisa Citterio, new music director of Tafelmusik Baroque Orchestra; and The WholeNote’s guide to TIFF, with suggestions for the 20 most musical films at this year’s festival. These and other stories, in our September 2017 issue of the magazine!
CBC Radio's Lost Horizon; Pinocchio as Po-Mo Operatic Poster Boy; Meet the Curators (Crow, Bernstein, Ridge); a Global Music Orchestra is born; and festivals, festivals, festivals in our 13th annual summer music Green Pages. All this and more in our three-month June-through August summer special issue, now available in flipthrough HERE and on the stands commencing Thursday June 1.
From science fact in "Integral Man: Music and the Movies," to science fiction in the editor's opener; from World Fiddle Day at the Aga Khan Museum to three Canadians at the Cliburn; from wanting to sashay across the 401 to Chamberfest in Montreal to exploring the Continuum of Jumblies Theatre's 20-year commitment to the Community Play (there's a pun in there somewhere!).
In this issue: Our podcast ramps up with interviews in March with fight director Jenny Parr, countertenor Daniel Taylor, and baritone Russell Braun; two views of composer John Beckwith at 90; how music’s connection to memory can assist with the care of patients with Alzheimer’s; musical celebrations in film and jazz, at National Canadian Film Day and Jazz Day; and a preview of Louis Riel, which opens this month at the COC. These and other stories, in our April 2017 issue of the magazine!
On our cover: Owen Pallett's musical palette on display at New Creations. Spring brings thoughts of summer music education! (It's never too late.). For Marc-Andre Hamelin the score is king. Ella at 100 has the tributes happening. All; this and more.
In this issue: an interview with composer/vocalist Jeremy Dutcher, on his upcoming debut album and unique compositional voice; a conversation with Boston Symphony hornist James Sommerville, as as the BSO gets ready to come to his hometown; Stuart Hamilton, fondly remembered; and an inside look at Hugh’s Room, as it enters a complicated chapter in the story of its life in the complex fabric of our musical city. These and other stories, as we celebrate the past and look forward to the rest of 2016/17, the first glimpses of 2017/18, and beyond!
In this issue: a conversation with pianist Stewart Goodyear, in advance of his upcoming show at Koerner Hall; a preview of the annual New Year’s phenomenon that is Bravissimo!/Salute to Vienna; an inside look at music performance in Toronto’s health-care centres; and a reflection on the incredible life and lasting influence of the late Pauline Oliveros. These and more, in a special December/January combined issue!
In this issue: David Jaeger and Alex Pauk’s most memorable R. Murray Schafer collabs, in this month’s installment of Jaeger’s CBC Radio Two: The Living Legacy; an interview with flutist Claire Chase, who brings new music and mindset to Toronto this month; an investigation into the strange coincidence of three simultaneous Mendelssohn Elijahs this Nov 5; and of course, our annual Blue Pages, a who’s who of southern Ontario’s live music scene- a community as prolific and multifaceted as ever. These and more, as we move full-force into the 2016/17 concert season- all aboard!
Music lover's TIFF (our fifth annual guide to the Toronto International Film Festival); Aix Marks the Spot (how Brexit could impact on operatic co-production); The Unstoppable Howard Cable (an affectionate memoir of a late chapter in the life of of a great Canadian arranger; Kensington Jazz Story (the newest kid on the festival block flexes its muscles). These stories and much more as we say a lingering goodbye to summer and turn to the task, for the 22nd season, of covering the live and recorded music that make Southern Ontario tick.
It's combined June/July/August summer issue time with, we hope, enough between the covers to keep you dipping into it all through the coming lazy, hazy days. From Jazz Vans racing round "The Island" delivering pop-up brass breakouts at the roadside, to Bach flute ambushes strolling "The Grove, " to dozens of reasons to stay in the city. May yours be a summer where you find undiscovered musical treasures, and, better still, when, unexpectedly, the music finds you.
INSIDE: The Canaries Are Here! 116 choirs to choose from, so take the plunge! The Nylons hit the road after one last SING! Fling. Jazz writer Steve Wallace wonders "Watts Goode" rather than "what's new?" Paul Ennis has the musical picks of the HotDocs crop. David Jaeger's CBC Radio continues golden for a little while yet. Douglas McNabney is Music's Child. Leipzig meets Damascus in Alison Mackay's fertile imagination. And "C" is for KRONOS in Wende Bartley's koverage of the third annual 21C Festival. All this and as usual much much more. Enjoy.
From 30 camp profiles to spark thoughts of being your summer musical best, to testing LUDWIG as you while away the rest of so-called winter; from Scottish Opera and the Danish Midtvest, to a first Toronto recital appearance by violin superstar Maxim Vengerov; from musings on New Creations and new creation, to the boy who made a habit of crying Beowulf; it's a month of merry meetings and rousing recordings reviewed, all here to discover in The WholeNote.
2016 is off to a flying start! We chronicle the Artful Times of Andrew Burashko, the violistic versatility of Teng Li, the ageless ebullience of jazz pianist Gene DiNovi and the ninetieth birthday of trumpeter Johnny Cowell. Jaeger remembers Boulez; Waxman recalls Bley's influence, and Olds finds Bowie haunting Editor's Corner. Oh, and did we mention there's all that music? Hello (and goodbye) to the February blues, and here's to swinging through the musical vines of the Year of the Monkey.
What's a vinyl renaissance? What happens when Handel's Messiah runs afoul of the rumba rhythm setting on a (gasp!) Hammond organ? What work does Marc-Andre Hamelin say he would be content to have on every recital program he plays? What are Steve Wallace's favourite fifty Christmas recordings? Why is violinist Daniel Hope celebrating Yehudi Menuhin's 100th birthday at Koerner Hall January 28? Answers to all these questions (and a whole lot more) in the Dec/Jan issue of The WholeNote.
"Come" seems to be the verb that knits this month's issue together. Sondra Radvanovsky comes to Koerner, William Norris comes to Tafel as their new GM, opera comes to Canadian Stage; and (a long time coming!) Jane Bunnett's musicianship and mentorship are honoured with the Premier's award for excellence; plus David Jaeger's ongoing series on the golden years of CBC Radio Two, Andrew Timar on hybridity, a bumper crop of record reviews and much much more. Come on in!
Vol 21 No 2 is now available for your viewing pleasure, and it's a bumper crop, right at the harvest moon. First ever Canadian opera on the Four Seasons Centre main stage gets double coverage with Wende Bartley interviewing Pyramus and Thisbe composer Barbara Monk Feldman and Chris Hoile connecting with director Christopher Alden; Paul Ennis digs into the musical mind of pianist Benjamin Grosvenor, and pianist Eve Egoyan is "On the Record" in conversation with publisher David Perlman ahead of the Oct release concert for her tenth recording. And at the heart of it all the 16th edition of our annual BLUE PAGES directory of presenters profile the season now well and truly under way.
Paul Ennis's annual TIFF TIPS (27 festival films of potential particular musical interest); Wu Man, Yo-Yo Ma and Jeffrey Beecher on the Silk Road; David Jaeger on CBC Radio Music in the days it was committed to commissioning; the LISTENING ROOM continues to grow on line; DISCoveries is back, bigger than ever; and Mary Lou Fallis says Trinity-St. Paul's is Just the Spot (especially this coming Sept 25!).