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Volume 28 Issue 1 | September 20 - November 8, 2022

  • Text
  • Thewholenotecom
  • Arts
  • Jazz
  • Violin
  • Composer
  • Orchestra
  • October
  • November
  • Symphony
  • September
  • Toronto
Our 28th season in print! “And Now, Back to Live Action”; a symphonic-sized listings section, compared to last season; clubs “On the move” ; FuturesStops Festival and Nuit Blanche; “Pianistic high-wire acts”; Season announcements include full-sized choral works like Mendelssohn’s Elijah; “Icons, innovators and renegades” pulling out all the stops.

The WholeNote FOR

The WholeNote FOR OPENERS VOLUME 28 NO 1 SEPTEMBER 20 - NOVEMBER 8, 2022 IN THIS EDITION STORIES AND INTERVIEWS Vanessa Ague, Wendalyn Bartley, Jack Buell, Max Christie, Paul Ennis, Steph Martin, Jennifer Parr, David Perlman, Lydia Perović, Colin Story, Andrew Timar CD Reviewers Stuart Broomer, Max Christie, Sam Dickinson, Raul da Gama, Janos Gardonyi, Richard Haskell, Fraser Jackson, Tiina Kiik, Kati Kiilaspea, Lesley Mitchell-Clarke, David Olds, Ted Parkinson, Ivana Popovic, Terry Robbins,Michael Schulman, Adam Scime, Andrew Scott, Adam Sherkin, Andrew Timar, Yoshi Maclear Wall, Ken Waxman, Matthew Whitfield Proofreading Paul Ennis, John Sharpe Listings Team John Sharpe, Gary Heard, Colin Story Design Team Kevin King, Susan Sinclair Circulation Team Wende Bartley, Jack Buell, Sharon Clark, Vito Gallucci, James Harris, Bob Jerome, Miquela Leahy, Chris Malcolm, Sheila McCoy, Lorna Nevison, Tom Sepp, Dave Taylor. UPCOMING DATES AND DEADLINES Weekly Online Listings Updates 6pm every Tuesday for weekend posting for Volume 28 No. 2 Nov 1 - Dec 6, 2022 Publication Dates Friday, Oct 28 (digital) Tuesday, Nov 1 (print) Print edition listings deadline 6pm Tuesday, Oct 18 Print advertising, reservation deadline 6pm Tuesday, Oct 18 Printed in Canada Couto Printing & Publishing Services Circulation Statement - July 1, 2022 8,800 printed & distributed Canadian Publication Product Sales Agreement 1263846 ISSN 14888-8785 WHOLENOTE Publications Mail Agreement #40026682 WholeNote Media Inc. accepts no responsibility or liability for claims made for any product or service reported on or advertised in this issue. COPYRIGHT © 2022 WHOLENOTE MEDIA INC By the Dawn's Early Light DAV ID PERLMAN Everything I know, for better and for worse, about making a magazine comes from watching my father pack the trunk (“the boot” we called it) of whatever second-hand family second car we were entrusting our lives to on that particular vacation (“holiday” we’d have called it). “This time we are leaving crack of dawn” dad would say. So there I was, standing shivering in the dawn’s early light, marvelling at dad’s packing prowess – as wave after wave of impossibly large quantities of stuff kept arriving beside the car, somehow finding their way into every nook and cranny of the trunk. Only an hour later than planned, victory! Dad slams the boot lid down. Well, nothing so satisfying as a slam, actually. More like a muffled “humph” as he stands on tiptoe and bears down till the latch clicks. And turns in triumph, only to see my mother coming out of the front door, dwarfed by the largest suitcase yet. It’s called explosive silence. With a little staring contest thrown in. “Well you didn’t think I was going to leave my own suitcase behind, did you?” I can still hear Mom say, witheringly quiet, across the many years. I don’t remember what ended up having to be cut to make room. Not any of us four children or the two dogs. So maybe nothing at all. Just like making a magazine. Packing to come to Canada in 1975, some 18 years later, was a different story. “Just me and a backpack and a two month bus pass,” is how I used to boast about it to my own children, until they started rolling their eyes. A very full backpack it was, I should add: shoes for every occasion, passport with student visa, complete works of William Shakespeare … three favourite ties. Even a toothbrush. A masterfully stuffed backpack, every nook and cranny of it. So as this first full post-pandemic season, fuelled by gallons of hope and a dash of denial, roars back to life, and you browse your way through this overstuffed first issue of our 28th season, spare a thought for all the packing and repacking that went into accommodating that last big story that got wheeled out to be added after we thought we were done. (I won’t tell you which one it was.) Saying I came to Canada with only a backpack is not strictly true, though. I walked into the U. of T. International Student Centre (on St. George St.), some afternoon in late August 1975, dragging my backpack with the broken strap behind me. “Hello, name please?” asked the friendly person at the desk. “Perlman” I said, and started to spell it “P-E-”, but before I even got to R she turned around and shouted to whomever was on the other side of the partition behind the welcome desk, “PERLMAN’S HERE.” And a loud chorus of “woo-hoohs” came back in response. And all of a sudden I remembered the 30 to 40 manilla-wrapped parcels, each with six or seven precious books, that I had mailed to myself care of the ISC in the two months before I left for this new life. The books we cannot bear to part with reveal us! Even now, 48 years later, if I spot one of them among the many hundreds more on my shelves, and touch it, take it down, turn to a page at random, it is like opening a time capsule. I dip into the 27-year archive of The WholeNote in a similar way. (All our issues are available on line at kiosk.thewholenote.com.) I skim for the stories I am afraid of forgetting, then find myself lingering in the listings, marvelling: for the legendary artists I have been privileged to hear; for the ones I heard before they became legends; for the music I already liked, for music I never knew I would come to like; concerts I went to for some exalted piece of music I craved like comfort food, and instead came away gobsmacked by the joy of encountering something rich and strange that I would never have found on my own. May the joy continue. publisher@thewholenote.com 8 | September 20 - November 8, 2022 thewholenote.com

great chamber music downtown 2022–23 SEASON STRINGS October 13 Pacifica Quartet November 17 Lafayette Quartet December 1 February 2 March 30 St. Lawrence Quartet with Odin Quartet Borealis Quartet Gryphon Trio St. Lawrence Quartet PIANO October 25 February 28 Michelle Cann Janina Fialkowska Michelle Cann TICKETS: 416.366.7723, option 2 | www.music-toronto.com 27 Front Street East, Toronto

Volumes 21-25 (2015-2020)

Volumes 16-20 (2010-2015)

Volumes 11-15 (2004-2010)

Volumes 6 - 10 (2000 - 2006)

Volumes 1-5 (1994-2000)