IS Presenting ...... FlashF orward OUR MEMBERS' LOOK AT THE SEASON AHEAD .Parts I, II, and Ill of FlashForward (Sept, Oct and Nov) featured profiles by the 91 music providers that a're currently WholeNote members (See list below.) For copies D ?' ·ss I I of any or all of these profiles, or to inquire about the benefits of member.ship, contact Allan Pulker at 416 406- 6758. ' In this fourth and final installment of "FiashForward" we extend a warm WholeNote welcome to our last four members for 1998: The Sanderson Centre; Bell' Arte Singers; Pax Christi Chorale; and the Mississauga Choral Society. ~EPTEMBER •Ald~burgh Connection leAH The King's Voices !-Amadeus Choir 1-Amad~us Ensemble ieAmici ieArbor Oak Trio I-Bach Children's Chorus !-Canadian Children's Opera Chorus •Canadian Music Centre !-Canadian Singers !-Cathedral Bluffs Symphony Orchestra •Centuries Opera Association •Dance Oremus Danse !-Distinguished Artists Concert Series ieDUO l-East York Choir ieElmer Iseler Singers ~Esprit Orchestra 1-Etobicoke Community Concert Band !-Gilpin Enterprises !-Glenn Gould Studio !-Great Romantics FestivSl leGryphon Trio •High Park Girls' Choir and jHigh Park Boys' Choir !-Kiwanis Music Festival of preater Toronto !-Koffler Centre of the Arts 1-Mississauga Symphony •Mooredale Concerts •Mozart Society •Music at Metropolitan !-Music Toronto •Music Umbrella • Nathaniel Dett Chorale •New Hamilton Orchestra Corporation •North Toronto Institute of M·usic •Oakville Centre for the Performing Arts !-Off Centre Music Series !-Ontario Folk Harp Society !-Opera Anonymous !-Orchestra Toronto •Orchestras Canada •Organ Alternatives •Orpheus Choir of Toronto •Performance Without Fear iePeros Music Inc: !-Polish Canadian Society of Music •proVOCE Studios Riverdale Concert Society •Roy Thomson & Massey Hall ieShevchenko Musical Ensemble •Sine Nomine Ensemble • Soundstreams •Tafelmusik •Toronto Children's Chorus •Toronto Classical Singers, The •Toronto Early Music -Centre •Toronto Symphony Orchestra •Toronto Tabla Ensemble •University of Toronto Opera Division •University Settlement Music & Arts Scho~l •Victoria Scholars ' •Women's Musical Club of Toronto •Yip's Children's Choir (Canada) OCTOBER •Amati Quartet •Baroque Music by the Grange •belladonna •CAMMAC (Canadian Amateur Musicians/Musiciens amateurs du Canada) •Canadian Music Competitions (Ontario) Inc. •Christ Cl}urch, Deer Park •Duo L'Intemporel •Les AMiS •Music at Willowdale •Music Matrix •North York Suzuki School of Music •Ontario Registe~ed Music Teachers' Association (ORMTA) •Opera In Concert •Scarborough Philharmonic •Toronto Camerata •Toronto Consort •Toronto Operetta Theatre •Toronto Senior Strings •VocalPoint Chamber Choir NOVEMBER •ZebraSchvungK •Music& Viva & Friends •Hannaford Street Silver Band •Evergreen Club Contemporary Gamel an •Toronto Youth Wind Orchestra •D.G. Concert Productions •Voices •Vesnivka Choir • Associates of the TSO •Continuum •Opera York •Toronto Welsh Male Voice Choir ' THE BELL'ARTE SINGERS Founded in May 1988 by Lee Willingham and a group of ' dedicated colleagues, this little chamber choir has grown into a fine ensemble of 45-50 singers with an established following· of subscribers. Along with guest appearances and broadcasts, the Bell' Arte Singers present three concerts annually. This season features Mozart's Great ~ass inC Minor and The Solemn Vespers, Saturday, February 27, and a springtime frolic entitled The Language of Spring, Saturday, May 8, both at Yorkminster Park Baptist Church. For tickets and information phone 416-699-5879. , ' Lee Willingham teaches at OISE at the University of Toronto. Prior to that he was Curriculum Coordinator of Music for the Scarborough Board of Education. He also guest-conducts a variety of choi:al and orchestral groups, and appears frequently as an adjudicator' and clinician. . _ Ian Sadler has been the Bell'Arte Singers' accompanist since the choir's inception, joining them on three recordings: A Childe is Born; A Sacred Concert; and Awake, my Heart!, featuring new Canadian works by Ruth Watson Henderson, Imant Raminsh, and others. · A new Christmas release entitled Hope is a Star is available this Christmas, produced under the auspices of the United Church of Canada. MISSISSAUGA CHORAL SOCIETY Artistic Director: Chrys A. Bentley General Manager: Jean Vahramia Mailing Address: P.O. Box 74530, 1150 Lome Park Road, Mississauga, ON L5H 3A5 Phone: 905-278-7059 Box office: 905-306-6000 Now in its 24th season, the Mississauga Choral Society is west Toronto's premier choral group, and is the choir-in-residence in Hammerson Hall at the Living Arts Centre in Mississauga. Chrys A. Bentley directs the 90-voice ensemble with a professional core of singers and resident chamber orchestra, The Sinfony Players. . The choir performs major choral repertoire of the 16th to 20th centuries, and also actively commissions new Canadian works. The 1998-99 season includes two performances of Messiah (Handel), St. John Passion (J.S. Bach), The Creation (F. J. Haydn), and a presentation of the Vancouver Chamber Choir. MCS has abo been engaged to perform with the Toronto · Symphony in Roy Thompson Hall for four concerts in February 1999, and a Family Christmas Pops concert with the Mississauga Symphony. Membership is by audition. PAX CHRISTl CHORALE Pax Christi Chorale, an 87-member community choir, was founded 11 years ago by a group of Toronto Mennonites. The choir builds on the rich Mennonite tradition of four-part singing. Pax Christi's most recent concert was a performance of Mendelssohn's Elijah, with Daniel Lichti,, the · Continues TORONTO S ONLY COMPREHENSIVE MONTHLY CLASSICAL & CONTEMPORARY CONCERT LISTING SOURCE
- ~ -.E:.-- --:.~E.::=J~-::=1 internationally-renowned Canadian· soloist, as Elijah. An enthusiastic 11udience of over 500 packed Grace Church on-the-Hill and honoured the choir, soloists and orchestra with a sustained standing ovation. Pax t.:hristi is directed by Stephanie Martin, 1998 co-winner of the Ontario Choral Federation's Leslie Bell Choral Conducting Contest. Ms. Martin· holds a Masters degree in Musicology from the University of Toronto and is organist at Calvin Presbyterian Church. Pax Christi Chorale will be presenting Handel's Messiah on Friday, December 18, 8:00p.m and Saturday, December 19, 8:00p.m at Grace Church on-the-Hill. Call (416) 494-7889 or (416) 484-9149. TilE CANADIAN CillLDREN'S OPERA CHORUS has been honoured with invitations to sing at the lights Across Canada Ceremony at the Legislative Assembly, Queen's Park and in the National Ballet of Canada's performances of The Nutcracker. TilE CANADIAN SINGERS under the direction of Harvey Patterson have released a new CD, Beautiful, consisting of Canadian songs in a quiet mOod by such composers as Gordon Lightfoot, Hagood Hardy, Healey Willan, Kenneth Bray, Ben Steinberg and Buffy Sainte-Marie. For more information call 690-9629. IDGH PARK GiRLS' CHOIR AND BOYS' CHOIR has released its first CD, Flexibility, con~ucted by Ann Cooper Gay and Judith Ginou. The Choir's Founder, Conductor and Artistic Director Ann Cooper Gay, was honoured at the 1998 Women of Distinction Awards, as the recipient of the Aris Education Award. For information call 416-653-3143. SANDERSON CENTRE The Sanderson Centre for the Performing Arts is a fully restored 1134-seat theatre located in the heart of downtown Brantford. Designed by renowned theatre architect Thomas Lamb, the theatre originally opened as a Vaudeville house in 1919. In the heyday of Vaudeville, artists like Jack Benny and Gloria Swanson played on the stage of the Temple Theatre as it was originally known. Guy Lombardo made his professional debut in this theatre. After nearly sixty years as a movie ho.use, the City of Brantford pu~chased the building and began the m restoration. In 1991 the theatre officially reopened primarily as a venue for local arts organizations and private promoters. The theatre also serves as home to the Brantford Symphony Orchestra and a host of other musical groups who find the venue ideal because of its near-perfect acoustics. With a recent change in management, the Sanderson Centre will be presenting a variety of programs ranging from opera to top Canadian contemporary artists, as well as developing sull!mer programming, making Brantford an ideal destination for the summer traveller. For further information about the Sanderson Centre please call 1-800-265-0710 or 519 752- 9910. TORONTO CAMERATA's second CD, A Camerata Christmas, is now available. This compilation of carols, as well as the group's first CD, live at Glenn Gould Studio, are available for at local record stores, through The Toronto Camerata: 96 Chudleigh Avenue Toronto ON M4R 1T3, or at . www.torontocamerata.org. Call 905-841-7994. The TORONTO SYMPHONY ORCHESTRA has unveiled its Donor Wall, honouring donors with a permanent symbol of appreciation. The wall recognizes supporters who have made gifts of ,000 or more to the TSO's -milliqn Fund for the Future campaign. To date, over million in pledges have been secured toward a goal of ~illion. ' LES AMIS featured performer, Alexander Tselyakov ' has recently released his new C_D, "Alexander Tselyakov in Live Performance", now available at the Canadian Music Centre. The ALDEBURGH CONNECTION was recently honoured as a recipient of a 1998 Lieutenant Governor's Award. This prize is given to arts organizations which have demon!ltrated exceptional support from the private sector lll)d the community. Many thanks to.all our faithful members and subscribers for helping us to achieve this award. of the Performing Arts Health Centre, Rolling Stones guitarist Ron Wood and the remaining Stones now wear hearing protection devices (musician plugs) and in ear monitors. Occupational Therapist • Overuse Injury Rehabilitation • Ergonomic Assessment • Postural Assessment & Retraining • Pain Management Audiology and Hearing Protection • Hearing Assessment & Consultation • Hearing Protection - Musicians' Plugs Performing Arts Health Centre Al~ny Medical Clinic - 200 Danforth Ave, Tor, ON M4K INS - (416) 461-9471 TORONTO'S ONLY COMPREHENSIVE MONTHLY CLASSICAL & CONTEMPORARY CONCERT LISTING SOURCE
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Welcome to our December/January issue as we turn the annual calendar page, halfway through our season for the 25th time, juggling as always, secular stuff, the spirit of the season, new year resolve and winter journeys! Why is Mozart's Handel's Messiah's trumpet a trombone? Why when Laurie Anderson offers to fly you to the moon you should take her up on the invitation. Why messing with Winterreisse can (sometimes) be a very good thing! And a bumper crop of record reviews for your reading (and sometimes listening) pleasure. Available in flipthrough here right now, and on stands commencing Thursday Nov 28. See you on the other side!
Long promised, Vivian Fellegi takes a look at Relaxed Performance practice and how it is bringing concert-going barriers down across the spectrum; Andrew Timar looks at curatorial changes afoot at the Music Gallery; David Jaeger investigates the trumpets of October; the 30th anniversary of the Velvet Revolution (and the 20th Anniversary of our October Blue Pages Presenter profiles) in our Editor's Opener; the Toronto Mendelssohn Choir at 125; Tapestry at 40 and Against the Grain at 10; ringing in the changing season across our features and columns; all this and more, now available in Flip Through format here, and on the stands commencing this coming Friday September 27, 2019. Enjoy.
Vol 1 of our 25th season is now here! And speaking of 25, that's how many films in the upcoming Toronto International Film Festival editor Paul Ennis, in our Eighth Annual TIFF TIPS, has chosen to highlight for their particular musical interest. Also inside: Rob Harris looks through the Rear View Mirror at past and present prognostications about the imminent death of classical music; Mysterious Barricades and Systemic Barriers are Lydia Perović's preoccupations in Art of Song; Andrew Timar reflects on the evolving priorities of the Polaris Prize; and elsewhere, it's chocks away as yet another season creaks or roars (depending on the beat) into motion. Welcome back.
What a range of stuff! A profile of Liz Upchurch, the COC ensemble studio's vocal mentor extraordinaire; a backgrounder on win-win faith/arts centre partnerships and ways of exploring the possibilities; an interview with St. Petersburg-based Eifman Ballet's Boris Eifman; Ana Sokolovic's violin concert Evta finally coming to town; a Love Letter to YouTube, and much more. Plus our 17th annual Canary Pages Choral directory if all you want to do is sing! sing! sing!
Arraymusic, the Music Gallery and Native Women in the Arts join for a mini-festival celebrating the work of composer, performer and installation artist Raven Chacon; Music and Health looks at the role of Healing Arts Ontario in supporting concerts in care facilities; Kingston-based composer Marjan Mozetich's life and work are celebrated in film; "Forest Bathing" recontextualizes Schumann, Shostakovich and Hindemith; in Judy Loman's hands, the harp can sing; Mahler's Resurrection bursts the bounds of symphonic form; Ed Bickert, guitar master remembered. All this and more in our April issue, now online in flip-through here, and on stands commencing Friday March 29.
Something Old, Something New! The Ide(a)s of March are Upon Us! Rob Harris's Rear View Mirror looks forward to a tonal revival; Tafelmusik expands their chronological envelope in two directions, Esprit makes wave after wave; Pax Christi's new oratorio by Barbara Croall catches the attention of our choral and new music columnists; and summer music education is our special focus, right when warm days are once again possible to imagine. All this and more in our March 2019 edition, available in flipthrough here, and on the stands starting Thursday Feb 28.
In this issue: A prize that brings lustre to its laureates (and a laureate who brings lustre to the prize); Edwin Huizinga on the journey of Opera Atelier's "The Angel Speaks" from Versailles to the ROM; Danny Driver on playing piano in the moment; Remembering Neil Crory (a different kind of genius)' Year of the Boar, Indigeneity and Opera; all this and more in Volume 24 #5. Online in flip through, HERE and on the stands commencing Thursday Jan 31.
When is a trumpet like a motorcycle in a dressage event? How many Brunhilde's does it take to change an Elektra? Just two of the many questions you've been dying to ask, to which you will find answers in a 24th annual combined December/January issue – in which our 11 beat columnists sift through what's on offer in the upcoming holiday month, and what they're already circling in their calendars for 2019. Oh, and features too: a klezmer violinist breathing new life into a very old film; two New Music festivals in January, 200 metres apart; a Music & Health story on the restorative powers of a grassroots exercise in collective music-making; even a good reason to go to Winnipeg in the dead of winter. All this and more in Vol 24 No 4, now available in flipthrough format here.
Reluctant arranger! National Ballet Orchestra percussionist Kris Maddigan on creating the JUNO and BAFTA award-winning smash hit Cuphead video game soundtrack; Evergreen by name and by nature, quintessentially Canadian gamelan (Andrew Timar explains); violinist Angèle Dubeau on 20 years and 60 million streams; two children’s choirs where this month remembrance and living history must intersect. And much more, online in our kiosk now, and on the street commencing Thursday November 1.
Presenters, start your engines! With TIFF and "back-to-work" out of the way, the regular concert season rumbles to life, and, if our Editor's Opener can be trusted, "Seeking Synergies" seems to be the name of the game. Denise Williams' constantly evolving "Walk Together Children" touching down at the Toronto Centre for the Arts; the second annual Festival of Arabic Music and Arts expanding its range; a lesson in Jazz Survival with Steve Wallace; the 150 presenter and performer profiles in our 19th annual Blue Pages directory... this is an issue that is definitely more than the sum of its parts.
In this issue: The WholeNote's 7th Annual TIFF TIPS guide to festival films with musical clout; soprano Erin Wall in conversation with Art of Song columnist Lydia Perovic, about more than the art of song; a summer's worth of recordings reviewed; Toronto Chamber Choir at 50 (is a few close friends all it takes?); and much more, as the 2018/19 season gets under way.
PLANTING NOT PAVING! In this JUNE / JULY /AUGUST combined issue: Farewell interviews with TSO's Peter Oundjian and Stratford Summer Music's John Miller, along with "going places" chats with Luminato's Josephine Ridge, TD Jazz's Josh Grossman and Charm of Finches' Terry Lim. ) Plus a summer's worth of fruitful festival inquiry, in the city and on the road, in a feast of stories and our annual GREEN PAGES summer Directory.
In this issue: our sixteenth annual Choral Canary Pages; coverage of 21C, Estonian Music Week and the 3rd Toronto Bach Festival (three festivals that aren’t waiting for summer!); and features galore: “Final Finales” for Larry Beckwith’s Toronto Masque Theatre and for David Fallis as artistic director of Toronto Consort; four conductors on the challenges of choral conducting; operatic Hockey Noir; violinist Stephen Sitarski’s perspective on addressing depression; remembering bandleader, composer and saxophonist Paul Cram. These and other stories, in our May 2018 edition of the magazine.
In this issue: we talk with jazz pianist Thompson Egbo-Egbo about growing up in Toronto, building a musical career, and being adaptive to change; pianist Eve Egoyan prepares for her upcoming Luminato project and for the next stage in her long-term collaborative relationship with Spanish-German composer Maria de Alvear; jazz violinist Aline Homzy, halfway through preparing for a concert featuring standout women bandleaders, talks about social equity in the world of improvised music; and the local choral community celebrates the life and work of choral conductor Elmer Iseler, 20 years after his passing.
In this issue: Canadian Stage, Tapestry Opera and Vancouver Opera collaborate to take Gogol’s short story The Overcoat to the operatic stage; Montreal-based Sam Shalabi brings his ensemble Land of Kush, and his newest composition, to Toronto; Five Canadian composers, each with a different CBC connection, are nominated for JUNOs; and The WholeNote team presents its annual Summer Music Education Directory, a directory of summer music camps, programs and courses across the province and beyond.
In this issue: composer Nicole Lizée talks about her love for analogue equipment, and the music that “glitching” evokes; Richard Rose, artistic director at the Tarragon Theatre, gives us insights into their a rock-and-roll Hamlet, now entering production; Toronto prepares for a mini-revival of Schoenberg’s music, with three upcoming shows at New Music Concerts; and the local music theatre community remembers and celebrates the life and work of Mi’kmaq playwright and performer Cathy Elliott . These and other stories, in our double-issue December/January edition of the magazine.
In this issue: conversations (of one kind or another) galore! Daniela Nardi on taking the reins at "best-kept secret" venue, 918 Bathurst; composer Jeff Ryan on his "Afghanistan" Requiem for a Generation" partnership with war poet, Susan Steele; lutenist Ben Stein on seventeenth century jazz; collaborative pianist Philip Chiu on going solo; Barbara Hannigan on her upcoming Viennese "Second School" recital at Koerner; Tina Pearson on Pauline Oliveros; and as always a whole lot more!
In this issue: several local artists reflect on the memory of composer Claude Vivier, as they prepare to perform his music; Vancouver gets ready to host international festival ISCM World New Music Days, which is coming to Canada for the second time since its inception in 1923; one of the founders of Artword Artbar, one of Hamilton’s staple music venues, on the eve of the 5th annual Steel City Jazz Festival, muses on keeping urban music venues alive; and a conversation with pianist Benjamin Grosvenor, as he prepares for an ambitious recital in Toronto. These and other stories, in our October 2017 issue of the magazine.
In this issue: a look at why musicians experience stage fright, and how to combat it; an inside look at the second Kensington Market Jazz Festival, which zeros in on one of Toronto’s true ‘music villages’; an in-depth interview with Elisa Citterio, new music director of Tafelmusik Baroque Orchestra; and The WholeNote’s guide to TIFF, with suggestions for the 20 most musical films at this year’s festival. These and other stories, in our September 2017 issue of the magazine!
CBC Radio's Lost Horizon; Pinocchio as Po-Mo Operatic Poster Boy; Meet the Curators (Crow, Bernstein, Ridge); a Global Music Orchestra is born; and festivals, festivals, festivals in our 13th annual summer music Green Pages. All this and more in our three-month June-through August summer special issue, now available in flipthrough HERE and on the stands commencing Thursday June 1.
From science fact in "Integral Man: Music and the Movies," to science fiction in the editor's opener; from World Fiddle Day at the Aga Khan Museum to three Canadians at the Cliburn; from wanting to sashay across the 401 to Chamberfest in Montreal to exploring the Continuum of Jumblies Theatre's 20-year commitment to the Community Play (there's a pun in there somewhere!).
In this issue: Our podcast ramps up with interviews in March with fight director Jenny Parr, countertenor Daniel Taylor, and baritone Russell Braun; two views of composer John Beckwith at 90; how music’s connection to memory can assist with the care of patients with Alzheimer’s; musical celebrations in film and jazz, at National Canadian Film Day and Jazz Day; and a preview of Louis Riel, which opens this month at the COC. These and other stories, in our April 2017 issue of the magazine!
On our cover: Owen Pallett's musical palette on display at New Creations. Spring brings thoughts of summer music education! (It's never too late.). For Marc-Andre Hamelin the score is king. Ella at 100 has the tributes happening. All; this and more.
In this issue: an interview with composer/vocalist Jeremy Dutcher, on his upcoming debut album and unique compositional voice; a conversation with Boston Symphony hornist James Sommerville, as as the BSO gets ready to come to his hometown; Stuart Hamilton, fondly remembered; and an inside look at Hugh’s Room, as it enters a complicated chapter in the story of its life in the complex fabric of our musical city. These and other stories, as we celebrate the past and look forward to the rest of 2016/17, the first glimpses of 2017/18, and beyond!
In this issue: a conversation with pianist Stewart Goodyear, in advance of his upcoming show at Koerner Hall; a preview of the annual New Year’s phenomenon that is Bravissimo!/Salute to Vienna; an inside look at music performance in Toronto’s health-care centres; and a reflection on the incredible life and lasting influence of the late Pauline Oliveros. These and more, in a special December/January combined issue!
In this issue: David Jaeger and Alex Pauk’s most memorable R. Murray Schafer collabs, in this month’s installment of Jaeger’s CBC Radio Two: The Living Legacy; an interview with flutist Claire Chase, who brings new music and mindset to Toronto this month; an investigation into the strange coincidence of three simultaneous Mendelssohn Elijahs this Nov 5; and of course, our annual Blue Pages, a who’s who of southern Ontario’s live music scene- a community as prolific and multifaceted as ever. These and more, as we move full-force into the 2016/17 concert season- all aboard!
Music lover's TIFF (our fifth annual guide to the Toronto International Film Festival); Aix Marks the Spot (how Brexit could impact on operatic co-production); The Unstoppable Howard Cable (an affectionate memoir of a late chapter in the life of of a great Canadian arranger; Kensington Jazz Story (the newest kid on the festival block flexes its muscles). These stories and much more as we say a lingering goodbye to summer and turn to the task, for the 22nd season, of covering the live and recorded music that make Southern Ontario tick.
It's combined June/July/August summer issue time with, we hope, enough between the covers to keep you dipping into it all through the coming lazy, hazy days. From Jazz Vans racing round "The Island" delivering pop-up brass breakouts at the roadside, to Bach flute ambushes strolling "The Grove, " to dozens of reasons to stay in the city. May yours be a summer where you find undiscovered musical treasures, and, better still, when, unexpectedly, the music finds you.
INSIDE: The Canaries Are Here! 116 choirs to choose from, so take the plunge! The Nylons hit the road after one last SING! Fling. Jazz writer Steve Wallace wonders "Watts Goode" rather than "what's new?" Paul Ennis has the musical picks of the HotDocs crop. David Jaeger's CBC Radio continues golden for a little while yet. Douglas McNabney is Music's Child. Leipzig meets Damascus in Alison Mackay's fertile imagination. And "C" is for KRONOS in Wende Bartley's koverage of the third annual 21C Festival. All this and as usual much much more. Enjoy.
From 30 camp profiles to spark thoughts of being your summer musical best, to testing LUDWIG as you while away the rest of so-called winter; from Scottish Opera and the Danish Midtvest, to a first Toronto recital appearance by violin superstar Maxim Vengerov; from musings on New Creations and new creation, to the boy who made a habit of crying Beowulf; it's a month of merry meetings and rousing recordings reviewed, all here to discover in The WholeNote.
2016 is off to a flying start! We chronicle the Artful Times of Andrew Burashko, the violistic versatility of Teng Li, the ageless ebullience of jazz pianist Gene DiNovi and the ninetieth birthday of trumpeter Johnny Cowell. Jaeger remembers Boulez; Waxman recalls Bley's influence, and Olds finds Bowie haunting Editor's Corner. Oh, and did we mention there's all that music? Hello (and goodbye) to the February blues, and here's to swinging through the musical vines of the Year of the Monkey.
What's a vinyl renaissance? What happens when Handel's Messiah runs afoul of the rumba rhythm setting on a (gasp!) Hammond organ? What work does Marc-Andre Hamelin say he would be content to have on every recital program he plays? What are Steve Wallace's favourite fifty Christmas recordings? Why is violinist Daniel Hope celebrating Yehudi Menuhin's 100th birthday at Koerner Hall January 28? Answers to all these questions (and a whole lot more) in the Dec/Jan issue of The WholeNote.
"Come" seems to be the verb that knits this month's issue together. Sondra Radvanovsky comes to Koerner, William Norris comes to Tafel as their new GM, opera comes to Canadian Stage; and (a long time coming!) Jane Bunnett's musicianship and mentorship are honoured with the Premier's award for excellence; plus David Jaeger's ongoing series on the golden years of CBC Radio Two, Andrew Timar on hybridity, a bumper crop of record reviews and much much more. Come on in!
Vol 21 No 2 is now available for your viewing pleasure, and it's a bumper crop, right at the harvest moon. First ever Canadian opera on the Four Seasons Centre main stage gets double coverage with Wende Bartley interviewing Pyramus and Thisbe composer Barbara Monk Feldman and Chris Hoile connecting with director Christopher Alden; Paul Ennis digs into the musical mind of pianist Benjamin Grosvenor, and pianist Eve Egoyan is "On the Record" in conversation with publisher David Perlman ahead of the Oct release concert for her tenth recording. And at the heart of it all the 16th edition of our annual BLUE PAGES directory of presenters profile the season now well and truly under way.
Paul Ennis's annual TIFF TIPS (27 festival films of potential particular musical interest); Wu Man, Yo-Yo Ma and Jeffrey Beecher on the Silk Road; David Jaeger on CBC Radio Music in the days it was committed to commissioning; the LISTENING ROOM continues to grow on line; DISCoveries is back, bigger than ever; and Mary Lou Fallis says Trinity-St. Paul's is Just the Spot (especially this coming Sept 25!).