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Volume 4 Issue 6 - March 1999

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  • Toronto
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insert miniature cover (brian to .make) Tafelmus.ik's Jeanne Lamon: Baroque "middleman" INTERVIEWED BY ALLAN PULKEA Special Occasion Insurance. Concerts, Recitals, Benefits ~ Fast reasonable service from experts. Mru& New York native Jeanne Lamon's certain occasion; for a certain cmmection with Tafelmusik audience, a certain hall, a certain really began in April 1980, when time of the year. Huge hall, she came to Toronto to guest church at Christmas, intimate direct the Toronto Chamber parlour- these things all affect Music Collective, established in the decision. And then you bring 1978 by Ke1meth Solway and that music to life, you bring it off Susan Graves, with the aim of the page, you· take those black becoming a world-class period spots on that white piece of paper orchestra. , and you somehow make it mean In 1981 Lamon assumed something to the audience. It all the position of Music Director. sounds oversimplified and What has occurred since then has obvious, but it is important to been little short of breath-taking; remember, because there is no including many, many tours (IS other art form that is quite like ·European tours alone), over fifty that. recordings, and four Jtmo awards. · Music is the only art fonn Jeanne Lamon has been recog- that requires a "middle man" ih nized for her work with this sense. Even a dancer is not Tafelmusik with an honorary an interpreter in the same sense doctorate from York University, as a musician is. In the case of the Muriel Sherrin award for Baroque music, in particular, · intemational success in music we're very lucky and we're very and theM. Joan

Experience the soul, the spiritand the great music of the artists represented by Marilyn Gilbert Artists Management 1n their 1999-2000 roster. Marilyn Gilbert Artists Management Toronto 33 Isabella St, Suite 112 Toronto, Ontario M4Y 2P7 phone: 416.410.8224 fox: 416 928 0097 WWW address: http/ /www.mgom.com INSTRUMENTALISTS Gila Goldstein .............. piano Nari Matsuura .. ... :....... . piano Roberta Pili ................ piano Richard Raymond .... .... .... piano Marvin Rosen ... .. . .. .... . . piano Paul Shaw . .. ............. piano Robert Silverman .. ...... ... . piano Kal Gleusteen .. ... ...... . .. violin loan Harea .... . . ... .. . .. . . gypsy violin Ning Kam ..... .. ..... ... .. violin Misha Keylin ..... ... .... ... violin Francesco Marara ... .. ....... violin Jasper Wood .. .. ... ........ violin Rivka Golani ............... viola Joseph Elworthy .. . .. . .. . ... . cello Michel Bellavance ....... . ... . flute Guy Few .. .... . . ... ... .... trumpet/piano James Sommerville . ..... ..... rrench horn Joseph Petrie .. ............. accordion Vadim Ghin .... . ... . 00 .. . .. piano Kevin Kenner .. . . ..... ...... piano Kai Gleusteen . . . .. ... . .. . .. violin Sylvie Proulx . . .. . ..... .. ... guitar lnbal Segev .......... 00 .... cello The Great Canadian , Chamber Music Company SpeCial projects designed by Managing Director Marilyn Gilbert and Sales Associate Richard Paul COMPOSERS Peter Paul Koprowski • Vito Ricci CONDUCTORS Jed Gaylin • Wallace Leung • Barry Kolman JAZZ Independence Jazz Reunion · full spectrum of jazz entertainment Jeri Brown -jazz singer Siora -Brazilian jazz band . Adam Solomon and Tiklsa ·African pop, jazz & traditional ENSEMBLES Relache -new music ensemble knowmoremusicensemble - music by Vito Ricci Guy Few and Alain Trudel -trumpet/ piano/ trombon'e Bellows and Brass- accordion, trombone and trumpet Canada West Chamber Orchestra- music director, Wallace Leung Maelstrom Percussion Ensemble Duo Chroma- trumpet/piano/accordion/ voice The Ludwig Quartet -string quartet Modem String Quartet (Germany) -string quartet (new; traditional and jazz) Oxford Concert Party -baroque and tango SPECIAL ATTRACTIONS NeuroTango- accordion, piano, trumpet, string -quartet Vito Ricci & Lise Vachon -"ordinary things" a cabmet JEWISH MUSIC The Flying Bulgar Klezmer Band

Volumes 21-25 (2015-2019)

Volume 25 Issue 4 - December 2019 / January 2020
Volume 25 Issue 2 - October 2019
Volume 25 Issue 1 - September 2019
Volume 24 Issue 8 - May 2019
Volume 24 Issue 7 - April 2019
Volume 24 Issue 6 - March 2019
Volume 24 Issue 5 - February 2019
Volume 24 Issue 4 - December 2018 / January 2019
Volume 24 Issue 3 - November 2018
Volume 24 Issue 2 - October 2018
Volume 24 Issue 1 - September 2018
Volume 23 Issue 9 - June / July / August 2018
Volume 23 Issue 8 - May 2018
Volume 23 Issue 7 - April 2018
Volume 23 Issue 6 - March 2018
Volume 23 Issue 4 - December 2017 / January 2018
Volume 23 Issue 3 - November 2017
Volume 23 Issue 2 - October 2017
Volume 23 Issue 1 - September 2017
Volume 22 Issue 9 - Summer 2017
Volume 22 Issue 8 - May 2017
Volume 22 Issue 7 - April 2017
Volume 22 Issue 6 - March 2017
Volume 22 Issue 5 - February 2017
Volume 22 Issue 4 - December 2016/January 2017
Volume 22 Issue 2 - October 2016
Volume 22 Issue 1 - September 2016
Volume 21 Issue 9 - Summer 2016
Volume 21 Issue 8 - May 2016
Volume 21 Issue 6 - March 2016
Volume 21 Issue 5 - February 2016
Volume 21 Issue 4 - December 2015/January 2016
Volume 21 Issue 3 - November 2015
Volume 21 Issue 2 - October 2015
Volume 21 Issue 1 - September 2015

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