. HEAL TH FOCUS CONTINUED FROM PAGE 30 A concerted effort please! the concert season coincides with departed at all, but was lying prone lioz' Symphoni'e Fantastique. BY JJM TENNYSO:'\ Back in the days when I taught the worst weather of the year means on the pew, his head in his friend's "Much of it is rubbish, "said Sir high school my class and I made a that of course everyone has a cold, lap '?'ith a beatific look on his face E, "but the ... march to the guilloyearly field trip to hear the TSO at but why medical researchers have as his buddy lightly rubbed his tat- tine is really tremendous." Roy Thomson Hall. I plopped. ignored the fact that a concert is too. Was I appalled? Not a bit: my I'll let Mackenzie pick up the myself in the middle of my little one of the most.effective expeoto- sight lipes improved 100 % story. " ' .. by the tjme the march · herd and those happy hours were rants known, is a mystery to me. . IrJ fact I r_eally don't care what to the gallows had been reached. the only time I have ever exerted Carnegie Hall has in fact installep they do as long as they are quiet he was sweating profusely and . complete control over the behav- cough drop dis- about'it. And t.he muttering to himself 'Oh my god! iour and deportment of a concert pensers through- MEDICAL RESEARCHERS young are often My GOD'' so loudly that the seri-· audience, or at least the part with out the auditorium HAVE IGNORED THE FACT quite fine ... un- ous minded woman in front of us which I was intimately involved. where you can get orthodox but turned round and hushed him." It was bliss! I had my class well a free .... and I'm THAT A CONCERT IS ONE fine. It's the 'Now Mackenzie '1 am going to .and truly ~arned, " Remember!" not making this OF THE MOST EFFECTIVE boomers, bless' mark the rhythm for you on your · I intoned, in a voice of doom" this up ... Hall's in the em, who really knee.' As a matter of fact he is real life: you know, REAL vir- Hall. I note that EXPECTORANTS KNOwN don't "play well marked it in my knee, my ribs and tual reality: you cari see them and Toronto audience with others. " on the arm of the stall ... Then h~ they· can see you. I know several members are becoming more proac- Technology in particular seems to got worried by the way the cymorchestra members and if you kids tive in this regard too. I recently defeat them: that silent vibrate ring- bals were being played. embarrass me in front of them I'll sat beside a gent who coughed his ing function on their cell phone is 'Not like that!' he exclaimed clappush you into the percussion sec- way through· the first few selec- completely beyond· their ken. ping his hands in the style of the tion." It worked like a charm. If tions at which point the woman in Think of that anecdote about the cymbalist 'Like THIS you fool!' they began to chatter I poked them front, turned, looked over her 19'h century pianist and conductor putting his left arm over his right with my programme. If they glasses, and offered the gent a can- . Hans Von BulQw, who stopped as he wanted them played. By this coughed I handed them a candy. dy, which, in supreme act of ma- a concert, transfixed a poor worn- time most of the people in front If they fidgeted and kicked the seat cho renunciation he refused! I an in the. front row who was fan- were turning round to glare and in front of them I mouthed the should have taken it myself he- ning herself and said " Madame! hushes came along the'line. They words " Fal·ling term II)ark'' in their cause my ·suppressed giggles set How do you expect me to beat 4/ might as well have tried to· hush general direction. It was iny con- me off on a mild coughing jag. 4 time while you are FANNING Vesuvius in full eruption." cert-going Eldorado.. IN THREE!!!" Lucky for both BuT n's A NEW MILLENNIUM and ~~J ~~~e~e\~ ~~~n~gr~s~~~ ~~r~ BEING A MEMBER of a live audience customs change: in the 18'h centu- And the moral? Often the best performance is NOT on the P.ro (is there such thing as a DEAD ry audiences, and in particular op- nasal rendition of Fur Elise he audience?) is often the artistic equiv- era aud1·e· nces acted as· if they were gramme. Fasten your seat belt: at ' would have had to be physically alent of flying charter to Australia: attend1'ng a gala soiree especially a concert you never can tell. . . . · ' restrained by the concert master. a group of. unrelated adults m the f11rtat1ous ante.rooms of the But of course being cuckolded by crammed into an overbeated and boxes. And we seem m som.e waySi. Richard Wagner tends to make one badly ventilated space with ipade- to be recovering the romantic past. t t quate seating all with the goal of Since many concerts these days take · es Y · being transported on the wings of place in churches, deportment and So I THINK CONCERTS HAVE always. song to some personal happy posture, to wax 18th century for a been sort of a rough ride ax:id often place, ae.sthetically speaking. And moment, can undergo a certain de- from the most impeccable sources miraculously we often we arrive at gree of modification. After inter- of trouble, as it were. Even in just that destination, (Platonic Air- mission recently at a wonderful Ba- fact from an icon of the stature of lines will be landing in Ultimate roque concert, I noticed that the Sir Edward Elgar. One afternoon Truth shortly). But the stories tall young man in front of me who in 1923 he hauled the novelist (and we have to tell about our seatmates . sported a diverting Celtic tattoo on founder of The Gramophone Magfill hours of dinner table conversa- his bald spot, had vanished at in- azine) Compton Mackenzie off to tion. termission, yet strangely his friend a concert in Queen's HaJ.l in Lon- And like flights, health issues remained. It was when I leaned don after Mackenzie had let it be · loom very very large. The fact that forward that I realized he had NOT known he had never heard Ber- 'O )> a. 3 Al and Malka Green Artists' Health Centre at Toronto Western Hospital 399 Bathurst Street (at Dundas) fo book an appointment, call 4 16-603-5263 An integrated & comprehensive health care centre created by artists -. for ar~ i st s For information about our services, contact: The Artists' Health Centre Foundation 41 6-35 1-0239 • www.ahcf.ca Call ur slup by: ~---~ Chris Gordon, CFA 1715 Lakeshore Rd. W. Mississauga, ON L5J 1J4 Tel: (905) 822-7111 www.e(lwanljones.com Member CIPF EdwardJones Serving Individual Investors 48 WWW. THEWHOLENOTE.COM FEBRUARY 1 · M ARCH 7 2 004
ANNOUNCEMENTS, LECTURES/SYMPOSIA, ANNOUNCEMENTS *February 6 & 7 6:45: Toronto Consort · Board of Oirectors.MidwinterMarvel Silent auction. Bid on a variety of items including ticket vouchers for musical & theatrical events, gift certificates etc., before The Splendour of Burgundy concerts or during intermission !see daily listings). Gymnasium, Trinity-St. Paul's Centre, 427 Bloor West. 416-530-4735. *February 14 6:00: Knights of Columbus. Music of the Knight. St. Valentine's Day fundraising event. Live & silent auction, cocktail reception, dinner & musical entertainment by the Toronto Youth Wind Orchestra and jazz & classical pianist, Gene DiNovi; dancing to the Hart Wheeler Band with vocalist Michelle lurman. Le Pare, Leslie & Hwy 7, Markham. 416-4474403. 0. lnsupportof Columbus Boys' Camp. *February 14 7:30: Burlington Civic Chorale. Valentine Magic Cabaret & Silent Auction .. Solo & choral performances of contemporary vocai jau, popular show tunes, silent auction, desserts. St. Christopher's Church, 662 Guelph Lirie, Burlington. 905-333-5342. ·,. . •February 14: Northumberland Orchestra and Choir. A Valentine Affair. Annual dinner & pops concert with dancing. Cobourg Lions' Centre, Elgin Street, Cobourg. 905-342-9295. . *February 21 6:00: High Park Choirs of Toronto. Family Fun Carnival & Giant Silent Auction. Musical guests, performances by the Children's & Senior Choirs; Karaoke, craft stations & more. Toronto Argonaut Rowing Club, 1225 Lakeshore Blvd. West. 416· 762-0657. , (sr/child). Proceeds to support the George Gay Memorial Fund. *February 22· 7:30: Royal Canadian College of Organists, Hamilton Centre. Tune My Heart -300 Years of Hymns from World Methodism. Come to sing old and new Methodist hymns from' North America, Britain, Argentina and Zimbabwe. Dr. John Ambrose, narrator. Ryerson United Church, 842 Main St. East, Hamilton. 905-549-5897. Retiring Offering taken to support the work of Wesley Urban Ministries, Hamilton. *February 24 B.:00: National Jazz Awards. Performances by Holly Cole, Denny Christianson Sextet, Humber College Big Band, Peter Appleyard, Roberto Occhipinti Nonet & others; hosts: Denzal Sinclaire and Ranee Lee. 7:00: VIP cocktail reception. Winter Garden Theatre, 189 Yonge St. 416-872-5555. , (includes reception). WORKSHOPS, ETCETERA *February 27, 28 & 29: Toronto Downtown Jazz. Toronto Downtown Jazz Party. Featuring over a dozen jazz musicians playing mix & match in a series of informal jam sessions. Jim Galloway, artistic director. Sheraton Centre Toronto Hotel, 123 Queen St. West. 416·928-2033, 1-800-205· 7638: Weekend pass 0, daily rates available. *February 28 1:00: Royal Canadian College of Organists. Young Organists Competition. Lawrence Park Community Church, 2180 Bayview Ave. 416-576-7228. Free. •March 3 6:00: Canadian Opera Company. Fifth Annual Fine Wine Auction. Live auction conducted by Stephen Ranger ofRitchie's Auctioneers and Appraisers; raffle tickets. Sheraton Centre Toronto, 123 Queen St. West. 416-306-2398. each or 5 for 0. •Festival Wind Orchestra. Open Piano Competition. Featured work: Grieg: Piano Concerto in a. For details and an application to audition, phone 416-491-1683. Applications must be received by February 26, 2004. *Toronto Sinfonietta Art Boutique is collectin"g classical and jazz CO's, plus old or broken musical instruments which will be used by invited artists to create pieces of art.To donate CD's and instruments, bring them to our concerts (Feb 29, 3:00-see daily listings) or call 416- 763-8746 for pick-up. *TransforMusic International Competition for Composers. Serious TLC for . . musicians by a musician Endurance • Breath Posture • Muscle Release Dr. Katarina Bulat, Chiropractor Clinic: Back in Motion 1370 Danforth Ave. Tel: 416-461-2225 compositions of 10-20 minutes based. on a light music piece, for optional instruments from solo to symphony orchestra. Gala concert of winning entries and announcement of prizes take place in Budapest, Hungary in spring 2005. Submission deadline: 31 August 2004. For more information: www.freeweb.hu/transformusic/ kiiras.htm , LECTURES/SYMPOSIA *February 11 6:15: University ofToronto Faculty of Music. Mozart and His Influences. Lecture by Caryl Clarke. Room 130, Edward Johnson Bldg, 80 Queen's Park. 416-978-3744. Free. *February 1212:10: University ofToronto Faculty of Music. The Beggar's Opera: Across the Centuries. Discussion by members of the creative team of John Gay's original ballad opera and of Britten's realisation, with excerpts performed by members of the cast. Chaired by lain Scott. Walter Hall, 80 Queen's Park. 416- 978-3744: Free. *February 15 2:00: Toronto Opera Club. Mozart Heroes and Heroines I Have Known. Audio presentatioo by guest speaker mezzo. soprano Diane Loeb. Room 330, Edward Johnson Bldg, 80 Queen's Park. 416-924-3940. Non· members . *February 27 7:30: Gilbert & Sullivan Society of Toronto. A speaker will talk about the musical Showboat, with soloists & group singing. Skey Room, Parish Hall, St. Ame's Clmh, 270 Gladstone Ave.416-221-4864. F11!e. *March 112:00 noon: University of Toronto at Scarborough. Japanese music lecture/demonstration with Kiyoshi Nagata. 1265 Military Trail. 416-287 · 7076. Free. WORKSHOPS *February 11:30: Toronto Early Music Players' Organization. Daniel Gariepy, baroque dancer. Open to dancers and/or players of recorders, viols & other early instruments. Lansing United Church, 49 Bogert Ave. 416-487· 9261.. . *February 7 2:00: long & Mc Quade.Helpful Hints for Saxophone. Paul Brodie discusses saxophone history & technique. For all levels of players. Bring your instrument. 933 Bloor St. West. 416-588- 7886. Free. First come, first ser:ved. *February 14 2:00: Long & McQuade. Extreme Clarinet. Instrument clinic with Phil Nimriins. Bring your instrument. 933 Bloor St. West. 416-588- 7886. Free. First come, first ser:ved. *February 21 2:00: Long & Mc Quade. Good Habits VS. Bad Habits. Informative session wiih trombonist Gordon Wolfe. Bring your instrument. 933 Bloor St. West. 416-588- 7886. Free. First come, first served. •February 24 8:00: Toronto Folk Singers' Club. Informal gathering with the purpose of performing & exchanging songs. T ranzac Club, 292 Brunswick Ave. 416-537-7422. *February 25 7:30: Toronto Early Music Centre. Vocal Circle. Recreational reading of early choral music. Ability to read music desirable but not essential. 166 Crescent Rd. 416-920-5025. (non-members). *February 28 2:00: Long & McOuade. Jupiter Product Session. Merlin Williams, woodwinds; Alex Kundakcioglu, brass. Bring your mouthpiece for your chance to try out these wonderful instruments. 933 Bloor St. West. 416- 588-7886. Free. First come, first served. CONTINUES NEXT PAGE
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Choral Scene: Uncharted territory: three choirs finding paths forward; Music Theatre: Loose Tea on the boil with Alaina Viau’s Dead Reckoning; In with the New: what happens to soundart when climate change meets COVID-19; Call to action: diversity, accountability, and reform in post-secondary jazz studies; 9th Annual TIFF Tips: a filmfest like no other; Remembering: Leon Fleisher; DISCoveries: a NY state of mind; 25th anniversary stroll-through; and more. Online in flip through here, and on stands commencing Tues SEP 1.
Following the Goldberg trail from Gould to Lang Lang; Measha Brueggergosman and Edwin Huizinga on face to face collaboration in strange times; diggings into dance as FFDN keeps live alive; "Classical unicorn?" - Luke Welch reflects on life as a Black classical pianist; Debashis Sinha's adventures in sound art; choral lessons from Skagit Valley; and the 21st annual WholeNote Blue Pages (part 1 of 3) in print and online. Here now. And, yes, still in print, with distribution starting Thursday October 1.
Alanis Obomsawin's art of life; fifteen Exquisite Departures; UnCovered re(dis)covered; jazz in the kitchen; three takes on managing record releases in times of plague; baroque for babies; presenter directory (blue pages) part two; and, here at the WholeNote, work in progress on four brick walls (or is it five?). All this and more available in flipthrough HERE, and in print Tuesday Nov 3.
In this issue: Beautiful Exceptions, Sing-Alone Messiahs, Livingston’s Vocal Pleasures, Chamber Beethoven, Online Opera (Plexiglass & All), Playlist for the Winter of our Discontent, The Oud & the Fuzz, Who is Alex Trebek? All this and more available in flipthrough HERE, and in print Friday December 4.
July/August issue is now available in flipthrough HERE, bringing to a close 25 seasons of doing what we do (and plan to continue doing), and on stands early in the week of July 5. Not the usual bucolic parade of music in the summer sun, but lots, we hope, to pass the time: links to online and virtual music; a full slate of record reviews; plenty new in the Listening Room; and a full slate of stories – the future of opera, the plight of small venues, the challenge facing orchestras, the barriers to resumption of choral life, the challenges of isolation for real-time music; the steps some festivals are taking to keep the spirit and substance of what they do alive. And intersecting with all of it, responses to the urgent call for anti-racist action and systemic change.
"COVID's Metamorphoses"? "There's Always Time (Until Suddenly There Isn't)"? "The Writing on the Wall"? It's hard to know WHAT to call this latest chapter in the extraordinary story we are all of a sudden characters in. By whatever name we call it, the MAY/JUNE combined issue of The WholeNote is now available, HERE in flip through format, in print commencing Wednesday May 6, and, in fully interactive form, online at thewholenote.com. Our 18th Annual Choral Canary Pages, scheduled for publication in print and flip through in September is already well underway with the first 50 choirs home to roost and more being added every week online. Community Voices, our cover story, brings to you the thoughts of 30 musical community members, all going through what we are going through (and with many more to come as the feature gets amplified online over the course of the coming months). And our regular writers bring their personal thoughts to the mix. Finally, a full-fledged DISCoveries review section offers cues and clues to recorded music for your solitary solace!
After some doubt that we would be allowed to go to press, in respect to wide-ranging Ontario business closures relating to COVID-19, The WholeNote magazine for April 2020 is now on press, and print distribution – modified to respect community-wide closures and the need for appropriate distancing – starts Monday March 30. Meanwhile the full magazine is right here, digitally, so if you value us PLEASE SHARE THIS LINK AS WIDELY AS YOU CAN. It's the safest way for us to reach the widest possible audience at this time!
FEATURED: Music & Health writer Vivien Fellegi explores music, blindness & the plasticity of perception; David Jaeger digs into Gustavo Gimeno's plans for new music in his upcoming first season as music director at TSO; pianist James Rhodes, here for an early March recital, speaks his mind in a Q&A with Paul Ennis; and Lydia Perovic talks music and more with rising Turkish-Canadian mezzo Beste Kalender. Also, among our columns, Peggy Baker Dance Projects headlines Wende Bartley's In with the New; Steve Wallace's Jazz Notes rushes in definitionally where many fear to tread; ... and more.
Visions of 2020! Sampling from back to front for a change: in Rearview Mirror, Robert Harris on the Beethoven he loves (and loves to hate!); Errol Gay, a most musical life remembered; Luna Pearl Woolf in focus in recordings editor David Olds' "Editor's Corner" and in Jenny Parr's preview of "Jacqueline"; Speranza Scappucci explains how not to reinvent Rossini; The Indigo Project, where "each piece of cloth tells a story"; and, leading it all off, Jully Black makes a giant leap in "Caroline, or Change." And as always, much more. Now online in flip-through format here and on stands starting Thurs Jan 30.
Welcome to our December/January issue as we turn the annual calendar page, halfway through our season for the 25th time, juggling as always, secular stuff, the spirit of the season, new year resolve and winter journeys! Why is Mozart's Handel's Messiah's trumpet a trombone? Why when Laurie Anderson offers to fly you to the moon you should take her up on the invitation. Why messing with Winterreisse can (sometimes) be a very good thing! And a bumper crop of record reviews for your reading (and sometimes listening) pleasure. Available in flipthrough here right now, and on stands commencing Thursday Nov 28. See you on the other side!
On the slim chance you might not have already heard the news, Estonian Canadian composing giant Udo Kasemets was born the same year that Leo Thermin invented the theremin --1919. Which means this is the centenary year for both of them, and both are being celebrated in style, as Andrew Timar and MJ Buell respectively explain. And that's just a taste of a bustling November, with enough coverage of music of both the delectably substantial and delightfully silly on hand to satisfy one and all.
Long promised, Vivian Fellegi takes a look at Relaxed Performance practice and how it is bringing concert-going barriers down across the spectrum; Andrew Timar looks at curatorial changes afoot at the Music Gallery; David Jaeger investigates the trumpets of October; the 30th anniversary of the Velvet Revolution (and the 20th Anniversary of our October Blue Pages Presenter profiles) in our Editor's Opener; the Toronto Mendelssohn Choir at 125; Tapestry at 40 and Against the Grain at 10; ringing in the changing season across our features and columns; all this and more, now available in Flip Through format here, and on the stands commencing this coming Friday September 27, 2019. Enjoy.
Vol 1 of our 25th season is now here! And speaking of 25, that's how many films in the upcoming Toronto International Film Festival editor Paul Ennis, in our Eighth Annual TIFF TIPS, has chosen to highlight for their particular musical interest. Also inside: Rob Harris looks through the Rear View Mirror at past and present prognostications about the imminent death of classical music; Mysterious Barricades and Systemic Barriers are Lydia Perović's preoccupations in Art of Song; Andrew Timar reflects on the evolving priorities of the Polaris Prize; and elsewhere, it's chocks away as yet another season creaks or roars (depending on the beat) into motion. Welcome back.
What a range of stuff! A profile of Liz Upchurch, the COC ensemble studio's vocal mentor extraordinaire; a backgrounder on win-win faith/arts centre partnerships and ways of exploring the possibilities; an interview with St. Petersburg-based Eifman Ballet's Boris Eifman; Ana Sokolovic's violin concert Evta finally coming to town; a Love Letter to YouTube, and much more. Plus our 17th annual Canary Pages Choral directory if all you want to do is sing! sing! sing!
Arraymusic, the Music Gallery and Native Women in the Arts join for a mini-festival celebrating the work of composer, performer and installation artist Raven Chacon; Music and Health looks at the role of Healing Arts Ontario in supporting concerts in care facilities; Kingston-based composer Marjan Mozetich's life and work are celebrated in film; "Forest Bathing" recontextualizes Schumann, Shostakovich and Hindemith; in Judy Loman's hands, the harp can sing; Mahler's Resurrection bursts the bounds of symphonic form; Ed Bickert, guitar master remembered. All this and more in our April issue, now online in flip-through here, and on stands commencing Friday March 29.
Something Old, Something New! The Ide(a)s of March are Upon Us! Rob Harris's Rear View Mirror looks forward to a tonal revival; Tafelmusik expands their chronological envelope in two directions, Esprit makes wave after wave; Pax Christi's new oratorio by Barbara Croall catches the attention of our choral and new music columnists; and summer music education is our special focus, right when warm days are once again possible to imagine. All this and more in our March 2019 edition, available in flipthrough here, and on the stands starting Thursday Feb 28.
In this issue: A prize that brings lustre to its laureates (and a laureate who brings lustre to the prize); Edwin Huizinga on the journey of Opera Atelier's "The Angel Speaks" from Versailles to the ROM; Danny Driver on playing piano in the moment; Remembering Neil Crory (a different kind of genius)' Year of the Boar, Indigeneity and Opera; all this and more in Volume 24 #5. Online in flip through, HERE and on the stands commencing Thursday Jan 31.
When is a trumpet like a motorcycle in a dressage event? How many Brunhilde's does it take to change an Elektra? Just two of the many questions you've been dying to ask, to which you will find answers in a 24th annual combined December/January issue – in which our 11 beat columnists sift through what's on offer in the upcoming holiday month, and what they're already circling in their calendars for 2019. Oh, and features too: a klezmer violinist breathing new life into a very old film; two New Music festivals in January, 200 metres apart; a Music & Health story on the restorative powers of a grassroots exercise in collective music-making; even a good reason to go to Winnipeg in the dead of winter. All this and more in Vol 24 No 4, now available in flipthrough format here.
Reluctant arranger! National Ballet Orchestra percussionist Kris Maddigan on creating the JUNO and BAFTA award-winning smash hit Cuphead video game soundtrack; Evergreen by name and by nature, quintessentially Canadian gamelan (Andrew Timar explains); violinist Angèle Dubeau on 20 years and 60 million streams; two children’s choirs where this month remembrance and living history must intersect. And much more, online in our kiosk now, and on the street commencing Thursday November 1.
Presenters, start your engines! With TIFF and "back-to-work" out of the way, the regular concert season rumbles to life, and, if our Editor's Opener can be trusted, "Seeking Synergies" seems to be the name of the game. Denise Williams' constantly evolving "Walk Together Children" touching down at the Toronto Centre for the Arts; the second annual Festival of Arabic Music and Arts expanding its range; a lesson in Jazz Survival with Steve Wallace; the 150 presenter and performer profiles in our 19th annual Blue Pages directory... this is an issue that is definitely more than the sum of its parts.
In this issue: The WholeNote's 7th Annual TIFF TIPS guide to festival films with musical clout; soprano Erin Wall in conversation with Art of Song columnist Lydia Perovic, about more than the art of song; a summer's worth of recordings reviewed; Toronto Chamber Choir at 50 (is a few close friends all it takes?); and much more, as the 2018/19 season gets under way.
PLANTING NOT PAVING! In this JUNE / JULY /AUGUST combined issue: Farewell interviews with TSO's Peter Oundjian and Stratford Summer Music's John Miller, along with "going places" chats with Luminato's Josephine Ridge, TD Jazz's Josh Grossman and Charm of Finches' Terry Lim. ) Plus a summer's worth of fruitful festival inquiry, in the city and on the road, in a feast of stories and our annual GREEN PAGES summer Directory.
In this issue: our sixteenth annual Choral Canary Pages; coverage of 21C, Estonian Music Week and the 3rd Toronto Bach Festival (three festivals that aren’t waiting for summer!); and features galore: “Final Finales” for Larry Beckwith’s Toronto Masque Theatre and for David Fallis as artistic director of Toronto Consort; four conductors on the challenges of choral conducting; operatic Hockey Noir; violinist Stephen Sitarski’s perspective on addressing depression; remembering bandleader, composer and saxophonist Paul Cram. These and other stories, in our May 2018 edition of the magazine.
In this issue: we talk with jazz pianist Thompson Egbo-Egbo about growing up in Toronto, building a musical career, and being adaptive to change; pianist Eve Egoyan prepares for her upcoming Luminato project and for the next stage in her long-term collaborative relationship with Spanish-German composer Maria de Alvear; jazz violinist Aline Homzy, halfway through preparing for a concert featuring standout women bandleaders, talks about social equity in the world of improvised music; and the local choral community celebrates the life and work of choral conductor Elmer Iseler, 20 years after his passing.
In this issue: Canadian Stage, Tapestry Opera and Vancouver Opera collaborate to take Gogol’s short story The Overcoat to the operatic stage; Montreal-based Sam Shalabi brings his ensemble Land of Kush, and his newest composition, to Toronto; Five Canadian composers, each with a different CBC connection, are nominated for JUNOs; and The WholeNote team presents its annual Summer Music Education Directory, a directory of summer music camps, programs and courses across the province and beyond.
In this issue: composer Nicole Lizée talks about her love for analogue equipment, and the music that “glitching” evokes; Richard Rose, artistic director at the Tarragon Theatre, gives us insights into their a rock-and-roll Hamlet, now entering production; Toronto prepares for a mini-revival of Schoenberg’s music, with three upcoming shows at New Music Concerts; and the local music theatre community remembers and celebrates the life and work of Mi’kmaq playwright and performer Cathy Elliott . These and other stories, in our double-issue December/January edition of the magazine.
In this issue: conversations (of one kind or another) galore! Daniela Nardi on taking the reins at "best-kept secret" venue, 918 Bathurst; composer Jeff Ryan on his "Afghanistan" Requiem for a Generation" partnership with war poet, Susan Steele; lutenist Ben Stein on seventeenth century jazz; collaborative pianist Philip Chiu on going solo; Barbara Hannigan on her upcoming Viennese "Second School" recital at Koerner; Tina Pearson on Pauline Oliveros; and as always a whole lot more!
In this issue: several local artists reflect on the memory of composer Claude Vivier, as they prepare to perform his music; Vancouver gets ready to host international festival ISCM World New Music Days, which is coming to Canada for the second time since its inception in 1923; one of the founders of Artword Artbar, one of Hamilton’s staple music venues, on the eve of the 5th annual Steel City Jazz Festival, muses on keeping urban music venues alive; and a conversation with pianist Benjamin Grosvenor, as he prepares for an ambitious recital in Toronto. These and other stories, in our October 2017 issue of the magazine.
In this issue: a look at why musicians experience stage fright, and how to combat it; an inside look at the second Kensington Market Jazz Festival, which zeros in on one of Toronto’s true ‘music villages’; an in-depth interview with Elisa Citterio, new music director of Tafelmusik Baroque Orchestra; and The WholeNote’s guide to TIFF, with suggestions for the 20 most musical films at this year’s festival. These and other stories, in our September 2017 issue of the magazine!
CBC Radio's Lost Horizon; Pinocchio as Po-Mo Operatic Poster Boy; Meet the Curators (Crow, Bernstein, Ridge); a Global Music Orchestra is born; and festivals, festivals, festivals in our 13th annual summer music Green Pages. All this and more in our three-month June-through August summer special issue, now available in flipthrough HERE and on the stands commencing Thursday June 1.
From science fact in "Integral Man: Music and the Movies," to science fiction in the editor's opener; from World Fiddle Day at the Aga Khan Museum to three Canadians at the Cliburn; from wanting to sashay across the 401 to Chamberfest in Montreal to exploring the Continuum of Jumblies Theatre's 20-year commitment to the Community Play (there's a pun in there somewhere!).
In this issue: Our podcast ramps up with interviews in March with fight director Jenny Parr, countertenor Daniel Taylor, and baritone Russell Braun; two views of composer John Beckwith at 90; how music’s connection to memory can assist with the care of patients with Alzheimer’s; musical celebrations in film and jazz, at National Canadian Film Day and Jazz Day; and a preview of Louis Riel, which opens this month at the COC. These and other stories, in our April 2017 issue of the magazine!
On our cover: Owen Pallett's musical palette on display at New Creations. Spring brings thoughts of summer music education! (It's never too late.). For Marc-Andre Hamelin the score is king. Ella at 100 has the tributes happening. All; this and more.
In this issue: an interview with composer/vocalist Jeremy Dutcher, on his upcoming debut album and unique compositional voice; a conversation with Boston Symphony hornist James Sommerville, as as the BSO gets ready to come to his hometown; Stuart Hamilton, fondly remembered; and an inside look at Hugh’s Room, as it enters a complicated chapter in the story of its life in the complex fabric of our musical city. These and other stories, as we celebrate the past and look forward to the rest of 2016/17, the first glimpses of 2017/18, and beyond!
In this issue: a conversation with pianist Stewart Goodyear, in advance of his upcoming show at Koerner Hall; a preview of the annual New Year’s phenomenon that is Bravissimo!/Salute to Vienna; an inside look at music performance in Toronto’s health-care centres; and a reflection on the incredible life and lasting influence of the late Pauline Oliveros. These and more, in a special December/January combined issue!
In this issue: David Jaeger and Alex Pauk’s most memorable R. Murray Schafer collabs, in this month’s installment of Jaeger’s CBC Radio Two: The Living Legacy; an interview with flutist Claire Chase, who brings new music and mindset to Toronto this month; an investigation into the strange coincidence of three simultaneous Mendelssohn Elijahs this Nov 5; and of course, our annual Blue Pages, a who’s who of southern Ontario’s live music scene- a community as prolific and multifaceted as ever. These and more, as we move full-force into the 2016/17 concert season- all aboard!
Music lover's TIFF (our fifth annual guide to the Toronto International Film Festival); Aix Marks the Spot (how Brexit could impact on operatic co-production); The Unstoppable Howard Cable (an affectionate memoir of a late chapter in the life of of a great Canadian arranger; Kensington Jazz Story (the newest kid on the festival block flexes its muscles). These stories and much more as we say a lingering goodbye to summer and turn to the task, for the 22nd season, of covering the live and recorded music that make Southern Ontario tick.
It's combined June/July/August summer issue time with, we hope, enough between the covers to keep you dipping into it all through the coming lazy, hazy days. From Jazz Vans racing round "The Island" delivering pop-up brass breakouts at the roadside, to Bach flute ambushes strolling "The Grove, " to dozens of reasons to stay in the city. May yours be a summer where you find undiscovered musical treasures, and, better still, when, unexpectedly, the music finds you.
INSIDE: The Canaries Are Here! 116 choirs to choose from, so take the plunge! The Nylons hit the road after one last SING! Fling. Jazz writer Steve Wallace wonders "Watts Goode" rather than "what's new?" Paul Ennis has the musical picks of the HotDocs crop. David Jaeger's CBC Radio continues golden for a little while yet. Douglas McNabney is Music's Child. Leipzig meets Damascus in Alison Mackay's fertile imagination. And "C" is for KRONOS in Wende Bartley's koverage of the third annual 21C Festival. All this and as usual much much more. Enjoy.
From 30 camp profiles to spark thoughts of being your summer musical best, to testing LUDWIG as you while away the rest of so-called winter; from Scottish Opera and the Danish Midtvest, to a first Toronto recital appearance by violin superstar Maxim Vengerov; from musings on New Creations and new creation, to the boy who made a habit of crying Beowulf; it's a month of merry meetings and rousing recordings reviewed, all here to discover in The WholeNote.
2016 is off to a flying start! We chronicle the Artful Times of Andrew Burashko, the violistic versatility of Teng Li, the ageless ebullience of jazz pianist Gene DiNovi and the ninetieth birthday of trumpeter Johnny Cowell. Jaeger remembers Boulez; Waxman recalls Bley's influence, and Olds finds Bowie haunting Editor's Corner. Oh, and did we mention there's all that music? Hello (and goodbye) to the February blues, and here's to swinging through the musical vines of the Year of the Monkey.
What's a vinyl renaissance? What happens when Handel's Messiah runs afoul of the rumba rhythm setting on a (gasp!) Hammond organ? What work does Marc-Andre Hamelin say he would be content to have on every recital program he plays? What are Steve Wallace's favourite fifty Christmas recordings? Why is violinist Daniel Hope celebrating Yehudi Menuhin's 100th birthday at Koerner Hall January 28? Answers to all these questions (and a whole lot more) in the Dec/Jan issue of The WholeNote.
"Come" seems to be the verb that knits this month's issue together. Sondra Radvanovsky comes to Koerner, William Norris comes to Tafel as their new GM, opera comes to Canadian Stage; and (a long time coming!) Jane Bunnett's musicianship and mentorship are honoured with the Premier's award for excellence; plus David Jaeger's ongoing series on the golden years of CBC Radio Two, Andrew Timar on hybridity, a bumper crop of record reviews and much much more. Come on in!
Vol 21 No 2 is now available for your viewing pleasure, and it's a bumper crop, right at the harvest moon. First ever Canadian opera on the Four Seasons Centre main stage gets double coverage with Wende Bartley interviewing Pyramus and Thisbe composer Barbara Monk Feldman and Chris Hoile connecting with director Christopher Alden; Paul Ennis digs into the musical mind of pianist Benjamin Grosvenor, and pianist Eve Egoyan is "On the Record" in conversation with publisher David Perlman ahead of the Oct release concert for her tenth recording. And at the heart of it all the 16th edition of our annual BLUE PAGES directory of presenters profile the season now well and truly under way.
Paul Ennis's annual TIFF TIPS (27 festival films of potential particular musical interest); Wu Man, Yo-Yo Ma and Jeffrey Beecher on the Silk Road; David Jaeger on CBC Radio Music in the days it was committed to commissioning; the LISTENING ROOM continues to grow on line; DISCoveries is back, bigger than ever; and Mary Lou Fallis says Trinity-St. Paul's is Just the Spot (especially this coming Sept 25!).